Dear Colleagues,
Please note that August 2021 issue of New Theatre Quarterly is now
available online.
Please see below for the full Contents list of the issue.
Elizabeth LeCompte, Kate Valk and Maria Shevtsova, 'Covid Conversations 3: Elizabeth LeCompte and Kate Valk', pp. 205-22
Stuart Young, 'Making the Representation Real: The Actor and the Spectator in Milo Rau's 'Theatrical Essays'
Mitleid and La Reprise', pp. 223-45
Katie Mitchell and Mario Frendo, 'A Conversation on Directing', pp. 246-55
Maria Shevtsova, 'Shakespeare on the Baltic Shore: Jerzy Limon (1950-2021)', pp. 256-7
Hannah Simpson, 'Trying Again, Failing Again: Samuel Beckett and the Sequel Play', pp. 258-72
Ivan Medenica, 'BITEF Before and After 1989: Representation to Deconstruction of Social and Cultural Paradigms', pp. 273-80
Yuan Li and Tim Beaumont, 'Dramatizing Chinese Intellectuals of the Republican Era in
Face for Mr. Chiang Kai-shek: Encoding Nostalgia in a Comedy of Ideas', pp. 281-94
To
submit articles to be considered for publication in New Theatre Quarterly, please email your text as an attachment to the Editor, Professor Maria Shevtsova at [log in to unmask].
The February and May 2021 issues are also still available to access
online. Links and Contents list included below.
New Theatre Quarterly, Vol. 37, No. 1 (February 2021):
Peter Sellars and Maria Shevtsova, ‘Covid Conversations 1: Peter Sellars’, pp. 1-19
Gretchen E. Minton, ‘Ecological Adaptation in Montana: Timon
of Athens to Timon of Anaconda’,
pp. 20-37
Eugenio Barba, ’The Injustice of Language: Nando Taviani (1942-2020), pp. 38-41
Jason Allen-Paisant, ’Body and Gesture in Derek Wallcott’s Theatre’, pp. 42-57
Angela Butler, ’Simon McBurney, Theatrical Soundscapes, and Postdigital Communities’, pp. 58-70
Chiara Guidi and Dominika Laster, ’The Childhood of Theatre: The Errant Method for an ‘Infant Public’’, pp. 71-81
S.E. Gontarski, ’Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre’, pp. 82-99
Anne Bogart and Maria Shevtsova, ‘Covid Conversations 2: Anne Bogart’, pp. 103-18
Rick Mitchell, ‘Epic Cruelty: On Post-Pandemic Performance’, pp. 119-36
Michael Walling, ‘Border Crossings: The First Twenty-Five Years’, pp. 137-58
Isla Cowan, ‘Pests and People in Stef Smith’s Human Animals’, pp. 159-73
Sabine Sörgel, ‘Poppies, Ropes, and Shadow Play: Transcultural Memories of the First World War during Brexit’, pp. 174-89
Sabine Hanke, ‘Performing National Identity in the Interwar Period: The Sarrasani Circus in Germany and Latin America’, pp. 190-201