I guess each 'call' statement deals increasingly in "uselessness".
Still not quite happy with saxophone line. It's something to do with
creative ambitions - not sure it captures quite what I want to say yet
-
Roger
On 9/7/06, Patrick Mc Manus <[log in to unmask]> wrote:
> Roger that first part really got to me thanks felt that I had been there-the
> saxophone I did not quite understand was it a 'any statement get
> through'sort of thing
> Cheers P olde P
revision 1.02a
I suggest going to the lake to listen to the band
You say the sky is grey, the ground is damp, the music flat
I want to go sketching
It's all so dull round here, you say, what's the profit in a few
fields and a tree?
I start my poem about clowns and chopped liver
You tell no in particular that the full english breakfast looks good
Fuck off, I reply.
>
> II
>
> in footprints tense the future
> verbs acetylene idiocy
> paranormal dustbins
> serve as whore around the head
> finger point blazing
> oh fantastic quarter
> forehead grinding
> rendered adjectival fugitives
> tomorrow, Lodz
> razorblade complement
> medium cool cold
> splattered 4x4
> hung arcane weaponry
> a youth spent listless
> in dank bus shelters
> never the arrival of any bus
> let alone the right one
> anyway, no no how
> a high temperature cut
> or
> a blunt stanley knife?
> you decide
>
> II
> fucking cliques
> fucking cambridge
>
> --
> http://www.badstep.net/
> http://www.cb1poetry.org.uk/
> You've not experienced Shakespeare until you have read him in the
> original Klingon.
>
--
http://www.badstep.net/
http://www.cb1poetry.org.uk/
You've not experienced Shakespeare until you have read him in the
original Klingon.
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