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Apologies for crossposting.

Intellect is pleased to announce that Philosophy of Photography 12.1-2 is
out now!

Welcome to the double issue 12.1&2 that makes up Volume 12 of Philosophy of
Photography (POP).

Continuing our recent series of interviews with photographers, artists and
writers the issue opens with a conversation between Anthony Downey and
Shona Illingworth. Their discussion focuses on two major bodies of work by
Illingworth, Lesions in the Landscape (2015) and Topologies of Air (2021),
multi-channel digital video installations which explore the political,
psychological and environmental impact of the military, industrial and
corporate colonization and transformation of airspace. This interview is
free to access.

For more information about the journal and issue click here>>

https://www.intellectbooks.com/philosophy-of-photography

Aims & Scope

Philosophy of Photography is a peer-reviewed journal devoted to the
scholarly understanding of photography. It is not committed to any one
notion of photography nor, indeed, to any particular philosophical
approach. The purpose of the journal is to provide a forum for debate on
theoretical issues arising from the historical, political, cultural,
scientific and critical matrix of ideas, practices and techniques that may
be said to constitute photography as a multifaceted form. In a contemporary
context remarkable for its diversity and rate of change, the conjunction of
the terms ‘philosophy’ and ‘photography’ in the journal’s title is intended
to act as a provocation to serious reflection on the ways in which existing
and emergent photographic discourses might engage with and inform each
other.

Issue 12.1-2

Editorial
<https://intellectdiscover.com/content/journals/10.1386/pop_00056_2>

Interview (free to access)

Topologies of Air and the Airspace Tribunal: Shona Illingworth and Anthony
Downey <https://intellectdiscover.com/content/journals/10.1386/pop_00046_7>

SHONA ILLINGWORTH AND ANTHONY DOWNEY

Roundtable Discussion

The promise of photography: Scale, measure and proportion in a conflicted
visual milieu
<https://intellectdiscover.com/content/journals/10.1386/pop_00047_1>

ANDREW FISHER, ANKE HENNIG, BERND BEHR, DANIEL RUBINSTEIN, MARTIN CHARVÁT,
PETER SZENDY AND TOMÁŠ DVOŘÁK

Articles

One face, millions of faces: Computer vision as hyperobject
<https://intellectdiscover.com/content/journals/10.1386/pop_00048_1>

SHEUNG YIU

Jpegs: Thomas Ruff and the horror of digital photography
<https://intellectdiscover.com/content/journals/10.1386/pop_00049_1>

IAN ROTHWELL

Afterimages and the synaesthesia of photography
<https://intellectdiscover.com/content/journals/10.1386/pop_00050_1>

KELANN CURRIE-WILLIAMS

Object-oriented photography: A speculative essay on the photography of
essence <https://intellectdiscover.com/content/journals/10.1386/pop_00051_1>

BOB RYAN AND ALISON PRICE

Photowork

Excerpts from Everything Is a Projection (2020–present): Digital
photography and 3D photogrammetry
<https://intellectdiscover.com/content/journals/10.1386/pop_00055_7>

SHEUNG YIU

Book Reviews

Investigative Aesthetics: Conflicts and Commons in the Politics of Truth,
Matthew Fuller and Eyal Weizman (2021)
<https://intellectdiscover.com/content/journals/10.1386/pop_00052_5>

THOMAS WATSON

Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi, Francesco
Ventrella and Giovanna Zapperi (eds) (2020)
<https://intellectdiscover.com/content/journals/10.1386/pop_00053_5>

LUISA LORENZA CORNA

Photography after Capitalism, Ben Burbridge (2020)
<https://intellectdiscover.com/content/journals/10.1386/pop_00054_5>

DAN COMMONS

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A: Intellect, The Mill, Parnall Rd, Fishponds, Bristol BS16 3JG, UK
T: +44 (0)117 9589910
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