London Metropolitan University Music and Technology Research Seminar
Autumn Term 2006-2007
Please find below details of the October meetings of the Music and
Technology Research Seminar. Though all three of the confirmed
presentations here have a musical impetus, it is hoped that the breadth
of their cultural references - technological, artistic, historical and
museological - will be of interest to a wide-ranging community.
10 October: Ardal Powell (Hudson NY): Change Lays Not Her Hand:
Organology and the Museum
The study of musical instruments inherits a conceptual framework and a
metanarrative of progressive development borrowed from studies of
biology and technology. Its traditional priorities support, and are
supported by, the prestige of institutional instrument museums formed in
a climate of intense national, colonial, and class ideologies a century
ago. Nonetheless in the light of recent studies of music as culture,
the sociology of technology, and the production of knowledge, an
approach to studying instruments is now emerging that treats them not as
evolving entities but as dynamic components of a cultural context. This
paper locates this shift in ideals in explicitly theoretical terms and
gives an introductory survey of relevant scholarly work.
17 October: Ardal Powell (Hudson NY): Technologies of Music,
Technologies of Self
Recent interdisciplinary studies of music and technology have provided
rich empirical evidence of how new technologies of music such as
recording and digital sampling have shaped musical ideals and
expression. These studies illustrate the sociologists’ axiom that
technologies are no mere inanimate tools we create to do work, but
scripts that mediate and direct social action, including musical
performance, listening, and discourse. After surveying recent
achievements in music-and-technology studies and the sociology of music,
the seminar will discuss how adopting the broadest possible concept of
technology – to include scores, traditions, and instruments – might help
us address some central questions in music and performance.
24 October: to be confirmed
31 October: Ben Hebbert (University of Oxford; Christies, London): A
Musical Rosetta Stone: The Geometry of the English Viol
(Abstract to follow)
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The London Metropolitan University Music and Technology Research Seminar
exists for the study of all aspects of the history and use of musical
instruments, and of the relationship of music and technology. Seminars
are usually on Tuesdays, from 5.15 to 6.45, in the ILRC Seminar Room
(room 310, approached via the second-floor Library entrance), London
Metropolitan University, 41-71 Commercial Road, London E1 1LA (Aldgate
East underground). Each presentation lasts approximately one hour and
is followed by questions and discussion. Open to all staff, students
and visitors: please bring these events to the attention of all who
might be interested.
Further information from Lewis Jones: [log in to unmask]; tel. 020
7320 1841.
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Lewis Jones
London Metropolitan University
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