33rd International Congress on Medieval Studies, May 7-10, 1998, Medieval
Institute, Western Michigan University Kalamazoo, Michigan USA 49008-3801,
Phone: 616-387-8745, Fax: 616-387-8750, E-mail: [log in to unmask],
Homepage (including the full program, from which the following extract was
compiled):
http://www.wmich.edu/medieval/congress/33congress/index.html
Papers and Sessions on Dante:
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Thursday, 7 May, 10:00-11:30
Session 31 Virgil in the Middle Ages
Organizer: David Wilson-Okamura (Univ. of Chicago)
Presider: Ruma Niyogi (Univ. of Chicago)
Paper: David Wilson-Okamura, Lavinia and Beatrice: The Epic Background
of Dante's Romantic Theology
Thursday, 7 May, 15:30-17:00
Session 128 Chaucer's Reading
Organizer: Mary Hamel (Mount St. Mary's College)
Presider: Jeanne E. Krochalis (The Chaucer Review)
Paper: Daniel Pinti (New Mexico State Univ.), Chaucer, Dante, and
the Subject of Reading in The Parlement of Foules
Saturday, 9 May, 10:00-11:30
Session 333 Dante and the Visual Arts I
Sponsor: The Dante Society of America
Organizer: Nicholas R. Havely (Univ. of York)
Presider: Christopher Kleinhenz (Univ. of Wisconsin-Madison)
Paper: Christie Fengler Stephany (Univ. of Vermont) & William A. Stephany
(ibd.), Papal Art in the Commedia
Paper: Nicholas R. Havely (Univ. of York), Franciscans on Foot:
Apostolic Iconography in Paradiso 11 and 21
Paper: Caron Ann Cioffi (Univ. of California-Davis), Illustrations of
the Commedia in the Chantilly Manuscript
Saturday, 9 May, 13:30-15:00
Session 387 Dante and the Visual Arts II
Sponsor: The Dante Society of America
Organizer: Christopher Kleinhenz (Univ. of Wisconsin-Madison)
Presider: Christie Fengler Stephany (Univ. of Vermont)
Paper: Liana De Girolami Cheney (Univ. of Massachusetts-Lowell), Dante's
Inferno: Visual Interpretations by Sixteenth-Century Painters
Stradano and Zuccaro
Paper: Aida Audeh (Univ. of Iowa), I Tre Fiorentini: Rodin's Three
Shades and Their Origin in Medieval Illustrations of Dante's
Inferno
Paper: Christopher Kleinhenz (Univ. of Wisconsin-Madison), The Artistic
Context of Inferno 7
Saturday, 9 May, 15:30-17:00
Session 441 Dante
Presider: Maria Romafnoli Brackett (Univ. of Cincinnati)
Paper: H. Wayne Storey (Fordham Univ.), Dante: Boccaccio's Editorial
Policies: Boccaccio Scripting Dante
Paper: Paul Vlajcic (Northern Illinois Univ.), Dante's Pastorals:
The Auctor as Exile
Paper: Marc A. LePain (Assumption College), Tra feltro e feltro: What
is Dante's Veltro?
Paper: Kevin Marti (Univ. of New Orleans), Fractal Geometry in the
Divine Comedy
Sunday, 10 May, 8:30-10:00
Session 468 Problems in Dante's Divine Comedy
Sponsor: The Dante Society of America
Organizer: Christopher Kleinhenz (Univ. of Wisconsin-Madison)
Presider: Nicholas R. Havely (Univ. of York)
Paper: Guy P. Raffa (Univ. of Texas-Austin), Dante's Web of Pride:
Divided and Doubled Sinners as Incarnational Parody
Paper: Santa Casciani, Pennsylvania State Univ., Seeing One's Reflection:
Narcissus in Dante's Comedy
Paper: Erica Jablon, Brown Univ., "Come per sostentar solaio o tetto":
Corbels and the Text of Concord
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