Revisiting Slave Narratives / Les avatars contemporains des récits
d'esclaves
Texts collected by / Textes réunis par Judith Misrahi-Barak
Collection 'Les carnets du Cerpac' n° 2, Services des Publications,
Montpellier III
15x21, 574 pp.
ISBN : 2-84269-648-4
20 euros
http://alor.univ-montp3.fr/serpub/rubrique8.html
And shortly / Et bientôt : http://alor.univ-montp3.fr/cerpac/index.htm
Judith Misrahi-Barak : Introduction
Thresholds
Fred D’Aguiar : How Wilson Harris’s Intuitive Approach to Writing
Fiction Applies to Writing Novels about Slavery
Ronnie Scharfman : Africa Has Her Mouth On Moses: Zora Neale Hurston
Rewrites The Exodus Narrative
Alan Rice : British Selective Amnesia and the Political Imperative to
Conserve Black Atlantic Memory
Helena Woodard: Troubling the Archive: Reconstituting the Slave Subject
Ashraf H. A. Rushdy : The Politics of the Neo-Slave Narratives
Isabel Soto Garcia : The Threshold as Organizing Principle in Neo-slave
Narrative
The Americas
Benoît Depardieu : Her/His-(s)tory: Confronting the ‘shackles’ of the
African-American Urtext: Walker, Gaines, Reed re-write the Slave
Narrative
Dominique Aurélia : Dessa Rose — Memory and Silence
Christina Sharpe : « Days That Were Pages Of Hysteria »
Claude Julien : “Confession”, by Charles Johnson: revisiting “The
Confessions of Nat Turner” … and history.
Bella Brodzki : Oxherding Tale: Slave Narratives, Race and “The Law of
Genre”
Isabelle Roblin : Rewriting Margaret Mitchell’s Gone With the Wind
(1936): Alice Randall’s The Wind Done Gone (2001), or The Slave’s
Bitter Revenge
Kathie Birat : Parody and Paradox — Patricia Eakins's Recreation of the
Slave Narrative in The Marvelous Adventures of Pierre Baptiste"
Wendy Harding : The Middle Passage and the Impossibility of Narrative:
A Study of Robert Hayden’s “Middle Passage” and Clarence Major’s “The
Slave Trade: View from the Middle Passage”
The Anglophone Caribbean
Bénédicte Ledent: Slavery Revisited through Vocal Kaleidoscopes:
Polyphony in Novels by Fred D'Aguiar and Caryl Phillips
Dave Gunning : Reading the ‘Uncle Tom’ character in Fred D’Aguiar ‘s
The Longest Memory
Ferentz Lafargue : “The Sea is Slavery:” Salvation in Feeding the Ghosts
Lars Eckstein : Ekphrastic memory in David Dabydeen’s A Harlot’s
Progress and the Politics of Aestheticist Transfiguration
Louise Yelin : “Our Broken Word”: Fred D’Aguiar, David Dabydeen, and
the Slave Ship Zong
Pilar Cuder-Dominguez : Roots versus Routes in Caryl Phillips’s
Crossing the River and Dionne Brand’s At the Full and Change of the
Moon
Jerome Teelucksingh : Caribbean Rebels: Examining Dionne Brand’s At the
Full and Change of the Moon
Evelyn O’Callaghan : Re-working the Slave Narrative? Fictions of White
Indentured Servitude in the Caribbean
The Francophone Caribbean
Pierre Gomez : La réception critique de Roots en Gambie
Jean Arrouye : Le marronnage marron
Marie-Christine Rochmann : L’esclave vieil homme et le molosse, roman
de la réécriture
Lydie Moudileno : Moi, Tituba, sorcière noire de Salem .... : Les
déplacements d’un récit d’esclave inédit.
Kathleen Gyssels : Toni Morrison et Maryse Condé face aux B/blancs de
l’Histoire : Beloved et Moi, Tituba sorcière…, Noire de Salem. Révision
et révélation autour des néo-slave narratives
Conclusion
Caryl Phillips, an extract from A Distant Shore
Contributors’ biographical notices
Abstracts
Cerpac
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