Sheila & Doug,
Thanks for your focus on that last line, which is the first line I wrote down in the dark while watching. Virtually certain that it emerged from Garry Winogrand's mouth more than once during the film.
Barry
On Wed, 2 Jan 2019 17:42:02 -0700, Sheila Murphy <[log in to unmask]> wrote:
>Hear hear! I agree, Doug, as regards what Barry has shared! Thanks, Barry!
>
>On Wed, Jan 2, 2019 at 10:07 AM Douglas Barbour <[log in to unmask]>
>wrote:
>
>> That final line is solid aesthetic or us all, Barry.
>>
>> Doug
>>
>> > On Jan 2, 2019, at 5:37 AM, Barry Alpert <
>> [log in to unmask]> wrote:
>> >
>> > OF GARRY WINOGRAND
>> >
>> > Garry was the frame
>> >
>> > Psycho-gestural ballet
>> > makes chaos visible
>> >
>> > Get to not ending
>> >
>> >
>> > Barry Alpert / Wash DC > Rockville MD / 12-23-18 (2:00pm) - 01-02-19
>> (7:27am)
>> >
>> > "Once derided by the critics, Winogrand's "snapshot aesthetic" is now
>> the universal language of contemporary image making." That sentence from
>> the producer of the feature film about photographer Garry Winogrand
>> convinced me that my cine-poem was quite appropriate for The Snapshot
>> Project. I drafted it during my long-awaited first viewing of "All Things
>> Are Photographical". Here's a link to the trailer:
>> >
>> > https://www.youtube.com/watch?v=UbEwN97dZt4
>> >
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>>
>> Douglas Barbour
>> [log in to unmask]
>> https://eclecticruckus.wordpress.com/
>>
>> Recent publications: (With Sheila E Murphy) Continuations & Continuations
>> 2 (UofAPress).
>> Recording Dates (Rubicon Press).
>> Listen. If (UofAPress):
>>
>>
>>
>> It was cold, in a way that Shadow was starting to become familiar with:
>> colder inside the building than out. He wondered how they did that, if it
>> was a British building secret.
>>
>> Neil Gaiman
>>
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>>
>
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