| ||| | || | | | ||| || ||||| || |||||||||||||||||||||| f i l m - p h i l o s o p h y salon news | ||| | || | | | ||| || ||||| || |||||||||||||||||||||| Minerva Midwestern Conference Memory, Modernity and the Myth of the Titanic Subjects Of Culture Color, Consciousness, And The Isomorphism Constraint Cogito Vidparty M/C independent film magazine Literature, Film, Modernity 1880-1940 The School Of Sound Web Server Statistics for Film-Philosophy 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Announcement - Publication of Volume 2 of Minerva, an Internet Journal of Philosophy Minerva is an electronic journal of philosophy. It is published annually and is freely available on the Internet. The journal publishes articles relating to philosophy construed in a broad but scholarly sense, without preference for any particular school or intellectual tradition. Volume 2 of Minerva is now on-line at http://www.ul.ie/~philos/vol2/index.html. Contents: Chamberlain, J. 'Thinking Time: Ricoeur's Husserl in Time and Narrative'. Goodey, D. J. 'Mysticism and Fatalism: A Critique of Steven Katz's Purely Equivocal Perspective'. Fine, G. & Deegan, J. 'Three Principles of Serendip: Insight, Chance, and Discovery in Qualitative Research'. O'Brien, E. ''What Ish My Nation?': Towards a Negative Definition of Identity'. Cashell, K. 'Attempt to Understand Wittgenstein's Picture Theory of the Proposition'. Bouchier-Hayes, F. 'Philosophers on Abortion and Infanticide'. McGrath, P. J. 'Ethical Pluralism - A Defence'. Cox, G. 'Shaw and the Don: George Bernard Shaw's Reception of Mozart's Don Giovanni'. Additionally, Volume 2 features Ludwig Wittgenstein: A Visual Concordance to the Published Works by Dr M. Biggs. This offers scholars a tool with which to investigate the connection from graphics to text in Wittgenstein's published works. It will also serve as a prototype for the larger task of providing an access tool to the graphics in Wittgenstein's unpublished Nachlass which could offer integrated graphical and text search facilities. The author is currently working with Oxford University Press and The Wittgenstein Archives at the University of Bergen on providing such facilities for the CD-ROM publication of Wittgenstein's Nachlass: The Bergen Electronic Edition. This is the first publication of the Concordance, and the first on-line publication of lexical and graphical material from Wittgenstein's works. The latter is by kind permission of the Wittgenstein Trustees, Blackwell Publishers, Routledge, and Suhrkamp Verlag, Frankfurt a/M. Minerva is published and edited by Dr. Stephen Thornton, Philosophy Department, MIC, University of Limerick, Ireland. E-mail: [log in to unmask] The attention of intending contributors is called to the 'Submissions, Ownership and Copyright' page of the Journal at http://www.ul.ie/~philos/vol2/Own2.html 0o0o0o0o0o0o0o0o0o0o0o0o0o0 TITLE: Midwestern Conference on Film, Language and Literature ORGANIZATION: Northern Illinois University DUE BY: Friday, December 11, 1998 Description: Midwestern Conference on Film, Language and Literature March 26-28, 1999 Northern Illinois University DeKalb, Illinois http://www.niu.edu/english/mcfll Keynote Speaker: Jane Tompkins Abstracts and panel proposals are welcome on any topic in film, language, and literary studies, including: * British and American Literature * Film Studies * Ethnic Studies * Theory * Science Fiction/Fantasy * Genre Studies * Travel Writing * Rhetoric and Commposition * Linguistics * Stylistics and Discourse Analysis * Gender Studies * Popular Culture Abstracts are due December 11, 1998. To submit an abstract mail or e-mail to the following address: MCFLL Co-Directors c/o Department of English Northern Illinois University DeKalb, IL 60115 [log in to unmask] Abstracts should be limited to one page including the title but not the author. Also enclose a cover page that includes: 1. paper title, 2. your name and address, 3. your phone number and e-mail address, and 4. your school affiliation. For more information on the conference, visit our website at: http://www.niu.edu/english/mcfll Email: <[log in to unmask]> URL: <http://www.niu.edu/english/mcfll> 0o0o0o0o0o0o0o0o0o0o0o0o0o0 University of Southampton Film and Media Programme CALL FOR PAPERS NIGHTS TO REMEMBER Memory, Modernity and the Myth of the Titanic An international multidisciplinary conference 20/21/22/23 July 2000 University of Southampton The Titanic is a monumental icon of the twentieth century that has inspired, and continues to inspire, a wealth of representations across national boundaries, and across the arts. Southampton itself is a key location in the great ship's journey, and offers a rich source of local history. The conference aims to link the local experience with the global myth, bringing together scholarship in Film and Media, Music, Art History, Cultural Studies, Literary Studies, Theatre Studies and History on the subject of the cultural meanings of the Titanic. We welcome papers on any aspect of the myth, but these are some of the areas we would like to explore: *Shared memory: the Titanic as transnational phenomenon *History, memorabilia and mourning *Apocalypse and survival: class, gender, ethnicity *Technologies, history and modernity *Music, sound and memory *Cultural meanings of disaster *Special effects, spectacle and narrative Proposals (no more than 300 words please) should be sent by July 30 1999 to: Millennial Titanic Conference School of Modern Languages University of Southampton Southampton SO17 1BJ, UK Organising committee: Tim Bergfelder, Pam Cook, Deniz Gokturk, Mike Hammond, Lucy Mazdon 0o0o0o0o0o0o0o0o0o0o0o0o0o0 The Program of Visual and Cultural Studies and the Department of English Literature of the University of Rochester Present Subjects Of Culture A Graduate Conference March 26-27, 1999 A growing body of academic work, informed by Queer Theory, Critical Race Theory, Feminism, Subaltern Studies and Postcolonial Critique, has interrogated the myriad understandings of subjects of culture as well as subjectivity. In addition, current developments in many disciplines have similarly explored new subject positions as they are imagined across various historical, textual and visual fields. This interdisciplinary conference will provide a forum for work which explores the subjects of culture in relation to all manner of representation, the play of difference, and intersubjective futures. We welcome proposals that address the ways in which debates surrounding subjects and subjectivity have opened up a wide range of political positions and academic practices. Panels may include but are not restricted to: The Economy of Difference Queering Sexuality Color Conscious: Silence and Invisibility The Subject of History Mapping the Subject Between the Visible and the Articulable Fictional Subjects Gender's in Question Postcolonial Positions Objects that Matter Beyond the Body Aporias of the Deconstructed Subject The organizers of Subjects of Culture welcome submissions in print, plastic, and/or video formats. Written submissions should be in abstract form (250-500 words please); art works should include slides and attending descriptions (maximum of 300 words); and film/video submissions must be in VHS format for viewing by the committee. All submissions requiring return postage must be accompanied by a self-addressed envelope with the correct postage attached. Please include an e-mail address with all submissions wherever possible. This will enable us to assure you that your submission has been received. All submissions must be received no later than January 15, 1999. Abstracts and inquiries may be sent via e-mail to <[log in to unmask]>. Indisputably legible text works may be faxed to 716.442.1692. All other materials should be sent to: Selection Committee for Subjects of Culture c/o Program of Visual and Cultural Studies 424 Morey Hall University of Rochester Box 270456 Rochester, New York 14627-0456 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Color, Consciousness, And The Isomorphism Constraint by Stephen E. Palmer This article has been accepted for publication in Behavioral and Brain Sciences (BBS), an international, interdisciplinary journal providing Open Peer Commentary on important and controversial current research in the biobehavioral and cognitive sciences. Commentators must be BBS Associates or nominated by a BBS Associate. To be considered as a commentator for this article, to suggest other appropriate commentators, or for information about how to become a BBS Associate, please send EMAIL to: [log in to unmask] or write to: Behavioral and Brain Sciences ECS: New Zepler Building University of Southampton Highfield, Southampton SO17 1BJ UNITED KINGDOM http://www.princeton.edu/~harnad/bbs/ http://www.cogsci.soton.ac.uk/bbs/ ftp://ftp.princeton.edu/pub/harnad/BBS/ ftp://ftp.cogsci.soton.ac.uk/pub/bbs/ gopher://gopher.princeton.edu:70/11/.libraries/.pujournals If you are not a BBS Associate, please send your CV and the name of a BBS Associate (there are currently over 10,000 worldwide) who is familiar with your work. All past BBS authors, referees and commentators are eligible to become BBS Associates. To help us put together a balanced list of commentators, please give some indication of the aspects of the topic on which you would bring your areas of expertise to bear if you were selected as a commentator. An electronic draft of the full text is available for inspection with a WWW browser, anonymous ftp or gopher according to the instructions that follow after the abstract. _____________________________________________________________ COLOR, CONSCIOUSNESS, AND THE ISOMORPHISM CONSTRAINT Stephen E. Palmer Psychology Department University of California Berkeley, CA 94720-1650 [log in to unmask] http://socrates.berkeley.edu/~plab ABSTRACT: The relations among consciousness, brain, behavior, and scientific explanation are explored within the domain of color perception. Current scientific knowledge about color similarity, color composition, dimensional structure, unique colors, and color categories is used to assess Locke's 'inverted spectrum argument' about the undetectability of color transformations. A symmetry analysis of color space shows that the literal interpretation of this argument -- reversing the experience of a rainbow -- would not work. Three other color-to-color transformations might, however, depending on the relevance of certain color categories. The approach is then generalized to examine behavioral detection of arbitrary differences in color experiences, leading to the formulation of a principled distinction, called the isomorphism constraint, between what can and cannot be determined about the nature of color experience by objective behavioral means. Finally, the prospects for achieving a biologically based explanation of color experience below the level of isomorphism are considered in light of the limitations of behavioral methods. Within-subject designs using biological interventions hold the greatest promise for scientific progress on consciousness, but objective knowledge of another person's experience appears impossible. The implications of these arguments for functionalism are discussed. In this article I discuss the relations among mind, brain, behavior, and science in the particular domain of color perception. My reasons for approaching these difficult issues from the perspective of color experience are two-fold. First, there is long philosophical tradition of debating the nature of internal experiences of color, dating from John Locke's (1690) discussion of the so-called 'inverted spectrum argument'. This intuitively compelling argument constitutes an important historical backdrop for much of the article. Second, color is perhaps the most tractable, best understood aspect of mental life from a scientific standpoint. It demonstrates better than any other topic how a mental phenomenon can be more fully understood by integrating knowledge from many different disciplines (Kay & McDaniel, 1978; Thompson, 1995; Palmer, in press). In this article I turn once more to color for new insights into how conscious experience can be studied and understood scientifically. I begin with a brief description of the inverted spectrum problem as posed in classical philosophical terms. I then discuss how empirical constraints on the answer can be brought to bear in terms of the structure of human color experience as it is currently understood scientifically. This discussion ultimately leads to a principled distinction, called the isomorphism constraint, between what can and what cannot be determined about the nature of experience by objective behavioral means. Finally, I consider the prospects for achieving a biologically based explanation of color experience, ending with some speculations about limitations on what science can achieve with respect to understanding color experience and other forms of consciousness. ____________________________________________________________ To help you decide whether you would be an appropriate commentator for this article, an electronic draft is retrievable from the World Wide Web or by anonymous ftp from the US or UK BBS Archive. Ftp instructions follow below. Please do not prepare a commentary on this draft. Just let us know, after having inspected it, what relevant expertise you feel you would bring to bear on what aspect of the article. The URLs you can use to get to the BBS Archive: http://www.princeton.edu/~harnad/bbs/ http://www.cogsci.soton.ac.uk/bbs/Archive/bbs.palmer.html ftp://ftp.princeton.edu/pub/harnad/BBS/bbs.palmer ftp://ftp.cogsci.soton.ac.uk/pub/bbs/Archive/bbs.palmer To retrieve a file by ftp from an Internet site, type either: ftp ftp.princeton.edu or ftp 128.112.128.1 When you are asked for your login, type: anonymous Enter password as queried (your password is your actual userid: [log in to unmask] - be sure to include the '@') cd /pub/harnad/BBS To show the available files, type: ls Next, retrieve the file you want with (for example): get bbs.palmer When you have the file(s) you want, type: quit 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Cogito Volume 12 Number 3 November 1998 ISSN 0950-8864 Contents An interview with Greg Currie 173 Extract from 'Imagination, the general theory', Image and Mind: Film, Philosophy and Cognitive Science Greg Currie 179 Kant's Many Concepts of Appearance Leslie Stevenson 181 Respectability and Realism: A Philosophical Conversation Grant Gillett 187 Know Thyself: A Theory of Understanding: Part One Husain Sarkar 199 Analytic Ethics and the Morality of Universal Respect: Recent work of Ernst Tugendhat Darlei Dall'Agnol 205 Philosophy and the Paranormal Anthony Rudd 211 On the Motivations for Relativism Emrys Westacott 217 A Note on 'Philosophy as Therapy: A Cure for Cartesian Pain': A reply to Bill Pollard Anthony Serafini 223 Book Reviews 227 Philosophy News 231 Volume Contents and Author Index to Volume 12, 1998 233 SUBSCRIPTION RATES Institutional rate: EU £168.00; Outside EU £180.00; North America US$324.00. Personal rate: EU £32.00; Outside EU £34.00; North America US$60.00. 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Vidparty: AniMania: 100 years of experiments in the animation cinema Videparty new open numb/nuovo numero aperto: AniMania: 100 years of experiments in the animation cinema 100 anni di esperimenti nel cinema di animazione Avery, Back, Breuer, Carrano, Cavandoli, Disney, Dragic, Giersz, Gross, Kentridge, Kinney, Kinoshita, Krumme, Lassnig, Leaf, Marcussen, McLaren, Newland, Plympton, Purves, Reininge, Servais, Svankmajer, Tezuka, Vester, Whitney VIDEPARTY http://www.imprese.com/video IMPRESE.COM: un sito WEB gratis per un mese. Oppure: 5 mila lire per i mesi successivi! Pu trovare tutte le informazioni a http://www.imprese.com 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Call for Contributors M/C - A Journal of Media and Culture Call for Contributors The University of Queensland's award-winning journal of media and culture, M/C, is looking for new contributors. M/C is a crossover journal between the popular and the academic. We take seriously the need to move ideas outward, so that our cultural criticism may have some resonance with wider political and cultural interests. We're writing, investigating, analysing, critiquing the meeting of media and culture, and we're open to comments and contributions. Initiated by cultural critic David Marshall and supported by a variety of contributors from the University of Queensland and elsewhere, M/C is a journal that is set to be a premier site of cultural debate on the Net. Its incisive and insightful articles, presented in a Website that is well-designed and easy to navigate, have already won a number of Web awards. M/C issues are each organised around a theme. Future issues will deal with concepts such as 'play', 'fiction', 'invasion', 'flesh', 'pop', and 'desire'. For these issues, we're looking for article contributors -- please contact us if you think you have an interesting contribution to make on any of these topics. M/C is a blind- and peer-reviewed journal. Australian academics should note that articles in M/C are classified in the DEETYA category 'C1', as long as they are connected to new research. To see what M/C is all about, check out the newly-released 'space' issue of M/C, as well as previous issues, at <http://www.uq.edu.au/mc/>. To find out how and in what format to contribute your work, visit <http://www.uq.edu.au/mc/contribute.html>. Article deadlines for the next few issues can be found at <http://www.uq.edu.au/mc/email.html>. We're also welcoming submissions to our newly-launched publication M/C Reviews, an ongoing series of reviews of events in culture and the media. M/C Reviews is available at <http://www.uq.edu.au/mc/reviews/>. We're looking forward to your articles ! Axel Bruns -- M/C - A Journal of Media and Culture [log in to unmask] The University of Queensland http://www.uq.edu.au/mc/ 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Stephen Kent Jusick <[log in to unmask]> I am looking for people who want to provide theories, essays, reviews, and comparative analyses regarding film, for an independent film magazine. If you are interested, please respond to my e-mail address: [log in to unmask] with: STEPHEN KENT JUSICK [log in to unmask] experimental film, avant garde cinema, shorts, gay film 23 E. 10th St. #PHG New York, NY 10003 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Thursday 13, Friday 14 and Saturday 15 January 2000 Literature, Film, Modernity 1880-1940 University Of London Centre For English Studies School Of Advanced Study Literature, Film, Modernity 1880-1940 is a three day, international forum that will explore the interactions of visual and verbal narratives in the construction of modernity. It will focus on the rise of visual technology, and a parallel concentration on perspective in literature, in relation to the growth of a modern 'cinematic society'. How have the genres of literature and film developed from, reflected, documented and/or transformed modernity. Where to the mediums of film and literature engage, interact and influence each other with regard to modernist conceptualisation of space, time and identity. Panels will include discussions of themes and theories, but also specific writers, directors and journals. The aim of the conference is to gather renowned scholars in an important debate promoting interdisciplinary study between literature and the visual arts. A FULL PROGRAMME FOR THIS CONFERENCE WILL BE AVAILABLE IN AUTUMN 1999. Conference Website: http://www.sas.ac.uk/ces/LitFilmMode.htm Organisers: Laura Marcus (University of Sussex), Deborah Parsons (University of Birmingham) Conference Assistant: Chris Willis (Birkbeck College) - e-mail [log in to unmask] Venue: Centre for English Studies, School of Advanced Study, Senate House (3rd Floor), Malet Street, London WC1E 7HU (No smoking building) Enquiries to: Aarti Karia Centre for English Studies University of London Senate House Malet Street London WC1E 7HU Tel: 0171 862 8675 Fax: 0171 862 8672 e-mail: [log in to unmask] 0o0o0o0o0o0o0o0o0o0o0o0o0o0 The School Of Sound You wish to see, listen: hearing is a step towards vision. -Saint Bernard of Clairvaux LONDON 15-18 April 1999 For full details, go to www.audioarts.com/schoolofsound The second SCHOOL OF SOUND, a four-day symposium exploring the use of sound with moving images, will be held at the French Institute, London >from 15-18 April 1999. The unique symposium will take a comprehensive look at the structure and evolution of the modern soundtrack, investigating the creative processes which result in the synthesis of sound and the moving image in film, video and multi-media. Aimed at producers, directors, writers, editors, composers, animators, multi-media artists and all those who suspect that the soundtrack can be infinitely more than merely a tedious post-production necessity, the School will present a rare amalgam of intellectual debate directly linked to the audio-visual and entertainment industries. In a programme of special presentations devoted to post-production, music composition, multimedia and the business side of sound production, the most influential and inventive practitioners and educators in the business will explain their concepts for creating soundtracks. http://www.audioarts.com/schoolofsound 0o0o0o0o0o0o0o0o0o0o0o0o0o0 Web Server Statistics for Film-Philosophy Over nine thousand 'hits' for the salon website -- most popular being the homepage (lists/film-philosophy/files/), the Online Writings page (files/writings.html) and the Film Philosophers page (files/people.html) -- and most popular papers are Reni Celeste's on _Lost Highway_, and Thomas Carl Wall's essay on Deleuze. ------------------------------------------------------------------------ Program started at Mon-30-Nov-1998 23:45 local time. Analysed requests from Sun-01-Nov-1998 01:18 to Mon-30-Nov-1998 23:31 (29.9 days). 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