CFP: The Essay Film Form and Animation: Intersectionality in Motion. 12-13 June 2019. Derek Jarman Lab, London.
 

The conference explores the ways in which animated form mobilises or challenges ideas of the essay film. We, therefore, encourage submissions that engage with how animation represents complex and intersecting social issues and power relations. Major axes of social division in a given society at a given time operate not “as discrete and mutually exclusive entities, but build on each other and work together” (Collings and Bilge, 2016, p. 4). It is very challenging to convincingly visualise and configure these phenomena and how they intersect. But animation seems perfectly placed to rise to this challenge, due to its hybrid, metamorphic and pervasive tendencies.

Focussing on the relationship between the essay film form and animation, the conference explores animation as a set of communicative techniques which give voice to resistance to social discrimination and inequality, effectively addressing a range of human issues in all their complexity. Looking at the intersectionality of race, class, gender and ethnicity, as part of our engagement in the understanding of diversity in contemporary societies and historically, we aim to highlight the importance of the animated essay form to communicate these messages, and to ask questions. 

Deadline: 15 March 2019. Please e-mail abstracts (250-300 words) plus author bios (100 words) to Dr Romana Turina [log in to unmask]
 

Conference organisers: Professor Paul Ward, Dr Romana Turina and Dr Bartek Dziadosz











Dr Elizabeth Watkins, University of Leeds.
Contact: [log in to unmask] 
Sackler Research Fellow, National Maritime Museum (Greenwich).

British Association of Film, Television and Screen Studies [BAFTSS]: 
BAFTSS Executive Committee Member.
BAFTSS Special Interest Groups Coordinator.
Co-convenor of the BAFTSS Colour and Film Special Interest Group.   
Editorial Board: Open Screens Journal   

Recent Publications: 
‘Threads of Colour and Meaning in the Film Works of Nicolas Roeg and Anthony Richmond’ (July 2018) 
‘Liminal Perceptions: Intermediality and the Exhibition of Non-fiction Film’, The Colour Fantastic, Chromatic Worlds of Silent Cinema (AUP, 2018), pp.51-73.
‘Mapping the Antarctic: Photography, Colour and the Scientific Expedition in Popular Exhibition’, Progress in Colour Studies (2018) pp.439-459.
‘Don’t Look Now: Transience and Text’, Screen, (winter 2015), vol.56, no.4, pp.436-449.
Books: 
Gesture and Film: Signalling New Critical Perspectives (Routledge, 2017).
Color and the Moving Image (Routledge, 2013).





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