I know this is intellectual laziness, but I'll ask nonetheless: can
someone give me a brief (I don't want to impose on anyone's time -
especially to attenuate the effects of my laziness) summary of just
what's wrong with J. W. Williams' book?
Thanks,
KWildgen
Jennifer Rinalducci wrote:
>
> Hello everyone,
>
> I meant to introduce myself in my last message. I am a graduate student in
> the history of art. My area of scholarship is actually the
> Pre-Raphaelites, but this focus ties into my interest and studies in
> medieval culture. For instance, I did an intense study last year of the
> Werl panels in terms of attribution, function as a private devotional
> object, etc.
>
> I am currently studying Chartres Cathedral, in addition to my thesis. I
> also wanted to take the time to thank everyone who has responded to my
> first message about the depiction of the Prodigal Son at Chartres.
> Although contested, Jane Welch Williams' book is proving to be an excellent
> source. I am currently awaiting a work by Manhes-Deremble. Thank you
> again, and I look forward to further participation in this website.
>
> Best wishes,
> Jennifer
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