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October 2012


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IDFF2012 - Filmmakers, actors, producers, and film scholars in attendance...

Hudson Moura

Wed, 31 Oct 2012 13:46:31 -0400

904 lines

Existentialism and Contemporary Cinema - A Beauvoirian Perspective

Ben Parker

Tue, 30 Oct 2012 11:43:36 -0000

623 lines

Charlie Blake talk this Weds: Sonic Spectralities

Halligan Benjamin

Mon, 29 Oct 2012 22:08:30 +0000

319 lines

CFP: Texture in Film

Lucy Fife Donaldson

Mon, 29 Oct 2012 16:26:32 +0000

52 lines

CRFAC Events at the University of Roehampton, London - October to December

William Brown

Mon, 29 Oct 2012 15:14:11 +0000

197 lines

Transnational in Brussels

Michael Chanan

Mon, 29 Oct 2012 12:38:15 +0000

63 lines

CFP: “The return of American films to Europe”: economics, politics, aesthetics

Michael Temple

Fri, 26 Oct 2012 14:35:13 +0100

136 lines

Re: Spanish film and human rights

matt

Thu, 25 Oct 2012 11:32:04 -0400

57 lines

Global Queer Cinema Event

Laura Ellen Ciara Joyce

Thu, 25 Oct 2012 15:30:09 +0100

314 lines

Spanish film and human rights

William Brown

Thu, 25 Oct 2012 14:59:44 +0100

55 lines

Re: Spanish film and human rights

Joan Guenther

Thu, 25 Oct 2012 09:52:10 -0400

48 lines

Re: Spanish film and human rights

Ange Webb

Thu, 25 Oct 2012 12:04:39 +0100

29 lines

CFP TV Fangdom: A Conference on Television Vampires 7-8 June 2013.

Stacey Abbott

Thu, 25 Oct 2012 11:07:27 +0100

115 lines

Re: Spanish film and human rights

Brian Keith Bergen-Aurand (Asst Prof)

Thu, 25 Oct 2012 15:41:49 +0800

93 lines

Re: Spanish film and human rights

CAROL OSULLIVAN

Thu, 25 Oct 2012 08:38:16 +0100

97 lines

Spanish film and human rights

William Brown

Thu, 25 Oct 2012 05:54:46 +0000

73 lines

Re: Spanish film and human rights

John Marmysz

Thu, 25 Oct 2012 01:36:25 -0400

170 lines

Spanish film and human rights

Reina-Marie Loader

Wed, 24 Oct 2012 13:59:00 +0100

38 lines

CFP 'Exploring modern South Asian history with visual research methods: theories and practices’ Conference, University of Cambridge, 15 – 16 March 2013

Annamaria Motrescu

Wed, 24 Oct 2012 13:30:38 +0100

82 lines

Dis-Placing the East/West Binary

Hiu M.Chan

Tue, 23 Oct 2012 22:54:59 +0100

773 lines

Revisiting 'Solipsistic Film Criticism'

Warren Buckland

Tue, 23 Oct 2012 18:17:04 +0100

105 lines

Senior Lectureship in Digital Humanities and Screen Media, University College Cork

Rascaroli, Laura

Mon, 22 Oct 2012 20:33:50 +0000

50 lines

Alphaville: Journal of Film and Screen Media - CFP: conference and film festival reports

Jill Murphy

Mon, 22 Oct 2012 11:03:56 +0100

114 lines

Re: 1895, revue d'histoire du cinéma

李洋

Sun, 21 Oct 2012 23:11:51 +0800

67 lines

1895, revue d'histoire du cinéma

Michael Temple

Sun, 21 Oct 2012 15:16:28 +0100

56 lines

Re: Deleuze query

CAROL OSULLIVAN

Sat, 20 Oct 2012 21:05:51 +0100

154 lines

Re: Deleuze query

Cormac Deane

Sat, 20 Oct 2012 20:41:30 +0100

165 lines

Re: Deleuze query

Henry M. Taylor

Sat, 20 Oct 2012 21:36:26 +0200

134 lines

Re: Deleuze query

Cormac Deane

Sat, 20 Oct 2012 17:47:28 +0100

108 lines

Re: Deleuze query

Henry M. Taylor

Sat, 20 Oct 2012 18:26:40 +0200

134 lines

Deleuze query

Erica Sheen

Sat, 20 Oct 2012 12:25:07 +0100

131 lines

New Journal Issue: The Anatomy of Marginality (Special Issue of The European Legacy)

Costica Bradatan

Fri, 19 Oct 2012 14:52:08 +0000

126 lines

Aktuell erschienen: Laszig, Parfen (Hrsg.) Blade Runner, Matrix und Avatare. Psychoanalytische Betrachtungen virtueller Wesen und Welten im Film

Parfen Laszig (kontakt)

Wed, 17 Oct 2012 15:23:32 +0200

627 lines

TIMECODE- Felicity Colman

M Goodall

Tue, 16 Oct 2012 16:35:39 +0100

70 lines

Morality and the Movies now available in the US

Shaw, Dan

Tue, 16 Oct 2012 12:37:51 +0000

96 lines

CFP: Film & Philosophy: Corpus//Bodies

<>

Tue, 16 Oct 2012 12:15:38 +0100

126 lines

apologies

Costica Bradatan

Sat, 13 Oct 2012 02:11:42 +0000

92 lines

Hey...

Costica Bradatan

Sat, 13 Oct 2012 02:02:37 +0000

60 lines

Help Wanted - Berlin, the 20s, "small" film industry (not UFA), Georg Höllering (Hoellering)

András Szekfü

Thu, 11 Oct 2012 21:08:53 +0200

76 lines

Berlin, 20-er Jahre, "kleine" Filmindustrie (nicht UFA), G.M. Höllering

Andras Szekfu

Thu, 11 Oct 2012 19:49:44 +0100

26 lines

Conference panel on film translation, history and textuality

CAROL OSULLIVAN

Wed, 10 Oct 2012 23:45:00 +0100

168 lines

Reminder - Film Finances come to Queen Mary this Friday

Lucy Bolton

Tue, 9 Oct 2012 10:27:23 +0100

186 lines

book reviewers - New Review of Film and Television Studies

Warren Buckland

Mon, 8 Oct 2012 18:58:20 +0100

64 lines

Hope, Film and Critical Theory

Craig Hammond

Mon, 8 Oct 2012 16:51:10 +0100

44 lines

Updated CFP (Extended Deadline): PLAYING WITH FIRE. THE METAMORPHOSES OF SACRIFICE IN CONTEMPORARY CINEMA

Costica Bradatan

Mon, 8 Oct 2012 15:26:07 +0000

313 lines

FW: Suspension of Ian Parker – international protest!

Richard Stamp

Mon, 8 Oct 2012 12:15:57 +0100

368 lines

Issue 18 On line! > Antonioni and the Mystery of Reality

Emanuele Tammaro

Mon, 8 Oct 2012 10:52:01 +0000

301 lines

Audio Recording: Melancholia Non Grata: Lars von Trier and the Infinite Sadness, Sydney Seminar for the Arts & Philosophy, Sept 28

Robert Sinnerbrink

Mon, 8 Oct 2012 16:14:03 +1100

121 lines

New issue of JUMP CUT: articles of interest

Chuck Kleinhans

Sun, 7 Oct 2012 21:21:18 +0000

78 lines

2nd and Final CFP The Liveliest Medium

Steven Peacock

Thu, 4 Oct 2012 11:42:53 +0100

58 lines

book reviewers wanted

Warren Buckland

Wed, 3 Oct 2012 15:55:11 +0100

84 lines

Re: Paper Sessions of the SPSCVA at the APA Pacific and Central Meetings

Shaw, Dan

Wed, 3 Oct 2012 10:09:11 +0000

107 lines

AW: [FILM-PHILOSOPHY] Immersion and convergence

Herbert Schwaab

Wed, 3 Oct 2012 08:55:16 +0100

111 lines

Immersion and convergence

Henry M. Taylor

Wed, 3 Oct 2012 09:31:03 +0200

28 lines

A Double loss - Eric Hobsbawm and Octavio Getino

Michael Chanan

Tue, 2 Oct 2012 16:58:55 +0100

78 lines

CALL FOR PAPERS: Fast/Slow Symposium

Kendall, Tina

Mon, 1 Oct 2012 09:52:19 +0000

654 lines

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