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Size
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Re: Transnational Cinema?
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Henry M. Taylor |
Mon, 30 Apr 2007 19:51:49 +0200 |
58 lines |
Re: Bunking or debunking Lumiere's trrain[Scanned-Clean]
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Andreas Polihronis |
Mon, 30 Apr 2007 13:02:29 +0100 |
55 lines |
The Cinematic Sublime
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Film-Philosophy Editor |
Mon, 30 Apr 2007 11:28:56 +0100 |
60 lines |
Re: Transnational Cinema?
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David Sorfa |
Mon, 30 Apr 2007 02:18:30 +0100 |
31 lines |
Lumiere's train
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O'Shaughnessy, Martin |
Sun, 29 Apr 2007 22:04:44 +0100 |
36 lines |
Re: Transnational Cinema?
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COLIN BURNETT |
Sun, 29 Apr 2007 15:18:44 -0500 |
116 lines |
Re: to extend this debate further...
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Henry Miller |
Sun, 29 Apr 2007 17:24:47 +0100 |
220 lines |
Re: Transnational Cinema?
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Frank, Michael |
Sun, 29 Apr 2007 11:46:23 -0400 |
353 lines |
Transnational Cinema?
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Cath Davies |
Sun, 29 Apr 2007 16:33:05 +0100 |
42 lines |
Re: Bunking or debunking Lumiere's trrain[Scanned-Clean]
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Sutton, Damian |
Sat, 28 Apr 2007 13:11:13 +0100 |
63 lines |
Bunking or debunking Lumiere's trrain
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Reinaldo A Uribe Muriel |
Fri, 27 Apr 2007 19:35:55 -0500 |
46 lines |
Re: FILM-PHILOSOPHY Digest - 26 Apr 2007 to 27 Apr 2007 (#2007-148)
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Nicholas Hamlyn |
Fri, 27 Apr 2007 20:28:05 +0100 |
44 lines |
Re: FILM-PHILOSOPHY Digest - 26 Apr 2007 to 27 Apr 2007 (#2007-148)
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<> |
Fri, 27 Apr 2007 14:35:13 EDT |
57 lines |
Re: FILM-PHILOSOPHY Digest - 26 Apr 2007 to 27 Apr 2007 (#2007-148)
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Nigel Morris |
Fri, 27 Apr 2007 19:31:46 +0100 |
35 lines |
Leaving the list[Scanned-Clean]
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Sutton, Damian |
Fri, 27 Apr 2007 17:18:31 +0100 |
84 lines |
Call for presentation submissions
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Shaw, Dan |
Fri, 27 Apr 2007 10:28:40 -0400 |
38 lines |
Re: leave film-philosphy
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Henry M. Taylor |
Fri, 27 Apr 2007 14:31:06 +0200 |
267 lines |
Re: leave film-philosphy
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Ben Dawes |
Fri, 27 Apr 2007 12:26:53 +0000 |
126 lines |
leave film-philosphy
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Neil Ramsorrun |
Fri, 27 Apr 2007 13:11:36 +0100 |
29 lines |
leave film-philosophy to: [log in to unmask]
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Ben Dawes |
Thu, 26 Apr 2007 23:24:37 +0000 |
80 lines |
Re: FILM-PHILOSOPHY Digest - 26 Apr 2007 (#2007-147)
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Paul Verity Smith |
Thu, 26 Apr 2007 18:41:54 +0100 |
22 lines |
Bunking or debunking Lumiere's trrain
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Daniel Barnett |
Thu, 26 Apr 2007 13:29:34 -0400 |
30 lines |
Re: FILM-PHILOSOPHY Digest - 25 Apr 2007 to 26 Apr 2007 - Special issue (#2007-146)
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Kirk Boyle |
Thu, 26 Apr 2007 12:41:36 -0400 |
84 lines |
Re: FILM-PHILOSOPHY Digest - 25 Apr 2007 to 26 Apr 2007 - Special issue (#2007-146)
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William Brown |
Thu, 26 Apr 2007 15:08:18 +0100 |
290 lines |
Re: FILM-PHILOSOPHY Digest - 24 Apr 2007 to 25 Apr 2007 (#2007-144)
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Frank, Michael |
Thu, 26 Apr 2007 09:22:00 -0400 |
721 lines |
Re: FILM-PHILOSOPHY Digest - 24 Apr 2007 to 25 Apr 2007 (#2007-144)
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William Brown |
Thu, 26 Apr 2007 09:35:48 +0100 |
238 lines |
Jobs in Bristol
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Michael Chanan |
Thu, 26 Apr 2007 08:11:54 +0100 |
51 lines |
Re: to extend this debate further...
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Frank, Michael |
Wed, 25 Apr 2007 18:44:06 -0400 |
373 lines |
Re: to extend this debate further...
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Kirk Boyle |
Wed, 25 Apr 2007 15:22:29 -0400 |
96 lines |
full symposium details
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Michael Witt |
Wed, 25 Apr 2007 20:01:51 +0100 |
635 lines |
DYING TO BELONG: GANGSTER MOVIES IN HOLLYWOOD AND HONG KONG
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Martha P. Nochimson |
Wed, 25 Apr 2007 12:34:54 -0400 |
138 lines |
FROM MARTHA NOCHIMSON
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Martha P. Nochimson |
Wed, 25 Apr 2007 11:41:05 -0400 |
68 lines |
Re: CFP: The Past in the Present - Glasgow, October 2007[Scanned-Clean]
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Henry Miller |
Wed, 25 Apr 2007 10:31:28 +0100 |
129 lines |
Re: to extend this debate further...
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Frank, Michael |
Tue, 24 Apr 2007 15:29:33 -0400 |
125 lines |
to extend this debate further...
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Kirk Boyle |
Tue, 24 Apr 2007 14:56:01 -0400 |
111 lines |
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Julius Bonapart |
Tue, 24 Apr 2007 08:54:28 -0500 |
44 lines |
Re: simple minded query
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Frank, Michael |
Tue, 24 Apr 2007 09:09:05 -0400 |
249 lines |
Re: a Marxist reading of the title
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Henry Miller |
Tue, 24 Apr 2007 12:55:05 +0100 |
133 lines |
Re: simple minded query
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John Bleasdale |
Tue, 24 Apr 2007 00:30:38 -0700 |
23 lines |
Re: a Marxist reading of the title
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bill harris |
Mon, 23 Apr 2007 22:32:08 -0500 |
331 lines |
Re: simple minded answer to simple minded query
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Nathan Andersen |
Mon, 23 Apr 2007 23:02:04 -0400 |
90 lines |
Re: simple minded answer to simple minded query
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Frank, Michael |
Mon, 23 Apr 2007 18:51:34 -0400 |
306 lines |
Re: a Marxist reading of the title
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Frank, Michael |
Mon, 23 Apr 2007 18:47:22 -0400 |
479 lines |
a Marxist reading of the title
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Kirk Boyle |
Mon, 23 Apr 2007 18:20:12 -0400 |
85 lines |
simple minded answer to simple minded query
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Nathan Andersen |
Mon, 23 Apr 2007 17:26:06 -0400 |
48 lines |
Re: simple minded query
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CAROL OSULLIVAN |
Mon, 23 Apr 2007 21:19:03 +0100 |
34 lines |
Re: simple minded query
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Vicky Bigmore |
Mon, 23 Apr 2007 21:16:29 +0100 |
52 lines |
Re: simple minded query
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Frank, Michael |
Mon, 23 Apr 2007 16:12:16 -0400 |
190 lines |
Re: simple minded query
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CAROL OSULLIVAN |
Mon, 23 Apr 2007 21:07:45 +0100 |
105 lines |
Re: simple minded query
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Frank, Michael |
Mon, 23 Apr 2007 15:54:17 -0400 |
204 lines |
Re: simple minded query
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Frank, Michael |
Mon, 23 Apr 2007 15:40:42 -0400 |
75 lines |
Re: simple minded query
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Jim Flannery |
Mon, 23 Apr 2007 11:20:53 -0700 |
31 lines |
Re: simple minded query
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Katharine Asals |
Mon, 23 Apr 2007 18:18:31 +0100 |
49 lines |
simple minded query
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Frank, Michael |
Mon, 23 Apr 2007 13:12:30 -0400 |
102 lines |
Re: [Scanned-Clean]
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D.Sutton |
Mon, 23 Apr 2007 17:17:17 +0100 |
48 lines |
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Thomas Deane Tucker |
Mon, 23 Apr 2007 08:58:30 -0600 |
27 lines |
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Julius Bonapart |
Mon, 23 Apr 2007 09:08:38 -0500 |
24 lines |
Re: directors and magic
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brighid mulley |
Mon, 23 Apr 2007 13:07:17 +0100 |
67 lines |
Re: directors and magic
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Stan |
Mon, 23 Apr 2007 11:56:37 +1200 |
135 lines |
Deepa invites you to join Zorpia
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Deepa |
Sun, 22 Apr 2007 16:52:41 -0000 |
161 lines |
Friends and Foes -Friendship and Conflict CFP
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Barbara Gabriella Renzi |
Sun, 22 Apr 2007 17:36:27 +0100 |
87 lines |
Re: directors and magic
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David Church |
Sat, 21 Apr 2007 21:31:45 -0700 |
47 lines |
directors and magic
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Sarah Nichols |
Sat, 21 Apr 2007 21:19:58 -0700 |
58 lines |
directors and magic
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Sarah Nichols |
Sat, 21 Apr 2007 21:19:57 -0700 |
58 lines |
Now (and Again): Re-enactment and the Moving Image
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Michael Witt |
Fri, 20 Apr 2007 14:33:34 +0100 |
270 lines |
Re: new JUMP CUT online
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Gina Marchetti |
Fri, 20 Apr 2007 09:19:55 +0800 |
235 lines |
new JUMP CUT online
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Chuck Kleinhans |
Thu, 19 Apr 2007 12:21:03 -0500 |
157 lines |
CFP: Anglo-French Cinematic Relations
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Catherine Wheatley |
Thu, 19 Apr 2007 11:10:02 +0100 |
71 lines |
CFP: The Past in the Present - Glasgow, October 2007[Scanned-Clean]
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D.Sutton |
Wed, 18 Apr 2007 16:50:16 +0100 |
108 lines |
MediaSCAPES postgrad program @ SCIArc Los Angeles
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Film-Philosophy Editor |
Wed, 18 Apr 2007 09:43:30 +0100 |
113 lines |
Subjective Camera Screenings: London
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David Sorfa |
Tue, 17 Apr 2007 16:58:01 +0100 |
241 lines |
Re: film language and film nationality
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Reinaldo A Uribe Muriel |
Fri, 13 Apr 2007 22:23:03 -0500 |
66 lines |
creatives in film
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Sarah Nichols |
Fri, 13 Apr 2007 11:49:59 -0700 |
53 lines |
Re: Creatives in Film
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Andrew Vartabedian |
Fri, 13 Apr 2007 08:53:31 -0700 |
43 lines |
Re: FILM-PHILOSOPHYartists in film
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Alan Fair |
Fri, 13 Apr 2007 13:05:52 +0100 |
30 lines |
Re: Creatives in film
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Paul Stambolis |
Fri, 13 Apr 2007 15:47:03 +1000 |
115 lines |
Re: Creatives in film
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Janicetong Digest |
Fri, 13 Apr 2007 13:25:11 +1000 |
73 lines |
Re: Creatives in film
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Nicola Hopkins |
Thu, 12 Apr 2007 22:06:50 +0100 |
36 lines |
more creatives in film
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Sarah Nichols |
Thu, 12 Apr 2007 12:57:13 -0700 |
56 lines |
Re: creatives in film
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Sarah Nichols |
Thu, 12 Apr 2007 12:47:33 -0700 |
50 lines |
Re: Creatives in Film
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Neil light |
Thu, 12 Apr 2007 19:56:30 +0100 |
123 lines |
Re: Creatives in film
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Nathan Andersen |
Thu, 12 Apr 2007 13:13:11 -0400 |
33 lines |
Re: Creatives in Film
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Andrew Moor |
Thu, 12 Apr 2007 15:44:24 +0100 |
57 lines |
Re: Creatives in Film
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Catalin Brylla |
Thu, 12 Apr 2007 07:19:16 -0700 |
52 lines |
Re: Creatives in Film
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Lawrance Manley |
Thu, 12 Apr 2007 14:28:08 +0100 |
19 lines |
Re: Creatives in Film
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Shaw, Dan |
Thu, 12 Apr 2007 08:31:48 -0400 |
32 lines |
Re: Creatives in Film
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edwin mak |
Thu, 12 Apr 2007 12:37:11 +0100 |
41 lines |
New Review of Film and Television Studies
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Warren Buckland |
Thu, 12 Apr 2007 04:33:23 -0400 |
65 lines |
Re: Creatives in Film
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Shaw, Dan |
Wed, 11 Apr 2007 15:47:06 -0400 |
32 lines |
Re: Creatives in Film
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hunter vaughan |
Wed, 11 Apr 2007 20:59:53 +0200 |
83 lines |
Creatives in Film
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Nicola Hopkins |
Wed, 11 Apr 2007 19:44:12 +0100 |
64 lines |
Visible Evidence XIV/2007: Call for papers/panels
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Vinzenz Hediger |
Wed, 11 Apr 2007 07:24:31 +0200 |
86 lines |
The Uncertainty of the Image
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Film-Philosophy Editor |
Tue, 10 Apr 2007 10:50:17 +0100 |
172 lines |
Re: [SPAM] Re: FILM-PHILOSOPHY Digest - 4 Apr 2007 to 5 Apr 2007 (#2007-126)
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Lee Parpart |
Fri, 6 Apr 2007 14:20:24 -0400 |
65 lines |
FYI: Film Commentary (Palestinian film, etc.)
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Dan Garrett |
Fri, 6 Apr 2007 08:56:40 -0700 |
230 lines |
Women and Silent Britain
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Emma Sandon |
Fri, 6 Apr 2007 14:26:25 +0100 |
284 lines |
Re: In search of paranormal movies
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philip pocock |
Fri, 6 Apr 2007 11:58:30 +0200 |
24 lines |
Re: New Narrative modes/Models
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David Church |
Thu, 5 Apr 2007 18:06:46 -0700 |
84 lines |
Re: New Narrative modes/Models
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Anthea Sweeney |
Thu, 5 Apr 2007 23:52:03 +0100 |
99 lines |
Re: FILM-PHILOSOPHY Digest - 4 Apr 2007 to 5 Apr 2007 (#2007-126)
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<> |
Thu, 5 Apr 2007 15:21:22 EDT |
119 lines |
Re: New Narrative modes/Models
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Warren Buckland |
Thu, 5 Apr 2007 15:08:06 -0400 |
44 lines |
In search of paranormal movies
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Romeo Grünfelder |
Thu, 5 Apr 2007 19:50:24 +0200 |
44 lines |
Re: Film Portraiture.
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John Matturri |
Thu, 5 Apr 2007 13:48:33 +0200 |
26 lines |
Visible Evidence XIV Call for Panels / Call for Papers
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Vinzenz Hediger |
Thu, 5 Apr 2007 13:27:50 +0200 |
86 lines |
Re: Film Portraiture.
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edwin mak |
Thu, 5 Apr 2007 12:23:40 +0100 |
23 lines |
Re: New Narrative modes/Models
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Frank, Michael |
Wed, 4 Apr 2007 22:37:00 -0400 |
260 lines |
Re: New Narrative modes/Models
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David Church |
Wed, 4 Apr 2007 12:58:31 -0700 |
56 lines |
Re: Film Portraiture.
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Lee Parpart |
Wed, 4 Apr 2007 14:17:35 -0400 |
26 lines |
New Narrative modes/Models
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Cath Davies |
Wed, 4 Apr 2007 18:33:28 +0100 |
43 lines |
Re: FILM-PHILOSOPHY Digest - 4 Apr 2007 (#2007-125)
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<> |
Wed, 4 Apr 2007 13:08:22 EDT |
86 lines |
Re: iconic moments PS
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Henry Taylor |
Wed, 4 Apr 2007 18:12:16 +0200 |
84 lines |
Visible Evidence Call for Papers
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Vinzenz Hediger |
Wed, 4 Apr 2007 16:21:59 +0200 |
21 lines |
Re: iconic moments PS
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Nicholas Hamlyn |
Wed, 4 Apr 2007 15:18:07 +0100 |
65 lines |
Re: Film Portraiture.
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Elaine Pigeon |
Wed, 4 Apr 2007 07:56:29 -0400 |
88 lines |
Re: iconic moments
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Nicholas Hamlyn |
Wed, 4 Apr 2007 10:13:45 +0100 |
64 lines |
Re: iconic moments
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Nicholas Hamlyn |
Wed, 4 Apr 2007 10:12:21 +0100 |
48 lines |
CFP: Architecture, Urban Space and the Moving Image
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Les Roberts |
Wed, 4 Apr 2007 10:00:34 +0100 |
474 lines |
Re: Film Portraiture.
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Jim Flannery |
Wed, 4 Apr 2007 01:01:10 -0700 |
34 lines |
Re: Film Portraiture.
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Lee Parpart |
Tue, 3 Apr 2007 22:01:11 -0400 |
65 lines |
Film Portraiture.
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Ben Dawes |
Wed, 4 Apr 2007 00:08:36 +0000 |
50 lines |
Re: iconic moments
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Henry Taylor |
Tue, 3 Apr 2007 21:24:32 +0200 |
49 lines |
iconic moments
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Anja |
Tue, 3 Apr 2007 20:30:42 +0200 |
29 lines |
Taka iimura: two film screenings
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iimura |
Wed, 4 Apr 2007 00:43:38 +0900 |
281 lines |
Re: beauty is the beginning of terror
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Stan |
Tue, 3 Apr 2007 10:41:47 +1200 |
47 lines |
CFP - Future histories of the moving image
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Jason Wilson |
Mon, 2 Apr 2007 16:40:40 +0100 |
415 lines |
Re: beauty is the beginning of terror
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Martha P. Nochimson |
Mon, 2 Apr 2007 11:27:25 -0400 |
130 lines |
Re: beauty is the beginning of terror
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Frank, Michael |
Mon, 2 Apr 2007 10:28:18 -0400 |
524 lines |
Re: beauty is the beginning of terror
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Edwin Mak |
Mon, 2 Apr 2007 13:02:18 +0000 |
105 lines |
Re: beauty is the beginning of terror
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Edwin Mak |
Mon, 2 Apr 2007 12:03:43 +0000 |
109 lines |
Re: beauty is the beginning of terror
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Shaw, Dan |
Mon, 2 Apr 2007 07:42:44 -0400 |
39 lines |
Re: beauty is the beginning of terror
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Henry Taylor |
Mon, 2 Apr 2007 13:21:45 +0200 |
139 lines |
Re: beauty is the beginning of terror
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Henry Taylor |
Mon, 2 Apr 2007 11:07:17 +0200 |
115 lines |
Re: Iconic Moments
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Henry Taylor |
Mon, 2 Apr 2007 11:02:54 +0200 |
66 lines |
Re: beauty is the beginning of terror
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avy |
Mon, 2 Apr 2007 13:39:39 +0530 |
93 lines |
Re: beauty is the beginning of terror
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venkity |
Mon, 2 Apr 2007 10:22:50 +0530 |
123 lines |
Re: beauty is the beginning of terror
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Shaw, Dan |
Sun, 1 Apr 2007 18:45:36 -0400 |
49 lines |
Re: Iconic Moments
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Henry Taylor |
Sun, 1 Apr 2007 20:38:06 +0200 |
355 lines |
Postgraduate Conference at the University of Bath
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David Clarke |
Sun, 1 Apr 2007 19:36:08 +0100 |
423 lines |
Re: Iconic Moments
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Frank, Michael |
Sun, 1 Apr 2007 13:45:50 -0400 |
348 lines |
Re: Iconic Moments
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Shaw, Dan |
Sun, 1 Apr 2007 13:44:52 -0400 |
98 lines |
Branigan and Wittgenstein (was film language)
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Warren Buckland |
Sun, 1 Apr 2007 13:15:44 -0400 |
60 lines |
Iconic Moments
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David Sorfa |
Sun, 1 Apr 2007 18:06:56 +0100 |
105 lines |
Re: FILM-PHILOSOPHY iconic moments
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Alan Fair |
Sun, 1 Apr 2007 17:28:54 +0100 |
34 lines |
Re: FILM-PHILOSOPHY language
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Alan Fair |
Sun, 1 Apr 2007 17:08:42 +0100 |
33 lines |
Trivial stuff / film and language
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Henry Taylor |
Sun, 1 Apr 2007 08:52:02 +0200 |
31 lines |
Re: trivial stuff / iconic moments
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pei sze |
Sun, 1 Apr 2007 13:44:28 +0800 |
57 lines |
trivial stuff / iconic moments
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Konrad Klejsa |
Sun, 1 Apr 2007 01:40:00 +0200 |
131 lines |