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** This list is managed by Dr Evangelos Himonides (UCL), on behalf of the Society for Education and Music Psychology Research (sempre), and aims to serve as a discussion forum for researchers working at the shared boundaries of science and music. This list was previously managed by the Institute of Musical Research. **

MESSAGE FOLLOWS:

Dear all,

Fully funded PhDs in the prestigious Sussex Leverhulme Trust Doctoral 
Scholarship Programme which brings together doctoral researchers from 
different disciplines to advance our understanding of the interactions 
between sensing, perception, and awareness in humans, animals, and machines.

*Dates:*  Submission deadline 31 January 2019,  interviews on 25-27 
February 2019. Successful candidates will be notified by March 4th.

*More info*

https://www.sussex.ac.uk/sensation/applications

Please forward*,
*

best regards,

Alice

-- *
*

Projects are offered within and across the following disciplines:

Psychology
Neuroscience
Physiology
Artificial intelligence
Robotics
Philosophy
Digital humanities
Music

*Music/ Sound specific projects include:*

*Multi-modal approaches to augmented reality in computational arts**
*

Supervisors: Dr Chris Kiefer, [log in to unmask]  & Dr Cecile 
Chevalier, [log in to unmask]*

*Augmented reality (AR) technology is developing at speed, and 
computational artists are beginning to experiment with new AR tools to 
create new aesthetic experiences (Chevalier and Keifer, 2018). 
Conversely, computational arts provide a testing ground for creating 
experimental scenarios that may provide new insights into the impact of 
AR technologies on human perception and behaviour. Early conceptions of 
AR (a.g. Azuma, 1997) acknowledged the potential of rich multi-modal 
approaches (e.g. sound, smell, touch).  Current consumer AR technology 
shows a tendency towards predominantly visual augmentation and towards 
the provision of information, leaving a widely underexplored area that 
focuses on rich multisensory perceptual mediation.  We welcome proposals 
exploring augmented reality's new potential in the computational arts, 
and finding new understanding of audience perception with AR tools.

*
*

*Perception of naturalistic sounds and well-being - implications for 
composition of sound environments**
*

Supervisors: Dr Alice Eldridge, [log in to unmask] & Dr Hugo Critchley, 
[log in to unmask]*

*Natural sounds have long been associated with evocation of well-being.  
Empirically, natural sounds are reported to be more 'pleasant' than 
artificial sounds (Guastavino, 2006), and are also reported to promote 
measurable health benefits, including reduced pain and anxiety in health 
care (Chaing, 2012). Recent research helps explain these health benefits 
through observed alternations to autonomic activity when listening to 
naturalistic vs artificial sounds (Van Praag et al 2017).  The 
implications for the composition of every-day as well as therapeutic 
sound environments are significant (online, games, virtual reality, as 
well as TV, film and music) but under-explored.  At the same time, 
digital music composition methods may provide further insights into open 
questions: it is not clear, for example, whether this effect is due to 
the formal perceptual properties (harmonic, timbral) of the sounds, or 
wider associations of natural environments that are evoked.  Projects in 
this area would develop upon the work of Van Praag et al (2017) to gain 
deeper insight into the perceptual basis and compositional implications 
of this phenomenon.  Students should have a background in music as well 
as one of cognitive neuroscience or psychology; experience of 
computational methods is highly desirable.

*
*





-- 
New paper /Sounding Out Acoustic Indices/ out now in Ecological 
Indicators <https://authors.elsevier.com/a/1Xjst,XRNLZ1uR>

Dr Alice Eldridge
Lecturer in Music Technology
University of Sussex
Falmer
Brighton
BN1 9RG

[log in to unmask]
+44 (0)1273 877411
@alicealicealice <https://twitter.com/alicealicealice>
www.ecila.org <https://www.ecila.org/>

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