OOps! sorry folkis, I meant 'REpulsion' by Polanski not 'Spellbound'
>From: "A.Moor" <[log in to unmask]>
>Reply-To: [log in to unmask]
>To: [log in to unmask]
>Subject: Re: Freud's Interpretation of Dreams
>Date: Fri, 22 Sep 2000 17:11:50 +0100
>
>For rampant Freudianisms, see Black Narcissus, or, more specially, The
>ballet sequence of The Red Shoes??
>
>Aris Mousoutzanis wrote:
> >
> > I would agree with Spellbound and Marnie (Hitchcock in general) - the
>latter
> > film is maybe too directly psychoanalytic, but then again this is what
>makes
> > it a good example for students. Talking about Spellbound (whose dream
> > sequence relates to Dali and surrealism), films by Bunuel come to mind,
>Un
> > Chien Andalou the most typical. I would also think of Spellbound by
> > Polanski
> >
> > >From: "Shaw, Dan" <[log in to unmask]>
> > >Reply-To: [log in to unmask]
> > >To: "'Jane Gibb '" <[log in to unmask]>,
> > >"[log in to unmask] '" <[log in to unmask]>
> > >Subject: RE: Freud's Interpretation of Dreams
> > >Date: Fri, 22 Sep 2000 10:16:38 -0400
> > >
> > > Jane:
> > >
> > > John Huston's "Freud" is a nice, if sometimes misleading, primer
>to
> > >Freud's dream analysis. His "Let There Be Light", a little seen WWII
> > >documentary about treating shell shock victims, is convincing as well.
> > >
> > > For Freudian films, I would show them Hitchcock's "Spellbound",
>with
> > >the famed dream sequence by Salvador Dali, "Marnie", by the same
>director,
> > >and "Peeping Tom", a 1960 classic by Michael Powell that is now widely
> > >available.
> > >
> > >Dan Shaw
> > >
> > >-----Original Message-----
> > >From: Jane Gibb
> > >To: [log in to unmask]
> > >Sent: 9/22/00 9:29 AM
> > >Subject: Freud's Interpretation of Dreams
> > >
> > >Second year students in an art and design college have to do a project
> > >on
> > >Freud's Interpretation of Dreams in the first term. We want to run a
> > >relevant film club alongside this project. Any suggestions would be
> > >gratefully received. I got as far as the Cabinet of Dr Caligari and
> > >some
> > >other Expressionists work but then decided to defer to the expert(s) as
> > >to
> > >where to go to next re Hollywood and other European examples!
> > >
> > >Many thanks,
> > >
> > >Jayne
> >
> >
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>--
>------------
>A.Moor [log in to unmask]
>A.Moor [log in to unmask]
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