Hmmnn, I tend to agree more with george than Dave about these. I found
the slippages intriguing, & her appropriations, so clearly meant as
such, also.
I did not feel that she was putting her (what? Romantic?) self forward
but rather disappearing in a way into the words taken on.
I suspect that, in performance, which she is noted for, these pieces
would be quite exciting....
Doug
Douglas Barbour
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no nearer here
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Robert Creeley
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