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Dear colleagues,



Please consider submitting an abstract for the following conference that
will take place at Stanford University on 9-10 November 2018. We request
your assistance in circulating the attached CfP.



Sincerely,



Laura Wittman, French and Italian

Andrea Capra, French and Italian

Daniele Biffanti, French and Italian

Helen Krueger, Art History

Maria Massucco, French and Italian





*(Dis)figuring War:*

*Literature and the Arts, 1918-2018*



*Friday-Saturday 9-10 November 2018*

*Stanford Universit**y*



*Keynote Speakers:*




*JAY WINTER Charles J. Stille Professor Emeritus of History, Yale
University*




*ALEXANDER NEMEROV Carl and Marilynn Thoma Provostial Professor in the Arts
and Humanities, Stanford University*





*CALL FOR PAPERS*



At 11am on November 11, 1918, the armistice that effectively ended the
First World War was signed. What came to be known as “The Great War” had a
profound and lasting impact on the cultural fabric of the nations involved:
as Paul Fussell wrote, “its dynamics and iconography proved crucial to the
political, rhetorical, and artistic life of the years that followed; while
relying on inherited myth, war was generating new myth.” Over the course of
the 20th century, the concept of war evolved beyond historically traceable
moments and events to include the consideration of war as site and
influence shaping every aspect of lived experience. This conference seeks
to examine ways in which literature and the arts have taken up and taken
apart war and the myths surrounding it -- grappling with it both as subject
and context while also considering the ways in which the experience of war
molded, mutilated, and morphed artistic forms. Though the word “centennial”
often rings of monolithic celebration, it is equally an opportunity to
highlight the attempts of writers and artists to contain, contend, or
survive war and to question and problematize preconceptions and existing
views of war by investigating their inherently bipolar nature.



We welcome proposals from scholars working in a variety of
disciplines including literature, film, art, history, philosophy,
anthropology, and health humanities. Topics might include, but are not
limited to:



●           Perspectives: Civilians and Soldiers; Victims and Aggressors;
Minorities, Women, and Children

●           Constructions: Memory and History; Nostalgia and Critique;
Erasures and Monuments

●           Ideologies: National, Political, Technological, Scientific,
Artistic

●           (Dis)Figuring: Trauma and Heroism; Silence and Narrative;
Violence and Aesthetics



Presentations should not exceed 20 minutes and should be given in English.
Please send abstracts of 300 words to [log in to unmask] by 15 August
2018. The title of the paper, presenter’s name, affiliation, e-mail
address, and a brief bio should appear on a cover sheet, as well as any
requests for technical equipment.
The conference will cover accommodations and travel.

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