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Dear Nancy, The panel you describe sounds very interesting. It is, in fact, one of a whole cluster of such works, which do not survive in great numbers, as the practice of giving holy figures the features of living (or recently deceased) persons was specifically targetted as one of the abuses of imagery during the Reformation and Counter-Reformation. In Rogier van der Weyden's Columba Altarpiece, depicting the Adoration of the Magi, it is generally believed that the youngest Magus carries the features of Duke Charles the Rash (or Bold), and there are several examples from Florence, as well, notably Botticelli's Adoration of the Magi, in which the whole Medici clan gets included, with Cosimo, I believe, represented actually kissing the Christ Child's foot. Perhaps the cheekiest instance of this sort to survive is Jean Fouquet's Melun Diptych, in which the Virgin Mary is apparently modelled after the king's mistress, Agnes Sorel, and looking for all the world like a 15th-century Playboy centrefold. I've certainly never heard of the panel you describe, and would be willing to bet that it does not survive, but it, too, seems to defy all sense of decorum in a way that the 15th century seemed all to capable of. Jean sans Peur died in 1419, and if the panel was painted subsequent to this date, it is almost impossible that the work did not hold a stridently political message, to the point of impinging rather impiously on the purported subject of the panel. Quite fascinating. Thanks for pointing it out. Cheers, Jim Bugslag %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%