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Hi there,
What is the preferred method to send something for the list?
On Tue, Aug 24, 2021 at 12:07 AM SCUDD automatic digest system <
[log in to unmask]> wrote:
> There are 16 messages totaling 5976 lines in this issue.
>
> Topics of the day:
>
> 1. The SOLO SCHOOL: New Courses
> 2. Call for Proposals Body, Space and Technology
> 3. Theatre Progammes (2)
> 4. Launch of Production Archives
> 5. Outreach specialist wanted to speak PAID
> 6. SCUDD Exec election
> 7. Book - Directing the Decades (3)
> 8. FW: CAET summer issue 2021 online - with featuring Fritjof Capra
> 9. C&T Digital Marketing and Creative Assistant : Kickstart vacancy
> 10. Demidov Acting Technique Online Intermediate Course
> 11. New Podcast! 'Twice Blest: Shakespeare and the Hebrew Bible'
> 12. International Center for Artistic and Academic Research on Antonin
> Artaud
> (2)
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ----------------------------------------------------------------------
>
> Date: Mon, 23 Aug 2021 08:26:08 +0000
> From: Henry McGrath <[log in to unmask]>
> Subject: The SOLO SCHOOL: New Courses
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear All,
>
> The SOLO SCHOOL is now accepting applications of interest for its upcoming
> 'Introductory Course', 12th September-10th October.
>
>
> "It paved the way for epiphany"
>
> "This body of work is in itself quite unique, I know of nothing else quite
> like it"
>
>
> The Solo School is a dynamic, transformative and deeply personal online
> course supporting artists to develop and deepen their solo artistic
> practice. The School is a journey into the rich territory of working alone,
> venturing into an ever-developing excavation of your expression. It is
> designed to be a foundation and starting point in establishing your
> practice that may grow and flourish beyond the school. And, you will have
> the opportunity to return again and again to stimulate your work within a
> community of solo artists and practitioners.
>
>
> For 1-month, you will have the opportunity to immerse yourself in the
> research of your private work, create the structures to support your
> practice, and follow a clear pathway that will strengthen and nourish your
> solo artistic world. Over the month, you will receive video content with
> themes and tasks, work towards a personal project, have access to
> conversations with other solo artists and be in dialogue with course
> leader, Henry McGrath to discuss your work and personal research.
>
>
> Places are now available for September/October course. You can find more
> information here: https://www.henrymcgrath.co.uk/solo-school
>
> Contact: [log in to unmask]
>
> Henry McGrath
> https://www.henrymcgrath.co.uk/
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 09:00:58 +0000
> From: "Susan Broadhurst (Staff)" <[log in to unmask]>
> Subject: Call for Proposals Body, Space and Technology
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Apologies for Cross Posting
>
>
> CALL FOR ARTICLES, PERSPECTIVES, PERFORMANCES AND REVIEWS
>
> Body, Space & Technology, now in its twentieth-first year of publication,
> is a leading online interdisciplinary, journal publishing on all aspects of
> contemporary arts practice.
>
>
>
> The EBSCO indexed journal publishes non-themed refereed articles,
> artist-led perspectives on their practice, together with a wide range of
> reviews of books, performances, installations, design, as well as visual
> and sonic art. It also reports on related conferences, symposia and other
> arts-based events. BST recently moved to a new platform at the Open
> Library of the Humanities and the latest issue together with all material
> from previous issues is available on the Journal's website here:
> www.bstjournal.com<
> https://eur01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.bstjournal.com%2F&data=02%7C01%7CDRHA2020%40salford.ac.uk%7C1df8bd50e6a949e6a80308d85575d7da%7C65b52940f4b641bd833d3033ecbcf6e1%7C0%7C0%7C637353311902991523&sdata=o%2FRxepOL%2BZcx0qmyb%2BxX%2FGjVLij748%2Fn51XNWY%2FwU%2F0%3D&reserved=0
> >
>
>
>
> Initial proposals need to be approximately 300 words. The Journal supports
> interactive sound and visual media.
>
>
> Deadline for paper proposals – Friday 24 September
> Deadline for finalised material – Monday 25 October
>
> Deadline for perspectives, reviews and performance proposals – Friday 1
> October
> Deadline for finalised material – Monday 25 October
>
> Publication due January/February 2022
>
>
>
> All proposals to be submitted to:
>
> [log in to unmask]<mailto:[log in to unmask]>
>
> [log in to unmask]<mailto:[log in to unmask]>
>
> [log in to unmask]<mailto:[log in to unmask]>
>
>
>
> Finalised Perspectives, Reviews and Performance and all Finalised Papers:
> www.bstjournal.com/submit/start<http://www.bstjournal.com/submit/start>
>
>
>
> Prof Sue Broadhurst,
> Professor Emeritus and Honorary Professor
> Performance and Technology,
> Department of Arts and Humanities,
> Brunel University,
> London,
> UB8 3PH, UK
> Email: [log in to unmask]
>
> Chair of Digital Research in the Humanities and Arts (DRHA)
> http://www.drha.uk/
> Joint Editor of Body, Space & Technology Journal -
> https://www.bstjournal.com/
> Joint Editor of Palgrave's 'Series in Performance and Technology'
> https://www.palgrave.com/gp/series/14604
>
>
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 11:22:39 +0100
> From: Charles Lewsen <[log in to unmask]>
> Subject: Theatre Progammes
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
>
>
> I have a collection of theatre programmes, most of them for productions in
> London, with some from the time when, as second-stringer on The Times, I
> reviewed a fair amount of work in regional theatre. A handful of the
> programmes are for productions in Chicago, New York and elsewhere in North
> America, Paris and Rome.
>
> Mainly acquired between 1948 and '87. They cover the period in which the
> title of the person staging the play changed in British usage from
> 'producer' to 'director', the three-act play gave way to the two-acter and,
> with lighting design becoming a profession, the footlights and stage
> make-up
> declined in use, as did the use the of the Strand Electric company's
> equipment, stages increasingly lit by equipment hired from Theatre Projects
> whose directors included the lighting designer Richard Pilbrow.
>
> As well as recording such changes and the rise or decline of talents (or
> managements' view of their appeal to audiences) the programmes for London
> productions include advertisements aimed largely at members of the middle
> class who, to the accompaniment of trios in orchestra pits, could sip tea
> in
> their seats during the intervals of matinees. Larger than the names of the
> actors are those for Rose's lime juice served by Hedges the Butler, and for
> cigarette brands: Embassy, Benson & Hedges, Players - 'Craven-A for your
> throat's sake' - and, in emulation of the Edwardian actor manager du
> Maurier
> - Olivier.
>
> The production credits in West End programmes also include advertisement:
> 'stockings by Kayser Bondor', 'wardrobe care by Lux' and, even if nobody
> lit
> up onstage, 'cigarettes by Abdullah.'
>
> With the rise of the RSC and National Theatre, the increasing price of
> some West End programmes is justified by their acquiring a little material
> on the production, or a bit of theatrical history.
>
> My collection is in fifteen box files, 8 x 25 x 31cm. and a cardboard
> box,
> 36 x 30 x 30cm. It is not catalogued; but some boxes are evidence of my
> effort at one time to bring together all my programmes for plays staged in
> particular theatres, eg. The Old Vic.
>
> I would be pleased if they could serve research - which would necessarily
> be augmented by those in the V&A, Kingston, the Society of West End Theatre
> and other collections.
>
> As a pensioner, I must ask that that any institution accepting the offer
> arrange and pay for collection (I am in Bristol) and that interest if any
> is
> conveyed to me at <mailto:[log in to unmask]>
> [log in to unmask] before the end of September.
>
> Charles Lewsen
>
>
>
>
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 10:39:12 +0000
> From: tanya nash <[log in to unmask]>
> Subject: Re: Theatre Progammes
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear Charles,
> What a wonderful gift to share with us all.
> I graduated in Drama from Bristol University and they had and hopefully
> still have a wonderful theatre collection.
> I'm out of touch with the staff there as I graduated in the 1980s. But as
> you're based in Bristol, I suggest it would be worth contacting them too.
> Kind regards,
> Tanya Nash
> On Monday, 23 August 2021, 11:33:06 BST, Charles Lewsen <
> [log in to unmask]> wrote:
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be
> sending an email to over 3000 subscribers. Please do so only if you wish to
> respond to everyone. To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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>
>
> I have a collection of theatre programmes, most of them for productions in
> London, with some from the time when, as second-stringer on The Times, I
> reviewed a fair amount of work in regional theatre. A handful of the
> programmes are for productions in Chicago, New York and elsewhere in North
> America, Paris and Rome.
>
> Mainly acquired between 1948 and ’87. They cover the period in which the
> title of the person staging the play changed in British usage from
> ‘producer’ to ‘director’, the three-act play gave way to the two-acter and,
> with lighting design becoming a profession, the footlights and stage
> make-up declined in use, as did the use the of the Strand Electric
> company’s equipment, stages increasingly lit by equipment hired from
> Theatre Projects whose directors included the lighting designer Richard
> Pilbrow.
>
> As well as recording such changes and the rise or decline of talents (or
> managements’ view of their appeal to audiences) the programmes for London
> productions include advertisements aimed largely at members of the middle
> class who, to the accompaniment of trios in orchestra pits, could sip tea
> in their seats during the intervals of matinees. Larger than the names of
> the actors are those for Rose’s lime juice served by Hedges the Butler, and
> for cigarette brands: Embassy, Benson & Hedges, Players – ‘Craven-A for
> your throat’s sake’ – and, in emulation of the Edwardian actor manager du
> Maurier – Olivier.
>
> The production credits in West End programmes also include
> advertisement: ‘stockings by Kayser Bondor’, ‘wardrobe care by Lux’ and,
> even if nobody lit up onstage, ‘cigarettes by Abdullah.’
>
> With the rise of the RSC and National Theatre, the increasing price of
> some West End programmes is justified by their acquiring a little material
> on the production, or a bit of theatrical history.
>
> My collection is in fifteen box files, 8 x 25 x 31cm. and a cardboard
> box, 36 x 30 x 30cm. It is not catalogued; but some boxes are evidence of
> my effort at one time to bring together all my programmes for plays staged
> in particular theatres, eg. The Old Vic.
>
> I would be pleased if they could serve research – which would
> necessarily be augmented by those in the V&A, Kingston, the Society of West
> End Theatre and other collections.
>
> As a pensioner, I must ask that that any institution accepting the offer
> arrange and pay for collection (I am in Bristol) and that interest if any
> is conveyed to me at [log in to unmask] before the end of
> September.
>
> Charles Lewsen
>
>
>
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] (Requests sent to this
> email to post materials on the list will be ignored, for reasons of
> efficiency)
> ______________
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 11:23:23 +0000
> From: "Angelaki, Vicky" <[log in to unmask]>
> Subject: Launch of Production Archives
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear Colleagues
>
> We are delighted to share with you the information below!
>
> For ease of reference, I am forwarding to the list information as received
> by colleagues at Universität Salzburg directly. Should there be any
> formatting issues that prevent access, by all means do get in touch with us.
>
> We are very much looking forward to hearing from you and receiving
> contributions for this exciting new venture!
>
> Warmest wishes
>
> Vicky
>
>
>
>
> Vicky Angelaki
>
> Professor in English Literature
>
> Department of Humanities and Social Sciences
>
> Mid Sweden University
>
> Holmgatan 10
>
> Hus M
>
> 851 70 Sundsvall
>
> Sweden
>
>
>
>
>
>
>
> ________________________________
> From: PLUS Kultur <[log in to unmask]>
> Sent: 27 July 2021 12:11
> Subject: Launch of Production Archives
>
>
> Dear Colleagues,
>
>
>
> We are proud to announce the launch of Production Archives, an exciting,
> cutting-edge special collection published by a world-leading open-access
> publisher, the Open Library of Humanities. Production Archives is edited by
> Prof. Sabine Coelsch-Foisner (editor-in-chief), Prof. Vicky Angelaki, Dr.
> Paul Fagan, and Prof. Roger Luckhurst and breaks new ground through its
> transdisciplinary approach to cultural productions and their archives. It
> provides 3 separate but thematically interrelated forums:
>
>
>
> [cid:image002.jpg@01D77D64.EB0F0270]
>
> Production Archives 01: Puppets for Action<
> https://olh.openlibhums.org/collections/453/>
>
> [cid:image003.jpg@01D77D64.EB0F0270]
>
> Production Archives 02: Production Contexts<
> https://olh.openlibhums.org/collections/454/>
>
> [cid:image004.jpg@01D77D64.EB0F0270]
>
> Production Archives 03: Archival Practices<
> https://olh.openlibhums.org/collections/455/>
>
>
>
> Please see our CfPs below and pass them on to colleagues and PhD students
> who may be interested in contributing:
>
>
>
> 1. Puppets for Action draws new scholarly attention to the
> mechanics, materials, histories and contexts of puppet or marionette
> productions and their archives across high/middle/lowbrow genres and
> formats. By taking a fresh approach to this critically neglected but
> culturally rich and historically significant performance art, this forum
> will demonstrate the vitality of puppetry to pressing 21st-century
> theoretical, philosophical and political debates. Read the full call for
> papers here<https://www.openlibhums.org/news/452/>.
>
> 2. Production Contexts sifts through the variously archived and
> exhibited material traces of creative labour to trace new histories and
> create new knowledges about the formations and transformations of cultural
> practices and industries beyond the page, stage, or screen. By extending
> its purview to material production, manual labour, waste disposal and other
> market activities that are contingent upon a given cultural production
> (although rarely conceptualised as part of that event itself), this forum
> will reframe and re-energise critical approaches to the significance of the
> economic, technological, socio-political, institutional and organizational
> contexts of cultural production. Read the full call for papers here<
> https://www.openlibhums.org/news/453/>.
>
> 3. Archival Practices interrogates the institutions and practices of
> curation and conservation in archives, museums, exhibitions, performances
> and the digital humanities to demonstrate how the detritus of cultural
> production reaches into multiple, interconnected areas of life and society
> in ways that carry profound ethical, ecological, economic, technological
> and political implications for the 21st century. Read the full call for
> papers here<https://www.openlibhums.org/news/454/>.
>
>
>
> Submissions are accepted on a rolling basis and should be made online here<
> https://olh.openlibhums.org/about/submissions/>.
>
>
>
> On behalf of the editorial team,
>
> Julia Hartinger
>
>
>
>
>
>
>
> [PLUS Logo E-Mail]
>
> Mag.
>
> Julia Hartinger
>
> Department of English and American Studies
>
> Erzabt-Klotz Str. 1 | 5020 Salzburg | Austria
>
> Tel.: +43/(0)662/8044 - 4404
>
> www.plus.ac.at<https://www.plus.ac.at/>
> kultur.plus.ac.at<http://kultur.plus.ac.at/>
>
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postin
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 13:39:08 +0100
> From: Elizabeth Howard <[log in to unmask]>
> Subject: Outreach specialist wanted to speak PAID
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear SCUDDers
>
>
>
> I am looking for a speaker who is engaged in successful outreach work and
> willing to speak about the progress of their practice to a group of Arts
> and
> Heritage specialists.
>
>
>
> We can offer a small fee of £100.
>
>
>
> Every quarter the Arts and Heritage Alliance Milton Keynes hosts forums
> that
> address different topics that will be of interest to our members. Since
> 2019
> we have been engaged in inclusion and diversity work, and a major strand of
> our programming is acting as a bridge organisation to link the sector with
> diverse communities. Our 2021 forums compliment some training that we are
> offering to the sector in inclusion and diversity.
>
>
>
> Our September forum will focus on outreach work.
>
>
>
> The forum will take place on 22nd September, 11.00-13.00 via Zoom.
>
> · The first hour will feature our 3 guest speakers, who will each
> make a 20 minute presentation each.
>
> · The second hour will involve each speaker leading a 30 minute
> breakout group discussion about the issues and main points their
> presentation covered – this means preparing about 5 questions for
> discussion, and asking the group to do the talking.
>
> · The final 30 minutes will be each breakout group feedback back to
> the larger group.
>
>
>
> More information about AHA-MK can be found here: https://aha-mk.org/
>
>
>
> If you are interested, please get in touch with me off list:
> [log in to unmask] <mailto:[log in to unmask]> .
>
>
>
> I look forward to hearing from you.
>
>
>
> Elizabeth Howard,Programme Manager, Arts & Heritage Alliance Milton Keynes
>
>
>
> In collaboration with MK Council AHA-MK is running 6 cultural traineeships
> for young people from diverse backgrounds. Starting September 2021. Find
> out
> more here: <https://aha-mk.org/traineeships/>
> https://aha-mk.org/traineeships/
>
>
>
> The Arts and Heritage Alliance manages MAKE, Milton Keynes Cultural
> Education Partnership. Together we nourish and support the creative and
> cultural wellbeing of our children and young people.
>
> <https://www.facebook.com/MKArtsEducation/>
> https://www.facebook.com/MKArtsEducation/
>
>
>
> <http://www.aha-mk.org/> www.aha-mk.org / <http://www.twitter.com/AHA_MK
> >
> @AHA_MK
>
>
>
> c/o Community Action, Acorn House | 351 Midsummer Boulevard | Milton Keynes
> | MK9 3HP
>
> AHA-MK is a Charitable Incorporated Organisation (CIO)
>
> Registered in England, Charity no: 1158874
>
>
>
>
>
>
>
> --
> This email has been checked for viruses by AVG.
> https://www.avg.com
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 13:39:42 +0100
> From: Gareth White <[log in to unmask]>
> Subject: SCUDD Exec election
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear colleagues
>
> There are two posts on the SCUDD Executive Committee due for election, for
> a new Chair and for an ordinary member of the committee. As discussed at
> June’s AGM, the elections are out of their usual time-frame because of
> pandemic-related disruption. Kate Newey is standing down as chair at the
> end of her three-year term, but will remain in the role until the Autumn
> General Meeting.
>
> The Chair role gives an opportunity to lead and shape the organisation and
> to play a substantial part in our discipline’s responses to current
> challenges and changes. We hope that candidates come forward who can
> represent the diversity in our community, and offer fresh perspectives on
> our work.
>
> Ordinary committee members don’t have specific named roles – but can take
> responsibility for time-limited or ongoing projects as needed, or according
> to their interests and priorities. Recent projects have related to, for
> example: open-access monographs; anti-racism; the eBacc; website
> development; and prevention of sexual harassment.
>
> The process is as follows:
>
> If you are interested in standing for any of these positions, please
> request departmental representatives from two SCUDD departments to nominate
> you by emailing me off-list on [log in to unmask] <mailto:
> [log in to unmask]> by Friday September 17th.
> If there is only one person nominated for either position, that person
> will be confirmed in the role immediately.
> If there is more than one person nominated in each category, then in the
> following week I shall email all nominees to request a statement from each
> of them that makes a case for their suitability. The deadline to submit
> these statements to me will be Wednesday September 29th. These statements
> will be posted on the SCUDD website, and to the jiscmail list.
> The SCUDD membership can then vote for their preferred candidate/s through
> the SCUDD website with voting to close on Friday October 22nd.
> The successful candidates will be announced by Wednesday October 27th.
> It is our expectation that the newly elected committee members will take
> up their roles at the GM in November.
> Those interested in and wishing to know more about the role of Chair can
> contact Kate Newey ([log in to unmask] <mailto:[log in to unmask]>),
> or to talk about the work of the committee in general, the other members
> are also able to talk:
>
> Carina Bartleet ([log in to unmask] <mailto:
> [log in to unmask]>)
>
> Tracy Cruickshank ([log in to unmask] <mailto:[log in to unmask]>)
>
> David Barnett ([log in to unmask] <mailto:[log in to unmask]>)
>
> Glenn Odom ([log in to unmask] <mailto:
> [log in to unmask]>)
>
> Phoebe Patey-Fergusson ([log in to unmask] <mailto:
> [log in to unmask]>)
>
> Louise Peacock ([log in to unmask] <mailto:[log in to unmask]
> >)
>
> Rob Dean ([log in to unmask] <mailto:[log in to unmask]>)
> Best wishes,
>
> Gareth White
>
> SCUDD Secretary
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 13:49:56 +0100
> From: Sue Dunderdale <[log in to unmask]>
> Subject: Book - Directing the Decades
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> "A deeply personal confession of a long and tempestuous career in directing
> theatre and television; a brutally honest working-class manifesto which is
> as tumultuous and bohemian as any theatrical memoir you might have ever
> read. Dunderdale's writing shifts from a diligent to a profane tone, with
> constant bursts of unstoppable surprises, script analyses, shot lists, and
> interviews with practitioners - Directing the Decades is never didactic,
> but
> full of important, necessary, and topical insights on British Directing."
> George Rodosthenous, University of Leeds, UK
>
>
>
> My book "Directing the Decades" is published by Routledge on September the
> 16th.
>
>
>
> Directing the Decades is an examination of the development of theatre in
> the
> UK since the revolution of the 1950s until the present day, viewed through
> the individual progress of a female director from a working-class
> background.
>
> In this book, theatre history and lessons on directing are interwoven: the
> history is presented decade by decade, examining particular productions.
> Each historical theatre chapter is followed by a method chapter examining
> directorial influences and techniques predominant in each decade, as well
> as
> examining the working experience of the author in that decade. The book
> also
> includes practical advice on the directing process, including exercises,
> plans for rehearsals, and camera plans. Sue Dunderdale offers a unique
> perspective on the evolution of theatre directing in the UK, and her work,
> which served as the foundation of the creation of the Theatre Lab and
> Directing program at RADA, continues to influence working directors today.
>
> Directing the Decades will be of interest to students and practitioners of
> theatre directing, acting, and theatre history, and to theatregoers with a
> consciousness of class and how it impacts on our lives.
>
> The book also offers access to online transcripts of interviews with 16
> practitioners, including Rufus Norris, Michelle Terry, Kwame Kwei-Armah,
> Indhu Rubasingham, Nadia Latif, and Nadia Fall.
>
> Biography
>
> Sue Dunderdale came from a working-class family and studied Drama and
> English at Manchester University from 1966 to 1971. She has been a director
> ever since and, in that time, has founded the touring theatre company
> Pentabus, been the Artistic Director of the Soho Theatre (1984-88) and
> Greenwich Theatre (1988-89), a director of many television dramas and
> films,
> and the Head of MA in Text and Performance, the MA in Directing, and the MA
> Theatre Lab at RADA (2004-14). Since leaving RADA she has been a freelance
> director and writer and has run workshops for directors and actors at the
> London Film School, Actors Studio, Shanghai University, and Head for
> Heights
> Theatre Company.
>
>
>
> --
> This email has been checked for viruses by AVG.
> https://www.avg.com
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 14:00:58 +0100
> From: Sue Dunderdale <[log in to unmask]>
> Subject: Book - Directing the Decades
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> “A deeply personal confession of a long and tempestuous career in
> directing theatre and television; a brutally honest working-class manifesto
> which is as tumultuous and bohemian as any theatrical memoir you might have
> ever read. Dunderdale’s writing shifts from a diligent to a profane tone,
> with constant bursts of unstoppable surprises, script analyses, shot lists,
> and interviews with practitioners – Directing the Decades is never
> didactic, but full of important, necessary, and topical insights on British
> Directing.”
> George Rodosthenous, University of Leeds, UK
>
>
>
> My book “Directing the Decades” is published by Routledge on September the
> 16th.
>
> Directing the Decades is an examination of the development of theatre in
> the UK since the revolution of the 1950s until the present day, viewed
> through the individual progress of a female director from a working-class
> background.
>
> In this book, theatre history and lessons on directing are interwoven: the
> history is presented decade by decade, examining particular productions.
> Each historical theatre chapter is followed by a method chapter examining
> directorial influences and techniques predominant in each decade, as well
> as examining the working experience of the author in that decade. The book
> also includes practical advice on the directing process, including
> exercises, plans for rehearsals, and camera plans. Sue Dunderdale offers a
> unique perspective on the evolution of theatre directing in the UK, and her
> work, which served as the foundation of the creation of the Theatre Lab and
> Directing program at RADA, continues to influence working directors today.
>
> Directing the Decades will be of interest to students and practitioners of
> theatre directing, acting, and theatre history, and to theatregoers with a
> consciousness of class and how it impacts on our lives.
>
> The book also offers access to online transcripts of interviews with 16
> practitioners, including Rufus Norris, Michelle Terry, Kwame Kwei-Armah,
> Indhu Rubasingham, Nadia Latif, and Nadia Fall.
>
> Biography
>
> Sue Dunderdale came from a working-class family and studied Drama and
> English at Manchester University from 1966 to 1971. She has been a director
> ever since and, in that time, has founded the touring theatre company
> Pentabus, been the Artistic Director of the Soho Theatre (1984-88) and
> Greenwich Theatre (1988-89), a director of many television dramas and
> films, and the Head of MA in Text and Performance, the MA in Directing, and
> the MA Theatre Lab at RADA (2004-14). Since leaving RADA she has been a
> freelance director and writer and has run workshops for directors and
> actors at the London Film School, Actors Studio, Shanghai University, and
> Head for Heights Theatre Company.
>
>
>
>
>
> From: SCUDD List at JISC <[log in to unmask]> On Behalf Of Gareth White
> Sent: 23 August 2021 13:40
> To: [log in to unmask]
> Subject: SCUDD Exec election
>
>
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> www.scudd.org.uk/list <http://www.scudd.org.uk/list>
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear colleagues
>
> There are two posts on the SCUDD Executive Committee due for election, for
> a new Chair and for an ordinary member of the committee. As discussed at
> June’s AGM, the elections are out of their usual time-frame because of
> pandemic-related disruption. Kate Newey is standing down as chair at the
> end of her three-year term, but will remain in the role until the Autumn
> General Meeting.
>
> The Chair role gives an opportunity to lead and shape the organisation and
> to play a substantial part in our discipline’s responses to current
> challenges and changes. We hope that candidates come forward who can
> represent the diversity in our community, and offer fresh perspectives on
> our work.
>
> Ordinary committee members don’t have specific named roles – but can take
> responsibility for time-limited or ongoing projects as needed, or according
> to their interests and priorities. Recent projects have related to, for
> example: open-access monographs; anti-racism; the eBacc; website
> development; and prevention of sexual harassment.
>
> The process is as follows:
>
> * If you are interested in standing for any of these positions,
> please request departmental representatives from two SCUDD departments to
> nominate you by emailing me off-list on [log in to unmask] <mailto:
> [log in to unmask]> by Friday September 17th.
> * If there is only one person nominated for either position, that
> person will be confirmed in the role immediately.
> * If there is more than one person nominated in each category, then
> in the following week I shall email all nominees to request a statement
> from each of them that makes a case for their suitability. The deadline to
> submit these statements to me will be Wednesday September 29th. These
> statements will be posted on the SCUDD website, and to the jiscmail list.
> * The SCUDD membership can then vote for their preferred candidate/s
> through the SCUDD website with voting to close on Friday October 22nd.
> * The successful candidates will be announced by Wednesday October
> 27th.
> * It is our expectation that the newly elected committee members
> will take up their roles at the GM in November.
>
> Those interested in and wishing to know more about the role of Chair can
> contact Kate Newey ( <mailto:[log in to unmask]>
> [log in to unmask]), or to talk about the work of the committee in
> general, the other members are also able to talk:
>
> Carina Bartleet ([log in to unmask] <mailto:
> [log in to unmask]> )
>
> Tracy Cruickshank ( <mailto:[log in to unmask]> [log in to unmask])
>
> David Barnett ( <mailto:[log in to unmask]> [log in to unmask]
> )
>
> Glenn Odom ([log in to unmask] <mailto:
> [log in to unmask]> )
>
> Phoebe Patey-Fergusson ([log in to unmask] <mailto:
> [log in to unmask]> )
>
>
>
> Louise Peacock ([log in to unmask] <mailto:[log in to unmask]>
> )
>
>
>
> Rob Dean ([log in to unmask] <mailto:[log in to unmask]> )
>
> Best wishes,
>
> Gareth White
>
> SCUDD Secretary
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] <mailto:
> [log in to unmask]> . (Requests sent to this email to post
> materials on the list will be ignored, for reasons of efficiency)
> ______________
>
>
>
> --
> This email has been checked for viruses by AVG.
> https://www.avg.com
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 13:52:43 +0000
> From: Tony Zhou <[log in to unmask]>
> Subject: FW: CAET summer issue 2021 online - with featuring Fritjof Capra
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear colleagues,
>
> We are glad to announce that the summer issue of CAET journal is published
> online now. You can access to the articles
> https://caet.inspirees.com/caetojsjournals/index.php/caet and feel free
> to share with your colleagues.
>
> * Foreword<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/301
> >
> Tony Yu Zhou, CMA
> ________________________________
>
> * Art and Stone: An East, West, and Global Perspective<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/300
> >
> Shaun McNiff
> ________________________________
>
> * Interpreting the Natural: Contemporary Visions of Scholars' Rocks
> Reflections on curating the exhibition: Interpreting the Natural:
> Contemporary Visions of Scholars' Rocks, October 21st-Nov 30th, Gallery
> Korea, Korean Cultural Center, New York, NY, USA<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/306
> >
> Donna Dodson
> ________________________________
>
> * Rock Balancing Land Art: A More-than-Human Approach<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/302
> >
> Jun Hu
> ________________________________
>
> * Ecological/Nature-Assisted Arts Therapies and the Paradigm Change<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/294
> >
> Alexander Kopytin
> ________________________________
>
> * Symmetry - Collision of Arts and Sciences for a New Dimension<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/296
> >
> Tony Yu Zhou, Jenny Wen-xi Zhou, Ruben Van Leer, Chen Yang, Fritjof Capra
> ________________________________
>
> * Portrait Masks, Appropriated Space, and an Overseas Art
> Experiential: Nature as Critical Catalyst in the Practice and Training of
> Art Therapy<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/305
> >
> Ronald P. M. H. Lay
> ________________________________
>
> * Enduring Liminality: Creative Arts Therapy When Nature Disrupts<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/304
> >
> Deborah Green
> ________________________________
>
> * Global Water Dances: A Model for Global Justice and Community Agency<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/article/view/303
> >
> Karen Bradley, Marylee Hardebergh, Natasha Alhadeff-Jones, Vannia Ibarguen
>
> This is the special issue Revitalizing the Practical Application of Wisdom
> Embedded in Nature: Creative Arts and Body-Mind-Spirit Integration
> following the successful publishing of Covid-19 special edition<
> https://caet.inspirees.com/caetojsjournals/index.php/caet/issue/view/15>
> in August 2020.
> The next issue with focus on Cooperation across Artistic Disciplines and
> World Cultures<
> https://inspirees.glueup.com/organization/832/campaign/72615> will be
> published in December 2021. The deadline of submission is Sept 1. Please
> submit before the deadline if you like to contribute.
>
> Please stay safe, well and connected.
>
> Best wishes
> Tony Zhou
> PhD, CMA
> Executive Editor, Founder
> Creative Arts Education and Therapy (CAET) - Eastern and Western
> Perspectives
> [CAET logo]
> http://caet.inspirees.com
> Open access journal indexed in DOAJ
> E: [log in to unmask]<mailto:[log in to unmask]>
> Submit online to CAET<
> https://nam03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fcaet.inspirees.com%2Ffor-authors%2F&data=02%7C01%7C%7C1b2cfd5bf3bd41dde83108d6712c0bb5%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636820831316115393&sdata=L6b6MX%2BP4VPz2ncoMmVWNV2MGoQCiipFtFjzV22ltr0%3D&reserved=0
> >
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 16:34:53 +0100
> From: Aisling Smith <[log in to unmask]>
> Subject: Re: Book - Directing the Decades
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> This is brilliant news, I cannot wait to read it.
>
> Sue taught me during my MA Some 10 years ago and was an absolute
> inspiration!
>
> Congratulations Sue.
>
> Best,
> Aisling
>
>
>
> On Mon 23 Aug 2021, 14:01 Sue Dunderdale, <[log in to unmask]> wrote:
>
> > A FRIENDLY REMINDER: if you click REPLY to this email, you will be
> sending
> > an email to over 3000 subscribers. Please do so only if you wish to
> respond
> > to everyone. To join, leave or suspend list postings, visit
> > www.scudd.org.uk/list
> > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> >
> > “A deeply personal confession of a long and tempestuous career in
> > directing theatre and television; a brutally honest working-class
> manifesto
> > which is as tumultuous and bohemian as any theatrical memoir you might
> have
> > ever read. Dunderdale’s writing shifts from a diligent to a profane tone,
> > with constant bursts of unstoppable surprises, script analyses, shot
> lists,
> > and interviews with practitioners – *Directing the Decades* is never
> > didactic, but full of important, necessary, and topical insights on
> British
> > Directing.”
> > *George Rodosthenous**,* *University of Leeds*, *UK*
> >
> >
> >
> > My book “Directing the Decades” is published by Routledge on September
> the
> > 16th.
> >
> > *Directing the Decades* is an examination of the development of theatre
> > in the UK since the revolution of the 1950s until the present day, viewed
> > through the individual progress of a female director from a working-class
> > background.
> >
> > In this book, theatre history and lessons on directing are interwoven:
> the
> > history is presented decade by decade, examining particular productions.
> > Each historical theatre chapter is followed by a method chapter examining
> > directorial influences and techniques predominant in each decade, as well
> > as examining the working experience of the author in that decade. The
> book
> > also includes practical advice on the directing process, including
> > exercises, plans for rehearsals, and camera plans. Sue Dunderdale offers
> a
> > unique perspective on the evolution of theatre directing in the UK, and
> her
> > work, which served as the foundation of the creation of the Theatre Lab
> and
> > Directing program at RADA, continues to influence working directors
> today.
> >
> > *Directing the Decades** will be of interest to students and
> > practitioners of theatre directing, acting, and theatre history, and to
> > theatregoers with a consciousness of class and how it impacts on our
> lives.*
> >
> > The book also offers access to online transcripts of interviews with 16
> > practitioners, including Rufus Norris, Michelle Terry, Kwame Kwei-Armah,
> > Indhu Rubasingham, Nadia Latif, and Nadia Fall.
> >
> > *Biography*
> >
> > *Sue Dunderdale* came from a working-class family and studied Drama and
> > English at Manchester University from 1966 to 1971. She has been a
> director
> > ever since and, in that time, has founded the touring theatre company
> > Pentabus, been the Artistic Director of the Soho Theatre (1984-88) and
> > Greenwich Theatre (1988-89), a director of many television dramas and
> > films, and the Head of MA in Text and Performance, the MA in Directing,
> and
> > the MA Theatre Lab at RADA (2004-14). Since leaving RADA she has been a
> > freelance director and writer and has run workshops for directors and
> > actors at the London Film School, Actors Studio, Shanghai University, and
> > Head for Heights Theatre Company.
> >
> >
> >
> >
> >
> > *From:* SCUDD List at JISC <[log in to unmask]> *On Behalf Of *Gareth
> > White
> > *Sent:* 23 August 2021 13:40
> > *To:* [log in to unmask]
> > *Subject:* SCUDD Exec election
> >
> >
> >
> > A FRIENDLY REMINDER: if you click REPLY to this email, you will be
> sending
> > an email to over 3000 subscribers. Please do so only if you wish to
> respond
> > to everyone. To join, leave or suspend list postings, visit
> > www.scudd.org.uk/list
> > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> >
> > Dear colleagues
> >
> > There are two posts on the SCUDD Executive Committee due for election,
> for
> > a new Chair and for an ordinary member of the committee. As discussed at
> > June’s AGM, the elections are out of their usual time-frame because of
> > pandemic-related disruption. Kate Newey is standing down as chair at the
> > end of her three-year term, but will remain in the role until the Autumn
> > General Meeting.
> >
> > The *Chair* role gives an opportunity to lead and shape the organisation
> > and to play a substantial part in our discipline’s responses to current
> > challenges and changes. We hope that candidates come forward who can
> > represent the diversity in our community, and offer fresh perspectives on
> > our work.
> >
> > *Ordinary* committee members don’t have specific named roles – but can
> > take responsibility for time-limited or ongoing projects as needed, or
> > according to their interests and priorities. Recent projects have related
> > to, for example: open-access monographs; anti-racism; the eBacc; website
> > development; and prevention of sexual harassment.
> >
> > The process is as follows:
> >
> > - If you are interested in standing for any of these positions,
> > please request departmental representatives from two SCUDD
> departments to
> > nominate you by emailing me off-list on [log in to unmask] by Friday
> > September 17th.
> > - If there is only one person nominated for either position, that
> > person will be confirmed in the role immediately.
> > - If there is more than one person nominated in each category, then in
> > the following week I shall email all nominees to request a statement
> from
> > each of them that makes a case for their suitability. The deadline to
> > submit these statements to me will be Wednesday September 29th. These
> > statements will be posted on the SCUDD website, and to the jiscmail
> list.
> > - The SCUDD membership can then vote for their preferred candidate/s
> > through the SCUDD website with voting to close on Friday October 22nd.
> > - The successful candidates will be announced by Wednesday October
> > 27th.
> > - It is our expectation that the newly elected committee members will
> > take up their roles at the GM in November.
> >
> > Those interested in and wishing to know more about the role of Chair can
> > contact Kate Newey ([log in to unmask]), or to talk about the work
> of
> > the committee in general, the other members are also able to talk:
> >
> > Carina Bartleet ([log in to unmask])
> >
> > Tracy Cruickshank ([log in to unmask])
> >
> > David Barnett ([log in to unmask])
> >
> > Glenn Odom ([log in to unmask])
> >
> > Phoebe Patey-Fergusson ([log in to unmask])
> >
> >
> >
> > Louise Peacock ([log in to unmask])
> >
> >
> >
> > Rob Dean ([log in to unmask])
> >
> > Best wishes,
> >
> > Gareth White
> >
> > SCUDD Secretary
> >
> >
> > ______________
> > Content posted in these emails does not represent SCUDD, but the views of
> > the individual poster. Events advertised via the list are not necessarily
> > endorsed by SCUDD. Any complaints, requests or comments about list usage
> > can be addressed to [log in to unmask] (Requests sent to this
> > email to post materials on the list will be ignored, for reasons of
> > efficiency)
> > ______________
> >
> >
> > <
> http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient>
> Virus-free.
> > www.avg.com
> > <
> http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=emailclient
> >
> > <#m_4925071255816214826_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
> >
> > ______________
> > Content posted in these emails does not represent SCUDD, but the views of
> > the individual poster. Events advertised via the list are not necessarily
> > endorsed by SCUDD. Any complaints, requests or comments about list usage
> > can be addressed to [log in to unmask] (Requests sent to this
> > email to post materials on the list will be ignored, for reasons of
> > efficiency)
> > ______________
> >
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 16:53:20 +0100
> From: Paul Sutton <[log in to unmask]>
> Subject: C&T Digital Marketing and Creative Assistant : Kickstart vacancy
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Hi there,
>
> Colleagues might like to share this job opportunity with recent
> graduates. It might be an ideal first post for someone who has yet to
> decide on their next steps:
>
>
>
> C&T has a vacancy for Digital Marketing and Creative Assistant, to help us
> with the next phase of development of our Prospero theatre and digital
> facilitation platform.
>
> This new post, 25 hours per week, will work alongside our creative team
> and our marketing consultant to help us engage with new and diverse
> partners and participants in the UK and around the world.
>
> Please note this role is supported by the Government’s Kickstart scheme
> and is only open to candidates aged 128-24 and in receipt of Universal
> Credit. Applicants must be referred via their Job Centre Work Coach.
>
> For further details follow this link. Please share:
> https://academy.prospero.digital/blog-podcast/digital-marketing-and-creative-assistant-kickstart-vacancy
> <
> https://academy.prospero.digital/blog-podcast/digital-marketing-and-creative-assistant-kickstart-vacancy
> >
>
> Thanks in advance
>
> Best wishes
>
> Paul
> ------------------------------------------
> Dr Paul Sutton
> Artistic Director, C&T
>
> He/Him
>
> https://candt.org
> https://prospero.digital
>
> [log in to unmask]
>
>
> @c_and_t
> FB: facebook.com/appliedtheatre
>
>
>
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 18:03:58 +0100
> From: Andrei Biziorek <[log in to unmask]>
> Subject: Demidov Acting Technique Online Intermediate Course
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> For those interested in the Demidov Acting Technique who have had a little
> experience of the work and would like to explore it further, there are a
> couple of places remaining for the Demidov Technique Three Week Online
> Intermediate Course - every Wednesday and Thursday starting September 15.
> For more information and to book, please follow the link.
>
> https://demidovstudiolondon.uk/classes/demidov-three-week-online-intermediate-course/
>
> Best,
> Andrei Biziorek
> Director
> Demidov Studio London
> www.demidovstudiolondon.uk
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 18:06:11 +0100
> From: Richard Ashby <[log in to unmask]>
> Subject: New Podcast! 'Twice Blest: Shakespeare and the Hebrew Bible'
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Dear Scudd,
>
>
>
> I am excited to announce on behalf of Dr Shaina Trapedo the launch of
> ‘Twice Blest’, a podcast from the Yeshiva University Straus Center for
> Torah and Western Thought, New York. Hosted by Dr Trapedo, ‘Twice Blest’
> brings listeners in-depth conversations with faith leaders, scholars, and
> writers to explore the relationship between Shakespeare and the Hebrew
> Bible.
>
>
> This fascinating series, which reveals the often-overlooked undercurrents
> of Judaic thought and wisdom in Shakespeare, will appeal to anyone
> interested in Shakespeare, Judaism, and the relationship between theatre
> and spirituality.
>
>
>
> For more information and the podcasts, please visit:
> https://www.yu.edu/straus/twice-blest
> <
> https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.yu.edu%2Fstraus%2Ftwice-blest&data=04%7C01%7CShaina.trapedo%40yu.edu%7C2df8e87f568348bc35ad08d9665286e3%7C04c70eb48f2648079934e02e89266ad0%7C1%7C0%7C637653326912866648%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&sdata=6w0Qi6v7nLHUjQDfwal5jg2d48BE622MlRpDR8qEPf8%3D&reserved=0
> >
>
> [image: image.jpeg]
>
> All best wishes,
>
> Richard.
>
> ---------------------
>
> Dr Richard Ashby
>
> British Academy Postdoctoral Fellow, King’s College London: ‘Shakespeare
> and Holocaust Writing: Testimony, Literature, Philosophy’
>
>
>
> *King Lear "After" Auschwitz: Shakespeare, Appropriation and Theatres of
> Catastrophe in Post-War British Drama*
> <https://edinburghuniversitypress.com/book-king-lear-after-auschwitz.html>
> (Edinburgh University Press, 2021)
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 22:17:58 +0000
> From: Felipe Monteiro <[log in to unmask]>
> Subject: International Center for Artistic and Academic Research on
> Antonin Artaud
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Hi,
>
>
> I am Felipe, Brazilian performer, PhD in performing arts by UFBA and
> postdoctoral by USP.
>
> In 2019, I founded the International Center for Artistic and Academic
> Research on Antonin Artaud, in which researchers from more than 30
> countries are already participating.
>
> The Center's main objective is to provide support and encourage academic
> and artistic research developed by researchers and artists from all over
> the world based on the life, art and legacy of Antonin Artaud.
>
> The objectives of the Center are: a) to encourage research on Antonin
> Artaud; b) promote scientific and artistic meetings aimed at disseminating
> and exchanging works; c) disseminate international studies on all aspects
> of the life and art of Antonin Artaud; d) identify and encourage priority
> research themes on Antonin Artaud in the country; e) provide advice; f)
> publish an annual book with texts from guests and members of the center; g)
> Collaborate, whenever possible, in the rigor of research on Antonin Artaud
> and his current academic and artistic developments.
>
> I forgot to mention that as the founder and director of the Center I try
> to install collaborative management, that is to say that the dialogue
> established is collaborative, because even when it is opposed, it is t
> always involves weaving a way of meeting, a new possibility of
> understanding, a new non-hierarchical synthesis. We do not seek the path of
> consensus, on the contrary, we fight to preserve and persevere in the
> difference, condition for the emergence of new ideas.
>
> We are in the process of organizing the fourth book of the Center.
>
> The Centre's website is under construction and we are updating the
> Instagram.
>
> I'm creating a global community of researchers who like his ideas.
>
> PS: If you have a PhD or are studying for a PhD and want to participate in
> the center, write to [log in to unmask]
>
> Best wishes,
>
>
> Felipe Monteiro
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> Date: Mon, 23 Aug 2021 22:27:45 +0000
> From: Felipe Monteiro <[log in to unmask]>
> Subject: International Center for Artistic and Academic Research on
> Antonin Artaud
>
> A FRIENDLY REMINDER: if you click REPLY to this email, you will be sending
> an email to over 3000 subscribers. Please do so only if you wish to respond
> to everyone. To join, leave or suspend list postings, visit
> scudd.org.uk/members/scudd-mailing-list/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
>
> Hi,
>
>
> I am Felipe, Brazilian performer, PhD in performing arts by UFBA and
> postdoctoral by USP.
>
> In 2019, I founded the International Center for Artistic and Academic
> Research on Antonin Artaud, in which researchers from more than 30
> countries are already participating.
>
> The Center's main objective is to provide support and encourage academic
> and artistic research developed by researchers and artists from all over
> the world based on the life, art and legacy of Antonin Artaud.
>
> The objectives of the Center are: a) to encourage research on Antonin
> Artaud; b) promote scientific and artistic meetings aimed at disseminating
> and exchanging works; c) disseminate international studies on all aspects
> of the life and art of Antonin Artaud; d) identify and encourage priority
> research themes on Antonin Artaud in the country; e) provide advice; f)
> publish an annual book with texts from guests and members of the center; g)
> Collaborate, whenever possible, in the rigor of research on Antonin Artaud
> and his current academic and artistic developments.
>
> I forgot to mention that as the founder and director of the Center I try
> to install collaborative management, that is to say that the dialogue
> established is collaborative, because even when it is opposed, it is t
> always involves weaving a way of meeting, a new possibility of
> understanding, a new non-hierarchical synthesis. We do not seek the path of
> consensus, on the contrary, we fight to preserve and persevere in the
> difference, condition for the emergence of new ideas.
>
> We are in the process of organizing the fourth book of the Center.
>
> The Centre's website is under construction and we are updating the
> Instagram.
>
> I'm creating a global community of researchers who like his ideas.
>
> PS: If you have a PhD or are studying for a PhD and want to participate in
> the center, write to [log in to unmask]
>
> Best wishes,
>
>
> Felipe Monteiro
>
> ______________
> Content posted in these emails does not represent SCUDD, but the views of
> the individual poster. Events advertised via the list are not necessarily
> endorsed by SCUDD. Any complaints, requests or comments about list usage
> can be addressed to [log in to unmask] but Mark WILL NOT handle
> requests to unsubscribe: To join, leave or suspend list postings, visit
> www.scudd.org.uk/list
> ______________
>
> ------------------------------
>
> End of SCUDD Digest - 22 Aug 2021 to 23 Aug 2021 (#2021-225)
> ************************************************************
>
--
Becky O'Brien
*Dance and Performance Artist*
Mail: [log in to unmask]
Ph: 077882322281
www.beckyobrien.co.uk
Member of Cuntemporary
Arts | Feminism | Queer
www.cuntemporary.org
______________
Content posted in these emails does not represent SCUDD, but the views of the individual poster. Events advertised via the list are not necessarily endorsed by SCUDD. Any complaints, requests or comments about list usage can be addressed to [log in to unmask] but Mark WILL NOT handle requests to unsubscribe: To join, leave or suspend list postings, visit www.scudd.org.uk/list
______________
