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Subject:

Apologies

From:

Artur Matuck <[log in to unmask]>

Reply-To:

Curating digital art - www.newmedia.sunderland.ac.uk/crumb/

Date:

Fri, 18 Jan 2002 23:54:06 -0200

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (270 lines)

Dear List
My apologies for sending to the list
a message that was suppose to be directed to Mr. Oliver Grau.
Sincerely, Artur Matuck
  ----- Original Message ----- 
  From: Oliver Grau 
  To: [log in to unmask] 
  Sent: Friday, January 11, 2002 11:43 AM
  Subject: transmediale.02


  transmediale.02 - international media art festival berlin
  5 - 10 February 2002

  go public!


  Conference & Panels


  Thursday, 7.2., 16.00
  Conference 1: Public Space Invaders

  Public space is not a control-free gathering place for enlightened
  citizens; rather it is a technically and highly media equipped system
  combining visibility, vigilance and control. Publicity today is rather
  something which takes place in the pseudo- private spaces of the television
  than in urban spaces. In digital space, the border between private and
  public data, between communication and information is disappearing. And
  yet, we are not only the slaves of mobile communications services, of
  biometric systems and public displays. Resourceful artists and media
  activists are appropriating the necessary technologies, and creating
  creative and critical media for digital publicity.
  With:
  Konrad Becker (at), director of Public Netbase Vienna, on the research and
  information project World-Information.Org; Matthew Fuller (uk), media
  theorist from London, on tactical media and 'TextFM', a project developed
  together with G. Harwood which combines private SMS with radio; Tim
  Pritlove (de) of Berlin's Chaos Computer Club on the spectacular
  Blinkenlights installation at the Haus des Lehrers on Alexanderplatz; Andy
  Bichlbaum of TheYesMen (int), a group of activists who say an irritatingly
  loud yes! to globalisation. Additionally we show a video by the
  Surveillance Camera Players (us), who play theatre in front of surveillance
  cameras, and a commercial break by ubermorgen.com.


  Thursday, 7.2., 20.30
  Conference 2: Global Public

  Global Public: The New World Order of Broadcasting

  Globalisation is not merely an economic and political phenomenon, it is
  also taking place to a substantial degree in the media, which increasingly
  enables a connected audience worldwide to take part live in global events.
  The conditions for global media reportage have changed fundamentally over
  the past years. The co-existence of satellite, internet, and terrestrial
  broadcasting channels has led to the disappearance of the boundaries
  between global concerns such as CNN, regional stations such as the Arabic
  Al Jazeera, or the media activist network Indymedia. Representatives of
  such networks discuss the 'new world order' of broadcasting. (Participants
  to be confirmed)


  Friday, 8.2., 16.00
  Conference 3: Images in Process

  Images in Process

  Media images in the digital era are no longer static representations of
  reality; rather they are temporary constructions based on software and
  codes. Images are mixed, sampled, and interpreted technically. The
  significance of these images is dependent on the technical and cultural
  conditions under which they can be received, reproduced, and manipulated.
  The truth and the authenticity of images, which with photography had still
  been tied to the immediacy of the moment, can, in the digital flood of
  images, only be depicted as a tendency, as a pattern, as a possibility,
  which can be eradicated again at any moment by a more recent overwriting.
  Those who wish to report and publicise events have to learn to move with
  the image process. History is an interactive account of events; every image
  within it is a passing approximation.
  With:
  Edmond Couchot (fr), Prof. emeritus at University of Paris 8, on generative
  image processes and the 'second interactivity'; Michael Punt (uk) of
  University of Wales College Newport, on the aesthetics of the 'post-digital
  analogue'; Peter Lynch (ca), film maker, on digital film production and the
  totally media-driven perception of 'Cyberman' Steve Mann.
  Moderation: Thomas Y. Levin (us) Professor in Film Studies at Princeton
  University


  Friday, 8.2., 20.30
  Conference 4: Software Speculations

  Software Speculations

  The growing social significance of computer software is indisputable.
  Countless processes within the Information Society are being shaped by
  software, and from Apple Macintosh, to Napster, free software and 'open
  source', it is clear that software is not a value-free instrument, but
  represents in each case a wilful cultural artefact. Artists and cultural
  scientists are therefore increasingly reflecting upon the political,
  ideological, ethical and aesthetic dimensions of software and software
  design. The transmediale competition for 'software art' pays tribute to
  this development.
  At the beginning of the programme, the projects nominated for the
  transmediale 'software award' will be presented by the artists:
  Daniel Hahn/Dietmar Schifferbauer (de), Joan Leandre (es), Local Area
  Network (ch), Alex McLean (uk)
  With:
  Manfred Fassler (de), cultural and media anthropologist at the University
  of Frankfurt, about the constitution of social spaces through software;
  Matthew Fuller (uk), media theorist, about speculative software and the
  research project 'Software=Culture'; Margarete Jahrmann (at), artist and
  media theorist who teaches at art academies in Linz, Wien and Zuerich,
  about software as a generative art-machine.
  Moderation: Florian Cramer (de), lecturer in Comparative Literature, FU Berlin


  Wednesday, 6.2., 20.30
  Panel: Concepts of Interactive Art

  Concepts of Interactive Art

  The artists in the exhibition present their different concepts and areas of
  expertise: the works shown are based on artificial intelligence,
  biofeedback, voice recognition or deliberate, physical navigation. Under
  discussion are the artistic chances and risks of interactive projects, as
  well as the rules under which interface design functions. Particular
  attention has been paid to the unusual conditions and demands placed on the
  visitor's reception of the work, in order to develop a clearer definition
  of the term "interaction".
  Presentations by: Peter Frucht (hu/de), robotlab (de), Jonah Brucker-Cohen
  (us) Panel: Luc Courchesne (ca), Seiko Mikami (jp) Masaki Fujihata (jp),
  Kenneth Rinaldo (us)


  Thursday, 7.2., 14.00
  Panel: SMS Encounters
  (in German)

  "SMS Encounters: The intensification of the public sphere?"

  SMS-fever - not only means E-speed lyrics between two people. Novels and
  sports news are also obtainable with an SMS subscription. The Afghanistan
  war has also meant that troops are dealt with via SMS. Culture and media
  producers are experimenting with the private medium in order to make use of
  the mobile telephone as enter key for new forms of public broadcasts. For
  some time now, a semipublic communications network is taking on vague
  contours. TV and radio are also being short-circuited through the private
  remote control. Do infringements between the private and the public sphere
  take place when a private mobile medium is shortcircuited with immobile
  public media? The panel SMS encounters intends to shed light on the
  production environment of (intermedial) SMS-applications, and clarify their
  definition of the public.
  With:
  Olaf Arndt, Kuenstler, www.bbm-ww.de; Alexandra Bohn, Autorin, u.a.
  www.spex.de; Klaas Glenewinkel, Medienproduzent, www.okb.de; Christoph
  Maire, CEO, www.gate5.de; Nils Roeller, Medientheoretiker, www.khm.de;
  Matze Schmidt, Medienaktivist www.n0name.de.
  A cooperation between Berliner Gazette + Media Arts Lab/ Kuenstlerhaus
  Bethanien
  www.berlinergazette.de
  www.bethanien.de/mal


  Saturday, 9.2., 12.00
  Panel: Young Russian Media Art

  Young Russian Media Art

  In spite of all the changes and new orientations in Russia's intellectual
  landscape they do not forget their post-soviet "rituals of understanding"
  and are developing ways of describing new spiritual processes with euphoric
  composure and ironic self-exaggeration. Young media artists from Moscow and
  St.Petersburg present their work.
  With:
  Eldar Karhalev, developed the Wap-Portal WAPICONA; Sergei Teterin,
  describes a heavenly Nirvana in 'All Media Artists Go To Heaven', where
  media artists enter after their death, to work with the internet, pagers,
  and mobile phones; Ivan Khimin, studied art history and media art at Pro
  Arte Institute in St. Petersburg; Anna Kolossava, plays with virtual and
  physical spaces; Yuri Popov, works with the artistic possibilities of the
  Flash format.
  Moderation: Alexei Shulgin


  Samstag/Saturday, 9.2., 12.00
  Panel: Digital Cultural Heritage
  (in German)

  Digital Cultural Heritage

  Art and culture live by their confrontation with tradition. The
  digitalisation of large areas of our cultural production means that our
  society faces the challenge of preserving this most recent inheritance for
  us, and for posterity. What will happen when in a few decades the necessary
  combinations of hardware, operating systems and software no longer
  function? The answers to these questions are not only of great importance
  to art historians, but are of interest to the whole of society. From the
  annual balance sheet to the computer game; is there any information left
  that is non-digital in nature - and are we facing the great post-digital
  age of forgetting?
  With:
  Konrad Becker, Public Netbase Wien, www.world-information.org
  Rudolf Frieling, ZKM Karlsruhe, www.zkm.de
  Oliver Grau, Humboldt Universitaet Berlin,
  www.arthist.hu-berlin.de/arthistd/mitarbli/og/og.html
  Hans Dieter Huber, Akademie der Bildenden Kuenste Stuttgart,
  www.art.net.dortmund.de/ger/ per/hu_4fr.html
  Andreas Lange, DiGA - The Digital Game Archive Berlin,
  www.computerspielemuseum.de


  Sunday, 10.2., 14.00
  Panel: Paper.Hype

  Paper.Hype

  Under the title 'Paper Hype' the transmediale.02 is for the first time
  organising a meeting of editors of a number of different European magazines
  dealing with digital culture. Representatives from England, France,
  Austria, Germany and Italy will introduce their print media and will
  discuss the conditions for publishing in the internet era. What does it
  mean to produce a magazine, a paper publication about digital culture in an
  era of apparently total digitalisation? Mute calls it: Proud to be Flesh!
  With:
  Jan Rigos Hillmann, DE:BUG, Berlin, zeitung fuer elektronische
  lebensaspekte, www.de-bug.de
  Christian Hoeller, springerin - Hefte fuer Gegenwartskunst, www.springerin.at
  Fran Ilich, undo, Mexiko, www.cmca.gob.mx/undo
  Armelle Leturque, CRASH, Paris, www.crash.fr
  Alessandro Ludovico, NEURAL, Bari, www.neural.it
  Pauline van Mourik Broekman, MUTE, London, www.metamute.com



  Sunday, 10.2., 12.00
  Panel: Public Vote/Public Bet > K 1

  Stuart Rosenberg: Public Vote/Public Bet

  The project Public Vote/Public Bet was developed by Stuart Rosenberg
  specially for transmediale. 02. Instead of leaving the decision about the
  award winners to the expert jury, festival visitors can vote on the best
  projects and choose their own Public Vote Award in the three award
  categories. A second 'go public!' is added to this first one: in the
  'Public Bet' betting booth the festival visitors can place bets on the
  winners of the Public Vote Award. If you guess correctly, you win the
  jackpot! On the day after the prize ceremony, Rosenberg presents the
  project and discusses the implications of different types of open, public
  and democratic decision making processes.



  info: www.transmediale.de [full programme online 15 january]


  ********************************
  DR. OLIVER GRAU
  Kunsthistorisches Seminar
  Humboldt University Berlin
  Dorotheenstr. 28; 10117 Berlin
  fon: +49 (0)30 2093-4295 (direct)  - 4288 (secr.)
  Fax: +49 (0)30 2093-4209
  [log in to unmask]

  www.arthist.hu-berlin.de/arthistd/mitarbli/og/og.html
  www.diejungeakademie.de
  **********************************

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