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FILM-PHILOSOPHY  2002

FILM-PHILOSOPHY 2002

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Subject:

9th Laterna Film Academy

From:

[log in to unmask]

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Tue, 13 Aug 2002 16:13:53 +0100

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9th Laterna Film Academy
Pecs, Hungary
September-16th-18th, 2002

REPRESENTATION OF TIME AND SPACE IN FILM
Film Theory and Practice Across Disciplines

http://sophia.jpte.hu/~laterna/home.html


Sunday, September-15th
21.00 Reception in Varfal Fogado Restaurant

Monday, September-16th
9.15  Welcome addresses


Ecological and Cognitive Approaches I.

9.30 - 10.30  Keynote address
Greg Currie (U Nottingham, GB): The Treatment of Space and Time in Narrative
Chair: Laszlo Tarnay (U Pecs, HU)

10.30 - 10.45    Coffee Break

10.45 - 13.00 Session papers
Chair: Laszlo Komlosi
10.45 - 11.30  Flatness as the Key to CinemaScope Composition and Continuity
Marshall Deutelbaum (Purdue U, USA)
11.30 - 12.15   Witnessing Dressed to Kill: Lessons from Change
Blindness and Attribution Theory
Daniel H. Barratt (U Kent, GB)
12.15 - 13.00 The Source-Path-Goal schema in First-person Documentaries
Charles Forceville (UvA, NL)

13.00 - 14.00    Lunch

Ecological and Cognitive Approaches II.

14.00 - 15.00  Keynote address
Edward Branigan (UCLA): Representations of Time and Space in Film
Chair: Laszlo Komlosi (U Pecs, HU)

15.00 - 15.15    Coffee Break

15.15 - 17.30 Session papers
Chair: Charles Forceville (Uva)
15.15 - 16.00 The logical difference of Time and Space in Peirce
Johannes Ehrat (U Rome, IT)
16.00 - 16.45  Object Continuity vs. Spatio-temporal Continuity: The
Relevance of the two Cortical Pathway Hypothesis
Laszlo Tarnay (U Pecs, HU)

17.45  Coach leaves from Szechenyi Square (at North end of the Djami)
for wine tasting and banquet in Tiffany's wine cellar Villanykovesd
23.00   Arrival in Pecs

Tuesday, September-17th

Ecological and Cognitive Approaches III.

9.30 - 10.30  Keynote address
Murray Smith (U Kent, GB): The Application of Darwianian Ideas to Film
Chair: Laszlo Tarnay

10.30 - 10.45    Coffee Break

Film and Philosophy

10.45 - 13.00 Session papers
Chair: Thomas Dean Tucker (Chadron State College)
10.45 - 11.30   The Body and Soul of Film
George Henry Aslak Bacon (Finnish Film Institute)
11.30 - 12.15  The feminine potential in modernist art film
Mette Kramer (U Copenhagen, DK)
12.15 - 13.00  The Effect of Artistic Communication on the Structure
of Personal Meaning
Fabiola Kopasz (U Pecs, HU)

13.00 - 14.00    Lunch

14.00 - 15.00  Keynote address
Andras Balint Kovacs (ELTE, HU): The Disappearance of Nothingness. A
Thin Borderline between Modern and Post-modern Cinema
Chair: George Henry Aslak Bacon (Finnish Film Institue)

15.00 - 15.15    Coffee Break

15.15 - 17.30 Session papers
Chair: Szaloky Melinda (UCLA)
15.15 - 16.00 Returning to Nostalghia, or Tarkovsky's Crystalline Cinders
Thomas Deane Tucker (Chadron State College, USA)
16.00 - 16.45  The Rhetoric of Being In-Between. Intermediality as
Media Archeology, Displacement and Heterotopia
Agnes Petho (U Babes-Bolyai, RO)
16.45 - 17.30 Human + Anti-human: Cyborg
Pelin Tan (U Istambul, TR)

18.00  Screening at Youth Centre (35 mm)
Romeo Grunfelder: Without Title 15mins
David Lynch: Mulholland Drive (2001)

20.00   Dinner at Kalamaris Restaurant

21.30  Screening at Youth Centre (35 mm)
Wong Kar Wai: In the Mood for Love (2000) 97mins

Wednesday, September-18th

Analyses and Theories in Practice

9.00 - 13.00 Session papers
Chair: David Martin-Jones (U Glasgow, GB)
9.00 - 9.45 Alterity and Reality: Space and Time in Rea Tajiri's
History and Memory?
Robert Craig (Concordia U, CA)
9.45 - 10.30   Memory, Identity and Desire in Mulholland Drive
Murat Akser (York U, CA)

10.30 - 10.45    Coffee Break

10.45 - 11.30  Virtually Yours: Postmodern Space in Chungking Express
Melinda Szaloky (UCLA)
11.30 - 12.15 Musical Affect in Wong Kar-wai's In the Mood for Love
Gary Bettison (U Kent, GB)
12.15 - 13.00  Screening: Romeo Grunfelder's Without Title 15mins
(VHS/projector)   Open Discussion of the Film

13.00      Lunch

13.00  Screening at Cultural Centre (DVD/projector)
Christopher Nolan: Memento (2000) 115mins

15.00 - 16.00  Keynote address
Melissa Clarke (Saint Rose College, USA) Kant, Bergson and Deleuze
and the Politics of the Time-Image in Memento
Chair: Laszlo Sari

16.00 - 16.15    Coffee Break

16.15 - 18.45 Session papers
Chair: Melissa Clarke
16.15 - 16.45 Backwards: Memory and Fabula Construction in Memento by
Christopher Nolan
Stefano Ghislotti (U Bergamo, IT)
16.45 - 17.15 Memory and Story Reconstruction in Memento
Miklos Kiss and Laszlo Sari (U Pecs, HU)
17.15 - 17.45 Getting Away With Murder: Time and Performative
Identity in Memento and Other Contemporary Films
David Martin-Jones (Glasgow U, GB)
17.45 - 18.15 The film noir and Memento
Virginas Andrea (U Debrecen, HU)
18.15 - 18.45 Discussion

19.00   Dinner at Csaszar Pince Restaurant

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