Apologies for crossposting.


Intellect is pleased to announce that Philosophy of Photography 13.1 is out now!


Special Issue: ‘Reconsidering Cameraless Photography’


For more information about the journal and issue click here>>

https://www.intellectbooks.com/philosophy-of-photography


Aims & Scope


Philosophy of Photography is a peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms ‘philosophy’ and ‘photography’ in the journal’s title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.


Issue 13.1


Introduction 


Reconsidering cameraless photography

TOMÁŠ DVOŘÁK


Articles


First treatise containing general experiments on a new method for researching the nature and movement of electrical matter presented at the public meeting of the Royal Society of Sciences on 21 February 1778

GEORG CHRISTOPH LICHTENBERG


Kinemorphic cursives: Self-imaging and the non-mimetic source of photoimaging

CHRISTOPHE WALL-ROMANA


Photowork


Pechblende

SUSANNE KRIEMANN


Articles


Spiritualism and the material performance of cameraless photography: Notes on and around a séance with Eusapia Palladino

NICOLETTA LEONARDI


Pureness or corruption: Spectres and ghosts between photography and X-rays

MARTIN CHARVÁT


Photographing hyperobjects: The nonhuman temporality of autoradiography

OLGA MOSKATOVA


To scan a memory: On Anouk De Clercq’s LiDAR film Thing

MARTINE BEUGNET


On the photographic status of images produced by generative adversarial networks (GANs)

ANTONIO SOMAINI


Photowork


Relieve de Cine en Relieve

BERND BEHR


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