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Size
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Ana de Resende |
Sat, 20 Mar 2094 14:33:02 -0300 |
56 lines |
REPRESENTATIONAL SPACE
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Ana de Resende |
Sat, 20 Mar 2094 09:16:20 -0300 |
70 lines |
REPRESENTATIONAL SPACE
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Ana de Resende |
Fri, 19 Mar 2094 20:27:23 -0300 |
70 lines |
FILM NOIR
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Ana de Resende |
Wed, 10 Feb 2094 11:57:50 -0200 |
283 lines |
FILM NOIR
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Ana de Resende |
Tue, 9 Feb 2094 07:59:40 -0200 |
211 lines |
Re: Re-generating Genre
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Philippe Meers |
Fri, 08 Jun 2001 09:54:44 +0200 |
73 lines |
Re: shit continued
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melina lafirenze |
Sun, 31 Dec 2000 15:56:55 -0800 |
25 lines |
Re: (objectivity & aesthetics) Art & Entertainment
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melina lafirenze |
Sun, 31 Dec 2000 15:52:17 -0800 |
22 lines |
Re: shit continued
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Maja |
Sun, 31 Dec 2000 16:11:33 -0500 |
34 lines |
shit continued
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ss*p |
Sun, 31 Dec 2000 21:40:33 +0100 |
23 lines |
Re: objectivity & aesthetics - continued
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diego.navarro |
Sun, 31 Dec 2000 18:00:13 -0200 |
16 lines |
Re: objectivity & aesthetics - continued
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melina lafirenze |
Sun, 31 Dec 2000 07:56:52 -0800 |
38 lines |
Re: objectivity & aesthetics - continued
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melina lafirenze |
Sun, 31 Dec 2000 07:09:38 -0800 |
121 lines |
Re: objectivity & aesthetics - continued
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melina lafirenze |
Sun, 31 Dec 2000 06:55:22 -0800 |
36 lines |
Re: (objectivity & aesthetics) Art & Entertainment
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Ágúst Ingvar Magnússon |
Sun, 31 Dec 2000 07:46:16 +0000 |
34 lines |
Re: objectivity & aesthetics - continued
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Ágúst Ingvar Magnússon |
Sun, 31 Dec 2000 04:57:24 +0000 |
31 lines |
Re: objectivity & aesthetics - continued
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diego.navarro |
Sat, 30 Dec 2000 13:39:10 -0200 |
68 lines |
Re: objectivity & aesthetics - continued
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Ágúst Ingvar Magnússon |
Sat, 30 Dec 2000 02:10:01 +0000 |
21 lines |
Re: objectivity & aesthetics
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melina lafirenze |
Fri, 29 Dec 2000 15:15:13 -0800 |
35 lines |
4.29 Jones on Film Studies
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The Editor |
Fri, 29 Dec 2000 15:21:09 +0000 |
342 lines |
Re: objectivity & aesthetics
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Mindaugas Genutis |
Wed, 27 Dec 2000 15:06:56 +0100 |
28 lines |
Re: a much belated reply
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<> |
Tue, 26 Dec 2000 18:26:57 EST |
33 lines |
objectivity & aesthetics as Politics
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JMC |
Tue, 26 Dec 2000 17:22:28 -0600 |
39 lines |
objectivity & aesthetics: conception, form, execution, and taste
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JMC |
Tue, 26 Dec 2000 16:33:35 -0600 |
52 lines |
a much belated reply
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Juliana Fausto |
Tue, 26 Dec 2000 18:51:05 -0200 |
17 lines |
objectivity & aesthetics
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Ágúst Ingvar Magnússon |
Tue, 26 Dec 2000 09:47:04 +0000 |
42 lines |
In a fast society slow emotions become extinct
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M.P. YADAV |
Sat, 23 Dec 2000 23:31:16 -0800 |
295 lines |
Re: reacting to screen events
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tamar stone |
Fri, 22 Dec 2000 09:55:04 -0500 |
43 lines |
Ooh look, it's a train - reacting to screen events (final word)
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Damian Peter Sutton |
Thu, 21 Dec 2000 19:12:27 GMT |
40 lines |
Re: new URL
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michael vocino |
Thu, 21 Dec 2000 09:37:25 -0500 |
32 lines |
Violence, Categories, and _Waking Ned Divine_ (for Sean Delgado) (Resend)
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JMC |
Thu, 21 Dec 2000 00:18:56 -0600 |
99 lines |
Kevin John's Question about a Passage (4.28 Zimnik on Derrida)
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JMC |
Wed, 20 Dec 2000 23:00:24 -0600 |
49 lines |
new URL
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Terri Ginsberg |
Wed, 20 Dec 2000 23:22:18 -0500 |
16 lines |
Re: reacting to screen events
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Henry.Bacon |
Tue, 19 Dec 2000 20:08:15 +0200 |
28 lines |
Re: Generalization
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martin lefebvre |
Tue, 19 Dec 2000 01:01:20 -0500 |
175 lines |
Re: 4.28 Zimnik on Derrida
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<> |
Tue, 19 Dec 2000 00:10:17 EST |
40 lines |
Re: reacting to screen events
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<> |
Mon, 18 Dec 2000 18:49:08 -0500 |
28 lines |
Re: reacting to screen events
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James Wallace |
Mon, 18 Dec 2000 14:44:45 -0800 |
35 lines |
Re: Categories of Violence Explained
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Donato Totaro |
Mon, 18 Dec 2000 21:56:19 +0000 |
62 lines |
Re: reacting to screen events
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tamar stone |
Mon, 18 Dec 2000 16:02:01 -0500 |
34 lines |
Re: reacting to screen events
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<> |
Mon, 18 Dec 2000 14:56:22 -0500 |
21 lines |
reacting to screen events
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James Wallace |
Mon, 18 Dec 2000 10:11:48 -0800 |
55 lines |
Categories of Violence Explained (For Sean Delgado and JMC)
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Jim Crocamo |
Mon, 18 Dec 2000 08:07:38 -0800 |
83 lines |
the film in the 'can' and the film in the 'head'
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Sunny Joseph |
Mon, 18 Dec 2000 06:41:31 +0530 |
34 lines |
Re: Reacting to screen events
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James Castonguay |
Sun, 17 Dec 2000 07:20:33 -0800 |
38 lines |
Re: Reacting to screen events
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John Matturri |
Sun, 17 Dec 2000 10:13:07 -0500 |
46 lines |
Re: the film in the 'can' and the film in the 'head'
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Damian Peter Sutton |
Sun, 17 Dec 2000 14:17:56 GMT |
138 lines |
Re: Reacting to screen events
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Henry.Bacon |
Sun, 17 Dec 2000 13:59:06 +0200 |
64 lines |
'arrival of a train'
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Sunny Joseph |
Sun, 17 Dec 2000 16:12:42 +0530 |
42 lines |
Amaresh's Jibatang
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Lundi buchchi |
Sun, 17 Dec 2000 00:22:24 -0800 |
24 lines |
the film in the 'can' and the film in the 'head'
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Sunny Joseph |
Sun, 17 Dec 2000 12:39:51 +0530 |
54 lines |
Re: Anthing that Moves Can Be Considered Violent (for Sean Delgado)
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Sean Delgado |
Sun, 17 Dec 2000 02:49:34 +0000 |
82 lines |
Re: Reacting to screen events
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<> |
Sat, 16 Dec 2000 20:06:44 -0500 |
29 lines |
Re: Reacting to screen events
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amaresh |
Sun, 17 Dec 2000 00:11:14 +0530 |
24 lines |
Anthing that Moves Can Be Considered Violent (for Sean Delgado)
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JMC |
Sat, 16 Dec 2000 00:14:25 -0600 |
60 lines |
Trains: Reactions and Recognitions
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JMC |
Fri, 15 Dec 2000 22:16:20 -0600 |
38 lines |
Re: A Further Organization of Violence
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Sean Delgado |
Fri, 15 Dec 2000 23:50:23 +0000 |
42 lines |
Re: Reacting to screen events
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Sean Delgado |
Fri, 15 Dec 2000 23:20:02 +0000 |
23 lines |
Re: Reacting to screen events
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tamar stone |
Fri, 15 Dec 2000 17:56:57 -0500 |
47 lines |
Re: Reacting to screen events
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Jim Crocamo |
Fri, 15 Dec 2000 13:50:39 -0800 |
30 lines |
Re: Reacting to screen events
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tamar stone |
Fri, 15 Dec 2000 16:02:02 -0500 |
38 lines |
Re: Reacting to screen events
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<> |
Fri, 15 Dec 2000 15:41:56 -0500 |
21 lines |
Re: Reacting to screen events
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tamar stone |
Fri, 15 Dec 2000 15:01:55 -0500 |
44 lines |
Re: Reacting to screen events
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tamar stone |
Fri, 15 Dec 2000 14:54:34 -0500 |
86 lines |
Re: Reacting to screen events
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<> |
Fri, 15 Dec 2000 14:35:37 -0500 |
24 lines |
Re: Reacting to screen events
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Henry.Bacon |
Fri, 15 Dec 2000 20:52:40 +0200 |
31 lines |
Re: Reacting to screen events
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Glen Norton |
Fri, 15 Dec 2000 13:49:53 -0500 |
53 lines |
source for the Clement quote
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gary patrick norris |
Fri, 15 Dec 2000 09:19:37 -0700 |
55 lines |
Re: Reacting to screen events
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tamar stone |
Fri, 15 Dec 2000 09:34:14 -0500 |
40 lines |
Re: Reacting to screen events
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Andreas Polihronis |
Fri, 15 Dec 2000 05:52:20 -0600 |
23 lines |
4.28 Zimnik on Derrida
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The Editor |
Thu, 14 Dec 2000 21:43:07 +0000 |
330 lines |
Re: screen violence and gore
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Sean Delgado |
Thu, 14 Dec 2000 20:28:48 +0000 |
23 lines |
New Website 3: Other Texts
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The Editor |
Thu, 14 Dec 2000 19:28:58 +0000 |
75 lines |
Re: FILM-PHILOSOPHY Digest - 10 Dec 2000 to 11 Dec 2000 (#2000-13)
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Michelle Jenkins |
Thu, 14 Dec 2000 15:46:57 -0000 |
50 lines |
A Further Organization of Violence
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Jim Crocamo |
Thu, 14 Dec 2000 06:58:03 -0800 |
40 lines |
Re: Martin Barker's Question and " . . . Tintern Abbey"
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John Bleasdale |
Thu, 14 Dec 2000 04:57:27 -0800 |
30 lines |
Re: violence and emotional shock
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Martin Barker |
Thu, 14 Dec 2000 10:44:43 +0000 |
26 lines |
The Organization of Violence (for Sean Delgado and Mike Frank)
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JMC |
Wed, 13 Dec 2000 23:11:08 -0600 |
127 lines |
Re: screen violence and gore
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James Wallace |
Wed, 13 Dec 2000 19:19:53 -0800 |
29 lines |
Re: About violence
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Sean Delgado |
Thu, 14 Dec 2000 02:12:44 +0000 |
66 lines |
psychological pain
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<> |
Thu, 14 Dec 2000 10:31:05 +1100 |
105 lines |
Re: About violence (for Mike Frank and Jim Crocamo)
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<> |
Wed, 13 Dec 2000 14:14:35 -0500 |
29 lines |
Re: BEAUTIFUL AFFECT
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gary patrick norris |
Wed, 13 Dec 2000 11:02:02 -0700 |
72 lines |
About violence (for Mike Frank and Jim Crocamo)
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JMC |
Wed, 13 Dec 2000 11:06:46 -0600 |
38 lines |
screen violence and gore
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Jim Crocamo |
Wed, 13 Dec 2000 08:08:53 -0800 |
57 lines |
Re: screen violence
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<> |
Wed, 13 Dec 2000 10:47:46 -0500 |
30 lines |
Re: violence and emotional shock
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Annemone Ligensa |
Wed, 13 Dec 2000 16:29:00 +0100 |
71 lines |
BEAUTIFUL AFFECT
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Damian Peter Sutton |
Wed, 13 Dec 2000 14:29:22 GMT |
166 lines |
Re: Martin Barker's Question and " . . . Tintern Abbey"
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Martin Barker |
Wed, 13 Dec 2000 09:44:42 +0000 |
39 lines |
Some Visual Experiments and Ultraviolence Detail
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JMC |
Wed, 13 Dec 2000 03:30:13 -0600 |
34 lines |
Re: violence and emotional shock
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Martin Barker |
Wed, 13 Dec 2000 09:25:19 +0000 |
34 lines |
Re: screen violence
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John Bleasdale |
Wed, 13 Dec 2000 00:35:38 -0800 |
17 lines |
Re: Good Z and bad Z (for Sean Delgado)
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Sean Delgado |
Wed, 13 Dec 2000 07:37:35 +0000 |
36 lines |
Re: screen violence
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Sean Delgado |
Wed, 13 Dec 2000 07:35:27 +0000 |
19 lines |
Re: Good Z and bad Z (for Sean Delgado)
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gary patrick norris |
Tue, 12 Dec 2000 23:23:53 -0700 |
16 lines |
Good Z and bad Z (for Sean Delgado)
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JMC |
Tue, 12 Dec 2000 22:46:39 -0600 |
14 lines |
Martin Barker's Question and " . . . Tintern Abbey"
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JMC |
Tue, 12 Dec 2000 22:21:57 -0600 |
49 lines |
Re: Generalization
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Michelle Langford |
Wed, 13 Dec 2000 13:14:12 +1000 |
29 lines |
Re: Generalization
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michael c vocino |
Tue, 12 Dec 2000 21:42:14 -0500 |
38 lines |
Re: screen violence
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gary patrick norris |
Tue, 12 Dec 2000 19:40:57 -0700 |
44 lines |
Re: . . . to screen events
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Sean Delgado |
Wed, 13 Dec 2000 02:28:29 +0000 |
67 lines |
Re: screen violence
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gary patrick norris |
Tue, 12 Dec 2000 17:35:27 -0700 |
43 lines |
Re: BEAUTIFUL
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gary patrick norris |
Tue, 12 Dec 2000 17:26:41 -0700 |
108 lines |
Re: screen violence
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<> |
Tue, 12 Dec 2000 19:18:40 -0500 |
34 lines |
Re: screen violence
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gary patrick norris |
Tue, 12 Dec 2000 16:57:48 -0700 |
56 lines |
Generalization
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Buckland Warren |
Tue, 12 Dec 2000 23:51:54 -0000 |
46 lines |
Re: screen violence
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Henry.Bacon |
Wed, 13 Dec 2000 00:23:26 +0200 |
66 lines |
Re: violence and emotional shock
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Annemone Ligensa |
Tue, 12 Dec 2000 19:26:11 +0100 |
48 lines |
Re: BEAUTIFUL
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Damian Peter Sutton |
Tue, 12 Dec 2000 18:00:43 GMT |
74 lines |
Re: violence and emotional shock
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Martin Barker |
Tue, 12 Dec 2000 16:14:53 +0000 |
38 lines |
violence and emotional shock
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James Wallace |
Tue, 12 Dec 2000 08:09:18 -0800 |
36 lines |
Re: Conference advertisement
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Martin Barker |
Tue, 12 Dec 2000 16:08:34 +0000 |
90 lines |
screen violence
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Jim Crocamo |
Tue, 12 Dec 2000 07:45:39 -0800 |
27 lines |
Re: Reacting to screen events
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Jim Crocamo |
Tue, 12 Dec 2000 07:32:57 -0800 |
44 lines |
Re: what
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melina lafirenze |
Tue, 12 Dec 2000 06:13:46 -0800 |
51 lines |
screen events and primal fears
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<> |
Tue, 12 Dec 2000 08:59:13 -0500 |
32 lines |
Re: BEAUTIFUL
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melina lafirenze |
Tue, 12 Dec 2000 05:17:58 -0800 |
41 lines |
response to Sean Delgado
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John Bleasdale |
Tue, 12 Dec 2000 04:54:37 -0800 |
43 lines |
Re: screen violence
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Martin Barker |
Tue, 12 Dec 2000 12:41:25 +0000 |
29 lines |
what
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John Bleasdale |
Tue, 12 Dec 2000 04:39:47 -0800 |
63 lines |
Re: screen violence
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Petya Koleva |
Tue, 12 Dec 2000 12:08:56 +0200 |
101 lines |
Re: . . . to screen events
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Michelle Langford |
Tue, 12 Dec 2000 16:19:46 +1000 |
20 lines |
. . . to screen events
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JMC |
Mon, 11 Dec 2000 23:15:00 -0600 |
29 lines |
Re: Reacting to screen events
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James Wallace |
Mon, 11 Dec 2000 19:53:21 -0800 |
19 lines |
screen violence
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Michelle Langford |
Tue, 12 Dec 2000 10:43:56 +1000 |
57 lines |
Re: Reacting to screen events
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gary patrick norris |
Mon, 11 Dec 2000 14:32:34 -0700 |
129 lines |
Reacting to screen events
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Henry.Bacon |
Mon, 11 Dec 2000 23:01:14 +0200 |
66 lines |
Re: REAL violence
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Sean Delgado |
Mon, 11 Dec 2000 07:28:48 +0000 |
37 lines |
Re: REAL violence and henry bacon
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James Wallace |
Sun, 10 Dec 2000 14:41:09 -0800 |
57 lines |
Film-Philosophy News (10 Dec 2000)
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The Editor |
Sun, 10 Dec 2000 21:28:19 +0000 |
682 lines |
Re: BEAUTIFUL
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gary patrick norris |
Sun, 10 Dec 2000 14:24:25 -0700 |
45 lines |
Re: REAL violence
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<> |
Sun, 10 Dec 2000 11:12:12 -0500 |
32 lines |
Re: REAL violence
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Henry.Bacon |
Sun, 10 Dec 2000 17:46:13 +0200 |
35 lines |
Re: REAL violence
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Sean Delgado |
Sun, 10 Dec 2000 01:27:47 +0000 |
29 lines |
Re: REAL violence
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<> |
Sat, 9 Dec 2000 19:12:19 -0500 |
25 lines |
Re: BEAUTIFUL
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melina lafirenze |
Sat, 9 Dec 2000 16:03:59 -0800 |
20 lines |
Re: REAL violence
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ss*p |
Sun, 10 Dec 2000 00:45:05 +0100 |
29 lines |
Re: REAL violence
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melina lafirenze |
Sat, 9 Dec 2000 14:58:18 -0800 |
59 lines |
Film-Philosophy News (9 Dec 2000)
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The Editor |
Sat, 9 Dec 2000 18:28:03 +0000 |
780 lines |
Re: motor cross (crashing)
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Sean Delgado |
Sat, 9 Dec 2000 02:16:51 +0000 |
51 lines |
Re: motor cross
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Sean Delgado |
Fri, 8 Dec 2000 23:39:32 +0000 |
16 lines |
Re: motor cross [Auto-Reply]
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eXiStEnTiAl |
Fri, 8 Dec 2000 22:09:48 +0000 |
21 lines |
Re: motor cross [Auto-Reply]
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eXiStEnTiAl |
Fri, 8 Dec 2000 21:59:35 +0000 |
21 lines |
Re: motor cross
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c. jacqui chen |
Fri, 8 Dec 2000 13:08:34 -0800 |
48 lines |
Re: REAL violence
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Henry.Bacon |
Fri, 8 Dec 2000 22:26:11 +0200 |
51 lines |
motor cross (crashing)
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ss*p |
Fri, 8 Dec 2000 11:40:47 +0100 |
93 lines |
Re: motor cross
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Krzysztof Jozajtis |
Fri, 8 Dec 2000 10:06:43 +0000 |
36 lines |
Re: REAL violence
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gary patrick norris |
Thu, 7 Dec 2000 19:29:33 -0700 |
128 lines |
Re: REAL violence
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<> |
Thu, 7 Dec 2000 18:04:05 -0500 |
22 lines |
Re: motor cross
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Sean Delgado |
Thu, 7 Dec 2000 23:03:31 +0000 |
62 lines |
Re: REAL violence
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ss*p |
Thu, 7 Dec 2000 22:56:25 +0100 |
23 lines |
Re: motor cross
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ss*p |
Thu, 7 Dec 2000 22:49:14 +0100 |
27 lines |
Re: REAL violence
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melina lafirenze |
Thu, 7 Dec 2000 13:25:28 -0800 |
33 lines |
Re: motor cross
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gary patrick norris |
Thu, 7 Dec 2000 13:06:43 -0700 |
36 lines |
Re: Violence as phony. . .
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gary patrick norris |
Thu, 7 Dec 2000 12:53:16 -0700 |
70 lines |
Re: Violence as . . .
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James Wallace |
Thu, 7 Dec 2000 11:33:02 -0800 |
26 lines |
Re: motor cross
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Sean Delgado |
Thu, 7 Dec 2000 18:53:54 +0000 |
42 lines |
Re: Violence as . . .
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ss*p |
Thu, 7 Dec 2000 17:02:12 +0100 |
25 lines |
Re: Violence as phony. . .
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John Bleasdale |
Thu, 7 Dec 2000 08:00:39 -0800 |
66 lines |
motor cross
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John Bleasdale |
Thu, 7 Dec 2000 07:40:26 -0800 |
30 lines |
Re: Violence as phony. . .
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Martin Barker |
Thu, 7 Dec 2000 15:15:06 +0000 |
23 lines |
vogma
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Adrian Miles |
Thu, 7 Dec 2000 15:07:56 +0100 |
37 lines |
Re: Violence as phony. . .
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Nichola Dawson |
Thu, 7 Dec 2000 13:29:14 -0000 |
60 lines |
Re: re violence
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Martin Barker |
Thu, 7 Dec 2000 09:28:17 +0000 |
68 lines |
Re: Violence as phony. . .
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Martin Barker |
Thu, 7 Dec 2000 09:10:49 +0000 |
26 lines |
_CWO_, Horrorshow, _Voltaire's Bastards_
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JMC |
Wed, 6 Dec 2000 23:56:00 -0600 |
58 lines |
New Website 2: Articles Citations
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The Editor |
Thu, 7 Dec 2000 02:35:27 +0000 |
484 lines |
Re: re violence
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Gary Gach |
Wed, 6 Dec 2000 18:24:54 -0800 |
29 lines |
Re: re violence
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<> |
Thu, 7 Dec 2000 13:21:11 +1100 |
53 lines |
Re: re violence
|
Sean Delgado |
Thu, 7 Dec 2000 02:18:39 +0000 |
44 lines |
Re: re violence
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gary patrick norris |
Wed, 6 Dec 2000 18:45:20 -0700 |
72 lines |
Violence as . . .
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ss*p |
Thu, 7 Dec 2000 02:00:05 +0100 |
30 lines |
Just violence ?
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ss*p |
Thu, 7 Dec 2000 01:37:23 +0100 |
41 lines |
New Website 1: Main Pages
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The Editor |
Wed, 6 Dec 2000 23:40:09 +0000 |
54 lines |
Re: Violence as . . .
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<> |
Wed, 6 Dec 2000 18:18:59 -0500 |
25 lines |
Re: Violence as . . .
|
James Wallace |
Wed, 6 Dec 2000 14:56:32 -0800 |
28 lines |
Re: re violence
|
melina lafirenze |
Wed, 6 Dec 2000 14:51:16 -0800 |
47 lines |
Re: Violence as phony. . .
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<> |
Wed, 6 Dec 2000 16:04:41 -0500 |
22 lines |
Re: Violence as phony. . .
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Sean Delgado |
Wed, 6 Dec 2000 17:41:51 +0000 |
16 lines |
Re: Violence as phony. . .
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ss*p |
Wed, 6 Dec 2000 17:46:59 +0100 |
27 lines |
Re: Violence as phony. . .
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<> |
Wed, 6 Dec 2000 11:31:54 -0500 |
24 lines |
Salon: Please Read
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The Editor |
Wed, 6 Dec 2000 15:52:21 +0000 |
111 lines |
Re: Violence as phony. . .
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gary patrick norris |
Wed, 6 Dec 2000 08:51:35 -0700 |
35 lines |
re violence
|
Peter McLuskie |
Wed, 6 Dec 2000 09:44:12 -0000 |
30 lines |
Re: Violence as . . .
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Martin Barker |
Wed, 6 Dec 2000 09:22:24 +0000 |
24 lines |
Re: Violence as phony. . .
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ss*p |
Wed, 6 Dec 2000 09:45:31 +0100 |
53 lines |
IMPORTANT -- VIRUS ALERT
|
Lee Parpart |
Tue, 5 Dec 2000 22:01:59 -0500 |
81 lines |
Re: Violence as phony. . .
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<> |
Tue, 5 Dec 2000 20:41:48 -0500 |
32 lines |
Re: Violence as . . .
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<> |
Tue, 5 Dec 2000 19:08:59 -0500 |
32 lines |
Re: Violence as . . .
|
James Wallace |
Tue, 5 Dec 2000 15:18:09 -0800 |
19 lines |
Re: Violence as . . .
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ss*p |
Tue, 5 Dec 2000 23:18:21 +0100 |
48 lines |
Re: Violence as . . .
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Dr Jason Jacobs |
Wed, 6 Dec 2000 07:51:56 +1000 |
51 lines |
Re: Violence as . . .
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gary patrick norris |
Tue, 5 Dec 2000 12:26:01 -0700 |
41 lines |
Re: Violence as . . .
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Graeme Harper, Director, DCCPA |
Tue, 5 Dec 2000 19:17:11 +0000 |
99 lines |
Re: Violence as . . .
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petia koleva |
Tue, 5 Dec 2000 20:01:27 +0100 |
27 lines |
Re: Violence as . . .
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Shaw, Dan |
Tue, 5 Dec 2000 12:37:55 -0500 |
48 lines |
The Film and Philosophy Database
|
The Editor |
Tue, 5 Dec 2000 16:56:35 +0000 |
48 lines |
Re: Violence as . . .
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Martin Barker |
Tue, 5 Dec 2000 14:58:10 +0000 |
36 lines |
Re: Violence as . . .
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John Bleasdale |
Tue, 5 Dec 2000 06:47:24 -0800 |
38 lines |
Jon Jost
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Tara Forrest |
Tue, 5 Dec 2000 17:10:48 +0800 |
16 lines |
Re: Violence as . . .
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petia koleva |
Mon, 4 Dec 2000 22:12:03 +0100 |
128 lines |
4.27 Barker/Austin Reply
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The Editor |
Sat, 2 Dec 2000 18:48:49 +0000 |
210 lines |
Re: Violence as . . .
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keyman |
Fri, 1 Dec 2000 10:34:11 -0500 |
419 lines |
Re: Violence as . . .
|
Martin Barker |
Fri, 1 Dec 2000 09:16:53 +0000 |
48 lines |
Re: Psychology in Fassbinder Films
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Terri Ginsberg |
Thu, 30 Nov 2000 22:06:27 -0500 |
17 lines |
"Moving Images of East Germany" workshop--Washington DC
|
Martin F Norden |
Thu, 30 Nov 2000 18:24:31 -0500 |
98 lines |
Re: Violence as . . .
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Annemone Ligensa |
Thu, 30 Nov 2000 21:58:30 +0100 |
25 lines |
Re: Psychology in Fassbinder Films
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Annemone Ligensa |
Thu, 30 Nov 2000 21:58:23 +0100 |
21 lines |
4.26 Brereton on Barker/Austin
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Daniel Owner |
Thu, 30 Nov 2000 17:12:41 +0000 |
365 lines |
emotional analysis of film
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Joshua Pritikin |
Wed, 29 Nov 2000 16:09:28 -0500 |
20 lines |
Dates for Borderlands conference
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Martin F Norden |
Wed, 29 Nov 2000 14:28:59 -0500 |
25 lines |
Psychology in Fassbinder Films
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Gesa Knolle |
Wed, 29 Nov 2000 18:08:38 -0000 |
16 lines |
Re: Violence as . . .
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Martin Barker |
Wed, 29 Nov 2000 17:02:57 +0000 |
20 lines |
A Clockwork Orange
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JMC |
Tue, 28 Nov 2000 21:42:47 -0600 |
33 lines |
Revised CFP: Borderlands conference
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Martin F Norden |
Tue, 28 Nov 2000 16:59:48 -0500 |
87 lines |
Re: Violence as . . .
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melina lafirenze |
Tue, 28 Nov 2000 11:20:22 -0800 |
28 lines |
Re: Violence as . . .
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John Bleasdale |
Tue, 28 Nov 2000 05:53:51 -0800 |
53 lines |
Re: Violence as . . .
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Petya Koleva |
Tue, 28 Nov 2000 12:51:26 +0200 |
133 lines |
Re: Violence as . . .
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Anne Gjelsvik |
Tue, 28 Nov 2000 11:41:34 +0100 |
35 lines |
Re: NBK: Violence as bliss
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Martin Barker |
Tue, 28 Nov 2000 09:26:37 +0000 |
25 lines |
Violence as . . .
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JMC |
Tue, 28 Nov 2000 00:55:46 -0600 |
87 lines |
Re: NBK: Violence as bliss
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Annemone Ligensa |
Mon, 27 Nov 2000 21:23:36 +0100 |
24 lines |
Film-Philosophy @ JISCmail
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<> |
Mon, 27 Nov 2000 16:12:10 +0000 |
68 lines |
NBK: Violence as bliss
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diego.navarro |
Sat, 25 Nov 2000 14:17:39 -0200 |
22 lines |
Re: Families and _Shane_
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JMC |
Sat, 25 Nov 2000 02:03:20 -0600 |
184 lines |
Re: Families and _Shane_
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Jeremy Bowman |
Fri, 24 Nov 2000 19:57:18 -0000 |
256 lines |
Families and _Shane_
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JMC |
Thu, 23 Nov 2000 21:38:36 -0600 |
124 lines |
Re: _Shane_ and the Family
|
Jeremy Bowman |
Thu, 23 Nov 2000 21:14:59 -0000 |
86 lines |
Salon: server change
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<> |
Thu, 23 Nov 2000 17:09:03 +0000 |
66 lines |
Film-Philosophy News (22 November 2000)
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<> |
Wed, 22 Nov 2000 17:56:53 +0000 |
736 lines |
Re: Any remember this piece?
|
Martin Barker |
Wed, 22 Nov 2000 16:17:01 +0000 (GMT Standard Time) |
55 lines |
Re: Any remember this piece?
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Andreas Polhronis |
Wed, 22 Nov 2000 15:34:34 -0000 |
38 lines |
gender swapping
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Lee Parpart |
Tue, 21 Nov 2000 11:55:12 -0500 |
100 lines |
RE: gender swapping (daughter/mother conflict)
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bel bas |
Tue, 21 Nov 2000 15:04:16 +0200 |
48 lines |
Freud and the Electra Complex, Mother-Killing Tales, and Other Stories (for Sean Delgado)
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JMC |
Tue, 21 Nov 2000 00:23:22 -0600 |
52 lines |
Re: gender swapping
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<> |
Mon, 20 Nov 2000 18:20:30 EST |
28 lines |
Re: gender swapping
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Sean Delgado |
Mon, 20 Nov 2000 19:12:41 GMT |
35 lines |
Re: _Eyes Wide Shut_ Question
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Martin Barker |
Mon, 20 Nov 2000 09:35:30 +0000 (GMT Standard Time) |
35 lines |
Re: Any remember this piece?
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Martin Barker |
Mon, 20 Nov 2000 09:29:05 +0000 (GMT Standard Time) |
25 lines |
_Eyes Wide Shut_ Question
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JMC |
Mon, 20 Nov 2000 00:33:37 -0600 |
11 lines |
Styles of Management: Epic Stage and Comic Stage
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JMC |
Mon, 20 Nov 2000 00:22:45 -0600 |
67 lines |
The Electra Complex (for Sean Delgado) (Resend)
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JMC |
Sun, 19 Nov 2000 21:51:37 -0600 |
42 lines |
david rimmer
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<> |
Sun, 19 Nov 2000 19:58:45 EST |
18 lines |
The Electra Complex (for Sean Delgado)
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JMC |
Sun, 19 Nov 2000 17:49:45 -0600 |
59 lines |
Re: gender swapping
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Rosemary Ceravolo |
Sun, 19 Nov 2000 14:11:42 -0500 (EST) |
56 lines |
Re: gender swapping
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<> |
Sun, 19 Nov 2000 02:42:32 EST |
22 lines |
gender swapping
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Sean Delgado |
Sun, 19 Nov 2000 02:50:29 GMT |
38 lines |
Re: Evidence, Alteration, Destruction
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JMC |
Sat, 18 Nov 2000 11:51:49 -0600 |
48 lines |
Popular Shakespeare
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JMC |
Fri, 17 Nov 2000 11:43:17 -0600 |
14 lines |
Re: time markets
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Gesa Knolle |
Thu, 16 Nov 2000 17:42:37 GMT |
31 lines |
Evidence, Alteration, Destruction
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JMC |
Thu, 16 Nov 2000 10:59:01 -0600 |
57 lines |
robbe-grillet
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Donald J Sherefkin |
Thu, 16 Nov 2000 07:43:57 -0500 |
18 lines |
(Re) Filming Faulkner
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Andrew O'Hehir |
Thu, 16 Nov 2000 01:06:57 -0500 |
24 lines |
Re: New film studies dictionary
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Martin Barker |
Wed, 15 Nov 2000 09:32:37 +0000 (GMT Standard Time) |
101 lines |
(Re-)Filming Faulkner
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JMC |
Wed, 15 Nov 2000 00:35:34 -0600 |
56 lines |
Re: time markets
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Alexander Nekvasil |
15 Nov 2000 02:37:29 +0100 |
30 lines |
Re: 4.25 Nochimson on NYFF 2000
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<> |
Tue, 14 Nov 2000 16:27:19 EST |
24 lines |
New film studies dictionary
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<> |
Tue, 14 Nov 2000 21:20:26 +0000 |
67 lines |
Re: 4.25 Nochimson on NYFF 2000
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<> |
Tue, 14 Nov 2000 15:27:11 EST |
29 lines |
Re: 4.25 Nochimson on NYFF 2000
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<> |
Tue, 14 Nov 2000 19:54:24 +0000 |
17 lines |
Hunger strikes
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James Wallace |
Mon, 13 Nov 2000 18:53:16 -0800 |
31 lines |
Re: Dialectic
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<> |
Mon, 13 Nov 2000 18:43:37 -0500 (EST) |
15 lines |
Science Fiction
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JMC |
Mon, 13 Nov 2000 07:37:43 -0600 |
33 lines |
Re: French New Wave
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JMC |
Sun, 12 Nov 2000 22:32:10 -0600 |
43 lines |
Possible Rental Site (for Damian Peter Sutton)
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JMC |
Sun, 12 Nov 2000 21:30:04 -0600 |
14 lines |
French New Wave
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LE COZ, EMMANUELLE |
Sun, 12 Nov 2000 22:27:02 -0000 |
19 lines |
time markets
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Simon Krysl |
Sun, 12 Nov 2000 17:08:28 -0500 (EST) |
47 lines |
_Shane_ and the Family
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JMC |
Sat, 11 Nov 2000 21:23:33 -0600 |
71 lines |
Shane as a Musical Based on Louis Pasteur
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JMC |
Sat, 11 Nov 2000 20:32:58 -0600 |
41 lines |
4.25 Nochimson on NYFF 2000
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<> |
Sat, 11 Nov 2000 21:50:36 +0000 |
800 lines |
PANDÆMONIUM 2001
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Rhidian Davis |
Sat, 11 Nov 2000 13:48:29 -0000 |
84 lines |
Pudovkin and Eisenstein
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Anthony Banks |
Fri, 10 Nov 2000 13:27:49 -0800 |
21 lines |
Re: Multiple Interpretations
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Jeremy Bowman |
Fri, 10 Nov 2000 20:45:06 -0000 |
152 lines |
Re: RE: Digest of film-philosophy - volume 1 #570
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Damian Peter Sutton |
Fri, 10 Nov 2000 17:26:10 GMT |
37 lines |
RE: Digest of film-philosophy - volume 1 #570
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Erica Sheen |
Fri, 10 Nov 2000 17:06:47 -0000 |
23 lines |
RE: The Dialectic
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martin lefebvre |
Fri, 10 Nov 2000 09:53:30 -0500 |
86 lines |
Re: Sitton on Shane (for Bob)
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JMC |
Fri, 10 Nov 2000 05:45:03 -0600 |
61 lines |
Re: Dialectic
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Mark O'Connell |
Fri, 10 Nov 2000 01:34:06 -0800 (PST) |
23 lines |
Salon Notice
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<> |
Fri, 10 Nov 2000 01:41:07 +0000 |
94 lines |
RE: The Dialectic
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Shaw, Dan |
Thu, 9 Nov 2000 19:04:31 -0500 |
33 lines |
Re: The Dialectic
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Gary MacLennan |
Thu, 09 Nov 2000 23:14:53 +1000 |
51 lines |
RE: The Dialectic
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Gibson A |
Thu, 9 Nov 2000 12:51:27 -0000 |
55 lines |
Re: The Dialectic
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Andy Birtwistle |
Thu, 09 Nov 2000 09:20:04 GMT |
35 lines |
Film-Philosophy News 11/2000
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<> |
Wed, 8 Nov 2000 21:06:06 +0000 |
849 lines |
Re: Sitton on Shane
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Robert Sitton |
Wed, 8 Nov 2000 12:32:07 -0800 (PST) |
148 lines |
Understanding Marriages in Quentin Tarrantino Films
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JMC |
Wed, 8 Nov 2000 14:04:02 -0600 |
16 lines |
Shane and Westerns
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JMC |
Wed, 8 Nov 2000 13:51:56 -0600 |
43 lines |
Jeremy Bowman on Shane
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JMC |
Wed, 8 Nov 2000 12:49:08 -0600 |
74 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Wed, 8 Nov 2000 18:23:53 -0000 |
120 lines |
Re: Marilyn, Tony & Jack
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JMC |
Wed, 8 Nov 2000 11:33:04 -0600 |
26 lines |
Marilyn, Tony & Jack
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Michelle Jenkins |
Wed, 08 Nov 2000 16:53:20 GMT |
24 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Wed, 8 Nov 2000 15:24:09 -0000 |
243 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Wed, 8 Nov 2000 15:20:17 -0000 |
102 lines |
Multiple Intentions and Historical Context (For Jeremy Bowman)
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JMC |
Wed, 8 Nov 2000 07:55:06 -0600 |
45 lines |
|
Martin Barker |
Wed, 8 Nov 2000 09:30:58 +0000 (GMT Standard Time) |
43 lines |
Re: Sitton on Shane
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<> |
Tue, 7 Nov 2000 21:33:14 -0500 |
102 lines |
Anthony Banks and Historical Claims: Back to Tolstoy?
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JMC |
Tue, 7 Nov 2000 18:10:01 -0600 |
78 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Tue, 7 Nov 2000 23:58:33 -0000 |
67 lines |
Edward O'Neill and Historical Claims
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Anthony Banks |
Tue, 07 Nov 2000 15:33:49 -0800 |
60 lines |
Re:
|
natalie dandekar |
Tue, 07 Nov 2000 15:12:16 -0500 |
20 lines |
RE: Horror and Comedy: Men in Wigs
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Hand R (HaSS) |
Tue, 7 Nov 2000 13:21:05 -0000 |
70 lines |
Re: Sitton on Shane
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Edward R. O'Neill |
Mon, 6 Nov 2000 23:57:02 -0500 |
98 lines |
Re: Sitton on Shane
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JMC |
Mon, 6 Nov 2000 21:27:07 -0600 |
29 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Mon, 6 Nov 2000 23:17:36 -0000 |
89 lines |
|
<> |
Mon, 6 Nov 2000 16:52:49 -0500 (EST) |
16 lines |
Re: -- No Subject --
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John Adams |
Mon, 6 Nov 2000 21:44:06 +0000 (GMT Standard Time) |
55 lines |
Re: Sitton on Shane
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<> |
Mon, 6 Nov 2000 14:56:47 EST |
54 lines |
Re: Sitton on Shane
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JMC |
Mon, 6 Nov 2000 00:14:56 -0600 |
163 lines |
Re: Deadline for Submissions on Horror
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<> |
Mon, 6 Nov 2000 12:10:37 +1100 |
59 lines |
Re: Horror and Comedy: Men in Wigs
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Fernando Verissimo |
Sun, 5 Nov 2000 19:16:35 -0200 |
23 lines |
Re: Sitton on Shane
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Robert Sitton |
Sun, 5 Nov 2000 12:20:18 -0800 (PST) |
32 lines |
Re: Sitton on Shane
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<> |
Sun, 5 Nov 2000 14:45:08 EST |
17 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Sun, 5 Nov 2000 10:07:06 -0000 |
45 lines |
Re: Sitton on Shane
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<> |
Sun, 5 Nov 2000 03:29:21 EST |
27 lines |
Re: Sitton on Shane
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Jeremy Bowman |
Sun, 5 Nov 2000 06:59:07 -0000 |
100 lines |
INFOS 2000 (Off-Line) "Net.Art" Contest
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timothy murray <[log in to unmask]>; teo spiller |
Sat, 4 Nov 2000 16:47:08 -0500 |
120 lines |
Re: Sitton on Shane
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<> |
Sat, 4 Nov 2000 13:22:06 EST |
52 lines |
CFP Representations of Managers in Film
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Nigel Laurie |
Sat, 4 Nov 2000 16:49:49 -0000 |
264 lines |
Sitton on Shane
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Jeremy Bowman |
Sat, 4 Nov 2000 09:42:45 -0000 |
53 lines |
Re: baraka
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JMC |
Fri, 3 Nov 2000 18:54:13 -0600 |
14 lines |
Re: baraka
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Damian Peter Sutton |
Fri, 03 Nov 2000 22:49:12 GMT |
34 lines |
Digital Theater
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JMC |
Fri, 3 Nov 2000 15:04:40 -0600 |
14 lines |
Sitton on Shane
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Donato Totaro |
Fri, 03 Nov 2000 16:01:35 -0500 |
26 lines |
Koyaanisqatsi
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JMC |
Fri, 3 Nov 2000 14:01:50 -0600 |
39 lines |
baraka
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<> |
Fri, 3 Nov 2000 14:32:38 EST |
15 lines |
|
Damian Peter Sutton |
Fri, 03 Nov 2000 18:43:38 GMT |
35 lines |
Re: Immemory
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Amy Herzog |
Fri, 3 Nov 2000 12:11:21 -0500 |
36 lines |
Re: We are 4
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Damian Peter Sutton |
Fri, 03 Nov 2000 16:46:04 GMT |
25 lines |
Immemory, encore
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Bennet J Schaber |
Fri, 03 Nov 2000 11:39:02 -0500 |
17 lines |
Immemory
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<> |
Fri, 3 Nov 2000 09:55:10 EST |
22 lines |
Re: Immemory
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Adrian Miles |
Fri, 3 Nov 2000 15:50:42 +0100 |
29 lines |
Immemory
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Bennet J Schaber |
Fri, 03 Nov 2000 09:23:42 -0500 |
21 lines |
Re: 4:24 Sitton on Shane
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JMC |
Thu, 2 Nov 2000 08:45:59 -0600 |
23 lines |
Francois Truffaut
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Emmanuelle Le Coz |
Thu, 02 Nov 2000 13:24:59 +0000 |
18 lines |
Re: We are 4
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Martin Barker |
Thu, 2 Nov 2000 10:07:19 +0000 (GMT Standard Time) |
19 lines |
Re: Horror and Comedy: Men in Wigs
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<> |
Wed, 1 Nov 2000 16:33:55 EST |
54 lines |
Re: Horror and Comedy: Men in Wigs
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JMC |
Wed, 1 Nov 2000 15:05:49 -0600 |
17 lines |
Mikrokino FEST call for entries
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Aleksandar Gubas |
Wed, 01 Nov 2000 21:20:54 +0100 |
68 lines |
Re: Horror and Comedy: Men in Wigs
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<> |
Wed, 1 Nov 2000 13:50:27 EST |
21 lines |
Horror and Comedy: Men in Wigs
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JMC |
Wed, 1 Nov 2000 12:27:09 -0600 |
47 lines |
We are 4
|
<> |
Wed, 1 Nov 2000 16:16:02 +0000 |
108 lines |
Deadline for Submissions on Horror
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Shaw, Dan |
Wed, 1 Nov 2000 06:48:17 -0500 |
21 lines |
4:24 Sitton on Shane
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<> |
Tue, 31 Oct 2000 20:41:54 +0000 |
449 lines |
RE: Blair Witch, the Authentic, and Freud
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March Anthony |
Tue, 31 Oct 2000 20:10:23 -0000 |
46 lines |
Re: Blair Witch, the Authentic, and Freud
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Alexander Nekvasil |
30 Oct 2000 01:07:15 +0100 |
23 lines |
dispersible text?
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leilani |
Wed, 25 Oct 2000 20:16:43 +1000 |
16 lines |
Deleuze query
|
Alen Hajnal |
Tue, 24 Oct 2000 20:36:56 GMT |
25 lines |
need academic help
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OZGUR YAREN |
Tue, 24 Oct 2000 23:27:15 +0300 |
23 lines |
Re: New Journal Of Cultural Theory & cinema,Postmodernism& cinema
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arghosh |
Tue, 24 Oct 2000 21:10:15 +0530 |
111 lines |
Re: ACQUIRING "TITICUT FOLLIES"?
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Rhys Graham |
Thu, 19 Oct 2000 10:00:27 +1000 |
41 lines |
CFP: Borderlands conference
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Martin F Norden |
Wed, 18 Oct 2000 14:19:58 -0400 (EDT) |
97 lines |
Ungodly Global Warming
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<> |
Wed, 18 Oct 2000 01:53:29 -0400 |
145 lines |
Against Progress: Cave Panting as Critical Impasse and Why Theory Has No End
|
JMC |
Tue, 17 Oct 2000 22:23:18 -0500 |
71 lines |
Re: ACQUIRING "TITICUT FOLLIES"?
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Robert Sitton |
Tue, 17 Oct 2000 16:39:04 -0700 (PDT) |
61 lines |
Reinventing Film Studies
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<> |
Tue, 17 Oct 2000 21:02:07 +0000 |
312 lines |
Re: 4:23 Khoo on Tsai Ming-liang
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<> |
Tue, 17 Oct 2000 19:34:18 +0000 |
34 lines |
Re: ACQUIRING "TITICUT FOLLIES"?
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Arij Al-Soltan |
Tue, 17 Oct 2000 12:00:13 GMT |
45 lines |
"TITICUT FOLLIES"
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daraghoreilly |
Tue, 17 Oct 2000 07:53:50 +0100 |
22 lines |
Re: ACQUIRING "TITICUT FOLLIES"?
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michael c vocino |
Mon, 16 Oct 2000 21:13:25 -0400 |
41 lines |
Re: ACQUIRING "TITICUT FOLLIES"?
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michael c vocino |
Mon, 16 Oct 2000 21:04:12 -0400 |
64 lines |
ACQUIRING "TITICUT FOLLIES"?
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daraghoreilly |
Mon, 16 Oct 2000 23:08:46 +0100 |
25 lines |
Re: Digest of film-philosophy - volume 1 #552
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timothy murray |
Mon, 16 Oct 2000 09:02:19 -0400 |
90 lines |
Warhol's Empire
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Damian Peter Sutton |
Mon, 16 Oct 2000 12:16:43 GMT |
32 lines |
Bunuel in New York
|
Futoshi Tomori |
Sun, 15 Oct 2000 22:12:14 -0700 (PDT) |
20 lines |
Re: Views from the Avant-Garde
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<> |
Sun, 15 Oct 2000 16:26:03 +0000 |
130 lines |
Against Proof; Against the Great System Makers
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JMC |
Sat, 14 Oct 2000 23:35:09 -0500 |
131 lines |
Horror: Euphemism and Hitchcock
|
JMC |
Sat, 14 Oct 2000 18:41:05 -0500 |
51 lines |
Re: Avant-Garde Without Politics?
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Joseph Billings |
Sat, 14 Oct 2000 11:55:33 -0700 (PDT) |
76 lines |
Views from the Avant-Garde
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<> |
Sat, 14 Oct 2000 18:26:44 +0000 |
130 lines |
Film-Philosophy News 10/2000 (b)
|
<> |
Sat, 14 Oct 2000 18:26:44 +0000 |
793 lines |
Re:
|
Andy Birtwistle |
Wed, 11 Oct 2000 11:24:20 BST |
34 lines |
Re:
|
Andy Birtwistle |
Wed, 11 Oct 2000 11:22:20 BST |
33 lines |
Job announcement
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Gina Marchetti |
Tue, 10 Oct 2000 20:42:24 -0700 |
93 lines |
Re: Questions for JMC (Answers)(Further Questions)(Further . . .)(cascades...)
|
Phil Adams |
Mon, 9 Oct 2000 21:35:46 -0700 (PDT) |
40 lines |
Horror High and Low
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JMC |
Mon, 9 Oct 2000 23:03:20 -0500 |
29 lines |
Re: A Typology of Horror genre theories
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Jude Waltman |
Mon, 09 Oct 2000 20:00:43 -0700 |
34 lines |
Re: A Typology of Horror genre theories
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JMC |
Mon, 9 Oct 2000 21:26:06 -0500 |
26 lines |
JMC's logorhea
|
Steven J. Willett |
Tue, 10 Oct 2000 10:58:02 +0900 |
40 lines |
Re: Tricks and Illusions (Response to Jude)
|
Jude Waltman |
Mon, 09 Oct 2000 15:11:37 -0700 |
151 lines |
Re: Questions for JMC (Answers)(Further Questions)(Further . . .)(cascades...)
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Jude Waltman |
Mon, 09 Oct 2000 12:32:58 -0700 |
91 lines |
Re: Questions for JMC
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Sergio Valverde |
Mon, 09 Oct 2000 12:03:42 -0500 |
68 lines |
Proof (Response to Phil)
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JMC |
Mon, 9 Oct 2000 02:25:21 -0500 |
61 lines |
Re: the Spanish Inquisition
|
Mark O'Connell |
Sun, 8 Oct 2000 23:28:45 -0700 (PDT) |
36 lines |
Re: Tricks and Illusions (Response to Jude)
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rwoodcock |
Mon, 9 Oct 00 15:45:01 +1000 |
107 lines |
Re: Questions for JMC (Answers)(Further Questions)(Further . . .)(cascades...)
|
Phil Adams |
Sun, 8 Oct 2000 21:59:40 -0700 (PDT) |
88 lines |
Re:
|
Jude Waltman |
Sun, 08 Oct 2000 17:17:02 -0700 |
36 lines |
Re: Questions for JMC (Answers)(Further Questions)(Further . . .)
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JMC |
Sun, 8 Oct 2000 13:33:20 -0500 |
45 lines |
4:23 Khoo on Tsai Ming-liang
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<> |
Sun, 8 Oct 2000 17:08:25 +0000 |
313 lines |
|
leinana myers |
Sun, 08 Oct 2000 15:42:12 GMT |
27 lines |
Re: Phantasmagoria
|
Michelle Langford |
Sun, 08 Oct 2000 21:58:52 +1000 |
41 lines |
Re: Questions for JMC (Answers)(Further Questions)
|
Phil Adams |
Sun, 8 Oct 2000 03:04:20 -0700 (PDT) |
112 lines |
Re: Phantasmagoria
|
Sukhbir Garewal |
Sun, 08 Oct 2000 08:03:24 GMT |
129 lines |
Re: Questions for JMC (Answers)
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JMC |
Sun, 8 Oct 2000 01:31:17 -0500 |
29 lines |
Re: Phantasmagoria
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Amrit Gangar |
Sun, 8 Oct 2000 12:00:29 +0530 |
93 lines |
Re: Phantasmagoria
|
Amrit Gangar |
Sun, 8 Oct 2000 11:59:48 +0530 |
92 lines |
Re: Phantasmagoria
|
JMC |
Sun, 8 Oct 2000 00:50:07 -0500 |
21 lines |
RE: Phantasmagoria
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Gary Gach |
Sat, 7 Oct 2000 08:33:07 -0700 (PDT) |
24 lines |
RE: Phantasmagoria
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Michael Chanan |
Sat, 7 Oct 2000 16:00:54 +0100 |
63 lines |
Re: It Must Have Been a Dream
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<> |
Sat, 7 Oct 2000 14:24:16 +0000 |
42 lines |
Questions for JMC
|
Phil Adams |
Fri, 6 Oct 2000 23:14:56 -0700 (PDT) |
62 lines |
Re: Phantasmagoria
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Amrit Gangar |
Sat, 7 Oct 2000 11:40:28 +0530 |
40 lines |
Re: pitifully pompous sonofabitch...
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Mark O'Connell |
Fri, 6 Oct 2000 22:51:13 -0700 (PDT) |
69 lines |
Re: ghost shows
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Jude Waltman |
Fri, 06 Oct 2000 13:13:43 -0700 |
100 lines |
RE: Phantasmagoria
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Gregory Flaxman |
Fri, 6 Oct 2000 16:10:31 -0400 (EDT) |
49 lines |
Phantasmagoria
|
Alison McMahan |
Fri, 6 Oct 2000 16:03:01 -0400 |
23 lines |
RE: Phantasmagoria
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Michael Chanan |
Fri, 6 Oct 2000 20:33:42 +0100 |
42 lines |
ghost shows
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Joe Kember |
Fri, 6 Oct 2000 20:18:49 +0100 |
94 lines |
Phantasmagoria
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Julie Turnock |
Fri, 06 Oct 2000 19:10:11 JST |
28 lines |
Re: Color is also treacherous (For Jude and Rose)
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Jude Waltman |
Fri, 06 Oct 2000 12:08:47 -0700 |
92 lines |
Color is also treacherous (For Jude and Rose)
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JMC |
Fri, 6 Oct 2000 12:18:27 -0500 |
48 lines |
Re: Humor as Anlaysis (Response to Mark O'Connell)
|
Jude Waltman |
Fri, 06 Oct 2000 07:26:37 -0700 |
60 lines |
Re: Phantasmagoria
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Sean Delgado |
Fri, 06 Oct 2000 14:19:15 GMT |
22 lines |
Humor as Anlaysis (Response to Mark O'Connell)
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JMC |
Fri, 6 Oct 2000 08:17:23 -0500 |
27 lines |
Re: A Typology of Horror genre theories
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ana kronschnabl |
Fri, 6 Oct 2000 12:00:06 +0100 (GMT Daylight Time) |
39 lines |
Re: A Typology of Horror genre theories
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Adrian Miles |
Fri, 6 Oct 2000 18:43:48 +1000 |
28 lines |
Re: Tricks and Illusions (Response to JMC)
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Adrian Miles |
Fri, 6 Oct 2000 18:42:15 +1000 |
46 lines |
Re: A Typology of Horror genre theories
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Donato Totaro |
Fri, 06 Oct 2000 02:57:25 -0400 |
95 lines |
Dialectic by Juxtaposition (Response to Rose Woodcock with a Note (5b) to Jude)
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JMC |
Thu, 5 Oct 2000 23:59:56 -0500 |
103 lines |
Re: Digest of film-philosophy - volume 1 #546
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Mark O'Connell |
Thu, 5 Oct 2000 21:45:59 -0700 (PDT) |
55 lines |
Leaving
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<> |
Fri, 6 Oct 2000 00:59:59 +0000 |
27 lines |
Re:list
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joyce goggin |
Thu, 05 Oct 2000 22:21:42 +0100 |
14 lines |
Framework: the journal of cinema and media
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Annette Hill |
Thu, 5 Oct 2000 19:41:04 +0100 |
185 lines |
Re: could you help me please?
|
ana kronschnabl |
Thu, 5 Oct 2000 16:46:53 +0100 (GMT Daylight Time) |
51 lines |
could you help me please?
|
iphigeneia |
Thu, 5 Oct 2000 08:19:13 -0700 (PDT) |
23 lines |
Re: Tricks and Illusions (Response to JMC)
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rwoodcock |
Thu, 5 Oct 00 23:56:09 +1000 |
117 lines |
Re: B&W & Color
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rwoodcock |
Thu, 5 Oct 00 23:56:07 +1000 |
64 lines |
Re: Regarding Henry (Response to Jude)
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Jude Waltman |
Wed, 04 Oct 2000 21:05:53 -0700 |
62 lines |
Regarding Henry (Response to Jude)
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JMC |
Wed, 4 Oct 2000 21:38:21 -0500 |
32 lines |
Re: Tricks and Illusions (Response to Jude)
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Jude Waltman |
Wed, 04 Oct 2000 11:45:22 -0700 |
117 lines |
Film-Philosophy News 10/2000
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<> |
Wed, 4 Oct 2000 17:57:27 +0000 |
741 lines |
A Typology of Horror genre theories
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Shaw, Dan |
Wed, 4 Oct 2000 12:23:28 -0400 |
59 lines |
Re: B&W & Color
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JMC |
Wed, 4 Oct 2000 01:35:09 -0500 |
53 lines |
list
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gwyn shovelski |
Tue, 03 Oct 2000 22:47:27 PDT |
18 lines |
Re: Tricks and Illusions (Response to Jude)
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JMC |
Wed, 4 Oct 2000 00:11:33 -0500 |
88 lines |
Re: B&W & Color
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Mark O'Connell |
Tue, 3 Oct 2000 22:00:36 -0700 (PDT) |
67 lines |
Re: Tricks and Illusions (Response to Rose Woodcock)
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Jon Henshaw |
Tue, 03 Oct 2000 22:56:25 -0600 |
27 lines |
Re: Tricks and Illusions (Response to Rose Woodcock)
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Jude Waltman |
Tue, 03 Oct 2000 19:55:22 -0700 |
141 lines |
Re: Tricks and Illusions (Response to Rose Woodcock)
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JMC |
Tue, 3 Oct 2000 20:35:59 -0500 |
49 lines |
Re: Tricks and Illusions (Mark O'Connell)
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Amrit Gangar |
Wed, 4 Oct 2000 01:19:20 +0530 |
80 lines |
Sidetracked on Nietzsche (Response to Gregg)
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JMC |
Tue, 3 Oct 2000 09:21:39 -0500 |
84 lines |
Re: Tricks and Illusions (Mark O'Connell)
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Kirsty stansfield |
Tue, 03 Oct 2000 10:47:24 GMT |
55 lines |
Re: Tricks and Illusions (Mark O'Connell)
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rwoodcock |
Tue, 3 Oct 00 13:53:05 +1000 |
36 lines |
Re: Freud talk
|
Jude Waltman |
Mon, 02 Oct 2000 09:35:04 -0700 |
65 lines |
Re: Freud talk
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Gregory Flaxman |
Mon, 2 Oct 2000 12:19:21 -0400 (EDT) |
44 lines |
Re: Freud talk
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JMC |
Mon, 2 Oct 2000 09:04:22 -0500 |
26 lines |
Re: Freud talk
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Gregory Flaxman |
Mon, 2 Oct 2000 09:40:53 -0400 (EDT) |
54 lines |
Re: Freud talk
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Jude Waltman |
Sun, 01 Oct 2000 21:55:11 -0700 |
167 lines |
Re: Freud talk
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JMC |
Sun, 1 Oct 2000 22:00:17 -0500 |
110 lines |
Tim Burton: Stainboy
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JMC |
Sun, 1 Oct 2000 16:54:37 -0500 |
14 lines |
Re: subscribing
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<> |
Sun, 1 Oct 2000 16:07:02 EDT |
17 lines |
Re: Easter-Bunny Freud and Other Humor (Response to Jude)
|
Jude Waltman |
Sun, 01 Oct 2000 09:40:19 -0700 |
50 lines |
Easter-Bunny Freud and Other Humor (Response to Jude)
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JMC |
Sat, 30 Sep 2000 20:31:25 -0500 |
107 lines |
Freud talk
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Gregory Flaxman |
Sat, 30 Sep 2000 20:26:43 -0400 (EDT) |
55 lines |
Re: Deconstruction and Freud (Response to Jude)
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Jude Waltman |
Sat, 30 Sep 2000 10:24:51 -0700 |
100 lines |
Re:
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John Matturri |
Sat, 30 Sep 2000 08:36:22 -0400 |
31 lines |
|
pps2000 |
Sat, 30 Sep 2000 08:59:22 +0100 |
53 lines |
Deconstruction and Freud (Response to Jude)
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JMC |
Fri, 29 Sep 2000 22:52:20 -0500 |
62 lines |
RE: It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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Aris Mousoutzanis |
Fri, 29 Sep 2000 23:25:06 GMT |
52 lines |
Job announcement
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Gina Marchetti |
Fri, 29 Sep 2000 15:45:23 -0700 |
101 lines |
Re: It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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Jude Waltman |
Fri, 29 Sep 2000 14:32:55 -0700 |
35 lines |
RE: It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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Michael Chanan |
Fri, 29 Sep 2000 21:41:22 +0100 |
36 lines |
Re: It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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Aris Mousoutzanis |
Fri, 29 Sep 2000 16:55:29 GMT |
30 lines |
Re: Blair Witch, the Authentic, and Freud (Correction and Resend)
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Jude Waltman |
Fri, 29 Sep 2000 09:55:26 -0700 |
63 lines |
Re: Blair Witch, the Authentic, and Freud (Correction and Resend)
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Aris Mousoutzanis |
Fri, 29 Sep 2000 16:34:19 GMT |
47 lines |
Re: What's really going on when we dream?
|
Jude Waltman |
Fri, 29 Sep 2000 08:56:07 -0700 |
48 lines |
Re: It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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Jude Waltman |
Fri, 29 Sep 2000 08:49:17 -0700 |
141 lines |
RE: What's really going on when we dream?
|
Michael Chanan |
Fri, 29 Sep 2000 15:10:11 +0100 |
99 lines |
Tricks and Illusions (Mark O'Connell)
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JMC |
Fri, 29 Sep 2000 09:02:03 -0500 |
33 lines |
It Must Have Been a Dream; I Can't Believe where I've Been (Response to Jude)
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JMC |
Fri, 29 Sep 2000 08:46:40 -0500 |
98 lines |
Re: Blair Witch
|
John Bleasdale |
Fri, 29 Sep 2000 02:21:05 -0700 (PDT) |
40 lines |
Re: Digest of film-philosophy - volume 1 #539
|
Mark O'Connell |
Thu, 28 Sep 2000 23:42:19 -0700 (PDT) |
39 lines |
What's really going on when we dream?
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Jon Henshaw |
Fri, 29 Sep 2000 00:20:46 -0600 |
38 lines |
Re: Blair Witch, the Authentic, and Freud (Correction and Resend)
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JMC |
Thu, 28 Sep 2000 22:14:36 -0500 |
40 lines |
Re: Eisenstein query
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Peter Hughes |
Thu, 28 Sep 2000 22:43:39 +0000 |
55 lines |
Re: Blair Witch, the Authentic, and Freud
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Jude Waltman |
Thu, 28 Sep 2000 10:27:20 -0700 |
67 lines |
subscribing
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declan sheehan |
Thu, 28 Sep 2000 16:40:54 GMT |
23 lines |
Re: Blair Witch, the Authentic, and Freud
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JMC |
Thu, 28 Sep 2000 11:26:21 -0500 |
26 lines |
Re: Blair Witch, the Authentic, and Freud
|
Aris Mousoutzanis |
Thu, 28 Sep 2000 14:03:24 GMT |
47 lines |
Re: Blair Witch
|
Aris Mousoutzanis |
Thu, 28 Sep 2000 13:52:22 GMT |
54 lines |
Blair Witch, the Authentic, and Freud
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JMC |
Thu, 28 Sep 2000 08:37:11 -0500 |
52 lines |
Re: Blair Witch
|
John Bleasdale |
Thu, 28 Sep 2000 06:31:36 -0700 (PDT) |
34 lines |
Re: Blair Witch
|
Aris Mousoutzanis |
Thu, 28 Sep 2000 08:52:39 GMT |
95 lines |
Eisenstein query
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Cubitt Sean |
Thu, 28 Sep 2000 08:55:06 +0100 |
18 lines |
Re: Surface with Thickness
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rwoodcock |
Thu, 28 Sep 00 16:38:11 +1000 |
29 lines |
Freud, Buddha and now the Jains
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Sukhbir Garewal |
Thu, 28 Sep 2000 06:19:53 GMT |
40 lines |
Re: Blair Witch
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JMC |
Wed, 27 Sep 2000 19:53:16 -0500 |
57 lines |
freud
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Rhys Graham |
Thu, 28 Sep 2000 09:45:13 +1000 |
24 lines |
Robin Hood conference CFP
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Michael Zryd |
Wed, 27 Sep 2000 16:38:39 -0400 |
27 lines |
Re: Blair Witch
|
James Wallace |
Wed, 27 Sep 2000 12:21:25 -0700 |
57 lines |
Re: Blair Witch
|
Aris Mousoutzanis |
Wed, 27 Sep 2000 14:55:40 GMT |
46 lines |
Surface with Thickness
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jmcrouch |
Wed, 27 Sep 2000 08:55:35 -0500 |
26 lines |
Re: Latency
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rwoodcock |
Wed, 27 Sep 00 22:30:27 +1000 |
41 lines |
Doc's Kingdom - International Seminar on Documentary Film
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Kees Bakker |
Wed, 27 Sep 2000 09:30:43 +0200 |
41 lines |
Latency
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JMC |
Wed, 27 Sep 2000 00:24:35 -0500 |
60 lines |
Re: Buddhism on Film : Call for Entries
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Gary Maclennan |
Wed, 27 Sep 2000 15:01:27 +1000 |
140 lines |
Re: Buddhism on Film : Call for Entries
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Amrit Gangar |
Wed, 27 Sep 2000 09:49:53 +0530 |
115 lines |
Re: Critical intimacy
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Jude Waltman |
Tue, 26 Sep 2000 18:26:19 -0700 |
29 lines |
Critical intimacy
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JMC |
Tue, 26 Sep 2000 19:57:51 -0500 |
22 lines |
Re: Blair Witch
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JMC |
Tue, 26 Sep 2000 19:42:23 -0500 |
19 lines |
Reply to Soares and Leung
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Shiyu Wei |
Tue, 26 Sep 2000 18:15:05 -0600 (MDT) |
43 lines |
Re:old hats and critical intimacy
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Jude Waltman |
Tue, 26 Sep 2000 11:09:27 -0700 |
31 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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<> |
Tue, 26 Sep 2000 13:23:35 EDT |
38 lines |
Re: Freud's Interpretation
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<> |
Tue, 26 Sep 2000 15:51:21 +0000 |
66 lines |
(no subject)
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Jane Gibb |
Tue, 26 Sep 2000 16:36:26 +0100 |
19 lines |
-------> Buddha?
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Gary Gach |
Tue, 26 Sep 2000 08:18:29 -0700 (PDT) |
29 lines |
Buddhism on Film : Call for Entries
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Gary Gach |
Tue, 26 Sep 2000 08:10:23 -0700 (PDT) |
56 lines |
Re: kubrick details
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Petya Koleva |
Tue, 26 Sep 2000 16:56:30 +0200 |
69 lines |
Re: kubrick details
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John Bleasdale |
Tue, 26 Sep 2000 06:44:25 -0700 (PDT) |
33 lines |
Blair Witch
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Aris Mousoutzanis |
Tue, 26 Sep 2000 11:04:24 GMT |
30 lines |
Blair Witch
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Aris Mousoutzanis |
Tue, 26 Sep 2000 11:04:18 GMT |
70 lines |
Re: Killers
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Nezih Erdogan |
Tue, 26 Sep 2000 10:34:20 +0300 |
14 lines |
Re: Killers
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JMC |
Mon, 25 Sep 2000 23:28:03 -0500 |
23 lines |
Re: Killers
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Mark O'Connell |
Mon, 25 Sep 2000 20:50:42 -0700 (PDT) |
43 lines |
Re: Dreaming About Freud
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G.E.Harper |
Mon, 25 Sep 2000 19:30:25 +0100 |
20 lines |
Re: Dreaming About Freud
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Rosemary Ceravolo |
Mon, 25 Sep 2000 14:25:28 -0400 (EDT) |
26 lines |
Re: Dreaming about Freud Seriously
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G.E.Harper |
Mon, 25 Sep 2000 19:17:00 +0100 |
28 lines |
Re: Dreaming about Freud Seriously
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Jude Waltman |
Mon, 25 Sep 2000 11:03:17 -0700 |
67 lines |
dreams
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Venkiteshwaran |
Mon, 25 Sep 2000 22:48:35 +0530 |
41 lines |
Dreaming about Freud Seriously
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G.E.Harper |
Mon, 25 Sep 2000 18:04:56 +0100 |
47 lines |
Re: Dreaming About Freud
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Jude Waltman |
Mon, 25 Sep 2000 09:11:10 -0700 |
74 lines |
3 Reminders
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<> |
Mon, 25 Sep 2000 15:27:55 +0000 |
44 lines |
kubrick details
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Petya Koleva |
Mon, 25 Sep 2000 17:03:24 +0200 |
54 lines |
Oshima Nagisa
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Leung Wingfai |
Mon, 25 Sep 2000 15:19:35 +0100 |
34 lines |
RE: Notes Toward Interpretation or Freud as Critic
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Mark Little |
Mon, 25 Sep 2000 14:40:00 +0100 |
136 lines |
Notes Toward Interpretation or Freud as Critic
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JMC |
Mon, 25 Sep 2000 08:28:15 -0500 |
120 lines |
Re: Dreaming About Freud
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G.E.Harper |
Mon, 25 Sep 2000 10:52:46 +0100 |
93 lines |
Re: Dreaming About Freud
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G.E.Harper |
Mon, 25 Sep 2000 08:55:41 +0100 |
80 lines |
Re: Re:freud
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Mark L. Feinsod |
Mon, 25 Sep 2000 00:22:09 -0400 |
170 lines |
Re:freud
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Mark O'Connell |
Sun, 24 Sep 2000 19:54:45 -0700 (PDT) |
35 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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Mark L. Feinsod |
Sun, 24 Sep 2000 22:48:42 -0400 |
283 lines |
RE: Freud's Interpretation of Dreams
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Michael Chanan |
Mon, 25 Sep 2000 02:11:20 +0100 |
24 lines |
Re: Dreaming About Freud
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Jon Henshaw |
Sun, 24 Sep 2000 18:56:56 -0600 |
40 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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James Wallace |
Sun, 24 Sep 2000 17:29:18 -0700 |
202 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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Mark L. Feinsod |
Sun, 24 Sep 2000 19:24:55 -0400 |
141 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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<> |
Sun, 24 Sep 2000 18:58:29 EDT |
33 lines |
Freud and Citizen Kane
|
Edward R. O'Neill |
Sun, 24 Sep 2000 18:42:33 -0400 |
42 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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Mark L. Feinsod |
Sun, 24 Sep 2000 18:28:59 -0400 |
158 lines |
Re: Dreams, Freud, Wim Wenders, etc.
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<> |
Sun, 24 Sep 2000 18:04:54 EDT |
30 lines |
set film-philosophy digest
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Mark O'Connell |
Sun, 24 Sep 2000 12:46:00 -0700 (PDT) |
17 lines |
Re: Digest of film-philosophy - volume 1 #532
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<> |
Sun, 24 Sep 2000 13:49:13 EDT |
18 lines |
Re: Dreaming About Freud
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Jude Waltman |
Sun, 24 Sep 2000 10:48:04 -0700 |
28 lines |
Dreaming About Freud
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G.E.Harper |
Sun, 24 Sep 2000 18:34:09 +0100 |
48 lines |
Re: Freud's Interpretation of Dreams
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Jude Waltman |
Sun, 24 Sep 2000 10:30:07 -0700 |
48 lines |
Dreams, Freud, Wim Wenders, etc.
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Mark L. Feinsod |
Sun, 24 Sep 2000 13:26:18 -0400 |
81 lines |
Re: Freud's Interpretation of Dreams
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James Wallace |
Sun, 24 Sep 2000 09:09:18 -0700 |
39 lines |
General Salon Notice
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<> |
Sun, 24 Sep 2000 15:17:57 +0000 |
86 lines |
RE: Crash?
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Shaw, Dan |
Sun, 24 Sep 2000 09:46:30 -0400 |
25 lines |
RE: Crash?
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Aris Mousoutzanis |
Sun, 24 Sep 2000 12:31:17 GMT |
47 lines |
Re: Freud's Interpretation of Dreams: the Woodman
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Belanqua |
Sun, 24 Sep 2000 13:08:09 +0100 |
24 lines |
(( (M i n d S p ac e s) ))
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Dr. Hugo |
Sun, 24 Sep 2000 08:30:00 +0200 |
32 lines |
Re: Freud's Interpretation of Dreams
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Mark O'Connell |
Sat, 23 Sep 2000 13:01:38 -0700 (PDT) |
21 lines |
Re: Freud's Interpretation of Dreams
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Homay King |
Sat, 23 Sep 2000 11:49:16 -0700 |
49 lines |
wei on Turim
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pps2000 |
Sat, 23 Sep 2000 19:25:30 +0100 |
54 lines |
Dreams - Until the End of the World
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Jon Henshaw |
Sat, 23 Sep 2000 12:06:51 -0600 |
22 lines |
RE: Crash?
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Shaw, Dan |
Sat, 23 Sep 2000 13:51:40 -0400 |
26 lines |
Re: Freud's Interpretation of Dreams
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JMC |
Sat, 23 Sep 2000 12:02:18 -0500 |
13 lines |
Re: Freud's Interpretation of Dreams
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Edward R. O'Neill |
Sat, 23 Sep 2000 12:32:08 -0400 |
81 lines |
Re: Freud's Interpretation of Dreams: the Woodman
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<> |
Sat, 23 Sep 2000 11:07:10 EDT |
27 lines |
Re: Freud's Interpretation of Dreams: the Woodman
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Gary Gach |
Sat, 23 Sep 2000 07:51:46 -0700 (PDT) |
29 lines |
Crash?
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Aris Mousoutzanis |
Sat, 23 Sep 2000 14:13:15 GMT |
44 lines |
RE: Freud's Interpretation of Dreams
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Shaw, Dan |
Sat, 23 Sep 2000 08:51:03 -0400 |
19 lines |
Re: Freud's Interpretation of Dreams
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JMC |
Fri, 22 Sep 2000 23:39:36 -0500 |
57 lines |
Re: Freud's Interpretation of Dreams
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<> |
Sat, 23 Sep 2000 12:38:14 +0800 |
28 lines |
Re: Freud's Interpretation of Dreams
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Amrit Gangar |
Sat, 23 Sep 2000 08:19:46 +0530 |
60 lines |
Re: Freud's Interpretation of Dreams
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Leonard Retel Helmrich |
Sat, 23 Sep 2000 01:36:26 +0200 |
44 lines |
Re: Freud's Interpretation of Dreams
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<> |
Fri, 22 Sep 2000 18:19:49 EDT |
28 lines |
Re: Freud's Interpretation of Dreams
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gwyn shovelski |
Fri, 22 Sep 2000 12:17:51 PDT |
98 lines |
Re: Freud's Interpretation of Dreams
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Aris Mousoutzanis |
Fri, 22 Sep 2000 17:35:09 GMT |
97 lines |
Re: Freud's Interpretation of Dreams
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Rosemary Ceravolo |
Fri, 22 Sep 2000 13:09:08 -0400 (EDT) |
32 lines |
Re: Freud's Interpretation of Dreams
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A.Moor |
Fri, 22 Sep 2000 17:11:50 +0100 |
74 lines |
RE: Freud's Interpretation of Dreams
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Aris Mousoutzanis |
Fri, 22 Sep 2000 15:56:56 GMT |
65 lines |
Re: Freud's Interpretation of Dreams.
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Gregory Flaxman |
Fri, 22 Sep 2000 11:10:56 -0400 (EDT) |
28 lines |
Re: Freud's Interpretation of Dreams
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Sara Gwenllian Jones |
Fri, 22 Sep 2000 14:36:35 GMT0BST |
40 lines |
Re: Freud's Interpretation of Dreams.
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David Mccallum |
Fri, 22 Sep 2000 07:35:41 -0700 (PDT) |
19 lines |
RE: Freud's Interpretation of Dreams
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Shaw, Dan |
Fri, 22 Sep 2000 10:16:38 -0400 |
43 lines |
RE: Freud's Interpretation of Dreams
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Tzioumakis Yannis |
Fri, 22 Sep 2000 15:07:29 +0100 |
19 lines |
Freud's Interpretation of Dreams
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Jane Gibb |
Fri, 22 Sep 2000 14:29:26 +0100 |
23 lines |
Re: Freud's Interpretation of Dreams
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petia koleva |
Fri, 22 Sep 2000 13:05:28 +0100 |
31 lines |
4:22 Wei on Turim
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<> |
Wed, 20 Sep 2000 20:59:20 +0000 |
267 lines |
Re: See/Hear
|
Helen Stritzler |
Wed, 20 Sep 2000 11:23:27 -0400 |
44 lines |
Philosophy in Film
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John Needham |
19 Sep 2000 10:32:12 -0700 |
29 lines |
CFP: Travelling Concepts 2001
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Tarja Laine |
Tue, 19 Sep 2000 11:16:59 +0200 |
62 lines |
See/Hear
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Phil Powrie |
Mon, 18 Sep 2000 15:49:06 GMT0BST |
31 lines |
Re: Film-Philosophy News 9/2000
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<> |
Mon, 18 Sep 2000 12:33:33 +0000 |
23 lines |
The Love Code
|
Mal Williamson |
Mon, 18 Sep 2000 09:46:43 +0100 |
60 lines |
Film-Philosophy News 9/2000
|
Alison McMahan |
Mon, 18 Sep 2000 00:46:14 -0400 |
16 lines |
Film-Philosophy News 9/2000
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<> |
Sun, 17 Sep 2000 18:54:58 +0000 |
551 lines |
CFP: Media Literacy and Education
|
Martin F Norden |
Fri, 15 Sep 2000 11:36:53 -0400 (EDT) |
88 lines |
FW: bARBIE
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keyman |
Wed, 13 Sep 2000 17:33:12 -0400 |
30 lines |
visualizing blackness, october 12-15, 2000
|
timothy murray |
Wed, 13 Sep 2000 09:03:35 -0400 |
314 lines |
4:21 Gaggi's Reply
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<> |
Tue, 12 Sep 2000 19:19:51 +0000 |
111 lines |
Re: 4:21 Gaggi's Reply
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Belanqua |
Tue, 12 Sep 2000 19:55:52 +0100 |
48 lines |
4:20 Wood on Gaggi
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<> |
Tue, 12 Sep 2000 18:43:39 +0000 |
364 lines |
Re: 4:20 Wood on Gaggi
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petia koleva |
Tue, 12 Sep 2000 09:53:31 +0100 |
66 lines |
Re: new member
|
waruna alahakoon |
Tue, 05 Sep 2000 16:50:25 LKT |
375 lines |
Re: Captured, Re- (for Rose Woodcock)
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rwoodcock |
Sun, 3 Sep 00 23:14:59 +1000 |
16 lines |
CFP - Night and the City
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Marc Furstenau |
Sat, 02 Sep 2000 15:23:03 -0700 |
85 lines |
Cinema and photography - memento mori
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Damian Peter Sutton |
Fri, 1 Sep 2000 17:34:35 +0100 (BST) |
120 lines |
Re: unsubscribe
|
<> |
Fri, 1 Sep 2000 02:27:51 +0000 |
86 lines |
unsubscribe
|
Jonathan Totel |
Thu, 31 Aug 2000 16:08:02 CDT |
20 lines |
Final Call: For Ever Godard conference
|
Michael Witt |
Thu, 31 Aug 2000 17:41:13 +0100 |
121 lines |
Captured, Re- (for Rose Woodcock)
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JMC |
Thu, 31 Aug 2000 01:07:03 -0500 |
100 lines |
VS: VS: Landscape
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<> |
Thu, 31 Aug 2000 08:55:20 +0300 |
52 lines |
Re: Photograph as memento mori in films
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rwoodcock |
Thu, 31 Aug 00 14:31:53 +1000 |
48 lines |
Re: Digest of film-philosophy - volume 1 #518
|
Richard Trombley |
Wed, 30 Aug 2000 20:34:32 -0700 |
22 lines |
Re: Landscape
|
Rosemary Ceravolo |
Wed, 30 Aug 2000 14:25:54 -0400 (EDT) |
66 lines |
Re: Unsubscribe
|
Maria Jose Roman |
Wed, 30 Aug 2000 17:01:49 GMT |
23 lines |
Re: VS: Landscape
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Aleksandar Gubas |
Wed, 30 Aug 2000 17:12:27 +0200 |
22 lines |
Re: Photograph as memento mori in films
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<> |
Wed, 30 Aug 2000 10:37:06 -0400 |
22 lines |
Re: Photograph as memento mori in films
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JMC |
Wed, 30 Aug 2000 08:16:29 -0500 |
30 lines |
ISSEI 2002 Call
|
Daniel Meyer Dinkgrafe |
Wed, 30 Aug 2000 13:20:53 +0100 |
70 lines |
unsubscribe
|
Jonathan Munro |
Wed, 30 Aug 2000 04:06:54 -0700 (PDT) |
17 lines |
globalisation, techno-imperialism etc.
|
Leung Wingfai |
Wed, 30 Aug 2000 10:14:16 +0100 |
39 lines |
Re: Landscape
|
Haim Callev |
Wed, 30 Aug 2000 11:49:21 +0300 |
23 lines |
RE: Landscape
|
Randall Fehr |
Tue, 29 Aug 2000 23:02:26 -0700 |
17 lines |
VS: Landscape
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<> |
Wed, 30 Aug 2000 08:58:11 +0300 |
28 lines |
VS: Landscape
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<> |
Wed, 30 Aug 2000 08:50:08 +0300 |
31 lines |
RE: Landscape
|
Shaw, Dan |
Tue, 29 Aug 2000 21:51:41 -0400 |
20 lines |
Landscape
|
martin lefebvre |
Tue, 29 Aug 2000 20:30:02 -0400 |
56 lines |
Re: Unsubscribe
|
Sergio Valverde |
Tue, 29 Aug 2000 13:37:38 -0500 |
20 lines |
Photograph as memento mori in films
|
Damian Peter Sutton |
Tue, 29 Aug 2000 18:51:50 +0100 (BST) |
35 lines |
Articles on Marker's La Jetee.
|
Damian Peter Sutton |
Tue, 29 Aug 2000 18:44:15 +0100 (BST) |
34 lines |
Unsubscribe
|
<> |
Tue, 29 Aug 2000 08:11:37 -0400 |
12 lines |
Special Edition of "Film and Philosophy"
|
Shaw, Dan |
Mon, 28 Aug 2000 13:02:14 -0400 |
32 lines |
Call for Papers: Nunc Sumus Journal
|
Will Hudson |
Sat, 26 Aug 2000 21:36:42 -0500 |
37 lines |
REVIEW of The Matrix
|
Philosophy News Service * richard jones |
Sat, 26 Aug 2000 11:22:40 -0400 |
241 lines |
The Terrorist
|
lynda tenter |
Fri, 25 Aug 2000 15:00:07 -0400 |
50 lines |
Film-Philosophy News 8/2000
|
<> |
Fri, 25 Aug 2000 16:53:47 +0000 |
1177 lines |
new member
|
Venkiteshwaran |
Wed, 23 Aug 2000 21:54:26 +0530 |
104 lines |
Re: Digest of film-philosophy - volume 1 #510
|
L. St Clair |
Tue, 22 Aug 2000 04:44:06 GMT |
25 lines |
film on-line
|
ana kronschnabl |
Mon, 21 Aug 2000 10:52:16 +0100 (GMT Daylight Time) |
88 lines |
Digest format request
|
kiersten johnson |
Sat, 19 Aug 2000 10:26:06 PDT |
19 lines |
postnihilist blues
|
Aleksandar Gubas |
Sat, 19 Aug 2000 17:26:01 +0200 |
37 lines |
HK Cinema
|
Cubitt Sean |
Fri, 18 Aug 2000 21:17:43 +0100 |
60 lines |
HK cinema
|
Leung Wingfai |
Fri, 18 Aug 2000 12:31:46 +0100 |
49 lines |
[Fwd: film/phil advice?]
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Philosophy News Service * richard jones |
Wed, 16 Aug 2000 13:40:32 -0400 |
42 lines |
Europe after Dogme 95
|
Aleksandar Gubas |
Wed, 16 Aug 2000 18:03:18 +0200 |
26 lines |
Re: Hong Kong cinema
|
Timo Linsenmaier |
Wed, 16 Aug 2000 10:07:47 +0200 (MEST) |
38 lines |
4:19 Sellors on Casetti
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<> |
Tue, 15 Aug 2000 20:16:52 +0000 |
344 lines |
International Festival for Architecture in Video
|
Marco Brizzi |
Tue, 15 Aug 2000 02:45:45 +0200 |
146 lines |
General Salon Notice
|
<> |
Mon, 14 Aug 2000 19:39:18 +0000 |
83 lines |
Re: Hong Kong cinema
|
Damian Peter Sutton |
Mon, 14 Aug 2000 17:46:47 +0100 (BST) |
33 lines |
Re: Hong Kong cinema
|
Nikki Lee |
Mon, 14 Aug 2000 16:13:16 GMT |
42 lines |
unsubscribe
|
salome asatiani |
Sat, 12 Aug 2000 17:19:17 GET |
18 lines |
Re: HK cinema : re: reply from Julie Turnock
|
Sara Gwenllian Jones |
Fri, 11 Aug 2000 13:59:20 GMT0BST |
30 lines |
HK cinema : re: reply from Julie Turnock
|
Leung Wingfai |
Fri, 11 Aug 2000 12:57:34 +0100 |
31 lines |
FW: CFP: Polygraph Film and Postmodernism
|
Cubitt Sean |
Fri, 11 Aug 2000 08:47:26 +0100 |
57 lines |
Re: Hong Kong cinema
|
Julie Turnock |
Thu, 10 Aug 2000 23:19:59 JST |
80 lines |
unsubscribe
|
NOGGE HAAKON |
Thu, 10 Aug 2000 13:32:07 +1100 |
11 lines |
Hong Kong cinema
|
Leung Wingfai |
Wed, 9 Aug 2000 14:32:58 +0100 |
53 lines |
Hollywood's debt to Plato
|
Philosophy News Service * richard jones |
Mon, 07 Aug 2000 15:58:00 -0400 |
39 lines |
Article on Boys Don't Cry
|
Michelle Parke |
Mon, 7 Aug 2000 07:41:48 -0700 (PDT) |
31 lines |
Bunuel Conference Programme
|
Michael Witt |
Thu, 3 Aug 2000 14:08:50 +0100 |
24 lines |
4:18 Hanson on Andrew
|
<> |
Mon, 31 Jul 2000 17:07:32 +0000 |
230 lines |
RE: Call for submissions on Horror
|
mfrank |
Wed, 26 Jul 2000 10:49:52 -0400 |
63 lines |
Call for papers for the SPSCVA Sessions at the APA
|
Shaw, Dan |
Wed, 26 Jul 2000 09:20:15 -0400 |
34 lines |
Call for submissions on Horror
|
Shaw, Dan |
Wed, 26 Jul 2000 08:30:53 -0400 |
36 lines |
CFP: Cult Media Journal
|
Sara Gwenllian Jones |
Wed, 26 Jul 2000 10:49:56 GMT0BST |
48 lines |
New member
|
<> |
Tue, 25 Jul 2000 14:12:40 +0100 |
33 lines |
|
jennifer patience |
Tue, 25 Jul 2000 11:18:01 GMT |
14 lines |
4:17 Fairbairn on Kearney
|
<> |
Thu, 20 Jul 2000 18:08:37 +0000 |
243 lines |
unsuscribe-me
|
Fernando Bruno |
Thu, 20 Jul 2000 16:45:51 ART |
15 lines |
Re: Digest of film-philosophy vol 1 #495
|
Hema Ramachandran |
Tue, 18 Jul 2000 16:41:22 -0700 (PDT) |
51 lines |
General Salon Notice
|
<> |
Mon, 17 Jul 2000 17:58:02 +0000 |
84 lines |
Re:new member
|
Chandrika Ghosh |
Mon, 17 Jul 2000 07:03:46 GMT |
299 lines |
Re:new member
|
Minnie Randhawa |
Sun, 16 Jul 2000 20:36:04 -0700 (PDT) |
244 lines |
Re:new member
|
Hema Ramachandran |
Sun, 16 Jul 2000 07:17:52 -0700 (PDT) |
147 lines |
Re: New member
|
Sukhbir Garewal |
Fri, 14 Jul 2000 22:18:24 PDT |
151 lines |
Re: 4:16 Schwartz on Rodowick
|
<> |
Thu, 13 Jul 2000 17:08:17 +0000 |
50 lines |
Re: New member
|
Minnie Randhawa |
Wed, 12 Jul 2000 04:01:34 -0700 (PDT) |
126 lines |
Re: New member
|
Chandrika Ghosh |
Tue, 11 Jul 2000 20:24:32 PDT |
75 lines |
New member
|
Hema Ramachandran |
Mon, 10 Jul 2000 09:26:14 -0700 (PDT) |
51 lines |
Re-Eyeing Through Images
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JMC |
Sun, 9 Jul 2000 20:34:52 -0500 |
124 lines |
Re: Quantum Project
|
Gary Gach |
Sun, 9 Jul 2000 11:37:51 -0700 (PDT) |
33 lines |
Re: Quantum Project
|
Philip Wood |
Sat, 8 Jul 2000 14:46:13 +0100 |
109 lines |
Fwd: Krokers' Eye-Through Images
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<> |
Wed, 5 Jul 2000 21:27:26 +0000 |
245 lines |
Archaeology of Theory (Roberta Morris)
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JMC |
Tue, 4 Jul 2000 21:05:27 -0500 |
33 lines |
Re: Call for Reviews and Articles
|
Roberta Morris |
Tue, 04 Jul 2000 09:40:24 PDT |
142 lines |
Nunc Sumus Journal
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Will Hudson |
Mon, 3 Jul 2000 22:25:23 -0500 |
35 lines |
Call for Reviews and Articles
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<> |
Mon, 3 Jul 2000 17:34:09 +0000 |
102 lines |
RE: 3 new positions
|
Peter McLuskie |
Fri, 30 Jun 2000 20:17:03 +0100 |
73 lines |
ying and yang video
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Leung Wingfai |
Fri, 30 Jun 2000 09:56:24 +0100 |
14 lines |
3 new positions
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Thierry Jutel |
Fri, 30 Jun 2000 15:15:15 +1200 |
284 lines |
Re: 4:16 Schwartz on Rodowick
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<> |
Thu, 29 Jun 2000 23:30:43 +0000 |
52 lines |
taiwanese cinema
|
Leung Wingfai |
Thu, 29 Jun 2000 11:03:30 +0100 |
17 lines |
Re: film language: image vs. idea
|
{ brad brace } |
Wed, 28 Jun 2000 09:27:58 -0700 |
169 lines |
4:16 Schwartz on Rodowick
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<> |
Tue, 27 Jun 2000 17:02:18 +0000 |
786 lines |
Re: film language: image vs. idea
|
Green Owl |
Mon, 26 Jun 2000 21:25:38 -0500 |
31 lines |
4:15 Butchart on Rodowick
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<> |
Mon, 26 Jun 2000 17:58:32 +0000 |
321 lines |
VS: RE: film language: image vs. idea
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<> |
Mon, 26 Jun 2000 09:38:25 +0300 |
36 lines |
Re: film language: image vs. idea
|
Brian Frye |
Sun, 25 Jun 2000 23:26:08 EDT |
52 lines |
Re: film language: image vs. idea
|
Green Owl |
Sun, 25 Jun 2000 18:59:59 -0500 |
36 lines |
Re: Holiday notice
|
Helen Stritzler |
Sun, 25 Jun 2000 15:58:30 -0400 |
67 lines |
Holiday notice
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<> |
Sun, 25 Jun 2000 16:59:30 +0000 |
61 lines |
Re: New Taiwanese Cinema
|
Rashmi Doraiswamy |
Sun, 25 Jun 2000 11:55:07 +0800 |
27 lines |
Re: New Taiwanese Cinema
|
Andrew Albert J. Ty |
Sun, 25 Jun 2000 04:26:51 +0800 |
36 lines |
Re: RE: film vs film experience
|
Damian Peter Sutton |
Sat, 24 Jun 2000 14:01:55 +0100 (BST) |
20 lines |
Re: RE: film vs film experience
|
Damian Peter Sutton |
Sat, 24 Jun 2000 13:59:55 +0100 (BST) |
83 lines |
Re: RE: film vs film experience
|
Damian Peter Sutton |
Sat, 24 Jun 2000 13:27:15 +0100 (BST) |
28 lines |
New Taiwanese Cinema
|
Tara Forrest |
Sat, 24 Jun 2000 17:04:14 +1000 (EST) |
22 lines |
Re: film vs film experience
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MCCWBUCK |
Fri, 23 Jun 2000 16:17:12 -0400 (EDT) |
57 lines |
RE: film language: image vs. idea
|
Rosemary Ceravolo |
Fri, 23 Jun 2000 16:14:36 -0400 (EDT) |
55 lines |
Re: film vs film experience
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MCCWBUCK |
Fri, 23 Jun 2000 14:21:48 -0400 (EDT) |
67 lines |
RE: film vs film experience
|
Michael Chanan |
Fri, 23 Jun 2000 19:13:22 +0100 |
128 lines |
Re: film vs film experience
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James Churchouse |
Fri, 23 Jun 2000 17:18:16 +0100 |
48 lines |
Viewing Fact or Fiction?
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<> |
Fri, 23 Jun 2000 15:20:42 +0000 |
117 lines |
Re: film vs film experience
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<> |
Fri, 23 Jun 2000 11:03:41 -0400 |
27 lines |
Re: film vs film experience
|
James Churchouse |
Fri, 23 Jun 2000 15:43:02 +0100 |
30 lines |
Re: film vs film experience
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Damian Peter Sutton |
Fri, 23 Jun 2000 15:22:03 +0100 (BST) |
50 lines |
film vs film experience
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Damian Peter Sutton |
Fri, 23 Jun 2000 13:28:55 +0100 (BST) |
32 lines |
Re: VS: RE: film language: image vs. idea
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James Churchouse |
Fri, 23 Jun 2000 11:48:37 +0100 |
41 lines |
Re: VS: RE: film language: image vs. idea
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Tushar Kumar |
Fri, 23 Jun 2000 14:45:39 +0530 |
30 lines |
Re: VS: RE: film language: image vs. idea
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James Churchouse |
Fri, 23 Jun 2000 09:42:47 +0100 |
22 lines |
RE: film language: image vs. idea
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Damian Peter Sutton |
Fri, 23 Jun 2000 01:20:40 +0100 (GMT Daylight Time) |
64 lines |
Re: VS: RE: film language: image vs. idea
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Rosemary Ceravolo |
Thu, 22 Jun 2000 16:01:26 -0400 (EDT) |
19 lines |
Re: VS: RE: film language: image vs. idea
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Damian Peter Sutton |
Thu, 22 Jun 2000 20:41:39 +0100 (BST) |
141 lines |
Re: VS: RE: film language: image vs. idea
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<> |
Thu, 22 Jun 2000 14:48:24 -0400 |
37 lines |
Me
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<> |
Thu, 22 Jun 2000 14:40:45 EDT |
35 lines |
RE: RE: film language: image vs. idea
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Damian Peter Sutton |
Thu, 22 Jun 2000 19:35:28 +0100 (BST) |
141 lines |
RE: film language: image vs. idea
|
Damian Peter Sutton |
Thu, 22 Jun 2000 19:33:01 +0100 (BST) |
31 lines |
Re: VS: RE: film language: image vs. idea
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Rosemary Ceravolo |
Thu, 22 Jun 2000 14:11:56 -0400 (EDT) |
27 lines |
Re: VS: RE: film language: image vs. idea
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James Wallace |
Thu, 22 Jun 2000 09:14:10 -0700 |
76 lines |
Re: VS: RE: film language: image vs. idea
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<> |
Thu, 22 Jun 2000 08:51:14 -0400 |
44 lines |
Re: RE: film language: image vs. idea
|
Damian Peter Sutton |
Wed, 21 Jun 2000 16:54:38 +0100 (BST) |
78 lines |
RE: film language: image vs. idea
|
Michael Chanan |
Wed, 21 Jun 2000 08:13:31 +0100 |
115 lines |
Re: Re-generating... translator, please
|
arturo r. aréchiga mantilla |
Tue, 20 Jun 2000 13:42:46 -0600 |
17 lines |
Re: Kiyoshi Kurosawa
|
Julie Turnock |
Tue, 20 Jun 2000 15:12:08 JST |
31 lines |
Re: Kiyoshi Kurosawa
|
Julie Turnock |
Tue, 20 Jun 2000 15:12:04 JST |
31 lines |
Re: Kiyoshi Kurosawa
|
Julie Turnock |
Tue, 20 Jun 2000 15:12:03 JST |
31 lines |
Re: Buckland/film/language
|
Thomas Elsaesser |
Mon, 19 Jun 2000 20:04:25 +0200 |
17 lines |
Re: Buckland/film/language
|
Thomas Elsaesser |
Mon, 19 Jun 2000 19:13:04 +0200 |
38 lines |
Re: film language: image vs. idea
|
Damian Peter Sutton |
Mon, 19 Jun 2000 17:34:41 +0100 (BST) |
78 lines |
film language: image vs. idea
|
Nathan Andersen |
Fri, 16 Jun 2000 13:28:13 -0400 |
64 lines |
cinephoto up and running!
|
Damian Peter Sutton |
Fri, 16 Jun 2000 15:47:34 +0100 (BST) |
48 lines |
broadside on didactics (film/language)
|
Damian Peter Sutton |
Thu, 15 Jun 2000 22:47:06 +0100 (BST) |
217 lines |
Marginality and Representation in European Cinema
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<> |
Thu, 15 Jun 2000 20:26:52 +0000 |
47 lines |
Re: Buckland/film/language
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MCCWBUCK |
Thu, 15 Jun 2000 13:05:53 -0400 (EDT) |
78 lines |
Re: VS: film/language
|
lynda tenter |
Thu, 15 Jun 2000 11:48:27 -0400 |
34 lines |
Re: VS: film/language
|
Krzysztof Jozajtis |
Thu, 15 Jun 2000 13:43:43 +0100 |
42 lines |
Re: Buckland/film/language
|
Krzysztof Jozajtis |
Thu, 15 Jun 2000 13:43:10 +0100 |
31 lines |
VS: Buckland/film/language
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<> |
Thu, 15 Jun 2000 15:39:56 +0300 |
31 lines |
Re: Buckland/film/language
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G.Harper |
Thu, 15 Jun 2000 13:24:29 +0100 |
61 lines |
Chanan and semiotics
|
Anthony Banks |
Wed, 14 Jun 2000 18:39:47 -0700 |
73 lines |
Buckland/film/language
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Anthony Banks |
Wed, 14 Jun 2000 17:41:56 -0700 |
50 lines |
Re: Buckland/film/language
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MCCWBUCK |
Wed, 14 Jun 2000 18:33:49 -0400 (EDT) |
57 lines |
FW: Frank/Response
|
Michael Chanan |
Wed, 14 Jun 2000 20:16:24 +0100 |
63 lines |
Buckland/film/language
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Anthony Banks |
Wed, 14 Jun 2000 11:51:17 -0700 |
32 lines |
RE: Chanan
|
Michael Chanan |
Wed, 14 Jun 2000 19:24:31 +0100 |
87 lines |
Re: Buckland/film/language
|
G.Harper |
Wed, 14 Jun 2000 19:13:16 +0100 |
60 lines |
Chanan
|
Anthony Banks |
Wed, 14 Jun 2000 11:09:40 -0700 |
32 lines |
Re: VS: film/language
|
Rosemary Ceravolo |
Wed, 14 Jun 2000 12:56:29 -0400 (EDT) |
20 lines |
Re: film/language
|
MCCWBUCK |
Wed, 14 Jun 2000 11:52:24 -0400 (EDT) |
64 lines |
Re: VS: film/language
|
lynda tenter |
Wed, 14 Jun 2000 11:51:44 -0400 |
41 lines |
ooops
|
<> |
Wed, 14 Jun 2000 10:51:45 -0400 |
21 lines |
Re: VS: film/language
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<> |
Wed, 14 Jun 2000 10:50:10 -0400 |
45 lines |
VS: film/language
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<> |
Wed, 14 Jun 2000 16:37:38 +0300 |
47 lines |
General Salon Notice
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<> |
Wed, 14 Jun 2000 13:37:25 +0000 |
82 lines |
Re: film/language
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<> |
Wed, 14 Jun 2000 09:00:56 -0400 |
54 lines |
Re: American Beauty - critical view of society?
|
Krzysztof Jozajtis |
Wed, 14 Jun 2000 11:09:05 +0100 |
55 lines |
film/language
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<> |
Wed, 14 Jun 2000 10:06:49 +0300 |
39 lines |
Sirk reference
|
Anthony Banks |
Wed, 14 Jun 2000 00:02:24 -0700 |
21 lines |
Kiyoshi Kurosawa
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lynda tenter |
Tue, 13 Jun 2000 23:57:39 -0400 |
55 lines |
Re: films and language
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Anthony Banks |
Tue, 13 Jun 2000 18:24:26 -0700 |
19 lines |
Frank/Response
|
Anthony Banks |
Tue, 13 Jun 2000 15:46:26 -0700 |
28 lines |
Response/Maclennan
|
Anthony Banks |
Tue, 13 Jun 2000 15:37:20 -0700 |
68 lines |
films and language
|
James Wallace |
Tue, 13 Jun 2000 15:03:51 -0700 |
62 lines |
Re: Film-Philosophy
|
timothy murray |
Tue, 13 Jun 2000 14:25:52 -0400 |
47 lines |
Re: American Beauty - critical view of society?
|
James Wallace |
Tue, 13 Jun 2000 10:35:52 -0700 |
307 lines |
Re: American Beauty - critical view of society?
|
H. Melehy |
Tue, 13 Jun 2000 10:22:55 -0400 |
72 lines |
Re: American Beauty - critical view of society?
|
James Wallace |
Mon, 12 Jun 2000 23:28:32 -0700 |
59 lines |
Wallace/criticism
|
Anthony Banks |
Mon, 12 Jun 2000 16:21:01 -0700 |
55 lines |
Re: American Beauty - critical view of society?
|
H. Melehy |
Mon, 12 Jun 2000 16:26:42 -0400 |
30 lines |
Re: American Beauty - critical view of society?
|
James Wallace |
Mon, 12 Jun 2000 12:54:02 -0700 |
34 lines |
Re: American Beauty - critical view of society?
|
H. Melehy |
Mon, 12 Jun 2000 15:32:16 -0400 |
18 lines |
Re: American Beauty - critical view of society?
|
James Wallace |
Mon, 12 Jun 2000 11:39:19 -0700 |
30 lines |
Re: American Beauty - critical view of society?
|
MEISSNER |
Mon, 12 Jun 2000 12:27:58 -0500 (CDT) |
44 lines |
Re: American Beauty - critical view of society?
|
John Bleasdale |
Mon, 12 Jun 2000 00:15:36 -0700 (PDT) |
52 lines |
INFOS 2000 Contest--Revised Submission Procedures
|
timothy murray |
Fri, 9 Jun 2000 10:04:58 -0400 |
118 lines |
Re: Re-generating Genre
|
Rashmi Doraiswamy |
Thu, 08 Jun 2000 12:09:53 +0800 |
71 lines |
Re-generating Genre
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<> |
Wed, 7 Jun 2000 16:33:06 +0000 |
65 lines |
Mephisto
|
jmcrouch |
Wed, 7 Jun 2000 08:44:07 -0500 |
33 lines |
4:14 Moriel on Tarr
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<> |
Mon, 5 Jun 2000 21:40:34 +0000 |
255 lines |
Fwd: Rombes
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<> |
Wed, 31 May 2000 21:25:03 +0000 |
212 lines |
American Beauty
|
Tushar Kumar |
Sun, 28 May 2000 16:40:03 +0530 |
16 lines |
Call for papers
|
Phil Powrie |
Fri, 26 May 2000 15:50:55 GMT0BST |
76 lines |
1900: Cinema and the New Spectator
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<> |
Thu, 25 May 2000 19:12:57 +0000 |
55 lines |
Re: 1900: Cinema and the New Spectator
|
Susan Verducci |
Thu, 25 May 2000 11:45:26 -0700 |
69 lines |
Re: Kadosh | SPOILER
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Gary Gach |
Tue, 23 May 2000 07:08:40 -0700 (PDT) |
36 lines |
Re: Kadosh | SPOILER
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Sukhbir Garewal |
Tue, 23 May 2000 01:23:27 PDT |
20 lines |
Re: Kadosh | SPOILER
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Gary Gach |
Mon, 22 May 2000 08:06:05 -0700 (PDT) |
40 lines |
Kadosh
|
natalie dandekar |
Mon, 22 May 2000 10:21:36 -0400 |
21 lines |
American Beauty - critical view of society?
|
Philip Wood |
Sun, 21 May 2000 21:34:40 +0100 |
107 lines |
4:13 Melehy on Durham
|
<> |
Fri, 19 May 2000 16:50:08 +0000 |
330 lines |
RE: AMERICAN BEAUTY
|
Jane Wong |
Fri, 19 May 2000 01:45:35 -0700 |
164 lines |
Re: American Beauty
|
arturo r. aréchiga mantilla |
Thu, 18 May 2000 13:07:47 -0600 |
69 lines |
Cinematic Poetry
|
Bill Flavell |
Thu, 18 May 2000 10:45:34 -0500 |
45 lines |
Quotes: Louis Aragon/Andre Breton
|
Bill Flavell |
Thu, 18 May 2000 10:04:35 -0500 |
52 lines |
RE: American Beauty
|
John Bleasdale |
Thu, 18 May 2000 01:13:11 -0700 (PDT) |
76 lines |
RE: American Beauty
|
John Bleasdale |
Thu, 18 May 2000 00:37:51 -0700 (PDT) |
210 lines |
RE: American Beauty
|
<> |
Wed, 17 May 2000 12:48:07 -0400 (EDT) |
108 lines |
Re: São Paulo Biennial -- Peti tion
|
timothy murray |
Wed, 17 May 2000 12:36:15 -0400 |
67 lines |
RE: American Beauty
|
Shaw, Dan |
Wed, 17 May 2000 12:27:37 -0400 |
98 lines |
RE: American Beauty
|
MEISSNER |
Wed, 17 May 2000 10:59:50 -0500 (CDT) |
55 lines |
Re: cinema specificity...my two penneth.
|
Bill Flavell |
Wed, 17 May 2000 10:28:10 -0500 |
216 lines |
RE: American Beauty
|
Shaw, Dan |
Tue, 16 May 2000 21:15:33 -0400 |
93 lines |
Re: cinema specificity...my two penneth.
|
Damian Peter Sutton |
Wed, 17 May 2000 01:17:08 +0100 (GMT Daylight Time) |
162 lines |
Re: cinema specificity...my two penneth.
|
Bill Flavell |
Tue, 16 May 2000 16:55:27 -0500 |
172 lines |
Re: cinema specificity...my two penneth.
|
Damian Peter Sutton |
Tue, 16 May 2000 21:39:04 +0100 (GMT Daylight Time) |
104 lines |
Theories of Cinema: 1945-1995 (3)
|
Bill Flavell |
Tue, 16 May 2000 10:54:35 -0500 |
59 lines |
Theories of Cinema: 1945-1995 (2)
|
Bill Flavell |
Tue, 16 May 2000 10:07:04 -0500 |
49 lines |
Theories of Cinema: 1945-1995 (1)
|
Bill Flavell |
Tue, 16 May 2000 09:30:56 -0500 |
77 lines |
Call for papers
|
Melissa Tyler |
Tue, 16 May 2000 10:27:55 +0000 |
45 lines |
Re: American Beauty
|
Haim Callev |
Tue, 16 May 2000 13:06:13 +0300 |
50 lines |
Re: American Beauty
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Gary Gach |
Mon, 15 May 2000 21:58:02 -0700 (PDT) |
23 lines |
Re: American Beauty
|
Cristina Vélez |
Mon, 15 May 2000 20:40:02 PDT |
28 lines |
Semiotics and the Analysis of Film (book)
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Bill Flavell |
Mon, 15 May 2000 17:29:11 -0500 |
22 lines |
Re: 35mm "Dailies"
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Bill Flavell |
Mon, 15 May 2000 16:28:30 -0500 |
38 lines |
film-philosophy news
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<> |
Mon, 15 May 2000 21:13:21 +0000 |
694 lines |
Re: Cinephilia and/or Cinematic Specificity
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Sean Delgado |
Mon, 15 May 2000 14:09:30 PDT |
20 lines |
how do i unsub please?
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data]h![bleede |
Tue, 16 May 2000 07:03:12 +1000 |
109 lines |
"MERELY a Film Theorist"
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Bill Flavell |
Mon, 15 May 2000 15:47:05 -0500 |
41 lines |
Re: cinema specificity...my two penneth.
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Bill Flavell |
Mon, 15 May 2000 15:37:37 -0500 |
96 lines |
RE: American Beauty
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Shaw, Dan |
Mon, 15 May 2000 16:02:48 -0400 |
57 lines |
Loews Cineplex Entertainment
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Bill Flavell |
Mon, 15 May 2000 14:54:49 -0500 |
28 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 14:39:23 -0500 |
101 lines |
Re: cinema specificity...my two penneth.
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James Wallace |
Mon, 15 May 2000 12:33:43 -0700 |
76 lines |
Re: Cinephilia and/or Cinematic Specificity
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Sean Delgado |
Mon, 15 May 2000 12:10:30 PDT |
40 lines |
"Moving Images"
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Bill Flavell |
Mon, 15 May 2000 14:10:06 -0500 |
37 lines |
Re: cinema specificity...my two penneth.
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Bill Flavell |
Mon, 15 May 2000 13:59:16 -0500 |
48 lines |
Re: cinema specificity...my two penneth.
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<> |
Mon, 15 May 2000 14:45:19 -0400 |
33 lines |
"Theorizing Moving Images"
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Bill Flavell |
Mon, 15 May 2000 13:28:50 -0500 |
66 lines |
Re: cinema specificity...my two penneth.
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Bill Flavell |
Mon, 15 May 2000 13:03:49 -0500 |
124 lines |
cinema specificity...my two penneth.
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Damian Peter Sutton |
Mon, 15 May 2000 18:15:24 +0100 (BST) |
76 lines |
Theories of Cinema: 1945-1995 (book)
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Bill Flavell |
Mon, 15 May 2000 12:06:05 -0500 |
57 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 11:52:30 -0500 |
37 lines |
Re: Cinephilia and/or Cinematic Specificity
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<> |
Mon, 15 May 2000 11:31:16 -0400 |
22 lines |
RE: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 10:11:21 -0500 |
36 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 10:02:34 -0500 |
85 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 09:44:01 -0500 |
79 lines |
RE: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 09:22:27 -0500 |
133 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Mon, 15 May 2000 08:58:17 -0500 |
96 lines |
RE: Cinephilia and/or Cinematic Specificity
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<> |
Mon, 15 May 2000 08:54:51 -0400 |
38 lines |
Re: Cinephilia and/or Cinematic Specificity
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<> |
Mon, 15 May 2000 08:38:40 -0400 |
49 lines |
RE: Cinephilia and/or Cinematic Specificity
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Michael Chanan |
Mon, 15 May 2000 08:26:39 +0100 |
62 lines |
Re: Cinephilia and/or Cinematic Specificity
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Hrvoje Turkovic |
Mon, 15 May 2000 09:12:13 +0200 |
48 lines |
Re: Cinephilia and/or Cinematic Specificity
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Sean Delgado |
Sun, 14 May 2000 23:47:28 PDT |
29 lines |
Re: American Beauty
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Haim Callev |
Mon, 15 May 2000 08:17:03 +0300 |
32 lines |
Re: American Beauty
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<> |
Sun, 14 May 2000 20:56:48 EDT |
27 lines |
Re: American Beauty
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Andrew Albert J. Ty |
Mon, 15 May 2000 08:38:52 +0800 |
33 lines |
American Beauty
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Shaw, Dan |
Sun, 14 May 2000 20:10:50 -0400 |
21 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Sun, 14 May 2000 14:38:21 -0500 |
167 lines |
Call for Manuscripts
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Horak, Chris |
Sun, 14 May 2000 11:24:05 -0700 |
63 lines |
Re: Cinephilia and/or Cinematic Specificity
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Hrvoje Turkovic |
Sun, 14 May 2000 10:09:20 +0200 |
61 lines |
Sundance Institute
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<> |
Sun, 14 May 2000 00:32:09 +0200 |
21 lines |
Re: Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Sat, 13 May 2000 16:01:34 -0500 |
146 lines |
Re: Cinephilia and/or Cinematic Specificity
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Sean Delgado |
Sat, 13 May 2000 00:20:26 PDT |
40 lines |
Cinephilia and/or Cinematic Specificity
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Bill Flavell |
Fri, 12 May 2000 14:51:52 -0500 |
190 lines |
Introductory Post
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Bill Flavell |
Fri, 12 May 2000 12:52:38 -0500 |
74 lines |
Bringing Out the Dead and the early 90's
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Julie Turnock |
Thu, 11 May 2000 15:37:13 JST |
57 lines |
Re: teaching philosophy through film
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<> |
Wed, 10 May 2000 05:45:58 EDT |
46 lines |
Re: teaching philosophy through film
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Alexander Nekvasil |
10 May 2000 03:12:15 +0200 |
26 lines |
4:12 Reinert on Bringing Out the Dead
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<> |
Tue, 9 May 2000 20:58:43 +0000 |
540 lines |
FACT FICTION conference
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Annette Hill |
Mon, 8 May 2000 16:32:43 +0100 |
211 lines |
Re: teaching philosophy through film
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<> |
Sun, 7 May 2000 17:45:15 EDT |
21 lines |
Re: teaching philosophy through film
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Alexander Nekvasil |
07 May 2000 02:47:16 +0200 |
22 lines |
teaching philosophy through film
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Karen Bardsley |
Fri, 5 May 2000 13:06:40 -0400 |
36 lines |
Re: Witches and the word 'witch'
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rwoodcock |
Fri, 5 May 00 15:50:30 +1000 |
36 lines |
Re: Digest of film-philosophy - volume 1 #439
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NIALL SCOTT |
Thu, 4 May 2000 14:58:04 +0100 (BST) |
45 lines |
'Possessing Vision': Conference and Film Season
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Michael Witt |
Thu, 4 May 2000 13:40:17 +0100 |
208 lines |
Re: teaching philosophy through film
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<> |
Thu, 4 May 2000 08:25:56 EDT |
31 lines |
Re: teaching philosophy through film
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John Bleasdale |
Thu, 4 May 2000 00:26:54 -0700 (PDT) |
23 lines |
Re: teaching philosophy through film
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Gary Gach |
Wed, 3 May 2000 22:10:08 -0700 (PDT) |
32 lines |
Re: teaching philosophy through film
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Gary MacLennan |
Thu, 04 May 2000 13:30:09 +1000 |
72 lines |
Re: teaching philosophy through film
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Robert M. Timko |
Wed, 3 May 2000 21:38:48 -0400 |
18 lines |
Re: teaching philosophy through film
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Robert M. Timko |
Wed, 3 May 2000 20:54:07 -0400 |
52 lines |
teaching philosophy through film
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Susan Verducci |
Wed, 03 May 2000 16:08:17 -0700 |
47 lines |
RE: Recreation of movement and film studies...
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Michael Chanan |
Tue, 2 May 2000 13:33:02 +0100 |
73 lines |
Re: 12hr
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{ brad brace } |
Mon, 1 May 2000 12:40:04 -0700 |
167 lines |
Re: 12hr
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billy paul whitney |
Mon, 01 May 2000 14:52:56 -0400 |
20 lines |
12hr
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{ brad brace } |
Mon, 1 May 2000 09:22:07 -0700 |
37 lines |
Re: Accessibility of Film
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<> |
Sun, 30 Apr 2000 21:15:33 -0400 |
68 lines |
Accessibility of Film
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Philip Wood |
Mon, 1 May 2000 01:31:49 +0100 |
142 lines |
Recreation of movement and film studies...
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Damian Peter Sutton |
Sun, 30 Apr 2000 18:33:07 +0100 (GMT Daylight Time) |
117 lines |
On Bresson
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mani kaul |
Sun, 30 Apr 2000 09:52:40 CEST |
18 lines |
Re: art as language
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Salvo Adk |
Sat, 29 Apr 2000 17:33:04 -0800 (PST) |
43 lines |
on Bresson
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Futoshi Tomori |
Sat, 29 Apr 2000 08:38:11 -0700 (PDT) |
21 lines |
art as language
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Hajnal Alen |
Sat, 29 Apr 2000 13:19:36 +0100 |
64 lines |
Silly me
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Jeremy Bowman |
Sat, 29 Apr 2000 12:04:08 +0100 |
44 lines |
Re: Another pro-movie, anti-film rant
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billy paul whitney |
Fri, 28 Apr 2000 16:20:23 -0400 |
35 lines |
Witches and the word 'witch'
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Jeremy Bowman |
Fri, 28 Apr 2000 17:06:54 +0100 |
84 lines |
General Salon Notice
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<> |
Fri, 28 Apr 2000 14:29:42 +0000 |
76 lines |
unsubscribe
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Deborah L. Parsons |
Fri, 28 Apr 2000 09:04:57 GMT |
14 lines |
Re: Another pro-movie, anti-film rant
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Hassan Melehy |
Thu, 27 Apr 2000 18:04:50 -0400 |
40 lines |
unsubscribe
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ariel zinder |
Fri, 28 Apr 2000 00:54:23 +0300 |
14 lines |
Another pro-movie, anti-film rant
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Jeremy Bowman |
Thu, 27 Apr 2000 22:43:17 +0100 |
121 lines |
Music and Film Conference: Call for Papers
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Phil Powrie |
Wed, 26 Apr 2000 15:40:04 GMT0BST |
52 lines |
Incarnating the Event
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<> |
Tue, 25 Apr 2000 19:34:06 +0000 |
41 lines |
Deleuze Symposium
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keyman |
Tue, 25 Apr 2000 12:01:16 +0100 |
65 lines |
4:11 Callev's Reply
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<> |
Fri, 21 Apr 2000 14:14:05 +0000 |
184 lines |
Whitney-Chanan/illusion of film motion
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Anthony Banks |
Fri, 21 Apr 2000 01:40:56 -0700 |
73 lines |
Re: Wavelength
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L. St Clair |
Fri, 21 Apr 2000 04:40:48 GMT |
48 lines |
Re: Ageless cinema - Can you fake a filmic era?
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<> |
Thu, 20 Apr 2000 20:26:31 EDT |
80 lines |
Chanan/illusion of film motion
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Anthony Banks |
Thu, 20 Apr 2000 15:31:26 -0700 |
30 lines |
Re: Inquiry on film ontology
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ariel zinder |
Fri, 21 Apr 2000 00:04:14 +0300 |
51 lines |
Re: Ageless cinema - Can you fake a filmic era?
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jennifer patience |
Thu, 20 Apr 2000 20:26:34 GMT |
47 lines |
Re: Chanan/illusion of film motion
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billy paul whitney |
Thu, 20 Apr 2000 16:02:02 -0400 |
30 lines |
4:10 Debaise on Callev
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<> |
Thu, 20 Apr 2000 19:10:56 +0000 |
409 lines |
more inquries
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Shiyu Wei |
Thu, 20 Apr 2000 10:35:53 -0600 (MDT) |
37 lines |
RE: Inquiry on film ontology
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Michael Chanan |
Thu, 20 Apr 2000 08:39:23 +0100 |
63 lines |
Inquiry on film ontology
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Hrvoje Turkovic |
Thu, 20 Apr 2000 08:35:08 +0200 |
37 lines |
For Ever Godard
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<> |
Wed, 19 Apr 2000 18:32:51 +0000 |
141 lines |
[Fwd: Ethics and Transgression in Film]
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Philosophy News Service * richard jones |
Wed, 19 Apr 2000 14:10:37 -0400 |
42 lines |
Re: Inquiry on film ontology
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Gary Gach |
Wed, 19 Apr 2000 10:45:23 -0700 (PDT) |
29 lines |
Inquiry on film ontology
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Shiyu Wei |
Wed, 19 Apr 2000 10:19:51 -0600 (MDT) |
31 lines |
Re: (po)ethical cinema
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Minnie Randhawa |
Wed, 19 Apr 2000 09:02:19 -0700 (PDT) |
170 lines |
(po)ethical cinema
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Hajnal Alen |
Wed, 19 Apr 2000 14:50:09 +0100 |
92 lines |
International Summer University course on "Berlin: Cinematic City - National Site"
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Jens Westerfeld |
Wed, 19 Apr 2000 11:11:10 +0200 |
106 lines |
Full Monthy
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<> |
Tue, 18 Apr 2000 17:25:11 -0400 |
27 lines |
Re: unsubscribing
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<> |
Tue, 18 Apr 2000 15:12:10 +0000 |
75 lines |
unsubscribing
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<> |
Tue, 18 Apr 2000 06:09:36 EDT |
17 lines |
Fwd: MAVERICKS OF NEW MUSIC @ 291- APRIL 29TH
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Riddle Reason |
Mon, 17 Apr 2000 18:19:04 GMT |
107 lines |
Re: Behavior/Camera
|
Sukhbir Garewal |
Mon, 17 Apr 2000 09:02:31 PDT |
34 lines |
RE: Behavior/Camera
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Sukhbir Garewal |
Mon, 17 Apr 2000 08:56:03 PDT |
126 lines |
Re: The Walrus and the Carpenter
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Minnie Randhawa |
Mon, 17 Apr 2000 07:44:05 -0700 (PDT) |
103 lines |
Re: Behavior/Camera
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JMC |
Mon, 17 Apr 2000 05:53:19 -0500 |
20 lines |
Re: The Walrus and the Carpenter
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JMC |
Mon, 17 Apr 2000 05:49:39 -0500 |
33 lines |
Re: The Walrus and the Carpenter
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JMC |
Mon, 17 Apr 2000 05:42:29 -0500 |
61 lines |
Re: Vanity Fair
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Sukhbir Garewal |
Mon, 17 Apr 2000 03:13:48 PDT |
52 lines |
Re: Vanity Fair
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Sukhbir Garewal |
Mon, 17 Apr 2000 03:10:24 PDT |
51 lines |
Re: The Walrus and the Carpenter
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Minnie Randhawa |
Mon, 17 Apr 2000 01:12:49 -0700 (PDT) |
228 lines |
re: iconicity
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[log in to unmask] |
Mon, 17 Apr 2000 10:10:11 +0200 |
19 lines |
RE: Behavior/Camera
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Michael Chanan |
Mon, 17 Apr 2000 07:56:54 +0100 |
103 lines |
Re: The Walrus and the Carpenter
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Jeremy Bowman |
Mon, 17 Apr 2000 06:21:40 +0100 |
162 lines |
Re: Vanity Fair
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Chandrika Ghosh |
Sun, 16 Apr 2000 20:36:23 PDT |
26 lines |
A film that hides its age
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JMC |
Sun, 16 Apr 2000 21:45:37 -0500 |
21 lines |
Party on Wednesday April 19: CyberForum's Spring RoundUp
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Arun-Kumar Tripathi |
Mon, 17 Apr 2000 03:35:08 +0200 (MET DST) |
144 lines |
Re: Cinema and Depression
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Alexander Nekvasil |
17 Apr 2000 01:16:31 +0200 |
12 lines |
Re: Hair-pulling
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Alexander Nekvasil |
17 Apr 2000 01:05:17 +0200 |
22 lines |
Re: Can there ever be a timeless film?
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Damian Peter Sutton |
Mon, 17 Apr 2000 01:56:15 +0100 (GMT Daylight Time) |
166 lines |
Behavior/Camera
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JMC |
Sun, 16 Apr 2000 10:20:15 -0500 |
68 lines |
Can there ever be a timeless film?
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jennifer patience |
Sun, 16 Apr 2000 10:30:18 GMT |
28 lines |
RE: Lyrics, Poetry, and Ethics
|
Michael Chanan |
Sun, 16 Apr 2000 08:16:39 +0100 |
99 lines |
RE: opera and film (and poetry)
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<> |
Sat, 15 Apr 2000 22:03:57 -0400 |
43 lines |
The Walrus and the Carpenter
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JMC |
Sat, 15 Apr 2000 17:26:04 -0500 |
109 lines |
Re: Re:Ethics/JMC
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Jeremy Bowman |
Sat, 15 Apr 2000 19:45:49 +0100 |
60 lines |
Re: Re:Ethics/JMC
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JMC |
Sat, 15 Apr 2000 12:43:11 -0500 |
35 lines |
Vanity Fair
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JMC |
Sat, 15 Apr 2000 12:18:24 -0500 |
48 lines |
Re: iconicity
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Maria Jose Roman |
Sat, 15 Apr 2000 10:17:56 PDT |
62 lines |
Re: Re:Ethics/JMC
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Minnie Randhawa |
Sat, 15 Apr 2000 09:40:04 -0700 (PDT) |
23 lines |
Re: Re:Ethics/JMC
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JMC |
Sat, 15 Apr 2000 10:32:06 -0500 |
25 lines |
Re: Lyrics, Poetry, and Ethics
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JMC |
Sat, 15 Apr 2000 10:00:27 -0500 |
88 lines |
Re:Ethics/JMC
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Jeremy Bowman |
Sat, 15 Apr 2000 15:48:14 +0100 |
28 lines |
RE: Lyrics, Poetry, and Ethics
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Chandrika Ghosh |
Sat, 15 Apr 2000 00:09:28 PDT |
86 lines |
RE: Lyrics, Poetry, and Ethics
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Michael Chanan |
Sat, 15 Apr 2000 07:25:01 +0100 |
55 lines |
RE: opera and film (and poetry)
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Michael Chanan |
Sat, 15 Apr 2000 07:25:00 +0100 |
52 lines |
RE: opera and film (and poetry)
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Michael Chanan |
Sat, 15 Apr 2000 07:25:00 +0100 |
52 lines |
Being Asian and Poetic about Cinema
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<> |
Fri, 14 Apr 2000 16:16:35 +0000 |
126 lines |
Re: Poetry & Cinema
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Jeremy Langmann |
Fri, 14 Apr 2000 15:09:36 GMT |
50 lines |
Ethics/JMC
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Anthony Banks |
Thu, 13 Apr 2000 13:33:32 -0700 |
69 lines |
Re: opera and film/McCallum
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<> |
Thu, 13 Apr 2000 09:48:08 -0400 |
57 lines |
Re: let's be realistic!
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Jeremy Bowman |
Thu, 13 Apr 2000 14:43:32 +0100 |
45 lines |
Lyrics, Poetry, and Ethics
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JMC |
Thu, 13 Apr 2000 08:35:13 -0500 |
77 lines |
Re: opera and film/McCallum
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David Mccallum |
Wed, 12 Apr 2000 23:39:49 -0700 (PDT) |
50 lines |
opera and film/McCallum
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Anthony Banks |
Wed, 12 Apr 2000 18:47:12 -0700 |
42 lines |
Re: opera and film
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<> |
Wed, 12 Apr 2000 22:12:59 +0000 |
28 lines |
opera and film
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Anthony Banks |
Wed, 12 Apr 2000 14:08:29 -0700 |
43 lines |
opera and film
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Hajnal Alen |
Wed, 12 Apr 2000 18:27:51 +0100 |
26 lines |
4:9 Zimnik on Cinema Futures
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<> |
Wed, 12 Apr 2000 17:10:19 +0000 |
338 lines |
film and poetry/JMC
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Anthony Banks |
Tue, 11 Apr 2000 16:40:35 -0700 |
50 lines |
Cinema:Language:Poetry
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Damian Peter Sutton |
Wed, 12 Apr 2000 00:07:11 +0100 (GMT Daylight Time) |
62 lines |
Nightmail/Chanan
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Anthony Banks |
Tue, 11 Apr 2000 15:39:13 -0700 |
35 lines |
Nightmail
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Anthony Banks |
Tue, 11 Apr 2000 15:38:59 -0700 |
35 lines |
let's be realistic!
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Hajnal Alen |
Tue, 11 Apr 2000 19:50:21 +0100 |
171 lines |
Onomotopoeiac literalism
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JMC |
Tue, 11 Apr 2000 05:18:47 -0500 |
52 lines |
RE: chariots of fire & Jerusalem
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Michael Chanan |
Tue, 11 Apr 2000 08:25:24 +0100 |
41 lines |
Re: Auden and Nightmail
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Chandrika Ghosh |
Tue, 11 Apr 2000 00:18:13 PDT |
104 lines |
JMC--Nightmail
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Anthony Banks |
Mon, 10 Apr 2000 21:37:16 -0700 |
44 lines |
Re: chariots of fire
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<> |
Tue, 11 Apr 2000 00:15:26 EDT |
24 lines |
Auden and Nightmail
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JMC |
Mon, 10 Apr 2000 22:29:34 -0500 |
72 lines |
Re: To Anthony: . . . and poetry
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Jeremy Ulrey |
Mon, 10 Apr 2000 20:20:38 -0500 |
25 lines |
Re: Poetry & Cinema
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Henry.Bacon |
Tue, 11 Apr 2000 01:01:59 +0300 |
29 lines |
Poetry & Cinema
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Chandrika Ghosh |
Mon, 10 Apr 2000 08:10:21 PDT |
31 lines |
To Anthony: . . . and poetry
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JMC |
Mon, 10 Apr 2000 08:23:41 -0500 |
36 lines |
RE: cinema and poetry
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Michael Chanan |
Mon, 10 Apr 2000 13:13:13 +0100 |
85 lines |
Re: cinema and poetry
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Francesca De Ruggieri |
Mon, 10 Apr 2000 10:34:03 +0200 |
23 lines |
Nightmail and poetry
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Anthony Banks |
Sun, 09 Apr 2000 23:37:13 -0700 |
40 lines |
Ariel's Types of Information
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JMC |
Sun, 9 Apr 2000 19:42:01 -0500 |
59 lines |
Re: cinema and poetry
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Peter Hughes |
Mon, 10 Apr 2000 08:33:45 +1000 |
39 lines |
Re: cinema and poetry
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ariel zinder |
Mon, 10 Apr 2000 01:00:02 +0300 |
52 lines |
Re: poetry and film
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ariel zinder |
Mon, 10 Apr 2000 00:51:21 +0300 |
59 lines |
Re: cinema and poetry
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ariel zinder |
Mon, 10 Apr 2000 00:35:35 +0300 |
43 lines |
Re: Digest of film-philosophy - volume 1 #417
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ariel zinder |
Mon, 10 Apr 2000 00:32:58 +0300 |
26 lines |
Re: poetry and film
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<> |
Sun, 9 Apr 2000 16:26:20 EDT |
29 lines |
Re: Poetry thinking Film
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Henry.Bacon |
Sun, 09 Apr 2000 22:33:45 +0300 |
24 lines |
Re: Poetry thinking Film
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Peter Kravanja |
Sun, 9 Apr 2000 21:22:55 +0200 (CEST) |
28 lines |
Re: Poetry thinking Film
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Katherine Enos |
Sun, 9 Apr 2000 11:22:18 -0700 |
28 lines |
Poetry thinking Film
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JMC |
Sun, 9 Apr 2000 10:47:31 -0500 |
92 lines |
Re: Poetry thinking Film
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Rashmi Doraiswamy |
Sun, 09 Apr 2000 21:54:43 +0800 |
102 lines |
cinema and poetry
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Francesca De Ruggieri |
Sun, 09 Apr 2000 10:57:24 +0200 |
31 lines |
Poetry and Film--some sources
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Anthony Banks |
Sat, 08 Apr 2000 23:07:29 -0700 |
33 lines |
Re: Digest of film-philosophy - volume 1 #417
|
<> |
Sun, 9 Apr 2000 00:45:50 EDT |
16 lines |
Re: poetry and film
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Gary Gach |
Sat, 8 Apr 2000 18:09:21 -0700 (PDT) |
26 lines |
poetry and film
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ariel zinder |
Sun, 9 Apr 2000 01:09:44 +0300 |
17 lines |
Re: Hanjal Alen, Geometry, and Film
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JMC |
Sat, 8 Apr 2000 01:47:16 -0500 |
34 lines |
Re: Hanjal Alen, Geometry, and Film
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Anthony Banks |
Fri, 07 Apr 2000 22:28:27 -0700 |
28 lines |
Hanjal Alen, Geometry, and Film
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JMC |
Fri, 7 Apr 2000 16:47:58 -0500 |
134 lines |
Bresson's actors
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Hajnal Alen |
Fri, 7 Apr 2000 17:20:45 +0100 |
120 lines |
CINE-PHOTO: Call for Correspondents.
|
Damian Peter Sutton |
Wed, 5 Apr 2000 23:03:14 +0100 (GMT Daylight Time) |
87 lines |
Milk and Rose Petal rather than Tea
|
JMC |
Sun, 2 Apr 2000 10:26:19 -0500 |
37 lines |
Re: Milk and Rose Petal rather than Tea
|
Rashmi Doraiswamy |
Sun, 02 Apr 2000 21:53:19 +0800 |
42 lines |
Re: anuplabdhipramaan: Shop Window
|
Rashmi Doraiswamy |
Sun, 02 Apr 2000 14:44:45 +0800 |
174 lines |
Re: anuplabdhipramaan: Shop Window
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Rashmi Doraiswamy |
Sat, 01 Apr 2000 23:47:12 +0800 |
127 lines |
thank you
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Saskia Wenniger |
Sat, 01 Apr 2000 14:12:25 CEST |
17 lines |
Launch of new Internet Journal
|
Daniel Meyer Dinkgrafe |
Sat, 01 Apr 2000 10:34:49 +0100 |
56 lines |
Call for Papers on Philosophy and Film
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Shaw, Dan |
Fri, 31 Mar 2000 10:32:12 -0500 |
32 lines |
RE: Representation/Presentation
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Randall Fehr |
Thu, 30 Mar 2000 21:26:10 -0800 |
93 lines |
Representation/Presentation
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timothy murray |
Thu, 30 Mar 2000 09:25:36 -0500 |
64 lines |
Re: Reprsentation/Presentation:Shop Window
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mani kaul |
Thu, 30 Mar 2000 07:19:14 CEST |
74 lines |
anuplabdhipramaan: Shop Window
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JMC |
Thu, 30 Mar 2000 00:33:31 -0600 |
103 lines |
Rashmi Doraiswamy: Binary Treatment
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JMC |
Wed, 29 Mar 2000 21:47:29 -0600 |
18 lines |
Re: Reprsentation/Presentation: Bergson's Shop Window
|
Rashmi Doraiswamy |
Wed, 29 Mar 2000 17:44:01 +0530 |
117 lines |
Re: Reprsentation/Presentation
|
Rashmi Doraiswamy |
Wed, 29 Mar 2000 12:57:14 +0530 |
164 lines |
Reprsentation/Presentation: Bergson's Shop Window
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JMC |
Tue, 28 Mar 2000 20:58:36 -0600 |
45 lines |
Reprsentation/Presentation: Bergson
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Damian Peter Sutton |
Tue, 28 Mar 2000 16:11:50 +0100 (GMT Daylight Time) |
35 lines |
Re: Reprsentation/Presentation: Shop Window
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Gary Gach |
Tue, 28 Mar 2000 05:55:10 -0800 (PST) |
24 lines |
Reprsentation/Presentation: Bergson
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JMC |
Tue, 28 Mar 2000 06:43:13 -0600 |
19 lines |
Reprsentation/Presentation
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mani kaul |
Tue, 28 Mar 2000 12:20:57 CEST |
88 lines |
|
Hajnal Alen |
Mon, 27 Mar 2000 15:24:10 +0100 |
9 lines |
Re: Fetishism.
|
Michelle Langford |
Tue, 28 Mar 2000 00:15:08 +1000 |
42 lines |
Re: Re : iconicity
|
martin lefebvre |
Mon, 27 Mar 2000 08:21:29 -0500 |
74 lines |
Re: Re : iconicity
|
JMC |
Mon, 27 Mar 2000 05:11:04 -0600 |
42 lines |
Re: Re : iconicity
|
Francesca De Ruggieri |
Mon, 27 Mar 2000 11:31:28 +0200 |
64 lines |
Satyajit Ray
|
arghosh |
Mon, 27 Mar 2000 07:35:37 +0530 |
345 lines |
Re: Re request cyborg material
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Francesca De Ruggieri |
Sun, 26 Mar 2000 20:45:11 +0200 |
25 lines |
Re request cyborg material
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Saskia Wenniger |
Sun, 26 Mar 2000 13:49:33 CEST |
23 lines |
Re request cyborg material
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Saskia Wenniger |
Sun, 26 Mar 2000 13:49:06 CEST |
20 lines |
Re: MATERIAL ON CYBORGS
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Francesca De Ruggieri |
Sun, 26 Mar 2000 11:59:29 +0200 |
28 lines |
Re: replying to JMC was Re: Madnesss as Privileged Difference
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Alexander Nekvasil |
26 Mar 2000 02:27:38 +0200 |
53 lines |
jmc on simple/ complex
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natalie dandekar |
Sat, 25 Mar 2000 06:41:33 -0500 |
18 lines |
Re: request for material on cyborgs
|
Francesca De Ruggieri |
Sat, 25 Mar 2000 11:30:04 +0100 |
45 lines |
request for material on cyborgs
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Saskia Wenniger |
Sat, 25 Mar 2000 02:03:27 CET |
52 lines |
Re: Re : iconicity
|
Henry.Bacon |
Sat, 25 Mar 2000 01:50:04 +0200 |
62 lines |
Re: Re : iconicity
|
Henry.Bacon |
Sat, 25 Mar 2000 01:33:37 +0200 |
71 lines |
film-philosophy news
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<> |
Fri, 24 Mar 2000 21:27:02 +0000 |
884 lines |
Salon Digest
|
<> |
Fri, 24 Mar 2000 16:23:11 +0000 |
26 lines |
Re: Re : iconicity
|
Francesca De Ruggieri |
Fri, 24 Mar 2000 16:49:39 +0100 |
73 lines |
Re: Re : iconicity/dis-continuity
|
Francesca De Ruggieri |
Fri, 24 Mar 2000 16:46:00 +0100 |
95 lines |
Re: iconicity
|
Francesca De Ruggieri |
Fri, 24 Mar 2000 16:45:05 +0100 |
70 lines |
Re: musical painters / iconicity
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billy paul whitney |
Fri, 24 Mar 2000 09:25:16 -0500 |
23 lines |
'Motor Pirates' (1906) and 'Modern Pirates' (1906) request
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Marcus Doel |
Fri, 24 Mar 2000 13:03:57 +0000 |
44 lines |
Re: digital realism
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JMC |
Fri, 24 Mar 2000 06:09:13 -0600 |
51 lines |
RE: REPRESENTATIONAL SPACE
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Michael Chanan |
Fri, 24 Mar 2000 10:31:32 -0000 |
100 lines |
RE: Re : musical painters / iconicity
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Michael Chanan |
Fri, 24 Mar 2000 10:31:30 -0000 |
142 lines |
systematic thought
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Anthony Banks |
Fri, 24 Mar 2000 02:12:58 -0800 |
134 lines |
Re: Re : musical painters / iconicity
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Anthony Banks |
Fri, 24 Mar 2000 00:29:03 -0800 |
31 lines |
Re: iconicity
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martin lefebvre |
Fri, 24 Mar 2000 01:32:07 -0500 |
164 lines |
fiction and non-fiction film and ecological attitudes
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robin stein |
Thu, 23 Mar 2000 22:27:02 -0800 |
33 lines |
Re: musical painters / iconicity
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Anthony Banks |
Thu, 23 Mar 2000 20:13:23 -0800 |
54 lines |
Re : iconicity
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<> |
Thu, 23 Mar 2000 23:11:19 -0500 |
61 lines |
Re : musical painters / iconicity
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<> |
Thu, 23 Mar 2000 22:05:09 -0500 |
46 lines |
Re: musical painters / iconicity
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<> |
Thu, 23 Mar 2000 21:06:11 -0500 |
37 lines |
Re : Re : iconicity
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<> |
Thu, 23 Mar 2000 20:10:20 -0500 |
30 lines |
Re: Re : iconicity
|
Henry.Bacon |
Fri, 24 Mar 2000 01:42:20 +0200 |
73 lines |
Re: Re : iconicity
|
Henry.Bacon |
Fri, 24 Mar 2000 01:42:20 +0200 |
73 lines |
Re: musical painters / iconicity
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Henry.Bacon |
Fri, 24 Mar 2000 01:23:16 +0200 |
67 lines |
The Navigator
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Peter Kravanja |
Fri, 24 Mar 2000 00:02:00 +0100 (CET) |
24 lines |
RE: REPRESENTATIONAL SPACE
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Rothermel, Dennis |
Thu, 23 Mar 2000 11:47:27 -0800 |
72 lines |
Re : musical painters / iconicity
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<> |
Thu, 23 Mar 2000 14:23:24 -0500 |
99 lines |
Re : iconicity
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<> |
Thu, 23 Mar 2000 14:22:27 -0500 |
115 lines |
Re: Re : iconicity
|
Francesca De Ruggieri |
Thu, 23 Mar 2000 16:46:12 +0100 |
57 lines |
Re: Fetishism.
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Annemone Ligensa |
Thu, 23 Mar 00 16:42:05 +0100 |
33 lines |
Re: Fetishism.
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NIALL SCOTT |
Thu, 23 Mar 2000 14:31:07 +0000 (GMT) |
34 lines |
Re: digital realism
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rwoodcock |
Thu, 23 Mar 00 21:31:26 +1000 |
104 lines |
RE: musical painters / iconicity
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Michael Chanan |
Thu, 23 Mar 2000 08:10:42 -0000 |
74 lines |
Re : iconicity
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<> |
Wed, 22 Mar 2000 22:59:52 -0500 |
135 lines |
musical painters
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billy paul whitney |
Wed, 22 Mar 2000 17:43:27 -0500 |
27 lines |
Lobbing back to JMC was Re: Privileged Difference Again
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Gary MacLennan |
Thu, 23 Mar 2000 08:05:49 +1000 |
47 lines |
Re: virtuality in cinema
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M.A.B. |
Wed, 22 Mar 2000 19:29:02 +0200 (EET) |
45 lines |
Re: virtuality in cinema
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Patricia Molloy |
Wed, 22 Mar 2000 12:17:23 -0500 (EST) |
32 lines |
virtuality in cinema
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M.A.B. |
Wed, 22 Mar 2000 19:00:14 +0200 (EET) |
23 lines |
Re : iconicity
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<> |
Wed, 22 Mar 2000 11:27:53 -0500 |
218 lines |
What?
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billy paul whitney |
Wed, 22 Mar 2000 09:13:55 -0500 |
24 lines |
Re: digital realism
|
billy paul whitney |
Wed, 22 Mar 2000 09:11:26 -0500 |
20 lines |
Re: digital realism
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billy paul whitney |
Wed, 22 Mar 2000 09:11:26 -0500 |
20 lines |
Privileged Difference Again
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JMC |
Wed, 22 Mar 2000 07:09:35 -0600 |
53 lines |
iconicity
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Francesca De Ruggieri |
Wed, 22 Mar 2000 12:45:07 +0100 |
45 lines |
Re: Movie madness
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John Bleasdale |
Wed, 22 Mar 2000 03:08:22 -0800 (PST) |
34 lines |
replying to JMC was Re: Madnesss as Privileged Difference
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Gary MacLennan |
Wed, 22 Mar 2000 17:53:30 +1000 |
38 lines |
Re: The Andalusian dog isn't mad
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James Wallace |
Tue, 21 Mar 2000 23:49:10 -0800 |
43 lines |
Re: The Andalusian dog isn't mad
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Katherine Enos |
Tue, 21 Mar 2000 23:54:28 -0700 |
37 lines |
Re: boredom
|
Katherine Enos |
Tue, 21 Mar 2000 23:45:17 -0700 |
26 lines |
The Andalusian dog isn't mad
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JMC |
Tue, 21 Mar 2000 23:37:15 -0600 |
29 lines |
Re: unified experience cont'd
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JMC |
Tue, 21 Mar 2000 22:48:57 -0600 |
51 lines |
Re: Cage
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JMC |
Tue, 21 Mar 2000 22:14:00 -0600 |
23 lines |
Re: boredom
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JMC |
Tue, 21 Mar 2000 21:54:33 -0600 |
27 lines |
Re: Cinema and Depression
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JMC |
Tue, 21 Mar 2000 21:31:56 -0600 |
15 lines |
Madnesss as Priviileged Difference
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JMC |
Tue, 21 Mar 2000 21:12:26 -0600 |
72 lines |
RE: Madness: What it is, What it ain't, Why we chreish it like a saint
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Michael Chanan |
Tue, 21 Mar 2000 20:33:09 -0000 |
25 lines |
Boys Don't Cry
|
billy paul whitney |
Tue, 21 Mar 2000 14:18:20 -0500 |
24 lines |
RE: panoramas etc.
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Horak, Chris |
Tue, 21 Mar 2000 10:18:36 -0800 |
46 lines |
Re: madness
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michael vocino |
Tue, 21 Mar 2000 12:41:35 -0500 |
41 lines |
Re: digital realism
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lynda tenter |
Tue, 21 Mar 2000 12:09:11 -0500 |
102 lines |
madness
|
Alison McMahan |
Tue, 21 Mar 2000 11:52:29 -0500 |
21 lines |
madness
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andrew thomas farrell |
Tue, 21 Mar 2000 11:31:29 -0500 |
17 lines |
4:8 Sterritt on Nochimson and Sutton
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<> |
Tue, 21 Mar 2000 15:54:24 +0000 |
338 lines |
Re: Film Art and Madness was Re: madness; boredom
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natalie dandekar |
Tue, 21 Mar 2000 10:16:42 -0500 |
182 lines |
RE: renaissance and perspective
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Nick Burton |
Tue, 21 Mar 2000 14:34:15 +0000 () |
37 lines |
Re: Madness: What it is, What it ain't, Why we chreish it like a saint
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andrew thomas farrell |
Tue, 21 Mar 2000 08:55:06 -0500 |
21 lines |
RE: Madness: What it is, What it ain't, Why we chreish it like a saint
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Michael Chanan |
Tue, 21 Mar 2000 13:12:53 -0000 |
18 lines |
RE: REPRESENTATIONAL SPACE
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Michael Chanan |
Tue, 21 Mar 2000 13:12:51 -0000 |
43 lines |
RE: My final comment on this -- promise!
|
Michael Chanan |
Tue, 21 Mar 2000 13:12:46 -0000 |
100 lines |
RE: panoramas etc.
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Michael Chanan |
Tue, 21 Mar 2000 13:12:45 -0000 |
33 lines |
|
Wayne Keene |
Tue, 21 Mar 2000 07:07:25 -0600 |
24 lines |
Re: Madness: What it is, What it ain't, Why we chreish it like a saint
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Dickon Copsey |
Tue, 21 Mar 2000 10:50:24 -0000 |
29 lines |
Re: Orthodoxy
|
Liz Moor |
Tue, 21 Mar 2000 10:18:22 +0000 |
34 lines |
Orthodoxy
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Jeremy Bowman |
Tue, 21 Mar 2000 08:47:02 -0000 |
23 lines |
Re: Cinema and Depression
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James Wallace |
Mon, 20 Mar 2000 23:03:35 -0800 |
20 lines |
Madness: What it is, What it ain't, Why we chreish it like a saint
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JMC |
Mon, 20 Mar 2000 22:45:06 -0600 |
125 lines |
Re: REPRESENTATIONAL SPACE
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JMC |
Mon, 20 Mar 2000 22:37:48 -0600 |
20 lines |
Film, Art and Madness
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Gary MacLennan |
Tue, 21 Mar 2000 11:12:23 +1000 |
181 lines |
Film Art and Madness was Re: madness; boredom
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Gary MacLennan |
Tue, 21 Mar 2000 10:08:13 +1000 |
178 lines |
Cinema and Depression
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Michael Chanan |
Mon, 20 Mar 2000 20:00:41 -0000 |
44 lines |
Re: My final comment on this -- promise!
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Liz Moor |
Mon, 20 Mar 2000 19:52:27 +0000 |
28 lines |
whatever
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andrew thomas farrell |
Mon, 20 Mar 2000 14:37:35 -0500 |
17 lines |
My final comment on this -- promise!
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Jeremy Bowman |
Mon, 20 Mar 2000 19:17:53 -0000 |
67 lines |
RE: Bad Form
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andrew thomas farrell |
Mon, 20 Mar 2000 13:09:57 -0500 |
28 lines |
boredom
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andrew thomas farrell |
Mon, 20 Mar 2000 13:04:48 -0500 |
29 lines |
Boredom: on and on and on.
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john matthew |
Mon, 20 Mar 2000 10:54:26 EST |
57 lines |
Inherently Dramatic
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mani kaul |
Mon, 20 Mar 2000 15:42:55 CET |
64 lines |
Re: Hair-pulling
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Mr. Man |
Mon, 20 Mar 2000 09:19:37 -0500 |
27 lines |
unified experience cont'd
|
Anthony Banks |
Mon, 20 Mar 2000 03:28:35 -0800 |
78 lines |
RE: REPRESENTATIONAL SPACE
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Michael Chanan |
Mon, 20 Mar 2000 09:29:57 -0000 |
24 lines |
RE: Bad Form
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Michael Chanan |
Mon, 20 Mar 2000 07:42:03 -0000 |
18 lines |
Re: Bad Form
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JMC |
Sun, 19 Mar 2000 23:03:40 -0600 |
50 lines |
Re : The "male gaze"
|
<> |
Sun, 19 Mar 2000 23:13:57 -0500 |
149 lines |
Boredom: on and on and on: A Summary
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JMC |
Sun, 19 Mar 2000 21:56:38 -0600 |
70 lines |
Re: REPRESENTATIONAL SPACE
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JMC |
Sun, 19 Mar 2000 19:42:45 -0600 |
151 lines |
Unified experience
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JMC |
Sun, 19 Mar 2000 18:35:53 -0600 |
111 lines |
JMC and dramatic structure
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Anthony Banks |
Sun, 19 Mar 2000 15:17:34 -0800 |
63 lines |
Re: madness; boredom
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david sorfa |
Sun, 19 Mar 2000 23:02:59 -0000 |
33 lines |
Inherently Dramatic
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JMC |
Sun, 19 Mar 2000 16:53:24 -0600 |
66 lines |
Digital Culture
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JMC |
Sun, 19 Mar 2000 16:11:47 -0600 |
38 lines |
Re: The "male gaze"
|
Henry.Bacon |
Sun, 19 Mar 2000 23:58:27 +0200 |
27 lines |
evolution of noise
|
Damian Peter Sutton |
Sun, 19 Mar 2000 21:32:03 +0000 (GMT Standard Time) |
47 lines |
madness; boredom
|
Heon Seo |
Sun, 19 Mar 2000 14:43:39 -0600 |
115 lines |
RE: Bad Form
|
Michael Chanan |
Sun, 19 Mar 2000 19:14:28 -0000 |
40 lines |
Re: digital realism
|
Joy E Palmer |
Sun, 19 Mar 2000 13:53:25 -0500 (EST) |
121 lines |
Re: digital realism
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JMC |
Sun, 19 Mar 2000 12:18:30 -0600 |
34 lines |
RE: Jean Renoir and the Inherently Dramatic
|
Michael Chanan |
Sun, 19 Mar 2000 17:45:14 -0000 |
40 lines |
Hair-pulling
|
Jeremy Bowman |
Sun, 19 Mar 2000 15:15:22 -0000 |
16 lines |
digital realism
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Alison McMahan |
Sun, 19 Mar 2000 10:09:11 -0500 |
25 lines |
Bad Form
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JMC |
Sun, 19 Mar 2000 08:51:04 -0600 |
27 lines |
digital realism
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rwoodcock |
Sun, 19 Mar 00 23:57:54 +1000 |
43 lines |
Cage
|
James Wallace |
Sat, 18 Mar 2000 14:31:14 -0800 |
47 lines |
Jean Renoir and the Inherently Dramatic
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JMC |
Sat, 18 Mar 2000 12:14:07 -0600 |
67 lines |
RE: Hair-pulling
|
Michael Chanan |
Sat, 18 Mar 2000 17:46:48 -0000 |
45 lines |
Re: Hair-pulling
|
david sorfa |
Sat, 18 Mar 2000 17:41:43 -0000 |
20 lines |
Hair-pulling
|
Alison McMahan |
Sat, 18 Mar 2000 09:45:47 -0500 |
14 lines |
Hair-pulling
|
Jeremy Bowman |
Sat, 18 Mar 2000 13:04:19 -0000 |
56 lines |
The "male gaze"
|
Jeremy Bowman |
Sat, 18 Mar 2000 10:47:31 -0000 |
27 lines |
RE: boredom (& especially John Cage)
|
Michael Chanan |
Sat, 18 Mar 2000 07:50:15 -0000 |
65 lines |
RE: Boredom--Cage at the piano?
|
Michael Chanan |
Sat, 18 Mar 2000 07:02:13 -0000 |
92 lines |
RE: Movie madness
|
Michael Chanan |
Sat, 18 Mar 2000 07:02:10 -0000 |
109 lines |
john cage and expectations
|
JMC |
Fri, 17 Mar 2000 22:34:27 -0600 |
78 lines |
Re: boredom in hemingway
|
Alexander Nekvasil |
18 Mar 2000 02:41:23 +0100 |
31 lines |
Re: boredom in general, john cage in particular
|
<> |
Fri, 17 Mar 2000 17:48:42 -0500 (EST) |
45 lines |
boredom in general, john cage in particular
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JMC |
Fri, 17 Mar 2000 16:06:17 -0600 |
55 lines |
Re: boredom
|
<> |
Fri, 17 Mar 2000 15:40:12 -0500 (EST) |
23 lines |
Re: The "male gaze"
|
Karen Bardsley |
Fri, 17 Mar 2000 16:04:30 -0400 |
81 lines |
Wavelength
|
Nick Burton |
Fri, 17 Mar 2000 18:09:02 +0000 () |
42 lines |
|
EMANUELSEN, MARITA |
Fri, 17 Mar 2000 15:42:31 -0000 |
30 lines |
Movie madness
|
Jeremy Bowman |
Fri, 17 Mar 2000 14:30:07 -0000 |
57 lines |
Re: Melodrama - Powell & Pressburger
|
louie rayner |
Fri, 17 Mar 2000 12:22:24 GMT |
21 lines |
Re: boredom in hemingway
|
JMC |
Thu, 16 Mar 2000 22:33:05 -0600 |
35 lines |
For Michael Chanan
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JMC |
Thu, 16 Mar 2000 21:40:42 -0600 |
16 lines |
boredom in hemingway
|
<> |
Thu, 16 Mar 2000 08:55:05 -0500 |
21 lines |
Boredom
|
Jeremy Bowman |
Thu, 16 Mar 2000 10:05:55 -0000 |
24 lines |
RE: Boredom--Cage at the piano?
|
Michael Chanan |
Thu, 16 Mar 2000 07:33:54 -0000 |
74 lines |
Re: boredom
|
JMC |
Wed, 15 Mar 2000 23:03:50 -0600 |
79 lines |
Boredom--Cage at the piano?
|
JMC |
Wed, 15 Mar 2000 21:10:02 -0600 |
42 lines |
boredom
|
<> |
Wed, 15 Mar 2000 14:40:48 -0500 (EST) |
24 lines |
Re: Digest of film-philosophy - volume 1 #390
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Damian Peter Sutton |
Wed, 15 Mar 2000 18:20:52 +0000 (GMT Standard Time) |
27 lines |
Re: Boredom and the Cinema
|
<> |
Wed, 15 Mar 2000 17:00:33 +0000 |
27 lines |
RE: Digest of film-philosophy - volume 1 #390
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Michael Chanan |
Wed, 15 Mar 2000 14:15:30 -0000 |
26 lines |
RE: Digest of film-philosophy - volume 1 #390
|
Michael Chanan |
Wed, 15 Mar 2000 14:15:27 -0000 |
108 lines |
essay online
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Adrian Miles |
Wed, 15 Mar 2000 22:05:59 +1100 |
41 lines |
Spielberg to Direct Film Kubrick Was Developing
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Philosophy News Service * richard jones |
Wed, 15 Mar 2000 02:18:25 -0500 |
54 lines |
Re: Digest of film-philosophy - volume 1 #390
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JMC |
Tue, 14 Mar 2000 21:50:43 -0600 |
58 lines |
Re: Digest of film-philosophy - volume 1 #390
|
In2Home User |
Wed, 15 Mar 2000 02:19:13 -0000 |
110 lines |
Re: Digest of film-philosophy - volume 1 #390
|
Heon Seo |
Tue, 14 Mar 2000 18:00:22 -0600 |
91 lines |
Re: Digest of film-philosophy - volume 1 #390
|
Heon Seo |
Tue, 14 Mar 2000 17:59:58 -0600 |
47 lines |
Re: What does 'lyrical' mean anyway?
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MCCWBUCK |
Tue, 14 Mar 2000 16:30:12 -0500 (EST) |
57 lines |
Re: Wavelength
|
<> |
Tue, 14 Mar 2000 10:35:37 EST |
17 lines |
Wavelength
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<> |
Tue, 14 Mar 2000 09:24:20 EST |
19 lines |
Wavelength
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timothy murray |
Tue, 14 Mar 2000 00:54:06 -0500 |
54 lines |
Seo/Kracauer
|
Anthony Banks |
Mon, 13 Mar 2000 20:57:53 -0800 |
21 lines |
Re: Wavelength
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c. babey |
Mon, 13 Mar 2000 17:20:43 -0600 (CST) |
50 lines |
Re: Wavelength
|
Roberta Morris |
Mon, 13 Mar 2000 15:00:21 PST |
41 lines |
General Salon Notice
|
<> |
Mon, 13 Mar 2000 20:21:23 +0000 |
59 lines |
Re: SUTURE
|
Annemone Ligensa |
Mon, 13 Mar 00 18:26:22 +0100 |
31 lines |
RE: boredom
|
Michael Chanan |
Mon, 13 Mar 2000 15:46:11 -0000 |
33 lines |
Re: SUTURE
|
Joy E Palmer |
Mon, 13 Mar 2000 10:12:57 -0500 (EST) |
64 lines |
Wavelength
|
Vincent Tocce |
Sun, 12 Mar 2000 23:32:18 -0800 |
59 lines |
Re: boredom
|
Heon Seo |
Sun, 12 Mar 2000 23:29:48 -0600 |
75 lines |
Re: Boredom and the Cinema
|
Daniel Palmer |
Mon, 13 Mar 2000 11:28:00 +1100 |
32 lines |
RE: Boredom and the Cinema
|
Michael Chanan |
Sun, 12 Mar 2000 20:46:19 -0000 |
66 lines |
AESTHETICS CONFERENCE ANNOUNCEMENT
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Kathleen Stock |
Sun, 12 Mar 2000 17:23:55 -0000 |
57 lines |
Boredom and the Cinema
|
john matthew |
Sun, 12 Mar 2000 12:20:45 EST |
43 lines |
SUTURE
|
James Wallace |
Sun, 12 Mar 2000 08:41:46 -0800 |
52 lines |
RE: Books with DVD clips in them
|
Shaw, Dan |
Sun, 12 Mar 2000 07:54:32 -0500 |
20 lines |
RE: FILM NOIR
|
Shaw, Dan |
Sun, 12 Mar 2000 07:49:20 -0500 |
31 lines |
Re: The "male gaze"
|
john matthew |
Sun, 12 Mar 2000 00:39:22 EST |
46 lines |
Re: Boredom and the Cinema
|
Gary Gach |
Sat, 11 Mar 2000 19:21:47 -0800 (PST) |
29 lines |
Re: 4:7 Sutton on Silverman and Farocki
|
david sorfa |
Sat, 11 Mar 2000 13:52:46 -0000 |
46 lines |
The "male gaze"
|
Jeremy Bowman |
Sat, 11 Mar 2000 11:53:39 -0000 |
25 lines |
The Tao of "Seinfeld"
|
Philosophy News Service * richard jones |
Fri, 10 Mar 2000 20:09:25 -0500 |
24 lines |
4:7 Sutton on Silverman and Farocki
|
<> |
Fri, 10 Mar 2000 17:13:27 +0000 |
248 lines |
Re: Film Noir / Historical & Sociological?
|
The Milo's |
Fri, 10 Mar 2000 09:41:24 -0500 |
208 lines |
mike leigh live
|
Michael Fraser |
Fri, 10 Mar 2000 14:40:57 +0000 (GMT) |
30 lines |
Re: Film Noir / Historical & Sociological?
|
The Milo's |
Fri, 10 Mar 2000 09:26:37 -0500 |
208 lines |
lyrical cinema
|
timothy murray |
Fri, 10 Mar 2000 07:56:53 -0500 |
54 lines |
Re: Film Noir / Historical & Sociological?
|
louie rayner |
Fri, 10 Mar 2000 12:36:38 GMT |
178 lines |
Lyrical, pathetic, dramatic
|
Kees Bakker |
Fri, 10 Mar 2000 11:15:21 +0100 |
36 lines |
Re: What does 'lyrical' mean anyway?
|
<> |
Thu, 9 Mar 2000 09:07:17 -0500 |
53 lines |
What does 'lyrical' mean anyway?
|
Jeremy Bowman |
Thu, 9 Mar 2000 10:11:49 -0000 |
51 lines |
RE: The Thin Red Line
|
Shaw, Dan |
Wed, 8 Mar 2000 08:01:51 -0500 |
26 lines |
Re: The Thin Red Line
|
G.Harper |
Wed, 08 Mar 2000 11:57:58 +0000 |
135 lines |
Re: The Thin Red Line
|
John Bleasdale |
Wed, 8 Mar 2000 03:28:14 -0800 (PST) |
84 lines |
Film Studies Position
|
martin lefebvre |
Sat, 04 Mar 2000 17:26:30 -0500 |
84 lines |
Godard
|
<> |
Sat, 4 Mar 2000 21:48:55 +0000 |
39 lines |
The Thin Red Line
|
Jeremy Bowman |
Sat, 4 Mar 2000 20:16:50 -0000 |
34 lines |
RE: RE: [Tarkovsky] State A vs State B
|
<> |
Fri, 3 Mar 2000 09:20:30 -0500 (EST) |
22 lines |
4:6 Nochimson on Jean-Luc Godard Interviews
|
<> |
Thu, 2 Mar 2000 20:20:05 +0000 |
462 lines |
|
<> |
Thu, 2 Mar 2000 11:02:19 -0500 (EST) |
17 lines |
thin red line
|
John Bleasdale |
Thu, 2 Mar 2000 00:33:04 -0800 (PST) |
83 lines |
Norman Jewison
|
James Wallace |
Wed, 1 Mar 2000 14:00:56 -0800 |
47 lines |
Re: Magnolia: "Mickey Mouse will see you dead!"
|
{ brad brace } |
Wed, 1 Mar 2000 09:39:02 -0700 |
86 lines |
"the articulation is the bringing into being" -
|
mani kaul |
Wed, 01 Mar 2000 16:30:05 CET |
96 lines |
Re: Martin Scorsese
|
<> |
Wed, 1 Mar 2000 09:22:16 -0500 (EST) |
27 lines |
A script? Here in the desert?
|
Jeremy Bowman |
Wed, 1 Mar 2000 10:26:54 -0000 |
25 lines |
movies and scripts
|
Alison McMahan |
Wed, 1 Mar 2000 01:02:01 -0500 |
28 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
<> |
Tue, 29 Feb 2000 14:37:40 -0500 (EST) |
35 lines |
Productions
|
keyman |
Tue, 29 Feb 2000 10:46:31 -0000 |
87 lines |
Re: matt lee says, "at the end of the day though, you can never write a film."
|
JMC |
Tue, 29 Feb 2000 00:14:12 -0600 |
89 lines |
Re: The Plot Thickens
|
John Daigle |
Mon, 28 Feb 2000 15:00:17 -0800 (PST) |
38 lines |
RE: magnolia
|
S B. Plate |
Mon, 28 Feb 2000 15:20:26 -0500 (EST) |
58 lines |
Re: The Plot Thickens
|
david sorfa |
Mon, 28 Feb 2000 20:05:19 -0000 |
73 lines |
RE: Magnolia
|
Hassan Melehy |
Mon, 28 Feb 2000 14:55:33 -0500 |
38 lines |
RE: magnolia
|
ROLLINS, BROOKE ELYSE |
Mon, 28 Feb 2000 14:52:15 -0500 |
35 lines |
magnolia
|
<> |
Mon, 28 Feb 2000 14:36:32 -0500 (EST) |
16 lines |
RE: Magnolia
|
ROLLINS, BROOKE ELYSE |
Mon, 28 Feb 2000 14:27:36 -0500 |
25 lines |
Re: Magnolia
|
Hassan Melehy |
Mon, 28 Feb 2000 14:13:26 -0500 |
23 lines |
Re: Magnolia
|
lynda tenter |
Mon, 28 Feb 2000 14:00:50 -0500 |
45 lines |
Re: Magnolia
|
<> |
Mon, 28 Feb 2000 13:37:12 -0500 (EST) |
33 lines |
RE: Magnolia
|
ROLLINS, BROOKE ELYSE |
Mon, 28 Feb 2000 13:11:06 -0500 |
83 lines |
RE: Magnolia
|
{ brad brace } |
Mon, 28 Feb 2000 10:52:46 -0700 |
52 lines |
Magnolia
|
ROLLINS, BROOKE ELYSE |
Mon, 28 Feb 2000 12:15:17 -0500 |
19 lines |
Re: Magnolia
|
{ brad brace } |
Mon, 28 Feb 2000 09:58:40 -0700 |
67 lines |
Re: matt lee says, "writing is never film"
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keyman |
Mon, 28 Feb 2000 16:28:17 -0000 |
41 lines |
Re: matt lee says, "writing is never film"
|
keyman |
Mon, 28 Feb 2000 16:23:48 -0000 |
148 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
<> |
Mon, 28 Feb 2000 09:28:25 -0500 (EST) |
46 lines |
Re: The Plot Thickens
|
John Daigle |
Mon, 28 Feb 2000 06:12:34 -0800 (PST) |
76 lines |
RE: Gary Gach writes, "Except .."
|
Michael Chanan |
Sun, 27 Feb 2000 21:04:26 -0000 |
90 lines |
Re: The Plot Thickens
|
Hassan Melehy |
Sun, 27 Feb 2000 14:21:29 -0500 |
56 lines |
magnolia
|
{ brad brace } |
Sun, 27 Feb 2000 12:10:21 -0700 |
45 lines |
Re: matt lee says, "writing is never film"
|
JMC |
Sun, 27 Feb 2000 13:09:17 -0600 |
32 lines |
Re: movies and scripts
|
JMC |
Sun, 27 Feb 2000 13:08:59 -0600 |
46 lines |
Re: The Plot Thickens
|
Jeremy Bowman |
Sun, 27 Feb 2000 15:40:09 -0000 |
91 lines |
Re: The Plot Thickens
|
John Daigle |
Sun, 27 Feb 2000 07:11:34 -0800 (PST) |
45 lines |
Re: movies and scripts
|
John Daigle |
Sun, 27 Feb 2000 06:57:59 -0800 (PST) |
21 lines |
Re: Dreams, Surrealism and Deren - not to mention Lynch.
|
Damian Peter Sutton |
Sun, 27 Feb 2000 14:55:02 +0000 (GMT Standard Time) |
54 lines |
Re: matt lee says, "writing is never film"
|
david sorfa |
Sun, 27 Feb 2000 10:45:53 -0000 |
38 lines |
Re: The Plot Thickens
|
david sorfa |
Sun, 27 Feb 2000 10:35:14 -0000 |
43 lines |
movies and scripts
|
Jeremy Bowman |
Sun, 27 Feb 2000 10:11:09 -0000 |
22 lines |
Gary Gach writes, "Except .."
|
JMC |
Sat, 26 Feb 2000 20:10:30 -0600 |
23 lines |
Re: matt lee says, "writing is never film"
|
Gary Gach |
Sat, 26 Feb 2000 17:44:03 -0800 (PST) |
27 lines |
matt lee says, "writing is never film"
|
JMC |
Sat, 26 Feb 2000 18:59:49 -0600 |
64 lines |
Re: The Plot Thickens
|
Jeremy Bowman |
Sat, 26 Feb 2000 21:09:44 -0000 |
53 lines |
Re:
|
John Daigle |
Sat, 26 Feb 2000 09:32:37 -0800 (PST) |
31 lines |
Re: response to celeste on theory and philosophy
|
JMC |
Sat, 26 Feb 2000 02:33:31 -0600 |
100 lines |
|
Sergio Valverde Sanchez |
Fri, 25 Feb 2000 16:19:39 -0600 (CST) |
24 lines |
Re: response to Sergio Valverde Sanchez
|
Sergio Valverde Sanchez |
Fri, 25 Feb 2000 16:16:19 -0600 (CST) |
41 lines |
Re: The Plot Thickens
|
david sorfa |
Fri, 25 Feb 2000 17:32:26 -0000 |
21 lines |
Re: response to celeste on theory and philosophy
|
Reni Celeste |
Fri, 25 Feb 2000 12:05:49 -0500 |
40 lines |
Re: Soviet-era TV
|
<> |
Fri, 25 Feb 2000 16:41:05 +0000 |
24 lines |
film-philosophy news 2/2
|
<> |
Fri, 25 Feb 2000 16:35:38 +0000 |
1112 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
James Wallace |
Fri, 25 Feb 2000 08:30:23 -0800 |
37 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
John Daigle |
Fri, 25 Feb 2000 04:03:23 -0800 (PST) |
80 lines |
Gold mine of Cinema
|
A. R. Ghosh |
Fri, 25 Feb 2000 16:49:37 +0530 |
238 lines |
RE: filmstyle&technology
|
Michael Chanan |
Fri, 25 Feb 2000 10:35:00 -0000 |
52 lines |
Soviet-era TV
|
Imre Szeman |
Fri, 25 Feb 2000 05:05:48 -0500 (EST) |
25 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
<> |
Thu, 24 Feb 2000 18:31:18 -0500 (EST) |
36 lines |
Re: The Plot Thickens
|
Edward Kalnay |
Thu, 24 Feb 2000 17:21:08 -0500 (EST) |
26 lines |
The Plot Thickens
|
Jeremy Bowman |
Thu, 24 Feb 2000 19:09:29 -0000 |
88 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
<> |
Thu, 24 Feb 2000 12:37:59 -0500 (EST) |
23 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
John Daigle |
Thu, 24 Feb 2000 09:08:46 -0800 (PST) |
64 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
lynda tenter |
Thu, 24 Feb 2000 11:15:05 -0500 |
78 lines |
film-philosophy news 1/2
|
<> |
Thu, 24 Feb 2000 16:13:20 +0000 |
1037 lines |
filmstyle&technology
|
<> |
Thu, 24 Feb 2000 17:12:41 +0100 |
23 lines |
Re: response to celeste on theory and philosophy
|
JMC |
Thu, 24 Feb 2000 09:30:36 -0600 |
34 lines |
Re: Reconstructing Film Theory/ Film and Philosophy
|
<> |
Thu, 24 Feb 2000 09:22:54 -0500 (EST) |
20 lines |
Re: response to celeste on theory and philosophy
|
Reni Celeste |
Thu, 24 Feb 2000 09:05:26 -0500 |
104 lines |
Re: response to celeste on theory and philosophy
|
JMC |
Wed, 23 Feb 2000 23:57:47 -0600 |
69 lines |
[Fwd: Response to Celeste on theory and philosophy]
|
Anthony Banks |
Wed, 23 Feb 2000 15:22:02 -0800 |
90 lines |
response to celeste on theory and philosophy
|
Reni Celeste |
Wed, 23 Feb 2000 16:19:19 -0500 |
53 lines |
Re: Dreams, Surrealism and Deren - not to mention Lynch.
|
<> |
Wed, 23 Feb 2000 14:55:56 EST |
40 lines |
Criticism
|
JMC |
Wed, 23 Feb 2000 06:31:19 -0600 |
35 lines |
Re: Reconstructing Film Theory
|
david sorfa |
Wed, 23 Feb 2000 12:29:18 -0000 |
35 lines |
Response to Bennett, Celeste and Daigle
|
Anthony Banks |
Wed, 23 Feb 2000 01:25:09 -0800 |
74 lines |
RE: film music
|
Michael Chanan |
Wed, 23 Feb 2000 08:35:46 -0000 |
41 lines |
Re: 4:5 Bennett on Post-Theory
|
Reni Celeste |
Tue, 22 Feb 2000 19:30:17 -0500 |
63 lines |
Reconstructing Film Theory/ Film and Philosophy
|
<> |
Tue, 22 Feb 2000 17:13:27 EST |
110 lines |
Re: 4:5 Bennett on Post-Theory
|
John Daigle |
Tue, 22 Feb 2000 13:32:23 -0800 (PST) |
50 lines |
RE: Dreams, Surrealism and Deren - not to mention Lynch.
|
Cubitt Sean |
Tue, 22 Feb 2000 17:17:59 -0000 |
44 lines |
Re: Reconstructing Film Theory
|
Jeremy Bowman |
Tue, 22 Feb 2000 16:31:41 -0000 |
64 lines |
International Summer University course on "Berlin: Cinematic City - National Site"
|
Jens Westerfeld |
Tue, 22 Feb 2000 16:51:33 +0100 |
101 lines |
Re: 4:5 Bennett on Post-Theory
|
keyman |
Tue, 22 Feb 2000 15:27:53 -0000 |
149 lines |
woops
|
keyman |
Tue, 22 Feb 2000 15:19:59 -0000 |
32 lines |
Re: Dreams, Surrealism and Deren - not to mention Lynch.
|
louie reayner |
Tue, 22 Feb 2000 14:46:35 GMT |
28 lines |
Re: film music
|
Paul Ryersbach |
Tue, 22 Feb 2000 00:48:29 -0500 |
57 lines |
Re: 4:5 Bennett on Post-Theory
|
Edward R. O'Neill |
Mon, 21 Feb 2000 23:04:10 -0500 |
101 lines |
NYU film studies grad conference
|
Federico J. Windhausen |
Mon, 21 Feb 2000 19:32:46 -0500 (EST) |
941 lines |
Re: My Thesis
|
keyman |
Mon, 21 Feb 2000 21:43:26 -0000 |
70 lines |
Re: film music
|
<> |
Mon, 21 Feb 2000 18:46:01 +0000 |
39 lines |
Re: 4:5 Bennett on Post-Theory
|
John Daigle |
Mon, 21 Feb 2000 05:00:14 -0800 (PST) |
96 lines |
Reconstructing Film Theory
|
Sally Haverly |
Mon, 21 Feb 2000 00:06:30 -0700 |
23 lines |
RE: film music
|
Paul Ryersbach |
Sun, 20 Feb 2000 18:12:46 -0500 |
28 lines |
Re: Wollen
|
c. babey |
Sun, 20 Feb 2000 13:41:13 -0600 (CST) |
56 lines |
4:5 Bennett on Post-Theory
|
<> |
Sun, 20 Feb 2000 18:29:12 +0000 |
413 lines |
Re: film music
|
Hassan Melehy |
Sun, 20 Feb 2000 12:50:15 -0500 |
39 lines |
RE: film music
|
Michael Chanan |
Sun, 20 Feb 2000 12:51:07 -0000 |
76 lines |
Wollen
|
dean kansky |
Sat, 19 Feb 2000 20:14:05 PST |
25 lines |
Re: film music
|
Paul Ryersbach |
Sat, 19 Feb 2000 14:08:42 -0500 |
26 lines |
Re: 'A' level Film Studies
|
James Wallace |
Fri, 18 Feb 2000 18:01:38 -0800 |
25 lines |
RE: A Level film studies
|
[log in to unmask] |
Fri, 18 Feb 2000 12:04:27 +0000 |
75 lines |
'A' level Film Studies
|
Ganderton, Mark |
Fri, 18 Feb 2000 10:48:37 -0000 |
28 lines |
LCP in discipline U-turn
|
Michael Chanan |
Fri, 18 Feb 2000 08:36:22 -0000 |
79 lines |
Re: A Level film studies
|
A. Ferraiolo |
Fri, 18 Feb 2000 09:09:41 +0100 |
112 lines |
Re: British Documentary Cinema: Jennings etc.,
|
Anthony Banks |
Thu, 17 Feb 2000 23:13:17 -0800 |
81 lines |
|
gwyn shovelski |
Thu, 17 Feb 2000 13:46:38 PST |
18 lines |
Re: German Expressionism: Dr Caligari v Nosferatu
|
dean kansky |
Thu, 17 Feb 2000 10:01:05 PST |
22 lines |
Re: British Documentary Cinema: Jennings etc.,
|
Anthony Banks |
Thu, 17 Feb 2000 09:52:41 -0800 |
23 lines |
German Expressionism: Dr Caligari v Nosferatu
|
Ganderton, Mark |
Thu, 17 Feb 2000 17:34:26 -0000 |
14 lines |
Re: Mildred Pierce: Reading and Making meaning
|
Patricia Molloy |
Thu, 17 Feb 2000 09:59:52 -0500 (EST) |
30 lines |
British Documentary Cinema: Jennings etc.,
|
Ganderton, Mark |
Thu, 17 Feb 2000 12:21:00 -0000 |
15 lines |
Mildred Pierce: Reading and Making meaning
|
Ganderton, Mark |
Thu, 17 Feb 2000 11:59:21 -0000 |
17 lines |
cinetext available in English
|
Robert Blanchet |
Thu, 17 Feb 2000 11:18:24 +0100 |
32 lines |
Queerness and Talented Mr. Ripley
|
David Mccallum |
Wed, 16 Feb 2000 14:50:32 -0800 (PST) |
46 lines |
Re: Talented Mr. Ripley
|
Mason West |
Wed, 16 Feb 2000 11:31:02 -0600 |
32 lines |
Dogme95 english
|
Hajnal Alen |
Wed, 16 Feb 2000 16:02:14 +0100 |
54 lines |
Re: Talented Mr. Ripley
|
<> |
Wed, 16 Feb 2000 12:54:59 +0000 |
65 lines |
Queerness and Talented Mr. Ripley
|
Julie Turnock |
Wed, 16 Feb 2000 10:00:06 JST |
49 lines |
American Beauty as Subversive
|
Edward R. O'Neill |
Tue, 15 Feb 2000 15:17:48 -0500 |
33 lines |
Re: It's subversive all right -- official
|
michael vocino |
Tue, 15 Feb 2000 15:16:57 -0500 |
30 lines |
It's subversive all right -- official
|
Jeremy Bowman |
Tue, 15 Feb 2000 19:35:44 -0000 |
20 lines |
Re: Talented Mr. Ripley
|
michael vocino |
Tue, 15 Feb 2000 12:44:51 -0500 |
60 lines |
Re: Talented Mr. Ripley
|
<> |
Tue, 15 Feb 2000 12:24:02 -0500 (EST) |
19 lines |
Re: Talented Mr. Ripley
|
michael vocino |
Tue, 15 Feb 2000 08:20:12 -0500 |
101 lines |
RE: My Thesis
|
Michael Chanan |
Tue, 15 Feb 2000 11:26:38 -0000 |
52 lines |
Re: Talented Mr. Ripley
|
Alison McMahan |
Tue, 15 Feb 2000 02:03:07 -0500 |
56 lines |
My Thesis
|
Gary MacLennan |
Tue, 15 Feb 2000 14:09:15 +1000 |
34 lines |
Re: Talented Mr. Ripley
|
<> |
Tue, 15 Feb 2000 00:08:06 +0000 |
42 lines |
Re: American Beauty -- morality corrupts art
|
lynda tenter |
Mon, 14 Feb 2000 12:07:38 -0500 |
23 lines |
Re: American Beauty
|
<> |
Mon, 14 Feb 2000 16:10:27 +0000 |
46 lines |
Re: American Beauty -- morality corrupts art
|
<> |
Mon, 14 Feb 2000 16:09:25 +0000 |
74 lines |
Re: vision
|
Julie Turnock |
Mon, 14 Feb 2000 12:40:16 JST |
35 lines |
American Beauty's Morality: Homphobia Redux; Shane; Moral Development; _Happiness_
|
Edward R. O'Neill |
Mon, 14 Feb 2000 00:13:39 -0500 |
105 lines |
Re: vision
|
Edward R. O'Neill |
Sun, 13 Feb 2000 23:40:38 -0500 |
28 lines |
Fw: American Beauty
|
lynda tenter |
Sun, 13 Feb 2000 18:10:43 -0500 |
46 lines |
Fw: American Beauty -- morality corrupts art
|
lynda tenter |
Sun, 13 Feb 2000 18:06:38 -0500 |
130 lines |
Re: American Beauty versus The Insider
|
Gustafson Kathy |
Sun, 13 Feb 2000 13:10:10 CST |
98 lines |
Re: Shane versus American Beauty
|
Krzysztof Jozajtis |
Sun, 13 Feb 2000 15:22:45 +0100 |
34 lines |
CINEMA AND OTHER ARTS - VI Domitor International Conference
|
Sergio Fant |
Sun, 13 Feb 2000 12:29:59 +0100 |
151 lines |
Re: American Beauty
|
lynda tenter |
Sun, 13 Feb 2000 01:57:05 -0500 |
46 lines |
Re: American Beauty
|
James Wallace |
Sat, 12 Feb 2000 17:26:48 -0800 |
22 lines |
Shane versus American Beauty
|
Jeremy Bowman |
Sat, 12 Feb 2000 22:52:31 -0000 |
38 lines |
Re: American Beauty versus The Insider
|
Alison McMahan |
Sat, 12 Feb 2000 17:01:29 -0500 |
41 lines |
Re: American Beauty -- morality corrupts art
|
Krzysztof Jozajtis |
Sat, 12 Feb 2000 21:50:10 +0100 |
41 lines |
Re: American Beauty versus The Insider
|
Krzysztof Jozajtis |
Sat, 12 Feb 2000 21:49:11 +0100 |
35 lines |
4:4 Totaro on Tarkovsky
|
<> |
Sat, 12 Feb 2000 20:18:00 +0000 |
620 lines |
Re: American Beauty -- morality corrupts art
|
lynda tenter |
Sat, 12 Feb 2000 12:39:22 -0500 |
102 lines |
Re: vision
|
<> |
Sat, 12 Feb 2000 16:09:30 +0000 |
36 lines |
Re: American Beauty -- morality corrupts art
|
<> |
Sat, 12 Feb 2000 10:44:46 -0500 (EST) |
71 lines |
American Beauty versus The Insider
|
Alison McMahan |
Sat, 12 Feb 2000 10:36:56 -0500 |
78 lines |
American Beauty -- morality corrupts art
|
Jeremy Bowman |
Sat, 12 Feb 2000 13:57:11 -0000 |
38 lines |
Re: American Beauty -- morality corrupts art
|
Krzysztof Jozajtis |
Sat, 12 Feb 2000 14:44:18 +0100 |
37 lines |
Re: vision
|
Mason West |
Sat, 12 Feb 2000 03:30:27 -0600 |
29 lines |
re: vision
|
Isak Thorsen |
Sat, 12 Feb 2000 10:12:29 +0100 |
16 lines |
Wollen article search.
|
Damian Peter Sutton |
Sat, 12 Feb 2000 01:11:25 +0000 (GMT Standard Time) |
42 lines |
Media School's embarrassing success
|
Michael Chanan |
Fri, 11 Feb 2000 23:20:55 -0000 |
133 lines |
Re: vision
|
Vasák Benedek |
Fri, 11 Feb 2000 08:41:49 +0100 |
45 lines |
Re: vision
|
Karla B Oeler |
Thu, 10 Feb 2000 10:09:06 -0500 (EST) |
26 lines |
Re: vision
|
Sbrent Plate |
Thu, 10 Feb 2000 09:08:51 -0500 |
79 lines |
Re: vision
|
<> |
Thu, 10 Feb 2000 11:35:36 +0000 |
32 lines |
Re: Orson Welles memo
|
<> |
Tue, 8 Feb 2000 12:03:53 EST |
20 lines |
Orson Welles memo
|
ROLLINS, BROOKE ELYSE |
Tue, 8 Feb 2000 09:56:53 -0500 |
30 lines |
response to Sergio Valverde Sanchez
|
Cubitt Sean |
Tue, 8 Feb 2000 09:29:53 -0000 |
61 lines |
vision
|
lynda tenter |
Mon, 7 Feb 2000 19:39:24 -0500 |
52 lines |
Re: Ortega Y Gasset and film
|
Nathaniel Bobbitt |
Mon, 07 Feb 2000 11:43:48 CST |
23 lines |
Ortega Y Gasset and film
|
dean kansky |
Mon, 07 Feb 2000 09:01:46 PST |
18 lines |
|
Sergio Valverde Sanchez |
Mon, 7 Feb 2000 10:22:52 -0600 (CST) |
49 lines |
Martin Scorsese
|
Jane Gibb |
Sat, 05 Feb 2000 14:28:03 -0800 |
19 lines |
Re: Martin Scorsese
|
david sorfa |
Sat, 5 Feb 2000 18:36:23 -0000 |
22 lines |
Re: Martin Scorsese
|
Karla B Oeler |
Sat, 5 Feb 2000 10:12:18 -0500 (EST) |
34 lines |
Re: The Matrix
|
michael c vocino |
Fri, 4 Feb 2000 21:39:48 -0500 |
58 lines |
College dean under fire
|
Michael Chanan |
Fri, 4 Feb 2000 08:47:14 -0000 |
66 lines |
General Salon Notice
|
<> |
Thu, 3 Feb 2000 19:28:41 +0000 |
55 lines |
Re : The Matrix
|
<> |
Thu, 03 Feb 2000 12:29:29 -0500 |
207 lines |
re: The Matrix
|
Igor Krstic |
Thu, 03 Feb 2000 05:52:26 PST |
41 lines |
re: The Matrix
|
Mal Williamson |
Thu, 3 Feb 2000 11:55:39 -0000 |
169 lines |
Re: Laterna news
|
Vasák Benedek |
Wed, 02 Feb 2000 23:38:16 +0100 |
40 lines |
Re: The Matrix
|
keyman |
Wed, 2 Feb 2000 21:58:55 -0000 |
71 lines |
Re : 4:3 Wright on The Matrix
|
<> |
Wed, 02 Feb 2000 15:57:57 -0500 |
325 lines |
Re: The Matrix
|
Mark Jones |
Wed, 02 Feb 2000 11:13:12 -0600 |
45 lines |
Re: The Matrix
|
Jeremy Langmann |
Wed, 02 Feb 2000 16:37:32 GMT |
41 lines |
Re: The Matrix
|
Michelle Langford |
Wed, 02 Feb 2000 21:01:31 +1100 |
58 lines |
Re: The Matrix
|
<> |
Tue, 1 Feb 2000 19:39:26 -0500 (EST) |
27 lines |
Book: Release of Sisters of the Screen: Women of Africa on Film, Video and Television
|
Beti Ellerson |
Tue, 1 Feb 2000 14:32:30 -0500 |
37 lines |
The Matrix
|
Mal Williamson |
Tue, 1 Feb 2000 11:49:37 -0000 |
62 lines |
4:3 Wright on The Matrix
|
<> |
Mon, 31 Jan 2000 21:29:17 +0000 |
364 lines |
Re: Laterna news
|
Markus Aron |
Mon, 31 Jan 2000 12:37:39 +0100 |
31 lines |
Re: Laterna news
|
<> |
Sun, 30 Jan 2000 09:49:19 EST |
19 lines |
Re: autobiographies
|
Elayne Zalis |
Fri, 28 Jan 2000 10:55:51 -0800 |
137 lines |
RE: autobiographies
|
Michael Chanan |
Fri, 28 Jan 2000 11:58:03 -0000 |
99 lines |
Laterna news
|
Hajnal Alen |
Thu, 27 Jan 2000 14:37:41 +0100 |
52 lines |
Re: Svankmajer
|
david sorfa |
Tue, 25 Jan 2000 22:47:56 -0000 |
21 lines |
Svankmajer
|
Pablo Accuosto |
Tue, 25 Jan 2000 12:55:03 +0300 (GMT-3) |
27 lines |
autobiographies
|
Elayne Zalis |
Mon, 24 Jan 2000 22:21:04 -0800 |
67 lines |
Re: Digest of film-philosophy - volume 1 #348
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Kamran D. Rastegar |
Tue, 25 Jan 2000 00:27:14 -0500 (EST) |
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RE: Digest of film-philosophy - volume 1 #347
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Catherine L. Preston |
Mon, 24 Jan 2000 20:12:06 -0600 |
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RE: Digest of film-philosophy - volume 1 #347
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Rubina Ramji |
Mon, 24 Jan 0 16:49:50 EST |
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Re: Jews portrayed in films
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michael vocino |
Mon, 24 Jan 2000 14:58:45 -0500 |
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RE: Digest of film-philosophy - volume 1 #347
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Carel, Ahvah H |
Mon, 24 Jan 2000 18:45:51 -0000 |
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Tapes of Godard Films
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<> |
Sun, 23 Jan 2000 15:10:09 EST |
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Fwd: CALL FOR STUDENT VIDEO
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Paolo Teobaldelli |
Fri, 21 Jan 2000 06:48:28 -0800 (PST) |
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Re: hey
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michael vocino |
Wed, 19 Jan 2000 16:07:37 -0500 |
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hey
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Alex French |
Wed, 19 Jan 2000 20:33:37 +0000 (GMT) |
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Re: film music
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Sean Cubitt |
Tue, 18 Jan 2000 11:31:11 +0000 |
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Re: film music
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Hrvoje Turkovic |
Tue, 18 Jan 2000 08:45:17 +0100 |
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Re: film music
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Anthony Banks |
Mon, 17 Jan 2000 23:29:03 -0800 |
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Re: film music
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Anthony Banks |
Mon, 17 Jan 2000 23:03:56 -0800 |
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Re: film music
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c. babey |
Mon, 17 Jan 2000 16:11:04 -0600 (CST) |
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Fw: film music
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lynda tenter |
Mon, 17 Jan 2000 11:45:38 -0500 |
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Re: film music
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John Bleasdale |
Mon, 17 Jan 2000 05:31:39 -0800 (PST) |
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Re: film music
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Kloss |
Mon, 17 Jan 2000 08:05:24 -0500 |
53 lines |
Re: film music
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Daniel Shaw |
Mon, 17 Jan 2000 07:14:37 -0500 |
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Re: film music
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Dilek Kaya |
Mon, 17 Jan 2000 09:51:41 +0200 (EET) |
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film music
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Anthony Banks |
Sun, 16 Jan 2000 21:27:42 -0800 |
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4:2 von Zweigbergk on Holmes and Ingram
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<> |
Sat, 15 Jan 2000 19:58:12 +0000 |
428 lines |
cultural festival, grimsby
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Christine T M Broadhurst |
Fri, 14 Jan 2000 16:17:12 +0000 |
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Aesthetics Conference Deadline Extension
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Kathleen Stock |
Tue, 11 Jan 2000 22:42:52 -0000 |
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apllication
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lynda tenter |
Mon, 10 Jan 2000 17:55:56 -0500 |
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an online survey on the public understanding of S&T
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M.A.B. |
Mon, 10 Jan 2000 21:38:47 +0200 (EET) |
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Re: eco piece
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Andrew Albert J. Ty |
Mon, 10 Jan 2000 22:55:33 +0800 |
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Re: eco piece
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Robin Curtis |
Mon, 10 Jan 2000 15:53:32 +0100 |
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eco piece
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<> |
Mon, 10 Jan 2000 09:34:13 -0500 (EST) |
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Re: eco piece
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A. Ferraiolo |
Mon, 10 Jan 2000 11:18:55 +0100 |
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Re: Film and Semiotics
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<> |
Sun, 9 Jan 2000 16:35:24 EST |
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Re: Film and Semiotics
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c. babey |
Sun, 9 Jan 2000 10:59:04 -0600 (CST) |
87 lines |
Presentation about Film & Philosophy
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Danny Haak |
Sun, 9 Jan 2000 16:42:49 +0100 |
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Film and Semiotics/Marketing - Many Thanks for References
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<> |
Sun, 9 Jan 2000 07:15:19 EST |
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4:1 Palmer on Postmodernism in the Cinema
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<> |
Sat, 8 Jan 2000 18:57:35 +0000 |
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RE: Film and Semiotics
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Michael Chanan |
Sat, 8 Jan 2000 18:15:51 -0000 |
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Re: Film and Semiotics
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martin lefebvre |
Sat, 08 Jan 2000 13:04:20 -0500 |
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Film and Semiotics
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<> |
Sat, 8 Jan 2000 12:39:54 EST |
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Re: Film and Semiotics
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dean kansky |
Sat, 08 Jan 2000 08:29:53 PST |
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Re: Film and Semiotics
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Peter Kravanja |
Sat, 8 Jan 2000 16:34:10 +0100 (CET) |
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Film and Semiotics
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<> |
Sat, 8 Jan 2000 15:08:45 +0000 |
43 lines |
School and Philosophy
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<> |
Sat, 8 Jan 2000 15:07:56 +0000 |
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Christian Metz
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<> |
Tue, 4 Jan 2000 17:12:24 +0000 |
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CALL FOR PAPERS ON PHILOSOPHY AND FILM
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Ana de Resende |
Thu, 3 Apr 1997 12:59:07 -0300 |
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MATERIAL ON CYBORGS
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Ana de Resende |
Tue, 25 Mar 1997 17:47:04 -0300 |
64 lines |
Unsubscribe
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Roberta Morris |
Sat, 16 Apr 1994 13:05:47 -0400 (Eastern Daylight Time) |
42 lines |
Re: American Beauty or American Beastiality
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Tushar Kumar |
Mon, 27 Aug 1956 22:01:59 +0530 |
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Re: American Beauty
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Tushar Kumar |
Mon, 27 Aug 1956 21:56:20 +0530 |
69 lines |
American Beauty or American Beastiality
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Tushar Kumar |
Mon, 27 Aug 1956 21:03:33 +0530 |
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Re: Re-generating Genre
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Tushar Kumar |
Mon, 27 Aug 1956 20:58:04 +0530 |
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Re : Re: VS: RE: film language: image vs. idea
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Guillaume Campeau |
(Date invalide.) |
39 lines |
Re : film language: image vs. idea
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Guillaume Campeau |
(Date invalide.) |
155 lines |