Geometrical Objects
Architecture and the Mathematical Sciences 1400-1800
Museum of the History of Science
and Worcester College, University of Oxford
19-20 March 2007
Recent scholarship in the history of science has underscored the
mutually reinforcing relationship between “high” and “low,” or
theoretical and practical, forms of early modern mathematics. As many
historians have shown, mathematicians of the period were deeply involved
in problems of instrument making, surveying, engineering, gunnery, and
navigation. At the same time, the practitioners of these arts were
increasingly concerned with questions of higher mathematics and natural
philosophy as they pertained to the advancement of their craft. In fact,
practitioners appear to have provided an important intellectual and
technical context for many of the period’s mathematical discoveries – an
essential development, historians now maintain, in the larger history of
the “scientific revolution.”
Architecture, too, was a “mathematical” art, almost wholly dependent on
geometrical or arithmetic operations of some form or another. The
process of design itself – insofar as it required the application of
consistent proportional rules – was largely defined by them, as were
many other basic tasks. Surveying, cost estimates, bookkeeping, and even
the use of routine graphic techniques – perspective, scaled orthogonal
drawing, and stereotomic diagrams – all entailed a certain amount of
mathematical training. Nor were these skills limited to the design of
buildings. Architects also used calculations in mapping cities, laying
out fortifications, and planning hydraulic projects for gardens, dams,
and canals. Military and civil engineering had long been part of the
Vitruvian tradition.
This symposium seeks to explore issues and questions raised by this
situation. To what extent can the architect be considered a
“mathematical practitioner”? What role did architectural practice and
building technologies play in the broader evolution of mathematics? How
did architects see themselves in relation to mathematicians and
scientists? What are the documented cases of contact or conflict between
these groups?
Organizers
Anthony Gerbino, Worcester College, University of Oxford
Mario Carpo, École d’Architecture de Paris–La Villette
Marco Panza, CNRS and Université de Paris 7
Participants
Kirsti Andersen, The Steno Institute, History of Science Department,
Aarhus University
“The Geometry of an Art: Architects and Perspective”
Francesco Benelli, Dept of Art History and Archaeology, Columbia University
“Invisible Geometry: The Palazzo Del Podestà in Bologna”
Henk J. M. Bos, Mathematisch Institut, Universiteit Utrecht
“When Is a Curve Known? The Reaction of 17th-century Mathematicians
to the New Wealth of Hitherto Unknown Curves”
Bernard Cache, Berlage Institute, Rotterdam and Objectile, Paris
“Commensurability and Proportionality in the De Architectura”
Filippo Camerota, Istituto e Museo di Storia della Scienza, Florence
“Mathematical Sciences and Baroque Architecture: on the Villa
Pamphilj, Oblique Architecture, and Vittone’s Newtonianism”
David Friedman, Department of Architecture, Massachussetts Institute of
Technology
“UA 4180: Survey and Urban Design in the Rome of Paul IV”
Pascal Dubourg Glatigny, Centre Alexandre Koyré, CNRS, Paris
“Architecture and Science in Rome, 1740: The St-Peter’s Dome Collapse”
Jacques Heyman, Faculty of Engineering (Emeritus), University of Cambridge
“Geometry, Mechanics, and Analysis in Architecture”
Ann Huppert, School of Architecture, University of Kansas
“Baldassarre Peruzzi, Antonio da Sangallo the Younger, and
Practical Mathematics in Renaissance Architectural Practice”
Stephen Johnston, Museum of the History of Science, University of Oxford
“Fit for a King? Architecture, Instruments and Audience in
18th-century England”
Jeanne Kisacky, University of Syracuse
“Breathing Room: Measuring the Immaterial Requirements of Architecture”
Susan Klaiber, Winterthur, Switzerland
“Architecture and Mathematics in Early Modern Religious Orders”
Further Enquiries
The conference is sponsored by the Graham Foundation, the Samuel H.
Kress Foundation, the Paul Mellon Centre for Studies in British Art,
Worcester College, and the John Fell Fund of the University of Oxford.
Attendance is open to all without charge. However there is a limit on
places available and anyone wishing to attend must register with Anthony
Gerbino by 1 March 2007. He can be contacted for registration or other
enquiries at: anthony.gerbino (at) worcester.oxford.ac.uk.
http://www.mhs.ox.ac.uk/architecture/
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