Y diffiniad y cefais hyd iddo ar y we yw:
Dead colouring [laying in].
Term used in oil painting to describe the first application of paint or
underpainting in monochrome or reduced colour on top of the ground and
underdrawing. This fixes the tonal relationships and composition, before
further layers of paint are applied to give colour and details of texture.
This traditional painting method, which developed from egg tempera painting
practice, is in direct contrast with alla prima methods of painting, in
which a single application of paint creates the effect.
Yn ôl Termau Celf CBAC (wela i mo'r ymadrodd yn GyrA), 'to lay in' yw
'mewn-osod', ond wn i ddim digon am fyd celf i ddweud ai'r un broses yw'r
ddau beth. Os yw'r broses wahanol, gellid 'bathu' y term 'marwliwio', mae'n
debyg.
Berwyn
----- Original Message -----
From: "Sian Roberts" <[log in to unmask]>
To: "Berwyn Prys Jones" <[log in to unmask]>
Sent: Thursday, December 25, 2003 6:10 PM
Subject: dead colouring
Rwy'n gweithio ar ddarn am yr arlunydd Richard Wilson sy'n darllen fel a
ganlyn:
"Buildings and trees are also reserved against the sky from the outset.
This is confirmed by accounts of Wilson's practice of dead colouring and
his subsequent applications of paint. Infra-red reflectography was used to
investigate the presence of any underdrawing. Virtually none was found in
the majority of his paintings."
Rwy'n cael yr argraff ei fod yn gadael lle gwag ar gyfer adeiladau a choed
wrth ddarlunio'r awyr. Ond dydw i ddim yn hollol siwr.
Rwy wedi dod o hyd i ddiffiniad o "dead colouring" yn
http://www.artnet.com/library/02/0216/T021664.asp sy'n dweud:
"Term used in oil painting to describe the first application of paint or
underpainting in monochrome or reduced colour on top of the ground and
underdrawing. This fixes the tonal relationships and composition, before
further layers of paint are applied to give colour and details of texture.
This traditional painting method, which developed from egg tempera painting
practice, is in direct contrast with alla prima methods of painting, in
which a single application of paint creates the effect."
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