medieval-religion: Scholarly discussions of medieval religion and culture
Hello, David,

Here are two papers that might help you:

Dinzelbacher, Peter. 'The Way to the Other World in Medieval Literature and Art.' Folklore 97, no. 1 (1986): 70-87.
Grant, Edward. 'Celestial Orbs in the Latin Middle Ages.' Isis 78, no. 2 (1987): 153-173.

My best,

Darrelyn Gunzburg

Dr Darrelyn Gunzburg
Sophia Centre for the Study of Cosmology in Culture
Faculty of Humanities and Performing Arts
University of Wales Trinity Saint David
Lampeter, Ceredigion 
Wales, SA48 7ED

------ Original Message ------
From: "David Critchley" <[log in to unmask]>
To: "[log in to unmask]" <[log in to unmask]>
Sent: 24/09/2018 12:27:37
Subject: [M-R] Representation of the Firmament, and the Waters above the Firmament, in Mediaeval Art

[log in to unmask]" type="cite" class="cite2"> medieval-religion: Scholarly discussions of medieval religion and culture

Can anyone provide any references discussing the representation of the firmament, and the waters above the firmament, in mediaeval art? My interest derives from the re-use of related symbolism by artists working within the Scottish Arts and Crafts movement of the late 19th / early 20th centuries.

It is common for example to find on those tympana of mediaeval France which represent scenes taking in both earth and the heavenly world, e.g. the Last Judgement, a wavy line separating the two worlds. It is easy to assume that this represents clouds, but the line is continuous and sometimes surrounds the whole scene. It may therefore be not clouds but the firmament. In the mural of S Michele in Africisco, Ravenna, (now in the Bode Museum, Berlin), the “ground” of heaven is provided by wavy lines through which you can see the angels’ feet, and so represent water more probably than clouds. Does the wavy line that we meet in mediaeval art in fact represent “the waters over the firmament” rather than the firmament itself?

David J. Critchley
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