Hi all,
I thought the programme for this conference might be of interest to the list!
9th -11th October 2013, The Art of Walking: Pedestrian Mobility in Literature, Philosophy, and the Arts from the Eighteenth to the Twenty-First Century, École Normale Supérieure de Lyon, France
October 9 — p.m.
Plenary session 1
1:45 • Opening of the conference
2. • Plenary lecture
Ian Marshall, Pennsylvania State University. Border Crossings: Walking the Haiku Path on the International Appalachian Trail.
Parallel workshops 1
Urban flâneurs? (1)
Chair: Isabelle Baudino
3. • Emmanuelle Peraldo, Saint-Etienne. Walking the Streets of London in the Eighteenth Century: a Performative Art?
3:30 • Catherine Drott, Giessen. Maps from the Mind: Rambling London’s City Streets in the Eighteenth century.
4. • Tatiana Pogossian, Paris 7. Walking in Space and Time :
the Quest for London
(Iain Sinclair, Peter Ackroyd and Gilbert & George).
Walking and the Politics of Memory (1).
Chair: Marie Mianowski
3. • Joe Duffy, Manchester. Performative Traces of Traumatic Place.
3:30 • Christian Schmitt-Kilb, Rostock. “In the beginning was the land”: the Poetics of Nature and the Politics of Walking in Recent British Prose.
4. • Bridget Sheridan, Toulouse. Walking, Photography, and Writing.
4:30 Coffee break
Parallel workshops 2
Urban flâneurs? (2)
Chair: Emmanuelle Peraldo
5. • Shao-Hua Wang, St. Hugh's College, Oxford. A Way of One's Own: the Writer Flâneur/se in Baudelaire and Woolf.
5:30 • Bill Psarras, Goldsmiths. Towards a Twenty-First Century Urban Flâneur: “Botanizing”, “Weaving” and “Tuning” Actions and Senses Through Embodied Media Art Practices.
Poetic and philosophical wanderings (1)
Chair: Klaus Benesch
5 • Mark Riley, Roehampton. Navigating the Forest Path: Using Paul Celan’s Poem Todtnauberg as a Field Guide to Walking the Heidegger Rundweg at Todtnauberg.
5:30 • Andrew S. Gross, Erlangen-Nürnberg. Pound, Peripatetic Verse, and the Postward Liberal Aesthetic.
October 10 — a.m.
Parallel workshops 3
Walking as Pathology? (1)
Chair: Caroline Bertonèche
9. • Ewan J. Jones, Cambridge. John ‘Walking’ Stewart, and the Ethics of Motion.
9:30 • Amanda Klinger, Oklahoma. Nervous London: Pedestrianism and Urban Sensibility in Wordsworth's Book 7 of The Prelude.
10. • Catherine Welter, New Hampshire. A Juggernaut in the Streets of London: Walking as Destructive Force in R.L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde.
From the Grand Tour to postmodern drifting (1)
Chair: Andrea Rummel
9. • Nicolas Bourgès, Paris-Sorbonne. The Significance of Enoch’s Walking in Four Funeral Sermons (1703-1738).
9:30 • Isabelle Baudino, ENS de Lyon. Textual and Iconographic Representations of Walking in Marianne Colston’s Narrative (1822).
10 • Andrew Estes, Munich. Walking in a Changing America: A Visit from the Goon Squad.
10:30 Coffee break
Parallel workshops 4
Urban flâneurs? (3)
Chair: Amélie Moisy
11. • Virginia Ricard, Bordeaux. Walking in Wartime: Edith Wharton's “Look of Paris.”
11:30 • Mathieu Perrot, Paris Ouest. Poetics of the passer-by: strolling about the lines in Louis Aragon's Le Paysan de Paris (1926) and Le Traité du style (1928).
From the Grand Tour to Postmodern Drifting (2)
Chair: Mark Riley
11. • Véronique Buyer, Paris 8. Women’s Walking in Four Movies by Michelangelo Antonioni.
11:30 • Sophie Walon, ENS Ulm. Walking to Death in an Indifferent World in Gus Van Sant Cinema: Gerry, Elephant, and Last Days.
October 10 — p.m.
Plenary session 2
2. • Plenary lecture
Tom Pughe, Orléans. How Poetry Comes to Him : An Excursion to Gary Snyder’s Wild Poetics.
Poetic and philosophical wanderings (2)
Chair: François Specq
3. • Catrin Gersdorf, Würzburg. Flânerie as Ecocritical Practice: Henry David Thoreau and Walter Benjamin.
3:30 • Andrew Goodman, Monash. Walking with the World: Towards an Ecological Approach to Performative Art Practice.
4. Coffee break
Parallel Workshops 6
Walking as Pathology? (2)
Chair: Ewan J. Jones
4:30 • Caroline Bertonèche, Grenoble. “Walking Shadows”: Revisiting Some Old Romantic Haunts
5 • Sarah Mombert, ENS de Lyon. Writing Dromomania in the Romantic Era: Nerval, Collins, Charlotte Brontë.
5:30 • Françoise Dupeyron-Lafay, Paris Est. The Art of Walking and the Mindscapes of Trauma in Thomas De Quincey’s Autobiographical Works: the Pains of Wandering, the Pains of Remembering.
Urban flâneurs? (4)
Chair: Gabrielle Finnane
4:30 • Anna MacDonald, Monash. Remembering through the Senses: Walking and the Recovery of Memory in W. G. Sebald’s Peripatetic Narratives.
5. • Karolina Katsika, Besançon. Walk, Feel and Hear: Walking as a Phenomenological Experience in Allerzielen by Cees Nooteboom.
October 11 — a.m.
Parallel Workshops 7
Poetic and philosophical wanderings (3)
Chair: Thomas Pughe
9:30. • Lacy Rumsey, ENS de Lyon. “Hike it and see”: Jonathan Williams, A.R. Ammons and the American “walk poem”.
10. • Daniel Acke, Université libre de Bruxelles. The Poetry of William Cliff and the Meaning of Walking.
Urban flâneurs? (5)
Chair: Françoise Dupeyron-Lafay
9:30. • Guilaume Evrard, Edinburgh. Walking in, and out of, the Modern City,
or How Universal Exhibitions Created Flâneurs.
10. • Estelle Murail, Paris 7/ King’s College London. “Du croisement de leurs innombrables rapports”: Baudelaire and De Quincey’s flâneurs.
Urban flâneurs? (6)
Chair: Virginia Ricard
11. • Amélie Moisy, Paris Est. Thomas Wolfe and the Urban Night Prowl: Walking, Modernism and Myth.
11:30. • Andrew Patten, New South Wales. The Walking Medium: Between the City, the Text, and the Flâneur.
October 11 — p.m.
Parallel Workshops 8
Urban flâneurs (7)
Chair: Andrew Estes
2. • Andrea Rummel, Giessen, Germany. The City, the Self and the Real-and-Imagined: Flânerie in Virginia Woolf’s “Street Haunting.”
2:30 • Manila Castoro, Kent, United Kingdom. Undermining the Myth: Why the Street Photographer is not a Flâneur.
3. • Gabrielle Finnane, New South Wales, Australia. Walker in the Megacity.
Walking and the Politics of Memory (2)
Chair: Catrin Gersdorf
2. • Julien Nègre, Paris 7. Thoreau’s Alternative Perambulation: Walking as the Delineation of a Political Spatiality.
2:30. • James Layton, Chester, United Kingdom. Communitas, Ritual, and Transformation in Robert Wilson’s “Walking.”
3. • Marie Mianowski, Nantes. The Art of the ‘Good Step’ in Colm Tóibín’s Bad Blood : A Walk Along the Irish Border (1987).’
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Clare Qualmann FHEA
Institute for Performing Arts Development
University of East London
USS 3.05
1 Salway Road
London
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http://www.clarequalmann.co.uk<http://www.clarequalmann.co.uk/>
http://www.walkwalkwalk.org.uk<http://www.walkwalkwalk.org.uk/>
http://www.walkingartistsnetwork.org<http://www.walkingartistsnetwork.org/>
I am part time and normally work Wednesday - Friday
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