CALL FOR PAPERS
42nd International Congress on Medieval Studies, Western Michigan
University, Kalamazoo, Michigan
May 10-13, 2007
Sacred, Corporate, and Civic Spaces in Italian Art and Architecture
Sponsor: Italian Art Society
Organizer: Kirstin Noreen (Loyola Marymount University)
Session I. Confraternity Headquarters
Chair: Phil Earenfight (Dickinson College)
The late Middle Ages in Italy witnessed the widespread emergence and
rapid development of confraternities (compagnia, scuole). These lay
pious brotherhoods were designed to provide members with the opportunity
to serve god and their fellow citizens by singing devotions (laudese),
performing acts of mercy (charitable), or self-mortification
(flagellant). A confraternity’s location within the city, proximity or
access to neighboring institutions or important sites and rituals,
architectural design, building materials, and decorations could help to
shape how the confraternity identified itself publicly and served the
citizenry. This session seeks papers that address such factors and shed
further light on how confraternities prior to 1500 conveyed their
identity through their architecture – or lack thereof. Papers that
consider confraternities in lesser studied regions of Italy are
particularly welcome.
Session II. Monastic Communities
Chair: William Hood (Oberlin College)
This session focuses on communities of religious – monks and nuns,
friars and sisters – as audiences for monumental works of art. Our
interest is not so much in the concerns of lay patrons, however closely
associated they may have been with the community. Rather, we seek to
understand how the particular ethos of a specific religious community
inflected the creation of works of art designed to embody monastic ideals.
Session III. Hospitals and Acts of Mercy
Chair: Eunice Howe (University of Southern California)
In early Christianity, spiritual and physical healing were intertwined,
nourished by charitable acts. Medieval hospitals continued the
tradition of healing the soul as well as the body through an
ever-expanding set of practices. These sites did not belong to the
modern category of the therapeutic institution. Hospices, monastic
foundations, asylums and other kinds of institutions took various forms
and functioned in a multiplicity of ways. This session considers how
art and architecture defined such institutions, and seeks contributions
from a wide chronological and geographical spectrum.
Session IV. Civic Spaces
Chairs: Alick M. McLean (Syracuse University in Florence); Barbara
Deimling (Syracuse University in Florence)
In his 1936 “The Work of Art in the Age of Mechanical Reproduction,”
Walter Benjamin differentiated between the use of art in his vision of a
Marxist society and that of a fascist one. Fascists render politics
aesthetic, whereas one should really be politicizing art. This session
seeks papers addressing a similar polarity between politics and art in
the civic spaces of Italy’s city republics. To what degree were
piazzas, streets, monuments and rituals aesthetic props for urban
governments? Were they used as instruments for political
enfranchisement or disenfranchisement?
Please send 1 page abstracts by September 15, 2006 via email to:
Kirstin Noreen: [log in to unmask]
Additional information on the Italian Art Society can be found at
http://faculty.vassar.edu/jamusacc/IAS/iashome.htm
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Aeolian Winds and the Spirit in Renaissance Architecture (Hardcover)
by Barbara Kenda
* Hardcover: 192 pages
* Publisher: Routledge,an imprint of Taylor & Francis Books Ltd
(Oct 2006)
* Language English
* ISBN: 0415398037
Written by scholars of international stature, "Aeolian Winds and the
Spirit in Renaissance Architecture" presents studies of Renaissance
pneumatology exploring the relationship between architecture and the
disciplines of art and science. One of the principle goals of
Renaissance architects was to augment the powers of pneuma so as to
foster the art of well-being. Central to the study of pneumatic
architecture are six Italian villas connected together by a ventilating
system of caves and tunnels, including Eolia, in which Trento
established an academic circle of scholars that included Palladio, Tazzo
and Ruzzante. Picking up on current interest in environmental issues,
"Aeolian Winds and the Spirit in Renaissance Architecture" reintroduces
Renaissance perspectives on the key relationships in environmental
issues between architecture and art and science. This beautifully
illustrated and unprecedented study will illuminate the studies of any
architecture or Renaissance student or scholar.
Curiosity and Wonder from the Renaissance to the Enlightenment
(Hardcover) by R.J.W. Evans and Alexander Marr
* Hardcover: 280 pages
* Publisher: Ashgate (28 Aug 2006)
* Language English
* ISBN: 0754641023
'Curiosity' and 'wonder' are topics of increasing interest and
importance to Renaissance and Enlightenment historians. Conspicuous in a
host of disciplines from history of science and technology to history of
art, literature, and society, both have assumed a prominent place in
studies of the Early Modern period. This volume brings together an
international group of scholars to investigate the various
manifestations of, and relationships between, 'curiosity' and 'wonder'
from the 16th to the 18th centuries. Focused case studies on texts,
objects and individuals explore the multifaceted natures of these
themes, highlighting the intense fascination and continuing scrutiny to
which each has been subjected over three centuries. From instances of
curiosity in New World exploration to the natural wonders of
18th-century Italy, "Curiosity and Wonder from the Renaissance to the
Enlightenment" locates its subjects in a broad geographical and
disciplinary terrain. Taken together, the essays presented here
construct a detailed picture of two complex themes, demonstrating the
extent to which both have been transformed and reconstituted, often with
dramatic results.
Science and Technology in Medieval European Life (Greenwood Press Daily
Life Through History S.) (Hardcover) by Jeffrey R. Wigelsworth
* Hardcover: 224 pages
* Publisher: Greenwood Press (Sep 2006)
* Language English
* ISBN: 0313337543
Despite the popular view of medieval Europe as a "Dark Age" of
intellectual stagnation, scientific and technological achievement
thrived during this time. Churches and castles remain lasting testaments
to the ingenuity of that period in history. Through carefully chosen
examples which are presented in easily accessible thematic chapters,
"Science and Technology in Medieval European Life" demonstrates how
these two aspects of human achievement, far from being ivory-tower
enterprises, affected the daily life of people in medieval Europe. These
topics will also resonate with modern readers in their own daily lives.
This reference work begins with an historical introduction that situates
medieval science and technology into its social, intellectual and
religious context. Among the varied topics found in the chapters are:
armour manufacture, waterwheels and waterpower, chimneys, stained glass,
communication technology, ship building, medicine - both academic and
empirical, mechanical clocks, calendar creation, and astrology. For
those interested in pursuing further research into this area of history,
the book concludes with a chronology of events, a suggested list of
further reading and a glossary.
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