“Painting, Moving Images and Philosophy”
Editors: Susana Viegas and James Williams (Deakin University, guest-editor)
ARTICLES | ARTIGOS
Painting at the Beginning of Time: Deleuze on the Image of Time in Francis Bacon and Modern Cinema, pp.10-26
David Benjamin Johnson (School of the Art Institute of Chicago)
“Each Single Gesture Becomes a Destiny”: Gesturality between Cinema and Painting in Raúl Ruiz’s L’hypothèse du tableau volé, pp.27-42
Greg Hinks (Trinity Hall, University of Cambridge)
Whither the Sign: Mohammed Khadda in Assia Djebar’s La Nouba des femmes du Mont Chenoua, pp.43-63
Natasha Marie Llorens (Columbia University)
Manet and Godard: Perception and History in Histoire(s) du cinéma, pp.64-96
Pablo Gonzalez Ramalho (Federal University of Rio de Janeiro)
A Work of Chaos: Gianluigi Toccafondo’s Animated Paintings, pp.97-110
Paulo Viveiros (Lusofona University)
Ill Seen, Ill Said: The Deleuzian Stutter Meets the Stroop Effect in Diana Thater’s Colorvision Series (2016), pp.111-128
Colin Gardner (University of California, Santa Barbara)
Blue Residue: Painterly Melancholia and Chromatic Dingnity in the Films of David Lynch, pp.129-149
Ed Cameron (University of Texas, Rio Grande Valley)
INTERVIEWS | ENTREVISTAS
Interview with Jonathan Beller
The Derivative Image: Historical Implications of the Computational Mode of Production, pp.151-164
by Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA)
BOOK REVIEWS | RECENSÕES DE LIVROS
Acinemas: Lyotard’s Philosophy of Film, pp.166-169
Brian Thomas Walker (The State University of New York at Buffalo)
Pedro Costa, pp.170-173
Susana Viegas (IFILNOVA/Deakin University)
The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, pp.174-178
Paolo Stellino (IFILNOVA)
Philippe Grandrieux: Sonic Cinema, pp.179-182
Arzu Karaduman (Georgia State University)
The Cinema of Poetry, pp.183-188
Maria Irene Aparício (NOVA-FCSH/IFILNOVA)
Animation Cinema Workshop: From Motion to Emotion, pp.189-192
Catarina Calvinho Gil (NOVA-FCSH)
Art History for Filmmakers: The Art of Visual Storytelling, pp.193-197
Maria Irene Aparício (NOVA-FCSH/IFILNOVA)
CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS
Notes on Creative Practice Research in the Age of Neoliberal Hopelessness
University of Bedfordshire, UK, 10-12 May 2018, pp.199-218
William Brown (University of Roehampton)
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Susana Viegas
IFILNOVA Instituto de Filosofia da Nova
Faculdade de Ciências Sociais e Humanas – NOVA FCSH
Av. de Berna, 26 C, 1069-061 Lisboa, Portugal
