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DESIGN-RESEARCH  August 2018

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Subject:

Design Research News, August 2018

From:

DAVID DURLING <[log in to unmask]>

Reply-To:

DAVID DURLING <[log in to unmask]>

Date:

Tue, 21 Aug 2018 16:59:24 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (1263 lines)

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DESIGN RESEARCH NEWS Volume 23 Number 8, Aug 2018 ISSN 1473-3862
http://www.designresearchsociety.org


________________________________________________________________







CONTENTS







o   Design Studies

o   Calls

o   Announcements


o   DRN search

o   Digital Services of the DRS

o   Subscribing and unsubscribing to DRN

o   Contributing to DRN







________________________________________________________________
________________________________________________________________







Design Studies

Contents of Volume 57, July 2018

Special Issue: Designing in the Wild
Edited by Linden Ball and Bo Christensen and featuring selected papers
from the 12th Design Thinking Research Symposium

Available online at:
https://www.sciencedirect.com/journal/design-studies/vol/57/

Editorial: Designing in the wild
Linden Ball, Bo Christensen, pp 1-8

Timescales and ideaspace: An examination of idea generation in design
practice
Kathryn Shroyer, Terri Lovins, Jennifer Turns, Monica Cardella, Cynthia
Atman, pp 9-36

Rendering a multi-dimensional problem space as an unfolding
collaborative inquiry process
Robin Adams, Richard Aleong, Molly Goldstein, Freddy Solis, pp 37-74

Design roulette: A close examination of collaborative decision-making in
design from the perspective of framing
Janet McDonnell, pp 75-92

Cracking open co-creation: Categories, stories, and value tension in a
collaborative design process
Peter Lloyd, Arlene Oak, pp 93-111

Grouping notes through nodes: The functions of Post-It notes in design
team cognition
Graham Dove, Sille Julie Abildgaard, Michael Mose Biskjaer, Nicolai
Brodersen Hansen, Kim Halskov, pp 112-134

Verbal focus shifts: Forms of low coherent statements in design
conversations
Axel Menning, Bastien M. Grasnick, Benedikt Ewald, Franziska Dobrigkeit,
Claudia Nicolai, pp 135-155

DTRS: A catalyst for research in design thinking
Kees Dorst, pp 156-159

A brief history of the Design Thinking Research Symposium series
Nigel Cross, pp 160-164







________________________________________________________________
________________________________________________________________







CALLS







19-20 September 2019 - INTERNATIONAL MIND CONFERENCE 2019

DESIGNING WITH AND FOR PEOPLE WITH DEMENTIA: WELLBEING,
EMPOWERMENT AND HAPPINESS

International Conference 2019 of the MinD consortium, the DRS Special
Interest Group on Behaviour Change and the DRS Special Interest Group on
Wellbeing and Happiness

Venue: TU Dresden, Germany

Conference organisers: Christian Wlfel, Kristina Niedderer, Rebecca
Cain, Geke Ludden

CONFERENCE THEME

MinD invites papers and design contributions for the first international
MinD conference 2019 on Designing for People with Dementia.

The conference will provide a trans-disciplinary forum for researchers,
practitioners, end-users and policy makers from the design and health
care professions to exchange and discuss new findings, approaches and
methods for using design to improve dementia care and to support people
with dementia and their carers.

With ca. 10.9 million people affected by dementia in Europe, with
numbers set to double by 2050 (Prince, Guerchet and Prina 2013), with 20
million carers, and with no cure in sight, research into care to improve
the quality of life of people with dementia is essential, to encourage
and enable them to engage in activities that are in line with their
interests and experiences (Alcove 2013; Alzheimers Society 2013).

Characterised by progressive memory and cognitive degeneration, people
who are affected by Alzheimers disease or other dementias often face
cognitive, behavioural and psychosocial difficulties, including
impairment and degeneration of memory and of perceptions of identity
(Alcove 2013). As a result, many have reduced physical activities or
social engagement, or are unable to work. Emotionally, this can lead to
uncertainty, anxiety and depression and a loss of sense of purpose.

In this light, it is becoming increasingly apparent that it is not just
care that is required but support for how to live well with dementia,
whether in the own home or in residential care. This includes managing
ones own care and every day tasks, as well as leisure activities, social
engagement. Even small things such as whether and when to go out or what
to wear can have important effects on peoples sense of self and
wellbeing, contentment and happiness. Key to this is having choices and
the ability to decide. Acknowledging the agency of people with dementia
and understanding what can be done to support this is therefore a key
question.

Design-based non-pharmacological interventions are increasingly
recognised as having great potential to help. Design can offer novel
ways of complementing care and independent living to empower people with
dementia in everyday situations because of its ubiquitous nature and its
affordances. Much focus has so far been on physical and cognitive tasks
and on safe-keeping and reducing risks. For example, design can help
accomplish physical tasks and offer guidance or reminders, e.g. for time
or orientation, or alert to behavioural changes. While there are some
approaches towards emotional and social aspects of living with dementia,
more could and should be done to focus on enabling people with dementia
and acknowledging their agency.

Design can help to support social, leisure, creative activities. It can
help empower people with dementia offering choices and aiding
decision-making. Design can support the individual person, or change the
environment. This can take the form of a product, of systems or
services, of the built or natural environment. The importance is to use
design to help reduce stigma and exclusion, and instead to improve
well-being and social inclusion to create happiness.

While the aims may be clear, the way to achieve them still raises many
questions about the best approaches, ways and methods to achieve such
aims. This conference therefore seeks to explore the manifold areas and
approaches. This may include novel theoretical approaches, novel methods
in design development or in working with and including end-users, or
novel products, environments, services or systems. Or it may include
novel ways of working, collaboration and co-operation. The key aim is to
bring together and explore how we might impact positively and
sustainably on the personal, social, cultural and economic factors
within our communities to improve living with dementia.

To this end, we welcome a broad engagement with the field and invite
submissions from a diverse range of researchers and practitioners from
the various design and health disciplines, including product and
interior design, craft, information and communication technologies,
architecture and the built environment, psychiatry, psychology,
geriatrics and others who make a relevant to the field.

Themes may include, for example:

- Design approaches for the wellbeing/empowerment/happiness of elderly
people

- Design approaches for the wellbeing/empowerment/happiness of people
with mild cognitive impairment (MCI) or dementia

- New design frameworks and approaches for
wellbeing/empowerment/happiness

- Mindful design approaches for wellbeing/empowerment/happiness

- Collaboration between designers, technologists, health professionals
and people with lived experience

- Data collection with and by people with MCI/dementia

- Co-design & co-creation with people with MCI/dementia

- Evaluation of design with people with lived experience

- Evaluation of the impact of design on people with lived experience

CONTRIBUTIONS & SUBMISSION INFORMATION

MinD 2019 welcomes contributions in two formats:

1)  Full Papers

We invite the submission of full papers (3000-4000 words) by 1 February
2019. Papers are expected to offer new or challenging views on the
subject, novel approaches, working methods or design interventions or
ideas, or similar.

Papers will be selected subject to a double blind review process by an
international review team.  Paper will be reviewed for
relevance/significance, novelty/originality, quality/rigour and clarity.

2)  Design-based submissions:

We invite the submission of designs in analogue or digital format,
including e.g. physical artefacts, digital artefacts, films/video.
Contributions are expected to offer new or challenging ideas, novel
approaches, working methods or design interventions, or similar.
Submissions will be exhibited during and as part of the conference.

In the first instance proposals should be submitted by 1 February 2019,
including an image or visualisation and a verbal description of the
design, and a 300 word statement of the underpinning research detailing
its originality, significance and rigour.

Design submissions will be selected subject to a double blind review
process by an international review team.  Submissions will be reviewed
for relevance/significance, novelty/originality, and quality.

If selected, submissions are expected to arrive by the organisers by 15
August 2019, free of charge. Insurance is the responsibility of the
author/designer.

Submission information:

All contributions must be submitted by 1 February 2019 at the latest
through the conference submission system, which you can access from the
conference pages.

Please check authors guidelines. For your convenience, we also provide
templates for both paper and design submissions.

For the full submission guidelines, authors guidance notes and templates
as well as  the link to the Submission System, please follow the link to
this conference website: www.mind4dementia.eu

Publication of conference submissions:

Paper submissions will in the first instance be published as online
proceedings, archived in an open access repository with a DOI number,
and also available as an abstract / programme booklet and memory stick
with the proceedings.

In a second step, paper authors will be invited to submit their extended
papers (6000-8000 words) for inclusion in a journal special issue.
Available journals will be publicised on the conference website as soon
as the are confirmed.

Design submissions will be included in the abstract booklet and
published in an online-based catalogue accompanying the exhibition.

KEY DATES

First call for papers: 1 July 2018
Online submission opens: 1 October 2018
Final date for full paper submissions: 1 February 2019
Final date for Design proposal submissions: 1 February 2019
Delegate registration opens: 1 April 2019
Paper decision notifications: 1 May 2019
Early bird registration closes: 1 June 2019
Camera ready papers submission 15 June 2019
Late registration closes: 15 August 2019
Conference: 19-20 September 2019

www.mind4dementia.eu







International Journal of Culture Technology

Call for paper submission to the International Journal of Culture
Technology. http://ijct.iacst.org/

IJCT(International Journal of Culture Technology) aims to be the most
comprehensive international journal on the various aspects of culture
technology and its applications. IJCT provides a chance for academic and
industry professionals to present recent progress in the area of culture
technology. The goal of this journal is to bring together the research
results from academia and industry to share ideas, works, problems and
solutions related to the multifaceted aspects of culture technology.
Authors are invited to submit original papers in all areas related to
culture technologies and their applications. Topics include, but not
limited to, the following areas : Digital Contents, Foundation/Source,
Performance/Exhibition, Culture Service, Advanced Technology,
Humanity/Social Science, Art/Design, and Convergence Technologies. etc.

Areas

1. Digital Contents

(a) VR & AR: Augmented reality, Virtual reality, Mixed reality, Multiple
realistic space implementation, industry adaptive VR
(b) Game: Massive on-line game based on virtual world, Game for welfare
promotion, Immersing cinematic reality game, Game utilization in culture
(c) Convergence Contents: Senseware, Smart contents, Edu-Contents
(d) Media: Animation CG, Digital cinema

2. Foundation / Source

(a) Contents Design: Storytelling, Contents producton pipeline
(b) Graphics: Physical engine, Rendering, 3D stereoscopic, Motion
graphics, Hologram
(c) UX-based Interface: User experience, Action recognition
(d) Social Media: Social media analysis and utilization
(e) Data Management: Data retrieval for culture contents, Data
collection and analysis for culture contents, DB modeling for culture
contents, DBMS for culture contents
(f) Sound & Music: Sound technology and music technology

3. Performance / Exihibition

(a) Performance Technology: Technology of cutting edge of performance,
Massive performance technology,
(b) Exihibition Technology: Advanced implementation technology, Digital
exihibition technology
(c) Crafts Technology: Traditional material modernization, production
technology modernization
(d) Traditional Music Technology: Modernization of traditional music,
Advancement of traditional musical instruments, Populizing traditional
music

4. Culture Service

(a) Cultural Heritage Technology: Culture enjoyment support technology,
Restoration technology of original form
(b) Tourism Service Technology: Evaluation medel of tourism resources,
Characterization technology of tourrism factor, Awareness raising of
tourism R&D, Construction of tourism R&D support system
(c) Sports Service Technology: u-sports care service, sports service
marketing, sports service information, sports image/video analysis,
virtual sports
(d) Library Technology: Journal publishing technology, Repositary
technology
(e) Museum Technology: All museum technologies including exhibition and
preservation technology
(f) Copyright Technology: Copyright protection & usage technology,
Detection technology of copyright infringement, Management of
copyright-works distribution

5. Advanced Technology

(a) Machine Intelligence: Intelligent technology applied to culture
technology, new AI technology
(b) IOT & Big Data: IOT & Bigdata technology applied in culture
technology, new IOT & Big Data technology

6. Humanity / Social Science

(a) Culture & Technology in Humanity: culture and technology related
with humanity study
(b) Culture & Technology in Social Science: culture and technology
related with social science study

7. Art / Design

(a) Culture & Technology in Art: culture and technology related with art
(b) Culture & Technology in Design: culture and technology related with
design

8. Convergence Technologies

All convergence technologies not limited to a specific field

If you have any question for the journal or it's conference, please
contact Editor-in-Chief at [log in to unmask]







18-21 June 2019 - Academy for Design Innovation Management

Academy for Design Innovation Management: due Tuesday 4 September 2018
Call for Tracks: Academy forDesign Innovation Management | 2019 London

Research Perspectives In the era of Transformations

Hosted by | Loughborough UniversityLondonConference
London, United Kingdom Track Proposals

Submission Deadline Tuesday 11 September 2018

The Academy for Design Innovation Management 2019 London International
Research Conference will be hosted by Loughborough University London.
The ADIM International Research Conference 2019 is organised in
collaboration with members from international partners: Hong Kong
Polytechnic, Politecnico di Milano, the University of Twente, Oslo
Metropolitan University, Macromedia University, Tecnun, The University
of Southampton, Middle East Technical University, Universidade de
Lisboa, RMIT University and Delft University of Technology. The last
years biannual conference was hosted by the Hong Kong Polytechnic. The
2017 four volume conference proceedings are available on the 2017
conference websitehttp://designinnovationmanagement.com/dma2017/

Call for Tracks

The Tracks will form the Call for Papers which will be announced in
mid-September. One of the aims of the Tracks is for
the cross-institutional and ideally international track facilitators to
bring together a network of scholars to explore the proposed Track
topics. Proposal should consist of:

- a track session title
- 3 to 5 sub-chairs for the session who together with the chair will
oversee the track
- an outline for the track session to provide context (up to 250 words)
- a brief list of references (around five) to indicate the tracks scope

Track proposals will be reviewed by the programme committee. Successful
track proposals will be publicised on the website as part of the
conference call. The track chairs will become part of the International
Conference Programme Committee and the Tracks co-chairs will be become
part of the International Scientific Review Board.

The general theme Research Perspectives in the era
of Transformations will allow potential Track co-chairs to propose
conference Tracks dealing with the topic of Transformations from
different areas such as:

- Transformation of Designer(s) roles in Businesses and Public
Organisation

- Transformation of Urban Spaces (a good example is the enormous
transformation of the host institutions, Loughborough University
London, location at the 2012 site of the London Olympics  see this
linkhttp://groupuel2.blogspot.com/2015/03/stratford-then-and-now.html
check for example Fridge Mountain, 2006
and https://www.theguardian.com/cities/2017/jul/27/london-olympic-park-
success-five-years-depends)

- Transformation of Design which is ever more extending its reach to
beyond the object into areas such as Service Design, Design for Social
Change, Design Policy etc

- Transformation of the actual design community research interests:
Design as Politics, Design for Democracy etc

- Transformation of Business and its impact on Design

- Transformation of Society and its impact on Design

- Transformation around Sustainable issues and its impact on Design

- Impact of digitisation on transformation of Design

- Transformation around Education and so on

To allow us to incorporate the track themes into the Call for Papers,
the Track proposals should be submitted
to [log in to unmask] on or before Tuesday 11th
September 2018.

If you would like to propose a theme track for the upcoming ADIM 2019
London international conference or have any questions, please email the
conference co-chairs at: [log in to unmask]

http://designinnovationmanagement.com/adim2019/







21-29 March 2019 - URBAN INVENTORIES

URBAN INVENTORIES : Urban documentation as design project
Conference and exhibition at the Centre de design, Montral, 21 to 29
March 2019

The international conference-exhibition invites academics involved in
creative-research in design and related disciplines to contribute to the
reflection on the roles played by documentation and invention in
investigating the city and its territory.

The Urban Inventories conference-exhibition examines the crossover
between documentation and invention as they relate to the city. To
document, to represent and to project urban complexity are essential
tasks toward a deeper understanding of urban spatial production at all
scales and ways to generate new meaning for the city. The
design-research projects presented and exhibited are aimed at
reconsidering urban complexity, representational forms of knowledge, and
research in design and related disciplines. These considerations
highlight four central preoccupations of the conference: situated
practice, representation, projection and investigation. How are
documentary practices in design and their modes of representation
generative of new urban knowledge? How and when does the act of making
an inventory become a design project?

For more information: www.be-pi.ca/inventories

The deadline to send contributions is 15 September 2018.

The international conference is organized by the Bureau dtude de
pratiques indisciplines<http://www.be-pi.ca/> at the cole de design,
UQAM. www.be-pi.ca







5-6 March 2019 -   7th International Conference for Universal Design in Bangkok

Call for paper submission to the 7th International Conference for
Universal Design in Bangkok in March 2019 is now open.

https://www.iaud.net/global/conference/ud2019/9576/
https://www.iaud.net/global/conference/ud2019/9578/

Deadline for papers 20 November 2018







7-9 February 2019 - Atmosphere 11 ADAPTATION - Call for Papers

We encourage academics, professionals, researchers, and students to
submit abstracts to Atmosphere 11 ADAPTATION. All submissions will be
double-blind peer-reviewed. We will be pursuing a publication of
selected papers and talks.

Keynote Speakers

Graeme Brooker
Alexandre Chemetoff
Georges Descombes
Miriam Kelly
Marc Treib

About

Atmosphere 11 will explore ADAPTATION. This theme intends to attract
researchers from diverse disciplines into an open but topically oriented
exchange. ADAPTATION is a mutation, a change that aids organisms to
thrive in their environments. ADAPTATION implicates designers as
organisms with the particular places, materials, contingencies and
intentions that enable survival or better living in an increasingly
unpredictable environment. In other words, this symposium will examine
not merely what and how we adapt, but the sites and situations of
adaptation. The aim is to critically and creatively explore how
contextual, cultural and environmental circumstances of our world serve
as meaningful catalysts for design, building, teaching and research
within a discussion of atmosphere and adaptation. This theme encompasses
multifaceted, dynamic scales and terrains including the complexities of
our social fabrics, intricacies of environmental function, potentials of
adaptation as process, as fitness, the materials and patina of our
everyday adaptations, and the stories and arguments that share
understandings of our designed world. Do we engage in pre-ADAPTATION? Do
we register atmosphere through adaptation?

Dates
February 7  9, 2019

Location
University of Manitoba Faculty of Architecture Winnipeg MB Canada

Deadline for Submissions
Monday, 1 October, 2018

Submit To
[log in to unmask]<mailto:[log in to unmask]>

Questions?
[log in to unmask]<mailto:[log in to unmask]>

www.atmos.ca







8-9 May 2019 - Electronic Imaging & the Visual Arts

The Foremost European Electronic Imaging Events in the Visual Arts
EVA 2019 Florence
Conference, Training & Workshops
Hotel Pierre, Florence
Conference Languages: Italian & English

Offers of papers (8 pages draft or 1 page summary), Workshops &
Demonstrations to be sent to the Chairmen by 30 October 2018

EVA 2019 Florence Chairmen: Vito Cappellini - Enrico Del Re
E-mail: [log in to unmask]  [log in to unmask]
For information email: [log in to unmask]
https://lesc.dinfo.unifi.it/sites/default/files/Documenti/EVA-2019.pdf

Main Topics

- European Commission Projects and Plans regarding Cultural Heritage
- Mediterranean Initiatives in Technology for Cultural Heritage: Synergy
with European & International Programmes
- 2D  3D Digital Image Acquisition
- Leading Edge Applications: Galleries, Libraries, Archaeological Sites,
Museums & Historical Tours
- Integrated Digital Archives for Cultural Heritage and Contemporary Art
- Management of Museums by using ICT Technology: Documentation, Access,
Guides & Other Services
- The Impact of New Mobile Communications on Cultural Heritage and
Modern Arts Area
- Cloud Networks
- Semantic Webs
- Ontology Systems
- Human - Computer Interaction for Cultural Heritage Applications
- Copyright Protection
- Secure Electronic Commerce (Anticounterfeiting)
- Cybersecurity
- Culture and e-government
- Activities and Programmes for e-learning
- Digital TV and films
- 3D Developments and Applications in the Cultural Heritage Area
- Virtual Galleries and Exhibitions
- Digital Art
- Digital Music
- Digital Theater
- Cultural Tourism & Travel Applications
- Impact of Culture in the Smart City
- Art and Medicine  Who Should Attend
- The Cultural Sector - The Government Sector - Media & Related Sectors
- The ICT Industry, especially multimedia SMEs - Tourism & Travel
Sector
- Technology & Visual Arts Research Organisations  Trade Culture
Activities

President Advisory Board: James Hemsley
Email: [log in to unmask]

https://lesc.dinfo.unifi.it/sites/default/files/Documenti/EVA-2019.pdf







________________________________________________________________
________________________________________________________________







ANNOUNCEMENTS







16-17 November 2018 - Matters of Communication

Call for Participation: Matters of Communication
http://www.dgtf.de/tg-news

15th Annual meeting of the German Society for Design Theory and Research
| Karlsruhe University of Arts and Design | 16-17 November 2018

Whether space, image, text, object or system  design is always also
communication. Against the backdrop of increasing radicalization,
segmentation and polemization of social discourses, the relationship
between design and communication seems more volatile today than ever.
New communications media, channels, spaces andWhat are the pioneering
approaches and methods of design research in relation to communication
through and within contemporary forms of expression, as well as cultural
and economic production? How do research projects reflect "Matters of
Communication", i.e. the form and materiality of designed communication,
and their role in the emergence of attributions and interpretation
contexts? What is the role that design research plays in the development
of relevant questions and solutions

Our conference "Matters of Communication" creates a space for discussion
about how communication is designed today and how design is communicated
today.

What are the pioneering approaches and methods of design research in
relation to communication through and within contemporary forms of
expression, as well as cultural and economic production? How do research
projects reflect "Matters of Communication", i.e. the form and
materiality of designed communication, and their role in the emergence
of attributions and interpretation contexts? What is the role that
design research plays in the development of relevant questions and
solutions? Howis theory formation and translation into teaching and
practice carried out? The program consists of lectures, discussions and
workshops in four thematic areas:

Language and Image

The design of communication has always moved between the rather
denotative qualities of the written word and the greater connotative
freedom of the image. Depending on the design concept, visual design
serves to support the flow of communication or can, with an expressive
gesture,break through familiar visual forms of representation. How is
communication in language and image designed, perceived/received and
interpreted today? What are the impact factors influencing the design of
visual communication? What influence does visual communication have on
prevailing social discourses?

Space and Scenery

From non-places to highly utilitarian buildings to narrative spaces of
experience, from physical buildings to augmented hybrid worlds to
virtual reality  space is more complex than ever. How do contemporary
spaces function as communication interfaces? How are these spaces
argued, narrated and communicated through their design? What is the role
of the simulation as a specific form of expression in the context of
economic and social issues?

Object and Interaction

Designed objects are a combination of materials,functionand aesthetics,
as well as an interface in complex technological, economic and social
contexts. How is communication designed today between objects and
people, and amongst people through objects? How do these objects
communicate in relation to their position in economic and ecological
cycles? What role does materiality or immateriality play in relation to
the communicative abilities of objects?

Society and System

Complex systems such as computers, companies or societies are based on
the constant exchange of materials, energies, symbols and are therefore
communicative systems per se. How do such systems get designed? How does
design deal with different stakeholders groups in these systems? What
does good communication within a system mean, and how are friction and
conflict used as productive forces? We cordially invite you to submit
contributions in the following formats:

Short lectures (10 minutes)

Lectures should present current practical project examples as well as
discursive approaches that take up practices and methods of design
research in connection with the conference theme and that lie at the
communicative level of design.

Workshops (60 minutes)

Workshops should be an invitation to discuss or carry out a practice
together that relates to the conference themewithactive involvement of
the audience.

Submissions form

All submissions should refer to each one of the four topic areas. Your
abstracts should not exceed 500 words. Please submit as a PDF file to
the email "mail at dgtf.de". RE: "Submission Matters of Communication"

Submissions deadline: 19.08.2018

The selection is made by the conference committee, together with Dr.
Daniel Hornuff (Karlsruhe University of Arts and Design) and Prof. Katja
Thoring (Anhalt University of Applied Science, Dessau). Accepted
submissions will receive notification no later than 24.09.2018.

Meeting date and location: 16 and 17.11.2018 in Karlsruhe

The host university of the 15th DGTF annual meeting is the Karlsruhe
University of Arts and Design. The conference committee consists of
Prof. Andreas Mller (Karlsruhe University of Arts and Design), Prof.
Dr. Sabine Foraita und Prof. Dr. Axel Vogelsang (DGTF). Please contact
Frank Mller, coordinator of this year's meeting, with your questions:
[log in to unmask]

The conference will feature panels and workshops in English, although
participators should be aware that the main part of the conference will
be held in German language. We strongly encourage English speaking
researchers to submit contributions to the call for participation.

15. Jahrestagung der Deutsche Gesellschaft fr Designtheorie und
-forschung (DGTF) | Staatliche Hochschule fr Gestaltung Karlsruhe |
16-17. November 2018

Deutsche Gesellschaft fr Designtheorie und -forschung (DGTF)
http://www.dgtf.de/tg-news







11 September 2018 - DRN Drawing Research Conference

DRN Drawing Research Conference  call for delegates

Practice and Drawing//Diverse Perspectives: examining possibilities for
drawing in practice led research

PGR Drawing Research Conference 11th September 2018

Conveners: TRACEY School Research Members, Loughborough University

The conference aims to create a space for discussion and collaboration
centred on an examination of practice led research where drawing forms a
defining part of research across a diverse range of practices  e.g.
painting, sculpture, architecture, printmaking, installation,
audio-visual, music, text, language, the performative.

We will examine the relationship between drawing practice and drawing
theory,the role of drawing at each stage of research methodology,and the
question of how thought processes and affective response relate to
drawing process in practice.

These areas of enquiry will be addressed by a series of academic papers
delivered during the morning, followed by a panel discussion, and a
series of practical drawing workshops in the afternoon. The conference
offers an opportunity for debate and reflection, encouraging engagement
across a wide range of research practices.

We welcome and encourage participation from a diverse range of delegates
whose engagement with drawing is informed by a variety of experiences
across academic and practice contexts.

Please follow the link below for further information and to book your
place for the conference:

https://store.lboro.ac.uk/conferences-and-events/school-of-the-arts-
english-and-drama/upcoming-eventssymposiums/pgr-drawing-research-network
-conference-2018







27-28 September 2018 - Social Games against Crime Seminar

Call for Participation Social Games against Crime Seminar

On September 27-28, 2018 the social design group at the University of
Southern Denmark is hosting a 2-day seminar focusing on challenges of
implementing and evaluating social design in a prison context. Over the
past 3 years the Social Games Against Crime research project
(http://sacproject.org/) has studied how the design of social games can
help improve relationships between children and their incarcerated
fathers in Danish prisons.

We wish to invite researchers and practitioners from social design,
criminology and studies into family narratives to share experiences and
results and to discuss the challenges and potentials of design research
interventions seeking to enable children to better cope with problems
resulting from parental incarceration.

A number of keynote speakers from both practice and academia will
address questions of implementation and evaluation from different
perspectives ranging from qualitative research in criminology, game
design and social design to small stories research.

Keynote speakers:

Michael Bamberg, Department of Psychology, Clark University
Caroline Lanskey, Institute of Criminology, Cambridge University
Lorraine Gamman, Design against Crime Research Centre, University of the
Arts London
Adam Thorpe, Design against Crime Research Centre, University of the
Arts London
Valentijn Visch, Persuasive Game Design, Delft University of Technology

Participation is free of charge, but because seats are limited
registration is necessary. For registration and further information,
please contact Tau Lenskjold: [log in to unmask]

Location | University of Southern Denmark, PAKHUSET, Sdr Havnegade 7,
6000 Kolding

Organizers

Thomas Markussen, Tau Leenskjold, Eva Knutz & Nanna Koch Hansen
Institute of Design & Communication
University of Southern Denmark/ Kolding Campus

[log in to unmask]







Invitation for Participation: TypoDay 2019, 2-4 March 2019 at IDC School
of Design, IIT Bombay, Mumbai, India

TypoDay 2019

Typography Day will be organized for the Twelfth time on 2nd to 4th
March 2019 at IDC School of Design (IDC), Indian Institute of Technology
Bombay (IIT Bombay), Mumbai with support from India Design Association
(InDeAs) and Aksharaya.

Experimental Typography

Introduction:

The theme for this year event is - Experimental Typography The event
will feature a day of workshops on Typography and Calligraphy followed
by two days of conference dedicated to Experimental Typography. The
international conference will be devoted to addressing issues faced by
type designers, type users and type educators. The conference includes
presentations by invited keynote speakers, eminent academicians, blind
juried papers, industry professionals, research scholars and students.
The event will also host an exhibition of selected posters and
typographic works of students and faculty members from Design
Institutes. The event is planned over three days:Day 1: Workshopson
Typography + Meet on Research in TypographyDay 2-3 :
Conferencefocusing on Experimental Typography + Typo Quiz + Exhibition
and Installations and Award ceremony

The Conference will focus on the following issues:

- Experiments and Explorations in Experimental Typography
- Experimental Typography in the context of Culture
- Experimental Typography in the process of Learning
- Experimental Typography using Multilingual Scripts
- Experimental Typography in Native (Indigenous) Scripts
- Experimental Typography in Local Languages
- Research Activities in Experimental TypographyLogo Design
Competition

http://www.typoday.in/logo.html

Theme: Experimental Typography

Design a logo for Typography Day 2019 so that it expresses the theme of
the event - Experimental Typography. As the conference is being held in
Mumbai, we encourage you to include the context of Mumbai in the design
of logo. Calligraphic or digitally created letter forms or existing
fonts, or a combination of these can be used for the logo. The logo
should also include the words Typography Day 2019 or Typo Day 2019.

The resulting logo should be of the size and specification given below.
This competition is open to students. The competition is open to all -
non resident Indians, as well as foreign citizens can take part in
it.Deadlines:Deadline for submission: 31st August 2018 Declaration
of results: 30th September 2018

Poster Design Competition
http://www.typoday.in/poster.html

Theme: The Dance of Typography
Design a poster to Express The Dance of Typography.
You can use

- The Language, Script and Typeface of your choice. You can make use of
one letter, one word, many words or even a paragraph composed of words.
- Calligraphic or digitally created letterforms or existing fonts, or a
combination of these can be used for the poster. The resulting poster
should be of the size and specification given below.

This competition is open to students, faculty and professionals. The
competition is open to all - non resident Indians, as well as foreign
citizens can take part in it.Deadlines:Deadline for submission: 30th
September 2018
Declaration of results: 31st October 2018

Call for Papers

http://www.typoday.in/call-paper.html

We invite a 500-800 word abstract (with examples) in three categories:

- Concerns in Experimental Typography (Academic Research/Presentations)
- Innovative applications of Experimental Typography (Case Studies)
- Student projects on Experimental Typography Deadlines:

Deadline for abstract submission: 30th September 2018 Declaration of
accepted abstracts: 31st October 2018 Deadline for submission of full
paper: 30th November 2018

Contact Information

If you have any queries, please do not hesitate to contact us at:Email:
[log in to unmask]

www.typoday.in







3 October 2018 - Cambridge Service Alliance Industry Conference

Disruptor or disrupted? Harnessing digital technologies for the
next-generation of servicesCambridge Service Alliance Industry
Conference

The world is undergoing a technological revolution. Technologies such as
Artificial intelligence (AI) and Block-chains will transform the way we
live and work, from the way we diagnose and treat cancer to the security
of online transactions. This fourth industrial revolution is of a scale,
speed and complexity that is unprecedented.Join us at our conference
on 3 October when our keynote speakers from big brands discuss whether
these technologies are the disruptors or disrupted and how firms can
harness these digital next-generation technologies of services. Craig
Saunders, Head of Applied Science, Amazon Alexa Knowledge Homero
Resendez, Digital Enablement Vice President, CEMEX Sander
Kuik, Director Services Delivery & Consulting, Canon BIS EMEA,
Canon Phil Wolfenden, Vice President, CISCO Systems

[log in to unmask]







30-31 August 2018 - Dementia Lab 2018
Experience, Participation and Design
Urban Sciences Building, Newcastle University, UK

Dementia Lab is an event that aims to bring together researchers,
professionals and people with personal experience of dementia to share
stories and learning on issues related to design and dementia. For
Dementia Lab 2018, as well as broadly exploring the role of design and
the creative arts in relation to dementia, we are specifically focusing
on issues of experience and participation.

We have put together a programme of three invited keynote talks by
Claire Craig (Lab4Living, Sheffield Hallam University), Kate Parkin and
Anne Walton (Creative Age Challenge, Equal Arts) and Hester le Riche and
Hester van Zuthem (Active Cues), four panels with short presentations
from researchers and practitioners talking about their projects, and six
short workshops on topics related to design, creativity and dementia.

The event is entirely free to attend and participate in. If you would
like to register for the Dementia Lab, please visit here:
https://form.jotformeu.com/82062008367352

For a full overview of the programme, take a look at the event website
here:

http://www.dementialabevent.com/Experience-Participation-and-Design-2018
/?section=schedule

Feel free to contact us at [log in to unmask] if you have any
questions.







Constructivist Foundations 13(3)

The latest issue of the AHCI journal Constructivist Foundations has been
published today. See table of contents below. To access the full
articles for free visit http://constructivist.info/13/3

Constructivist Foundations 13(3)

P.S. Have also a look at the Constructivist E-Paper Archive at
CEPA.INFO, the most comprehensive and personalized bibliography and full
text archive of constructivist literature with more than 5,000
bibliographic entries. In CEPA you can find more than 3,000 full texts,
and create annotations and reading lists, and add your own publications.







WALKING-BEYOND-PEDESTRIAN

Info sharing, discussion, debate on walking research, methods and
practice

This list evolved from Beyond The Pedestrian: Walking in Research,
Theory, Practice and Performance (University of Liverpool, 26.7.18). It
aims to provide an online space for interdisciplinary information
sharing, discussion and debate about walking. Our definition of walking
is welcoming to all kinds of bodies and includes orthotics, sticks,
wheels and other assistive technologies. This conversation is open to
students, academics and anyone else interested in exploring the more
than pedestrian.

http://www.jiscmail.ac.uk/walking-beyond-pedestrian







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customisable JISC search engine at:

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o  Design Studies is the International Journal for Design
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  which is published as a co-operation between Design Research
  Society and Elsevier.

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CONTRIBUTIONS





Information to the editor, David Durling Professor of Design Research,
Coventry University, UK <[log in to unmask]>

PLEASE NOTE: contributions should be sent as plain text in the body of
an email. Do not send attachments. Do not copy and paste from Word
documents.







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