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Thanks for this, really useful, Louis, as I’ve been doing a bit of a tour of a talk in galleries and bookstores entitled: “Colours of Chernobyl: how artists and writers have responded to the disaster” on the basis that I’ve been immersed
in the subject for 4 years in the writing and recent publication of my novel, The Chernobyl Privileges (https://www.amazon.co.uk/Chernobyl-Privileges-Alex-Lockwood/dp/1785358723)
if this is a useful companion piece to your article (usual apologies for shameful promotion – although the profits from book sales at all the talks go to the Chernobyl Children’s Lifeline charity)
Best
Alex
--
Dr Alex Lockwood
Senior Lecturer, Centre for Research in Media and Cultural Studies
Winston Churchill Fellow 2014
Vegan Society Research Advisory Committee
What is the half-life of a secret? Order
The Chernobyl Privileges now
From: "Media, Communications and Cultural Studies Association (MeCCSA)" <[log in to unmask]> on behalf of "Bayman L.D." <[log in to unmask]>
Reply-To: "Bayman L.D." <[log in to unmask]>
Date: Wednesday, 31 July 2019 at 07:45
To: "[log in to unmask]" <[log in to unmask]>
Subject: [EXT] Re: HBO's Chernobyl
Oops pressed send on an uncompleted message by accident.
A piece trying to look at some of the philosophical and political questions Chernobyl raises, as traced through the series' artistic choices:
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wearethemutants.com The five-part miniseries Chernobyl has become the popular television phenomenon of the year, and one of the most critically
successful ever. Over thirty years since the explosion at the core of a nuclear reactor in 1986, the production has been praised for its fidelity both to the events around... |
From: Media, Communications and Cultural Studies Association (MeCCSA) <[log in to unmask]> on behalf of Bayman L.D. <[log in to unmask]>
Sent: 31 July 2019 07:44:00
To: [log in to unmask] <[log in to unmask]>
Subject: HBO's Chernobyl
For anyone interested in HBO's Chernobyl, I've published a piece trying to look at some of the
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