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Dear Terry
I hope now you understand better why, a few years ago, on this list I
literally 'harassed' you to explain - enlighten - to us why Maths were
necessary to designers; and what kinds of Maths, and how these should be
taught especially in 'design science' oriented schools.
I have never got satisfying answers from you, and now I understand why!
Your turn, you are insisting with similar question to Ursula and the list.
Hopefully we both will get answers, or at least a hints, from proponents at
Ulm - or their immediate and indirect students?- of  'mathematical analysis
of operations: group theory, statistics, standardisation, scientific
theories, mechanics: kinematic, dynamic and static".
Thanks and best wishes,

François


On Fri, Feb 15, 2019 at 12:13 PM Terence Love <[log in to unmask]> wrote:

> Thank you Claudia (and Ursula) and all,
>
> To explain my interest in this aspect of Ulm needs a little background.
>
> From the 1960s to the 1980s, I was mentored in design  and design research
> by a friend John Woollatt.
> John was a very experienced industrial/engineering designer who studied
> design research at the very first MSc in Design Methods taught by John
> Chris Jones at UMIST in Manchester in the 1960s, and was one of the early
> members of the DRS. Others on this list including Nigel will know him,
> some may also have been John's mentees.
>
> Around 1970, John became an academic, teaching at Newcastle Polytechnic
> Department of Design which morphed into the famous Northumbria University
> design school that had amongst its students Sir Jonathan Ive (Apple) and
> Tim Brown (IDEO).
>
> John's academic role was to teach the engineering and science aspects of
> design: what at Ulm were listed as 'mathematical analysis of operations:
> group theory, statistics, standardisation, scientific theories, mechanics:
> kinematic, dynamic and static". This was to enable student designers to
> start to be able to design the whole of a product, rather than just its
> exterior. For example, in designing say a power tool or lawn mower,
> previously the only role of the designer was as a stylist designing the
> external appearance, with engineers designing all the functionality and
> manufacturing. This Ulm like inclusion of science, engineering and maths
> was a move to 'whole design' and away from product styling.
>
> In conversations over many years, John described the difficulties of
> teaching design students at Northumbria the necessary science, engineering
> and maths without them having sufficient backgrounds in these areas. He
> said he was having to reduce the academic standard of teaching of
> 'mathematical analysis of operations: group theory, statistics,
> standardisation, scientific theories, mechanics: kinematic, dynamic and
> static" to a level not much above primary school.
>
> John saw this as a major failing in design education because high level
> skills in 'mathematical analysis of operations: group theory, statistics,
> standardisation, scientific theories, mechanics: kinematic, dynamic and
> static' at the level where mathematical theories become embodied provides
> students with a much more accurate intuitive ability compared to
> traditional awareness and perception of objects. This is evident because it
> is possible to compare student's skills with students from engineering
> design schools that teach designers this knowledge and skills.
>
> In discussions with others over the years, it appears many  other design
> schools have faced the same problem and many have resolved it simply by
> dropping any attempt to teach students the science, mathematics and
> engineering aspects of product design as being too difficult.
>
> My interest, therefore, following Ursula's information about Ulm is
> whether it is possible to answer the question 'Did Ulm managed to address
> this problem and teach as 'mathematical analysis of operations: group
> theory, statistics, standardisation, scientific theories, mechanics:
> kinematic, dynamic and static at the level expected of science, maths and
> engineering graduates'. And, if so, how and what were the results? '
>
> If Ulm did manage this, it  has relevance for  design education in many
> design schools.
>
> Best wishes,
> Terry
>
>


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