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To add to the references on St Mary of Charity: the Arena Chapel (or Scrovegni Chapel) in Padua, frescoed by Giotto in c. 1305, is jointly dedicated to the Virgin Annunciate and to Santa Maria della Carita. The importance of Mary of Charity in this context is that the patron, Enrico Scrovegni had acquired a vast family fortune as a result of usury, and hoped to expiate his sin by building this chapel. As for John the Evangelist in this connection, there is a connection in this chapel between the Virgin Mary and John the Evangelist, on the basis of their virginity/chastity. Enrico Scrovegni seems to have been under the influence of a religious/knightly order known as the Cavalieri Gaudenti, whose main interests were the opposition of usury, and the promotion of marital chastity and virginity, and it is said that there is a certain amount of concentration in the Arena chapel on male chastity and virginity (in the persons of Joachim, Joseph and John the Evangelist), as a result of the influence of the Cavalieri Gaudenti. John the Evangelist is sometimes identified as one of the two figures who stand with the Virgin to accept Enrico Scrovegni's donation of the chapel, in the Last Judgement painting on the west wall of the Arena Chapel. I hope some of this may be of interest to you. Beth Williamson ([log in to unmask]) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%