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MUSIC-AND-SCIENCE  June 2017

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Subject:

DEADLINE FRIDAY: CfP: 4th Intl. Digital Libraries for Musicology workshop, Shanghai, Sat 28 Oct 2017

From:

David Lewis <[log in to unmask]>

Reply-To:

David Lewis <[log in to unmask]>

Date:

Mon, 26 Jun 2017 07:57:43 +0000

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** This list is managed by Dr Evangelos Himonides (UCL), on behalf of the Society for Education and Music Psychology Research (sempre), and aims to serve as a discussion forum for researchers working at the shared boundaries of science and music. This list was previously managed by the Institute of Musical Research. ** 
 
MESSAGE FOLLOWS: 
 
[with apologies for cross posting] 
 
SECOND CALL FOR PAPERS 
 
4th International Digital Libraries for Musicology workshop (DLfM 2017) 
 
Saturday 28th October 2017 
 
Shanghai Conservatory of Music, 20 Fenyang Road, Xuhui district, Shanghai 200031, China. 
Proceedings published in ACM ICPS 
 
A satellite event of ISMIR 2017 <https://ismir2017.smcnus.org/> 
 
<http://www.transforming-musicology.org/dlfm2017/> 
 
In 2017 DLfM calls for paper submissions to two tracks: a 'proceedings 
track' for short and full papers which will be presented at the 
workshop and published in the workshop proceedings; and a 'Transforming 
Musicology challenge' track for presented papers and posters. 
 
 
WORKSHOP LOCATION 
 
Shanghai is one of the most populous cities in the world, a major  
international gateway to China and an important academic centre,  
housing over thirty universities and colleges. As a location for 
a satellite workshop of ISMIR, it is especially convenient, being 
on the route many attendees will use to return home. 
 
The Shanghai Conservatory of Music was one of the first in China to 
offer higher education in music and has an international reputation 
for the standard of its students and teaching staff. The Conservatory 
also houses a substantial library and a Museum of Oriental Musical  
Instruments. 
 
 
BACKGROUND 
 
Many Digital Libraries have long offered facilities to provide 
multimedia content, including music. However there is now an ever more 
urgent need to specifically support the distinct multiple forms of 
music, the links between them, and the surrounding scholarly context, 
as required by the transformed and extended methods being applied to 
musicology and the wider Digital Humanities. 
 
The Digital Libraries for Musicology (DLfM) workshop presents a venue 
specifically for those working on, and with, Digital Library systems 
and content in the domain of music and musicology. This includes Music 
Digital Library systems, their application and use in musicology, 
technologies for enhanced access and organisation of musics in Digital 
Libraries, bibliographic and metadata for music, intersections with 
music Linked Data, and the challenges of working with the multiple 
representations of music across large-scale digital collections such 
as the Internet Archive and HathiTrust. 
 
This, the fourth Digital Libraries for Musicology workshop, is a 
satellite event of the annual International Society for Music 
Information Retrieval (ISMIR) conference being held in nearby Suzhou, 
and in particular encourages reports on the use of MIR methods and 
technologies within Music Digital Library systems when applied to the 
pursuit of musicological research. 
 
DLfM 2017 proceedings will be published in the ACM Digital Library as 
part of the ICPS series, and proceedings of previous DLfM workshops can 
be found in the ACM Digital Library: <http://dl.acm.org/citation.cfm?id=2970044> 
 
 
WORKSHOP OBJECTIVES 
 
DLfM will focus on the implications of music on Digital Libraries and 
Digital Libraries research when pushing the boundaries of contemporary 
musicology, including the application of techniques as reported in 
more technologically oriented fora such as ISMIR and ICMC. 
 
This will be the fourth edition of DLfM following a very successful and 
well received workshops at Digital Libraries 2014, JCDL 2015, and ISMIR 
2016, giving an opportunity for the community to present and discuss 
recent developments that address the challenges of effectively 
combining technology with musicology through Digital Library systems 
and their application. 
 
The workshop objectives are: 
 
- to act as a forum for reporting, presenting, and evaluating this 
work and disseminating new approaches to advance the discipline; 
- to create a venue for critically and constructively evaluating and 
verifying the operation of Music Digital Libraries and the 
applications and findings that flow from them; 
- to consider the suitability of existing Music Digital Libraries, 
particularly in light of the transformative methods and 
applications emerging from musicology, large collections of both 
audio and music related data, ‘big data’ method, and MIR; 
- to set the agenda for work in the field to address these new 
challenges and opportunities. 
 
 
TOPICS 
 
Topics of interest for the workshop include, but are not limited to: 
 
- Music Digital Libraries 
- Applied MIR techniques in Music Digital Libraries and musicological 
investigations using them 
- Techniques for locating and accessing music in Very Large Digital 
Libraries (e.g. HathiTrust, Internet Archive) 
- Music data representations, including manuscripts/scores and audio 
- Interfaces and access mechanisms for Music Digital Libraries. 
- Digital Libraries in support of musicology and other scholarly 
study; novel requirements and methodologies therein 
- Digital Libraries for combination of resources in support of 
musicology (e.g. combining audio, scores, bibliographic, 
geographic, ethnomusicology, performance, etc.) 
- User information needs and behaviour for Music Digital Libraries 
- Identification/location of music (in all forms) in generic Digital 
Libraries 
- Mechanisms for combining multi-form music content within and 
between Digital Libraries and other digital resources 
- Information literacies for Music Digital Libraries 
- Metadata and metadata schemas for music 
- Application of Linked Data and Semantic Web techniques to Music 
Digital Libraries, and for their access and organisation 
- Optical Music Recognition 
- Ontologies and categorisation of musics and music artefacts 
 
 
SUBMISSIONS 
 
We are pleased to announce that the DLfM 2017 proceedings will again be published 
in the ACM Digital Library as part of the ICPS series. 
 
Papers will be peer reviewed by 2-3 members of the programme committee. 
 
Please produce your paper using the ACM template and submit it to DLfM 
on EasyChair by 30 June 2017 (see IMPORTANT DATES). 
 
All submitted papers must: 
 
- be written in English; 
- contain author names, affiliations, and email addresses; 
- be formatted according to the ACM SIG Proceedings template with a 
Type 1 font no smaller than 9pt; 
- be in PDF (make sure that the PDF can be viewed on any platform), 
and formatted for A4 size. 
 
It is the authors' responsibility to ensure that their submissions 
adhere strictly to the required format. Submissions that do not comply 
with the above requirements may be rejected without review. 
 
Please note that at least one author from each accepted paper must 
attend the workshop to present their work. 
 
ACM template: http://www.acm.org/sigs/publications/proceedings-templates 
Submissions: https://easychair.org/conferences/?conf=dlfm2017 
Contact email: [log in to unmask] 
 
 
SUBMISSIONS - PROCEEDINGS TRACK 
 
We invite full papers (up to 8 pages) or short and position papers (up 
to 4 pages).  In addition to the general submission requirements above 
(see SUBMISSIONS), we will require that camera-ready copy be received 
before 15 September 2017 (see IMPORTANT DATES). At least one author 
from each accepted paper must be registered by that date. 
 
 
SUBMISSIONS - TRANSFORMING MUSICOLOGY CHALLENGE 
 
What will the next generation of musicologists be studying? And how 
will they carry out their research? What part will digital technology 
play in the musicology of the future? And how will future musicologists 
be using digital libraries? 
 
The Transforming Musicology Challenge solicits short position paper 
submissions to the Digital Libraries for Musicology Workshop of up to 2 
pages (see SUBMISSIONS). Transforming Musicology Challenge papers 
should describe, in detail, a musicological investigation or scenario 
that uses, or might use in the future, technologies relevant to DLfM 
(see the Topics section of the call). The ideal entry would speculate 
on the kind work that, in the author's imagination, current 
researchers' successors will be carrying out. While the primary focus 
of Challenge papers should be musical scholarship, authors are 
encouraged to relate research questions to the technical challenges 
that must be addressed. 
 
Musicology Challenge papers will be peer reviewed, and accepted papers 
will be presented at the workshop as either part of a panel or a 
poster. Transforming Musicology Challenge papers will not be included 
in the main workshop proceedings, but will be compiled into a 
supplement hosted on the workshop website. 
 
While we encourage authors engage with the workshop through the 
Transforming Musicology Challenge track, those who wish their papers to 
appear in  the main proceedings may prefer to submit a more detailed  
description of their work to the Proceedings Track as a short or long  
paper (see above). 
 
 
IMPORTANT DATES 
 
Paper submission deadline (all tracks): 30th June 2017 (23:59 UTC-11) 
Notification of acceptance: 3rd August 2017 
Camera ready submission deadline: 15th September 2017 
Workshop: 28th October 2017 
 
 
WORKSHOP ORGANISATION 
 
Programme Chair 
Dr Kevin PAGE, University of Oxford 
 
Local Chair 
Prof. YANG Yandi, Shanghai Conservatory of Music 
 
Publicity and Proceedings Chair 
David LEWIS, University of Oxford 
 
 
Programme Committee 
Allessandro ADAMOU, Knowledge Media Institute, The Open University 
Islah ALI-MACLACHLAN, Birmingham City University 
David BAINBRIDGE, University of Waikato 
Marnix van BERCHUM, Utrecht University 
Richard CHESSER, British Library 
Tim CRAWFORD, Goldsmiths, University of London 
Johanna DEVANEY, The Ohio State University 
Jürgen DIET, Bavarian State Library 
J. Stephen DOWNEY, The University of Illinois at Urbana–Champaign 
Ichiro FUJINAGA, McGill University 
Francesca GIANNETTI, Rutgers University–New Brunswick 
Andrew HANKINSON, Bodleian Library, University of Oxford 
Xiao HU, University of Hong Kong 
Charles INSKIP, University College London 
Frauke JURGENSEN, University of Aberdeen 
Alan MARSDEN, Lancaster University 
Joshua NEUMANN, University of Florida 
Alastair PORTER, Universitat Pompeu Fabra 
Laurent PUGIN, RISM Switzerland 
David RIZO, University of Alicante 
Andreas RAUBER, Vienna University of Technology 
Carolin RINDFLEISCH, University of Oxford 
Sertan ŞENTÜRK, Universitat Pompeu Fabra 
Mohamed SORDO, Pandora 
SUN Hongjie, Shanghai Normal University 
Raffaele VIGLIANTI, University of Maryland 
David M. WEIGL, University of Oxford 
Tillman WEYDE, City, Univerity of London 
ZHANG Jihong, Shanghai Conservatory of Music 

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