Editorial Board
Page IFC

Сергей Третьяков: эстетика политического документализма и продуктивизма. Введение
Pages 1-39
Татьяна Хофман, Денис Иоффе, Ханс Гюнтер

Sergei Tret’iakov Between Literary Positivism and the Pragmatic Turn
Pages 41-59
Pavel Arseniev

Новый ЛЕФ и киновещь
Pages 61-94
Оксана Булгакова

Sergei Tret’iakov – The Writer as Photographer
Pages 95-117
Christina Lodder

“Where I Have Been with my Camera”: Sergei Tret’iakov and Developing Operativity
Pages 119-143
Katherine M.H. Reischl

Sergei Tret’iakov’s Chzhungo: Reportage from China in the 1920s
Pages 145-157
Mark Gamsa

Theatrical Observation in Sergei M. Tret’iakov’s Chzhungo
Pages 159-181
Tatjana Hofmann

On Tracks, Facts, and the Living Man. Sergei Tret’iakov’s Implied Ethnographic Turn (or: Appropriating Vladimir Arsen’ev)
Pages 183-208
Barbara Wurm

Picturing Non-Russian Ethnicities in the Journals Sovetskoe foto and SSSR na stroike (1920s–1930s)
Pages 209-233
Anja Burghardt

Furrows of the Field – Lines of the Gaze: Central-Perspective Figurations of Subjectivity in USSR in Construction (1930–1940)
Pages 235-258
Natalia Ganahl

Factory of the Future: On M. Il’in’s “Scientific-Fictional Literature”
Pages 259-281
Matthias Schwartz

The Author as Researcher: Boris Pil’niak Samples the Arctic Sea
Pages 283-303
Susanne Strätling

Литература факта post mortem левого проекта. Сергей Третьяков, Вальтер Беньямин и Варлам Шаламов
Pages 305-321
Игорь Чубаров