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DRS_NEWS ::
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The digital newsletter :::::: :: ::: ::::
of the :: :: ::: ::
Design Research Society :: :: :: :::
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Volume 5, Number 10, October 2000 :::::: :: :::::
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CONTENTS
o Editor's space
o Brian Allison
o Design Studies - The Philosophy of Design
o Re-inventing Design Education Conference
o Calls for Papers
o Announcements
o Cyber News
o The Design Research Society: information
o Electronic Services of the DRS
o Contributing to DRS_NEWS
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Professor Brian Allison
It is with great regret that we announce the death of Brian
Allison. He was one of the DRS's long-standing members and was,
until his recent retirement through ill health, an active member
of Council. Additionally, he was a past president of the
National Society for Education in Art and Design (NSEAD), and of
the International Society for Education through Art (INSEA).
Brian was one of the best known figures in art education in the
UK and overseas, and was known as a passionate advocate for
research in the field. He is perhaps best known for the
development of the UK national Art and Design research database
the ARIAD (Allison Research Index of Art and Design).
The ARIAD remains the single national database for research in
art and design, and has been produced with support from the
major bodies associated with art and design in the United
Kingdom, including the DRS. The ARIAD made a significant
contribution to the development of a research culture in art and
design in the UK and raised awareness of the importance of
approaching research with a professional attitude. It has been
released recently as a website, and it is to be hoped that it
will continue to be developed.
Brian was the first Professor appointed by the former Leicester
Polytechnic (now De Montfort University) in 1975. He was
Professor of Art Education and had an international reputation
for his research in art & design. He retired from Leicester
Polytechnic in 1988.
As Emeritus Professor he maintained his research interests in
Education, Art and Design, Research Methods, and Research
Databases. He also continued to assist the University in its
development of research and the care of postgraduate students,
not least as a PhD supervisor and examiner.
Retirement did not seem to slow him down, and he continued to
deliver papers and attend major design conferences around the
world. He had numerous publications including articles, book
chapters, and conference papers on curriculum, research and
multicultural education, and recently 'The Student's Guide to
Preparing Dissertations and Theses' (London: Kogan Page, 1996).
Brian's colleague Alec Robertson said of him:
"Brian's enthusiasm for creating a research culture in Art and
Design at De Montfort was a guiding light for people here over
many years. His role in the University Research Degrees
Committee was particularly valued. He championed the evolution
of Research Degree Regulations in the University for the benefit
of Art & Design, and others. His standards were very high in the
established research ethos yet he had an open mind to change.
Brian made a significant contribution to the foundation of art &
design education at doctorate level. He will be remembered by
me for his enthusiasm, vitality and particularly for his support
at DRS events held at De Montfort University over the years. He
will be sadly missed."
A Service of Thanksgiving is to be held on Saturday, 14 October
at 11am in St Mary de Castro Church, Castle Street, Leicester.
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CALL FOR PAPERS:
SPECIAL ISSUE OF DESIGN STUDIES, ON THE PHILOSOPHY OF DESIGN
Deadline: March 15th, 2001.
Original papers on the philosophy of design are solicited for
review and possible publication in a special issue of Design
Studies.
The subject
During the two decades in which Design Studies has been
published, only a handful of papers have appeared in the journal
explicitly and primarily addressing philosophical issues of
design [refs. 1-14 below]. (Subsuming 'the logic of design'
[ref. 15] under this heading, another handful may be added
[16-21].) Yet presumably philosophical analysis is just as
important a source of insight into the nature of design as other
kinds of inquiry more frequently employed. It is hoped that a
special issue on the philosophy of design will draw enough
attention to the subject to establish it more firmly as a field
of research: a fruitful common ground to be cultivated by design
researchers and philosophers alike.
No prolonged search is needed to find philosophical literature
on such topics as the philosophy of science and the philosophy
of technology. In recent years, a few philosophers have taken an
interest in the nature of artefacts (in their own right [22-25],
or considered in broader contexts [26, 27]), but for no evident
reason the philosophy of design has been largely ignored as a
subject of focused study. Exceptions do exist, to be sure, also
outside the pages of Design Studies [28-39], but interesting
discussions of design-related issues are often intertwined with
other lines of philosophical thought [40-43]. It is encouraging,
however, that outside established philosophical circles an
awareness of philosophical aspects of design has begun to emerge
quite recently [44].
Though no doubt the list of publications referred to above is
incomplete, it is obvious that philosophical literature on
design is extremely rare and scattered. Whatever the reason may
be, it cannot be a lack of exposure to the effects of design. We
see design reflected in countless artefacts with which we
furnish and sustain our environment and even our bodies; no
doubt design shapes our lives just as much as science and
technology - or even more so. Design may be seen, presumably, as
significantly depending on technological and scientific
knowledge, but can hardly be fully understood in terms of
science and technology alone. Developing a satisfactory
understanding of the nature and workings of design itself
clearly calls for serious philosophical work.
Problems which might be addressed by contributors to our special
issue include but are not limited to the following examples:
1. What distinguishes design (architectural, engineering,
software, etc.) from other intellectual endeavours, such as
science or technology?
2. How are the concepts of design and artefact related? For
example, are they definable in terms of each other? Is it a
necessary, a sufficient, or necessary and sufficient, condition
for something to be an artefact that it was designed; can there
be artefacts without design?
3. Whatever the answer to the latter question may be, it seems
clear that there is always design without artefacts, for at the
time a given artefact was designed, it had not yet been
constructed. Yet designers talk about what they design as if
there were artefacts for them to talk about. How is that to be
explained? Are statements of design discourse true, false, or
even meaningful? If so, what makes them so? If not, what purpose
could design discourse possibly serve?
4. What ontological and epistemological assumptions should be
made to explain the apparent fact that designers can know or
predict the properties of an artefact which is not there to have
properties?
5. Taking universals to be whatever can be predicated of things,
design might be viewed as the selection (or creation?) of one or
more universals to be predicated of some future artefact. Taking
this as an initial step towards theorising about design, it must
be expected that the traditional distinction between nominalist,
conceptualist, and realist theories of universals carries over
to theories of design. What would design theories of the three
types be like, and what would be their relative strengths and
weaknesses?
6. What are the relations between philosophy of design and
philosophy at large? For example, considering the central
problems of the philosophy of design (whatever they may be,
apart perhaps from defining 'design'), are they special cases of
familiar philosophical problems, or are they new? No doubt the
philosophy of design can draw on insights from other fields of
philosophy. Can it also offer them new insights?
7. Can results from the philosophy of design be put to use in
design practice - for example, by leading us towards better
artefacts, better design methods, better ways of utilising
computers in design?
The journal, its readers and style
Design Studies is a cross-disciplinary scholarly journal for
design research in engineering, architecture, products and
systems. The journal is peer reviewed, and is published by
Elsevier in co-operation with the Design Research Society.
Submissions should follow the instructions given at the end of
each issue ('Notes for authors'). The length of papers normally
range from 3000 to 6000 words, plus illustrations. Contributors
to the special issue on the philosophy of design are kindly
requested to take the following guidelines into account, too.
Readers of Design Studies must be expected to represent a
variety of academic disciplines of research and teaching, as
well as professional design practice, but all of them can be
assumed to share an interest in serious research and
theory-building about design. Ideally, any published paper on
the philosophy of design should be worth reading for
professional philosophers, yet be accessible to motivated
non-philosophers. Unexplained reference to the numerous
philosophical '-isms' should therefore be kept to a minimum, and
'technical' notation or style of exposition should be used only
to the extent necessitated by the subject matter. Care should be
taken to make the meaning of special terminology clear from
context, or from brief explanatory notes.
An adequate degree of precision must be maintained, but the
occasional use of illustrative examples is encouraged to ease an
otherwise overwhelming weight of abstraction. Familiarity with
the work of distinguished philosophers cannot be assumed to the
same degree as in papers for purely philosophical journals. For
example, adjectives like 'Fregean' and 'Quinean' may be used,
but preferably with explicit reference to the relevant works by
Frege and Quine, or to the relevant ideas originating from them.
Likewise, vague implicit references like 'many philosophers' or
'most contemporary physicalists' should be avoided or
supplemented by (representative) references.
Submission
Manuscripts intended for the special issue should be submitted
no later than March 15th, 2001. No electronic submission is
requested until a paper has been accepted and possibly revised.
For the initial submission, please send four copies on paper to
the editor of the special issue:
Per Galle Department of Planning, Technical University of
Denmark, Building 116, DK-2800 Lyngby, Denmark e-mail:
[log in to unmask]
http://ifp.dtu.dk/~it/pergalle/
References
[1] Broadbent, G 'Architectural objects and their design as a
subject for semiotic studies' Design Studies Vol 1 (1980) pp
207-216
[2] Protzen, J -P and Alexander, C 'Value in design: a dialogue'
Design Studies Vol 1, No. 5 (1980) pp 291-298
[3] Cross, N, Naughton, J and Walker, D 'Design method and
scientific method' Design Studies Vol 2, No. 4 (1981) pp 195-201
[4] Cathain, C S O 'Why is design logically impossible?' Design
Studies Vol 3, No. 3 (1982) pp 123-125
[5] Daley, J 'Design creativity and the understanding of
objects' Design Studies Vol 3, No. 3 (1982) pp 133-137.
Reprinted in Cross, N. (Ed.), Developments in Design
Methodology, Wiley, Chichester 1984, pp 291-302
[6] Coyne, R and Snodgrass, A 'Is designing mysterious?
Challenging the dual knowledge thesis' Design Studies Vol 12,
No. 3 (1991) pp 124-131
[7] Hertz, K 'A coherent description of the precess of design'
Design Studies Vol 13 (1992) pp 393-410
[8] Coyne, R and Snodgrass, A 'Rescuing CAD from rationalism'
Design Studies Vol 14, No. 2 (1993) pp 100-123
[9] Liddament, T 'The metamorphosis of the design vocabulary'
Design Studies Vol 17, No. 3 (1996) pp 303-318
[10] Janlert, L and Stolterman, E 'The character of things'
Design Studies Vol 18, No. 3 (1997) pp 297-314
[11] Galle, P 'Design as intentional action: a conceptual
analysis' Design Studies Vol 20 No. 1 (1999) pp 57-81
[12] Liddament, T 'The computationalist paradigm in design
research' Design Studies Vol 20, No. 1 (1999) pp 41-56
[13] Handa, R 'Against arbitrariness: architectural
signification in the age of globalization' Design Studies Vol
20, No. 4 (1999) pp 363-380
[14] Love, T 'Philosophy of design: a meta-theoretical structure
for design theory' Design Studies Vol 21, No 3 (2000) pp 293-313
[15] March, L 'The logic of design and the question of value' in
L March (ed), The Architecture of Form, Cambridge University
Press, Cambridge (1976) pp 1-40. An abridged version entitled
'The logic of Design' was reprinted in Cross, N (Ed)
,Developments in Design Methodology, John Wiley & Sons,
Chichester (1984) pp 265-276
[16] Goel, V 'Complicating the 'logic of design'' Design Studies
Vol 9 (1988) pp 229-234
[17] Zeng, Y and Cheng, G D 'On the logic of design' Design
Studies Vol 12 (1991) pp 137-141
[18] Roozenburg, N F M 'On the pattern of reasoning in
innovative design' Design Studies Vol 14, No 1 (1993) pp 4-18
[19] Galle, P 'Design rationalization and the logic of design: a
case study' Design Studies Vol 17 (1996) pp 253-275
[20] Galle, P 'Towards a formal logic of design rationalization'
Design Studies Vol 18 (1997) pp 195-219
[21] Baljon, C J 'Viewpoint: Design justification as an instance
of modal logic, or of rhetoric' Design Studies Vol 18, No. 1
(1987) pp 125-126
[22] Hilpinen, R 'On artifacts and works of art' Theoria Vol 58
(1992) pp 58-82
[23] Hilpinen, R 'Authors and artifacts' Proceedings of the
Aristotelian Society Vol 93 (New Series) (1993) pp 155-178
[24] Dipert, R R, Artifacts, Art Works, and Agency, Temple
University Press, Philadelphia (1993)
[25] Hilpinen, R 'Artifacts' in Stanford Encyclopedia of
Philosophy
http://cd1.library.usyd.edu.au/stanford/entries/artifact/,
(1999)
[26] Inwagen, P van, Material Beings, Cornell University Press,
Ithacha and London (1990)
[27] Denkel, A Object and Property, Cambridge University Press,
Cambridge (1996)
[28] Alexander, C, Ishikawa, S, Silverstein, M, Jacobsen, M,
Fiksdahl-King, I and Angel, S, A Pattern Language, Oxford
University Press, New York (1977)
[29] Alexander, C, The Timeless Way of Building, Oxford
University Press, New York (1979)
[30] Baljon, C J 'Formal logic in planning' Design Methods and
Theories Vol 16 (1982) pp 177-194
[31] Hillier, B, Musgrove, J and O'Sullivan, P 'Knowledge and
design' in N Cross (ed), Developments in Design Methodology,
Wiley, Chichester (1984) pp 245-264. Originally published in
Mitchell, W. J. (Ed.), Environmental Design: Research and
Practice, University of California, Los Angeles 1972
[32] Broadbent, J 'Design and theory building' in N Cross (ed),
Developments in Design Methodology Wiley, Chichester (1984) pp
277-290. Originally published in Design Methods and Theories
Vol. 13 (1979), No. 3/4, pp 103-107
[33] Bamford, G 'Design, science, and conceptual analysis' in
Architectural Science and Design in Harmony. Joint ANZAScA/ADTRA
Conference, Sydney, 10-12th July, 1990 (1990) pp 229-238
[34] Coyne, R D 'Objectivity and the design process' Environment
and Planning B: Planning and Design Vol 18 (1991) pp 361-371
[35] Coyne, R D and Snodgrass, A 'Cooperation and individualism
in design' Environment and Planning B: Planning and Design Vol
20, No. 2 (1993) pp 163-174
[36] Oksala, T 'Cognitive paradigms for design: knowledge, will,
feeling and skill' in M R Behesti and K Zreik (eds), Advanced
Technologies. Architecture. Planning. Civil Engineering. Fourth
EuropIA International Conference, Delft. Elsevier, Amsterdam
(1993) pp 279-284
[37] O'Hear, A 'Historicism and architectural knowledge'
Philosophy Vol 68 (1993) pp 127-144
[38] Ekholm, A 'A conceptual framework for clsssification of
construction works' ITcon Vol 1 (1996), http://itcon.org/1996/2
[39] Tondl, L 'Is it justified to consider the semiotics of
technological artefacts?' Poznan Studies in the Philosophy of
the Sciences and the Humanities Vol 62 (1998) pp 375-395
[40] Castaoeda, H -N 'Objects, existence, and reference. A
prolegomenon to guise theory' Grazer Philosophische Studien Vol
25 / 26 (1986) pp 3-59
[41] Sargent, P 'Design science or nonscience' Design Studies
Vol 15, No. 4 (1994) pp 389-402
[42] Roozenburg, N F M and Eekels, J Product Design:
Fundamentals and Methods John Wiley & Sons, Chichester (1995).
Translated and revised version of 'Produktontwerpen: Strucktuur
en Methoden' (in Dutch), Uitgeverij Lemma B.V., Utrecht (1991)
[43] Rosenman, M A and Gero, J S 'Purpose and function in
design: from the socio-cultural to the techno-physical' Design
Studies Vol 19, No. 2 (1998) pp 161-186
[44] Durling, D and Friedman, K (Eds ), Doctoral Education in
Design: Foundations for the Future, Staffordshire University
Press, Stroke-on-Trent (2000). Proc. of conference held 8-12
July 2000, in La Clusaz, France. ISBN 1-897898-64-9
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RE-INVENTING DESIGN EDUCATION IN THE UNIVERSITY
Bookings are being taken for the International Conference on
Design Education 11-13 December 2000 Curtin University of
Technology, Perth, Western Australia
http://design.curtin.edu.au/DesEd2000/
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CALLS FOR PAPERS
* Call for articles - Loop: AIGA Journal of Interaction
Design Education
Loop is accepting proposals for its February 2001 online
publication. This issue will feature articles and project
submissions addressing the theme of fostering collaboration:
introducing interdisciplinary experiences in the classroom.
Particular emphasis will be case studies of projects that
emphasize developing collaborative and team approaches to
solving problems of interaction design.
The deadline for submission of proposals is November 20,
2000. Loop will continue to accept proposals for future
issues on an ongoing basis.
Submission requirements can be found at
http://loop.aiga.org.
* 2-4 April 2001: CAL 2001: Call for Papers. CAL 2001
'Learning across the Ages' will take place at the University
of Warwick, UK, . The conference will review the impact of
new technologies on learners of all ages and address how
learners can be supported in the home, in educational
institutions and in the workplace.
For full details, including guidelines on submitting an
abstract see the conference website
http://www.elsevier.nl/locate/cal2001 or contact me at the
conference secretariat.
* 18-20 April 2001: "Include" - Innovation through
inclusive design and communication, Royal College of Art,
London.
http://www.hhrc.rca.ac.uk/include
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ANNOUNCEMENTS
* 14 - 15 November, 2000: University of Edinburgh,
Scotland, U.K Design and emerging e-commerce environnement -
The term "e-commerce" is gaining currency with the
burgeoning of the Internet as a medium for commercial
transactions. Anyone with a credit card and a networked PC
can browse on-line catalogues of books, computer games,
clothing or airline schedules, place orders and bookings
electronically and receive the goods and services by post a
few days later. This extension of mail ordering provides a
simple grasp of the potential of e-commerce, and suggests
its extrapolation into other areas of commerce and design
practice.
http://europia.org/DEECE
* 25-27 April 2001: Advances in Design Sciences and
Technology Architecture - Civil Engineering - Urban Planning
- Policy Analysis Delft, The Netherlands
The Europia Conferences are organized as a cross-platform
for the study and analysis of the application of the
information, communication and computer technologies to
architecture, building engineering, civil engineering, urban
design, urban planning and policy analysis. What makes this
conference unique is the interaction of different
disciplines (building informatics, hydroinformatics, design
education, etc.) regarding their approach, methods and
techniques for the application of advanced technologies to
architecture, civil engineering, building engineering, urban
planning and policy analysis. Specifics of disciplines are
not the subject of the conference but serve as cases.
Cross-platform discussions and interactions help to enhance
scope of these technologies beyond their existing
application limits.
http://europia.org/eia8
* The pre-programme of ISEA2000 10th International
Symposium on Electronic Art is now available on-line:
http://www.isea2000.com
ISEA will be held for the first time ever in France, taking
place in Paris this December. Organised by ART3000, this
multidisciplinary event will gather more than 150 expert
presenters in the domain of culture, science and industry
and the Symposium will attract 2000 participants from over
30 countries.
Visit http://www.isea2000.com for:
* 23-24th October 2000: 'Towards Sustainable Product
Design 5', Stuttgart, Germany. For details of the conference
programme and registration details see
www.cfsd.org.uk/tspd5.htm
* 31st October 2000: Innovative Thoughts and Practices in
Construction, South Bank University, London.
http://www.ce.strath.ac.uk/nccc
To book your free place(s) please send an e-mail to Mahtab
Farshchi at [log in to unmask]
* 20-22 October, 2000: ACADIA 2000. The Association for
Computer Aided Design in Architecture (ACADIA) will have its
annual conference at Catholic University in Washington, DC.
Because of the conference size (less than 400 participants)
and high quality of juried presentations, it offers an
excellent venue for meeting specialists in digital design.
You can meet experienced research leaders, see the latest
practical advances and get fresh insights on technology.
It's a chance to have lively discussions between people from
software development, creative practice and teaching and
earn American Institute of Architecture continuing education
units.
<http://www.acadia.org/conferences.html>
* 28 November-1 december 2000: The sixth biennial
Participatory Design Conference, Graduate Center, City
University of New York, NY, USA. Conference Theme:
"Designing Digital Environments--Bringing in more voices"
Participatory Design (PD) is a set of diverse ways of
thinking, planning, and acting through which people make
their work, technologies, and social institutions more
responsive to human needs. The Participatory Design
conferences, held every two years since 1990, have brought
together a multidisciplinary and international group of
researchers, designers, practitioners, users, and managers.
The disconnection of the design of technology from the
context of its use is well documented, yet the gap between
design and use seems to be getting wider.
http://www.cpsr.org/conferences/pdc2000/
* Product Safety Guide for the Elderly - Requirements for
Designers. The English website with additional information
to the cd-rom Product Safety Guide for the Elderly is:
http://www.eisenwijzer.nl/en/
If you wish, you can forward this message also to others
interested in Product Safety, Gerontechnology and Design for
All.
http://www.ecosa.org (EuroSafetyNet: a joint website of 14
organisations in Europe about consumer safety issues).
* 7-15 October 2000: 2nd Biennial International Design
Festival St-Etienne 2000: Inventive Energy. It will present
design creations from about 100 countries. The Town of
St-Etienne is being mobilised to provide an exhibition area
of some 30,000 m2, spread over eight main sites.
The exhibition will provide a spot light on the diversity of
design in the world through a plethora of objects which will
help us to decipher the mind-set and the important issues of
our time. For 9 days in St-Etienne, freelance designers,
design agencies, publishers, companies, schools, design
organisations and centres, magazines and the like
representing art, fashion, urban innovation, architecture
etc, etc will converge to provide a design panorama.
http://www.institutedesign.com
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CYBER NEWS: snippets from the networks
* SD-ONLINE now freely provides extensive listings to 936
web sites on environmental and sustainable development
issues.
http://susdev.eurofound.ie
* The launch of a new discussion group dedicated to the
usability challenges facing organisations who are developing
Interactive Television services.
http://www.usableitv.com
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DESIGN RESEARCH SOCIETY
The Design Research Society is the multi-disciplinary
international learned society for the design research community.
DRS was founded in 1967, and since then has established a
record of significant achievements in contributing to design
knowledge.
DRS has facilitated an international design research network in
35 countries comprising members who maintain contact through the
publications and activities of the Society. Members are drawn
from diverse backgrounds, not only from the traditional areas of
design, ranging from fine art to engineering, but also from
subjects like psychology and computer science.
Our interests include:
o recognising design as a creative act common to many
disciplines
o understanding research and its relationship with education
and practice
o advancing the theory and practice of design
We realise these by:
o encouraging the development of scholarship and knowledge in
design
o contributing to the development of doctoral education and
research training
o sharing knowledge across the boundaries of design disciplines
o facilitating networks to exchange and communicate ideas,
experience and research findings among members
o disseminating research findings
o promoting awareness of design research
o organising and sponsoring conferences, and publishing
proceedings
o encouraging communications between members internationally
o responding to consultative documents
o collaborating with other bodies
o lobbying on behalf of members' research interests
o recognising excellence in design research through awards
o sponsoring email discussion groups and a monthly emailed
newsletter
Membership of DRS provides:
o regular communications about research activities worldwide
o reduced subscription to Design Studies, the international
journal for design research in engineering, architecture,
products and systems. Design Studies is published by
Elsevier in cooperation with DRS
o reduced fees to DRS sponsored events
o representation of the design research community and members'
interests
o a means of identifying and contacting other members
o an opportunity to contribute to the international design
research community
For further details and an application form, contact the
membership secretary:
Professor Robert Jerrard, School of Design Research, Birmingham
Institute of Art and Design, University of Central England,
Corporation Street, Birmingham, UK B4 7DX
email: [log in to unmask]
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ELECTRONIC SERVICES OF THE DESIGN RESEARCH SOCIETY
o DRS_NEWS is the electronic newsletter of the Design
Research Society. It communicates news about research
throughout the world. It is mailed automatically at the
beginning of each month and is free. You may subscribe at
the following site:
http://www.mailbase.ac.uk/lists/design-research/join.html
o DRS is a discussion list open for unmoderated discussion
on all matters related to design research. You may
subscribe at the following site:
http://www.mailbase.ac.uk/lists/drs/join.html
o PHD-DESIGN is a discussion list open for unmoderated
discussion on all matters related to the PhD in design. You
may subscribe at the following site:
http://www.mailbase.ac.uk/lists/phd-design/join.html
o Full information about the Design Research Society may be
found at:
http://www.drs.org.uk
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CONTRIBUTIONS
Information to the editor (email only):
Dr. David Durling, Director, Advanced Research Institute,
School of Art & Design, Staffordshire University, Stoke-on-Trent
ST4 2XN, UK.
[log in to unmask]
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