Print

Print


So your work with O'Hara as opposed to Emma as alter-ego? Just my two cents!

Cheers,
Luke

On Thu, 28 Feb 2019 at 02:40, Luke <[log in to unmask]> wrote:

> I liked the idea of a "parody" of confessionalism...
>
> > Felix’s poem seems to fit more with the idea of an experimental
> confessionalism that is raw, confrontational and performative, but also
> aware of the shortcomings of its own premises.
>
> I don't know Felix Bernstein's work, though one could be drawn to things
> that don't make sense, like the death of a sister. I suppose, from the
> snippets you quote, that it is what you say it is, raw, performative. I
> suppose that those quotes seem to work "premised" on something more
> distancing than Charles', of e.g. Freud, So:
>
> >> I think of Emma climbing the icy rocks of our imagined world and taking
> a fatal misstep
>
> seems more lived through. This is not me trying to detract from anyone's
> work, but I feel that *one has to "confront" the reader at least as much
> as oneself*?
>
> Cheers,
> Luke
>
> On Thu, 28 Feb 2019 at 02:20, Luke <[log in to unmask]> wrote:
>
>> Dear Hazel,
>> Thank you for the reply! That was good of you, I'll read later.
>> Cheers,
>> Luke
>>
>> On Thu, 28 Feb 2019 at 01:11, Hazel Smith <
>> [log in to unmask]> wrote:
>>
>>> Hi Luke
>>>
>>>
>>>
>>> I have written an essay “Experimental Confessionalism: The Personal Turn
>>> in American Post-Conceptual Poetry” in Cordite:
>>> http://cordite.org.au/essays/experimental-confessionalism/ . It was
>>> published last year.
>>>
>>> All best
>>>
>>> Hazel
>>>
>>>
>>>
>>> Hazel Smith Adjunct Professor
>>> Writing and Society Research Centre
>>> Western Sydney University
>>> email: [log in to unmask]
>>>
>>>
>>> See also my webpage at www.australysis.com
>>>
>>> Recent publications include:
>>> Word Migrants, Giramondo Publishing, 2016,
>>> http://www.giramondopublishing.com/poetry/word-migrants/
>>> The Contemporary Literature-Music Relationship: intermedia, voice,
>>> technology.cross-cultural exchange, Routledge, 2016,
>>> https://www.routledge.com/The-Contemporary-Literature-Music-Relationship-Intermedia-Voice-Technology/Smith/p/book/9781138852051
>>>
>>> and with Will Luers and Roger Dean, novelling, 2016,
>>> http://novelling.newbinarypress.com/ shortlisted for the European Union
>>> Turn on Literature prize 2017 and winner of the 2018 Electronic Literature
>>> Organisation Robert Coover prize.
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> *From: *British & Irish poets <[log in to unmask]> on
>>> behalf of Luke <[log in to unmask]>
>>> *Reply-To: *British & Irish poets <[log in to unmask]>
>>> *Date: *Thursday, 28 February 2019 at 6:37 am
>>> *To: *"[log in to unmask]" <
>>> [log in to unmask]>
>>> *Subject: *Re: Post conceptual poetry
>>>
>>>
>>>
>>> To get laid?
>>>
>>> Good stuff,
>>>
>>> Luke
>>>
>>>
>>>
>>> On Fri, 5 Jan 2018 at 10:20, Luke <[log in to unmask]> wrote:
>>>
>>> I googled this phrase, and found a book by a (literal) son
>>> <https://www.thecapilanoreview.ca/felix-bernsteins-post-conceptual-integrity/>
>>> of Charles Bernstein. I was strangely psyched by the writing, quotes. They
>>> seemed to offer little, be acutely observant, and be annoyingly rushed, at
>>> once.
>>>
>>> Does anyone want to talk about this book (which I have no read) or the
>>> subject title, at all?
>>>
>>> Luke
>>>
>>>
>>> ------------------------------
>>>
>>> To unsubscribe from the BRITISH-IRISH-POETS list, click the following
>>> link:
>>>
>>> https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1
>>>
>>> ------------------------------
>>>
>>> To unsubscribe from the BRITISH-IRISH-POETS list, click the following
>>> link:
>>>
>>> https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1
>>>
>>

########################################################################

To unsubscribe from the BRITISH-IRISH-POETS list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=BRITISH-IRISH-POETS&A=1