Anything as good on neo -'romantic'? To be specific, does anyone say it more or less means resistance to whatever is new?
So, can there be a neo romantic neo modernism, renewing modernism without changing it?
Sorry,
Luke

On 16 June 2018 at 18:03, Luke <[log in to unmask]> wrote:
Ha hilarious, I take everything the wrong way... "This [is] me" (Cesaire quoted by Joris), but then it is not.

Luke

On 16 June 2018 at 16:44, Jaime Robles <[log in to unmask]> wrote:
There’s an enemy?


J



On Jun 16, 2018, at 6:14 AM, Luke <[log in to unmask]> wrote:

I should say would put me in the enemy camp, if I had an ounce of weight etc.

Cheers,
Luke

On 16 June 2018 at 14:02, Luke <[log in to unmask]> wrote:
I was looking at Drew's article in Postwar British and Irish Poetry, on neo-modernism. He discusses Jencks' characterization of postmodernism, as an eclectic "transcendence", whereas the "double-coding" off neo-modernism is pluralistic, not eclectic, and cast, by Drew, in terms of renewal. Seems fairly clear that the discussion in the OP, of "masking" the original text, is a transcendence, and so an enemy of neo-modernist process etc. Moreover, I can't retreat from postmodernism via the 'renewal' of the "lyric impulse" (mostly autobiography here), because neo-modernism resists assimilation into those sorts of categories.

Interesting chapter, and I could relate to the problems a reader has in knowing how to approach a text. But, it seems like the question in the OP puts me squarely in the enemy camp?

Luke



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