4th november 2019, 3-5 pm (Arts 01.06): UEA Film, Television, and Media Studies research seminar

KARINA AVEYARD: The Embodied Experience of Contemporary Cinema Screens: Phenomenology and Apparatus Theory

The proliferation of internet-based technologies has given rise to renewed scholarly interest in the phenomenological aspects of media, and in screens in particular. Screens are of course crucial to the experience of film watching and have often been central to cultural distinctions made between cinemas and other forms of viewing that present images on a smaller scale and in lower definition. While contemporary film viewing can take many forms, clear physical differences between cinema and other modes of movie consumption remain. These differences are accentuated by the proliferation of new screens that expand viewing options and experiences and bring the unique characteristics of the cinema theatre into sharper relief. Taking an approach based in phenomenology this paper will explore the nature of the different bodily experiences of contemporary film viewing and the way in which these shape its modes of engagement and meaning.

 

***all welcome***

 

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Gold (Teaching Excellence Framework 2017-2021)
World Top 200 (Times Higher Education World University Rankings 2020)
UK Top 25 (The Times/Sunday Times 2020 and Complete University Guide 2020)
World Top 50 for research citations (Times Higher Education World University Rankings 2020)

 

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