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Subject:

Migratory practices - art, craft and anthropology -Call for Papers

From:

Dr Amanda Ravetz <[log in to unmask]>

Reply-To:

Dr Amanda Ravetz <[log in to unmask]>

Date:

Thu, 6 Apr 2006 18:11:46 +0100

Content-Type:

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Call for papers

Migratory Practices: contradictory and complementary exchanges between anthropology, art, craft 
and design

5th – 6th September 2006, Manchester Metropolitan University, Manchester, United Kingdom

Symposium outline and aims
This symposium aims to  bring together artists, makers and academics engaged in ethnographic 
study and cultural investigation. Over the course of two days, we will explore the relationships 
between anthropology, art, craft and design practices. Presentations are invited on topics related 
to the areas outlined below. Contributions in the form of academic papers, artists’ talks or other 
formats (please specify) are welcomed. 

 
Extending the debate
A dialogue between contemporary art and anthropology has emerged over the last ten years. Has 
craft and design practice been equally involved in this and if so, has it had to transform to 
embrace social agendas and action in the field? Are there differences in the ways that art, craft and 
design have drawn on and been drawn to anthropology, and vice versa? What can we learn from 
asymmetries of involvement between the different practices? 

Making and ethnography 
Cross cultural study has been a consistent feature of many makers’ practice since at least the late 
nineteenth century, but this activity has had little critical acknowledgement. When makers study 
culture can their research be thought of as a kind of ethnography and on what basis can this be 
decided? For example, can a ceramic piece convey ethnographic knowledge in itself, rather than as 
a means to the production of more conventional forms of knowledge, such as text?    

Fieldworks 
The use of the term ‘field work’ has become a phrase applied to contemporary artistic practice. 
This seems to align it to traditions of empirical research and taxonomy in the sciences. Is this 
term adequate to indicate what artists  - and anthropologists - are actually doing ‘in the field’? 
How do the processes of representation, presentation and analysis of field notes differ between 
contemporary artistic practice and contemporary anthropological approaches to fieldwork?

The ethics of anthropological and artistic production 
Anthropological practice has been concerned with evolving a methodology that is ethical. This may 
appear to differ from some artistic practice in which methods are employed that are used to 
expose issues through mechanisms that may in themselves appear unscrupulous. Does this also 
apply contemporary craft and design practices? Does this apparent difference between 
anthropology and artistic/craft practice frustrate any hope of inter-disciplinarity? 

Details of abstracts and deadline 
Presentation slots will be 45 minutes followed by a discussion. Abstracts should not exceed 400 
words (you may include appropriate images in addition to text)

The abstract should include the following information:
-       title of paper
-       presentation format 
-       conference topic to which question most relatesd
-       author’s name and affiliation
-       contact information (address and e-mail)
-       short CV (this information should not exceeding 125 words)

Symposium conveners: Dr. Jane Webb and Dr. Amanda Ravetz 
Please send the abstract (in an MS word file format) by e-mail to [log in to unmask]
by May 31st 2006. 
Further information can be obtained from j.webb@ mmu.ac.uk 

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