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I very much appreciate Peter's posts, and if he was unaware of that then he
is more foolish than that.

Luke

On 2 July 2018 at 20:42, Luke <[log in to unmask]> wrote:

> I mean, obviously, it is changing AND amorphous. Why the rage?
>
>
>
> On 2 July 2018 at 20:40, Luke <[log in to unmask]> wrote:
>
>> Ok Tilla, I'm sorry.
>>
>> Luke
>>
>> On 2 July 2018 at 20:37, Tilla Brading <[log in to unmask]> wrote:
>>
>>> Is your poetic belief rigid or changing, amorphous?
>>>
>>>
>>> Tilla Brading
>>>
>>>
>>>
>>> On Mon, Jul 2, 2018 at 8:21 PM, Luke <[log in to unmask]> wrote:
>>>
>>>> > I'm enjoying my snippet
>>>>
>>>> Ha!
>>>>
>>>> No I think one does find belief helpful.
>>>>
>>>> Luke
>>>>
>>>>
>>>> On 2 July 2018 at 20:09, Tilla Brading <[log in to unmask]> wrote:
>>>>
>>>>> Do you need to 'believe' anyone? Poetry as a myriad of expressions
>>>>> with myriads of ways of apprehending it and I'm enjoying my snippet.
>>>>> Tilla
>>>>>
>>>>> Tilla Brading
>>>>>
>>>>>
>>>>>
>>>>> On Mon, Jul 2, 2018 at 1:03 PM, Luke <[log in to unmask]> wrote:
>>>>>
>>>>>> > this strangulated feeling people get because there are too many
>>>>>> poets and standards must be upheld etc... I mean natter way as much as you
>>>>>> like
>>>>>>
>>>>>> That's not what I meant, am not trying to educate. I dislike e.g.
>>>>>> like not knowing who to believe, as it makes for more much more work.
>>>>>>
>>>>>> Luke
>>>>>>
>>>>>>
>>>>>> On 2 July 2018 at 12:55, Peter Riley <[log in to unmask]> wrote:
>>>>>>
>>>>>>> How quaint to see this business arising yet again, this strangulated
>>>>>>> feeling people get because there are too many poets and standards must be
>>>>>>> upheld etc.  We are back in the 1930s. More pertinently I remember Eric
>>>>>>> Mottram going on about this at a Cambridge Poetry Festival late 1970s and
>>>>>>> Douglas Olive getting angry with him  — if you believe in poetry how can
>>>>>>> you want to restrict its production?
>>>>>>>
>>>>>>> So if you’re on about this at present I offer to send to anyone who
>>>>>>> asks (backchannel) for it an essay, expanded version of a talk given in
>>>>>>> Huddersfield in May, called “What happened to poetry?”  I can’t invite
>>>>>>> discussion about this - - it’s big (28pp) and important parts of its
>>>>>>> coverage are unsettled. I mean natter way as much as you like but I shall
>>>>>>> be in the cellar.
>>>>>>>
>>>>>>> PR
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> On 2 Jul 2018, at 12:13 pm, Tim Allen <0000002899e7d020-dmarc-reques
>>>>>>> [log in to unmask]> wrote:
>>>>>>>
>>>>>>> Yep! Trying to work out the difference between those who know about
>>>>>>> stuff and those who pretend to know about stuff or sound as if they know
>>>>>>> about stuff is very difficult at the best of times but when people have
>>>>>>> letters after their name it makes it even more difficult because of
>>>>>>> cultural rules and perceptions.
>>>>>>>
>>>>>>> Sorry haven't been posting much - too hot, too busy doing other
>>>>>>> stuff.
>>>>>>>
>>>>>>> Cheers
>>>>>>>
>>>>>>> Tim
>>>>>>>
>>>>>>> On 2 Jul 2018, at 02:47, Luke wrote:
>>>>>>>
>>>>>>> I don't think it should ever really matter that people are writing
>>>>>>> bad poetry. I suppose a worry is that the universities are churning out
>>>>>>> "experts" in poetry that aren't anything of the sort, and this encourages
>>>>>>> stupidity, not just in taste but in other matters
>>>>>>>
>>>>>>> Luke
>>>>>>>
>>>>>>>
>>>>>>>
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>

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