I have created an index since there is a lot of information this spring:
INDEX:
1 - Group Shows spring 2018: ZKM, Grand Palais, Centre Pompidou, ++++
2 - Photos: from recent shows.
3 - Themes & Ideas: I have a new section on my website. So far there are these themes:
Combinatorics (1963 - 2015),
Linear Transformations, Translation (1970 - 1978)
The Lines of Geometric Objects used as an Alphabet (1970 - 1976) (not completely finished).
4 - On-Line Catalogs: I've put 11 of my early one-person catalogs online (1968 - 1986) and created a
new website section "From My Archives" (catalogs, invitations, press, posters, photos)
DIA-LOGOS, Ramon Llull and the ars combinatoria
Curators: Amador Vega, Peter Weibel, Siegfried Zielinski
ZKM | Center for Art and Media, March 17, 2018 – July 1, 2018
Opening: March 16
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Paris, France
Artistes & Robots
Curators: Laurence Bertrand Dorléac and Jérôme Neutres
Grand Palais, Apr 5 - July 9, 2018
Opening: April 4
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Paris, France
Coding the World, Mutations/Créations #2
Curator: Frédéric Migayrou
Center Pompidou, June 13 - August 27 2018
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Paris, France
Art Paris 2018 Art Fair B16
Galerie Charlot Paris
April 5 - 8 , 2018
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Tuscaloosa, Alabama
Dual Current: Inseparable Elements in Painting and Architecture
Traveling exhibition, Curated by Gabriele Evertz
Sarah Moody Gallery, The University of Alabama, April 5 - May 18, 2018
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Stockholm, Sweden
OEI #79: edit/publish/distribute!
Editors: Jonas J. Magnusson and Cecilia Grönberg
Moderna Museet, 17 Feb - April 1 2018
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Cieszyn, Poland
CONCRETE / DISCOURSE / ALGORITHM
Curator: Mark Starel
Academic Gallery, April 5 - 25, 2018
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Budapest, Hungary
OSAS - Fugue
Curator: Dora Mauer
Vasarely Museum, March 21 - Spring, 2018
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Lisbon, Portugal
Electronic Superhighway (1966 - 2016)
Curators: Omar Kholeif, Emily Butler with Seamus McCormack
MAAT, Museum of Art, Architecture and Technology
November 8 2017 – March 19 2018
Photos:
From recent shows:
Algorithmic Signs, Curators: Francesca Franco in collaboration with Stefano Coletto
Galleria di Piazza San Marco, Instituzione Fondazione Bevilacqua La Masa
Venice, Italy, Oct 20 - Dec. 3, 2017
Computer-Grafik 1984: Herbert W. Franke's Survey of Digital Art
DAM Gallery, Berlin, Germany, January 19, 2017 - March 13, 2018
Beyond the Lines: Manfred Mohr + Eric Vernes
Gallery Charlot, Paris, France, Oct. 13 - Nov 25, 2017
The Policeman's Beard is Half Constructed: Art in the Age of Artificial Intelligence
Bonner Kunstverein, Bonn, Germany, 22 Sept - 19 Nov 2017
Drawn from a Score, Curator: David Familian
Beall Center for Art + Technology, University of California Irvine
Irvine, California, Oct 7 2017 - Feb 3 2018, extended Feb 25 2018
OSAS - Found Geometry, Curator: Dora Mauer
Vasarely Muzeum, Budapest, Hungary, 22 Nov. 2017 - 11 March 2018
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Themes & Ideas:
New website section. This webpage brings together themes and ideas from my artwork
(This page is only partially finished, so far only 1970 - 1973)
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On-Line Catalogs:
New website section "From My Archives". Some early one-person Catalogs on-line 1968 to 1986 + photos, press, invitations, posters
The 11 work phase catalogs with links from this webpage:
1968 - first workphase catalog - hard edge geometry influenced by electronic and technical signs, paintings from 1967-1968
1971 - first computer graphics catalog - historic museum show in Paris - computer generated algorithmic drawings from 1969 - 1971
- some algorithmic ideas included: linear transformations to form surfaces, adding and subtracting lines, curve fitting, shifts to create
fuzziness.
1974 - second computer graphics catalog - continuation of 1971 catalog - computer generated algorithmic drawings from 1971 - 1973
- some algorithmic ideas included: lines of square used as an alphabet, series, space partitioning, path finding
1975 - first catalog with the cube - the 12 lines of the cube are used as an alphabet, computer generated algorithmic drawings/films/etchings
from 1973 - 1975
- some algorithmic ideas included: combinatorial math with lines, mathematical logic operations, complimentary objects, statistical
distributions, rotation
1977 - second catalog with the cube - cube as an alphabet, clipping with a window and cuts by cartesian planes, partition into
inside/outside lines, from 1975-1977
- some algorithmic ideas included: adding and summing of lines, overlay of paper, clipping by cartesian planes, extension of lines from
one object to another
1978 - same workphase as last part of 1977 catalog, clipping with a window and cuts by cartesian planes, drawings/paintings 1977-1978
1979 - first catalog with hypercube, graph of 4-D hypercube, diagonal paths introduced, drawings/paintings/reliefs 1977 - 1978
- some algorithmic ideas included: structures and substructures, combinatorics, magic square, division of structures
1980 - retrospective of work from 1965 - 1980, with work from Mohr's informal, geometric, and computer generated algorithmic workphases
1981 - return to the 3-D cube - 4-cut, a computer generated multi-part canvas/wood structure with out-lines (shape) and in-lines (linear
graphic sign), 1980 - 1981
- multi-layered drawings, multi-part reliefs, series of multi-part reliefs
1985 - 4-cut as generator of multi-generation organic-like growth, multi-part shaped structures with out-lines and in-lines, 1981 -1984
1986 - 4-cut with spine of the growth superimposed over out-lines (multi-part generated forms), 1985 -1986
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Web - social Media:
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Regards,
Manfred
