Call for Proposals – DRHA conference 2019 – Watermans Arts Centre, London – 8-10 September 2019
RADICAL IMMERSIONS
Navigating between virtual/physical environments and information bubbles
Over the past years, immersive technologies have been hyped as consumer gadgets, entertainment media and the future of exhibition practices. The free distribution of VR headsets
with smartphones and the increasing interest of museums, festivals and other cultural organisers towards ‘immersive digital content’ have quickly turned VR and AR devices and applications into widely recognized cultural artefacts. The promotion of ‘full immersion’
in the physical spaces of exhibitions and museums has led to some venues relying solely on interactive projections and audience interaction. However, just like many earlier ‘new media’ before them, the hyperbolic promises attached to these technologies’ supposed
capacity to deliver immediacy and trigger a paradigm shift in media culture have thus far hardly become reality.
Meanwhile, social media platforms enable the formation of communities where members immerse themselves in alternate networks of signification in which conspiracy theories are
embedded in seemingly consistent information clouds. While these information bubbles are often – but not necessarily correctly – associated with economically and socially disenchanted communities that reject intellectualism, they can also be read as reflections
of some of the keystones of post-structuralist thought, especially in their fostering of a rhizomatic approach to ‘fact finding’ and a consistent suspicion that the everyday is in fact a ‘hyperreal’ constructed by entities of power.
The Digital Research in the Humanities and Arts (DRHA) conference 2019 will examine these two perspectives on immersion in digital culture, and aims to identify some of their
broader ideological frameworks as well as develop detailed insights into the workings of specific technologies in relation to their promises.
KEYNOTE SPEAKERS
Prof Matthew Fuller (Goldsmiths University of London)
Dr Maria Chatzichristodoulou (aka Maria X; London Southbank University)
RADICAL IMMERSIONS is convened by Dr Dani Ploeger and Dr Elena Papadaki, and hosted by The Royal Central School
of Speech and Drama in cooperation with Watermans Arts Centre.
CALL FOR PAPERS AND POSTERS
We are inviting papers and poster presentations that address questions including, but are not limited to, the following:
- How are the promises and expectations of VR, AR and other immersive consumer technologies
embedded in broader cultural ideologies of progress and innovation?
- What
are the tensions created between immersive technologies and physical environments?
- How
is the space between an all-digital artwork and an all-physical exhibition space negotiated?
- How do the material aspects of immersive technologies’ hardware affect the generation and
perception of immersive content?
- How might the design, marketing and use of digital platforms determine the ways in which online
information communities are formed?
- To what extent might online ‘filter bubbles’ and other immersive information environments
bear parallels to post-structuralist understandings of rhizomatic and fluid meaning-making in text?
CALL FOR ARTWORKS
In parallel with the conference, a group exhibition will be presented at Watermans Art Centre in September 2019. The exhibition will be curated by Klio
Krajewska (Head of New Media Arts Development, Watermans Arts Centre). We are inviting proposals for artworks and performances that engage critically with immersive technologies, news media, and digital culture.
Deadline for proposals: 30 April 2019
For more information please see the conference website:
http://www.2019.drha.uk/