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POETRYETC  2005

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Subject:

"A Vision"

From:

Frederick Pollack <[log in to unmask]>

Reply-To:

Poetryetc provides a venue for a dialogue relating to poetry and poetics <[log in to unmask]>

Date:

Fri, 2 Sep 2005 20:28:11 -0400

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (510 lines)

Thought of this before the disaster, but have been working on it during; so I think some of our situation has filtered in.

A Vision

 

 

1

 

When Mother, in her last years of teaching,

came home from battling

her incredibly stupid, new-professional-style

principal, she would tell me, near tears or

drinking (she never drank), at some length

what she had said, professionally and 

unheard, but never what

he said.  “What did he say?”

I asked.  And, later, of

friends confronting glass ceilings, former

or other lovers, exes, officials, believers,

workers they were trying to

organize, members of some

social or mental underclass they

professionally had to break through to, I

asked the same question.

… Words grasped

at random, hysterical defensiveness,

dogma … really, they

(my friends) couldn’t

recall what the others had said.  I wanted to know

because from the start

I knew there was an enemy

I thought I could evade

by knowing, defeat by despising.

(Really I don’t remember either,

and now there’s such a fog of remarks!)

It’s an interesting point: 

intelligent people – a fortiori

intellectuals – often

forget what stupid people say

for we remember shapes and it has none.

 

2

 

If he stumbled into my mind he’d feel pain.

A lack of the free, basic air

of profit.  Dark forms,

revealed by his keychain light as

abstractions, impeding movement.

Grit, buried mines:

words.  A steady background moaning

instead of the usual easy listening.

Pitfalls, pits.

It’s Bush I’m picturing here, the image of man.

But that’s unfair.

Perhaps each mind would look this way to another. – 

No.  No “perhaps.”

 

3

 

Father couldn’t tell me what to be.

His own career was so improvised.

Years of subway reading, experience,

couldn’t stack up, by the mid-Fifties,

against an advanced degree or any degree;

as he learned when he published his book,

and in the relevant syllabi

it was always “recommended,” never assigned.

Cheating at solitaire.  Scotch –

Black & White – with a twist.  That wife.

 

On the day of the Nazi-Soviet Pact

he was on a boat on Lake Michigan

with Boris Topchevsky, head of

the Communist Party in Chicago,

Topchevsky’s aide, and someone 

else, a rich red, the owner.

(“You’ve got to go to Spain, Pete,”

Topchevsky had said two years before.

“We need a Byron in the Movement.”

But my father neither went

nor joined.)  Over the shortwave, 

the delighted German voice: “Herr Ribbentrop  

descends from the plane, is greeted … ”

My father and the host yelled

at Topchevsky: “What the hell is going on?”

“Turn this boat around,” said the Communist.

“Get back to shore.”  And neither he

nor his aide spoke again;

ran off the dock and caught a bus downtown.

 

Three days later there was a rally

at Soldiers Field.  My father went

with a red friend and thirty thousand other

“Friends of the Soviet Union.”

Half an hour passed.   Forty-five minutes.

The stage remained empty.

Movement behind a curtain.

No one had received a phone call,

you see, from New York, or New York from Moscow.

For Stalin the issue was loyalty.

Suddenly Mother Bloor,

who had started life as a nun,

ran out, grabbed a mike

and cried, “You must have faith.

You must have faith in Comrade Stalin!”

My old man turned to his friend and said,

“I never liked you people and now I know why.  

It’s just the goddam Church all over again!”  

 

Each often-repeated, well-remembered phrase

and image like a thing in a museum,

impossibly ancient, precious,

its use obscure, and only accidentally art. 

 

But he urged me, when I visited,

to go to college (as if there were

a plausible alternative) and try

for the best schools,

not only for the career angle

but because I would meet “great minds.”

He believed in great minds

and that they were at universities,

and was right, not realizing

they are often invisible, distant,

talking only to useful grad students

and dangerous department heads; 

going home, disarming a security system

to enter, then arming it again

in case they doze; pouring drinks,

watching the tube, wanting never

to say or read another word.

 

4

 

The mines have been closed

for thirty years, the mills for twenty, but

the city councils – all Republican –

reflect and augment

the hate the locals feel

for newcomers, interlopers, “granolas,”

who want to open hip boutiques,

spas, decent restaurants … The locals

want jobs they understand

(or which their grandparents understood) as jobs;

meanwhile they hang around the 7/11.

 

And the granolas, the liberals

from Baltimore and Philly and DC

build or refurbish hilltop homes

with gardens, ducks, sometimes a cow or two,

hope for the best, paint

(like Linda, who left New York

to marry a local

carpenter/restorer who

works all day and broods all night

and has at last word only hit her twice);

sign petitions, hold fundraisers

with each other, and, from their decks at night,

look out upon a dozen points of light –

descending Sunday mornings

to the least inadequate market, where

they try to make eye contact with the locals,

seeing mostly their bad teeth.

 

5

 

Is there anything in Foucault that isn’t

in Collingwood?  I mean,

is the idea of an “archaeology of knowledge”

so different from that of “locating

the transcendent presuppositions of an era”?

And what about Nietzsche?  I mean

was his aim merely to make

available to academics

an endless play of shifting paper screens,

or to create, to have you transform yourself

into, the Superman?

“WE GOOD, POWERFUL, BEAUTIFUL, NOBLE, HAPPY ONES!”

I could also cite Fichte: “The kind of

philosophy one adopts

depends upon the sort of man one is;

for a philosophical system is not

a lifeless piece of furniture one might take or discard

but is animated by the soul of the man who has it.”

I dream that eventually poetry

will say everything, anything,

will reabsorb philosophy, science, and

subsume our dusk in dawn.  (What is this doing here?)

 

6

 

At the faculty dinner,

one of the new adjuncts

was gorgeous.  The black spaghetti straps

admitted it, the fixed patient glow

finessed it, deflecting, sublimating

attention.

We were talking prose.

She hadn’t heard of Saramago, Sebald.

“It’s been so long,” she breathed, almost

wonderingly, “since I read anything

by a male.

I only read novels by women.

My favorite is Tony Morrison.”

Abruptly I had a vision

of her imaginative life:

a garden of feelings, nostalgias, grievances, carefully

separated, labeled, tended … “How,

I wonder, would you react

if I said I only read novels

by men?”  But 

of course I didn’t say it and don’t know

what I would have forgotten she said.

 

7

 

On the terrace, that night, looking down

at Redneck Valley, stood

one of my familiars: 

indistinct, cold, wise-sinister,

older male figures.  Their meaning

has always been transparent, their aura

almost exhausted now

that I am an older male figure.

He indulged in Schmittian reflections.

The myth of the thirtieth century

will be Stalin, who will have the face of Christ.

For the masses in their warrens 

will only be able to imagine

food, and someone to give them food and care.

And the unscrupulous, sociopaths,

will still be at the top;

for the secret aim of society

is to destroy its own infrastructure

until only status is left, brutal and pure. 

– But I had heard, had imagined this before

and interrupted: Where will the poor in their tunnels

go to plug into love and hope?

Or what at last will make them pull that plug? –

He seemed disconcerted, hesitant suddenly, styleless;

mumbled something  

about how commonplaces of the future

drift back through time to shape our revelations:

“You think you have awakened but have only

passed from a shallow to a deeper sleep.” –

I glared, feeling as ornery

as the unemployed below us and

as short-term in my views.  Death is the future. 

 

8

 

It became accepted, said Vidal, 

that art is the expression of 

a private vision.  Which is true enough,

with the unfortunate proviso

that the private visions of men without genius

are uniformly gray.

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