medieval-religion: Scholarly discussions of medieval religion and culture
Can anyone direct me to comments in the Middle Ages or Renaissance about
the theological or spiritual implications of perspective in graphic
arts? Did anyone articulate the relative virtue (or vice) of "painting as
illusion" as a way of representing sacred themes, or communicating
theological or spiritual content? Is there any scholarship on the
theological or spiritual implications of this stylistic change?
Many thanks,
Tom
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F. Thomas Luongo
Assistant Professor
Department of History
Tulane University
New Orleans, LA 70118
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