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Because the social world of power that I experience is complex, though
brutal in its simplicity; incoherent, though authoritarian; inimical to
psychological need though ready to gratify base drives.

Or words to that effect.

Dave

On 4 September 2018 at 15:19, Luke <[log in to unmask]> wrote:

> So why are you using surrealist techniques? For complexity, incoherence,
> psychological needs?
>
> Luke
>
> On Tue, 4 Sep 2018 at 14:02, David Bircumshaw <[log in to unmask]>
> wrote:
>
>> I've had extensive dealings with Yodel and its complaints service lately
>> and would suggest that it covers both post-surrealism and devices
>> meaningfully combining into incoherence very nicely indeedy-deed.
>>
>> Dave
>>
>> On 4 September 2018 at 11:56, Luke <[log in to unmask]> wrote:
>>
>>> Ok so what I'm working with is: *devices meaningfully combining into
>>> incoherence*.
>>>
>>> A very good example of that meaningfulness would be any parody of
>>> closure... but it works with e.g. Imagism, I think, too; a collage that
>>> makes no literal sense but is still meaningful
>>>
>>> Luke
>>>
>>> On Tue, 4 Sep 2018 at 11:29, Luke <[log in to unmask]> wrote:
>>>
>>>> sounds like a good thing!
>>>>
>>>> Luke
>>>>
>>>> On Tue, 4 Sep 2018 at 10:38, Tim Allen <0000002899e7d020-dmarc-
>>>> [log in to unmask]> wrote:
>>>>
>>>>> I tend to describe myself in general as a post-surrealist, or at least
>>>>> I prefer that to some other things I get called - the problem is it is a
>>>>> very wide ranging 'post'
>>>>>
>>>>> On 4 Sep 2018, at 10:09, Luke wrote:
>>>>>
>>>>> Sorry, a little drunk there...
>>>>> I'm trying to find a starting point from which to say a poem works,
>>>>> rather than does something I like or feel I should. A specific type of
>>>>> 'verisimilitude', does that make sense?
>>>>>
>>>>>
>>>>>
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