LukeYes, spooky little book.Cheers,
May I ask your influences? The poems are all so short on the page.On 17 February 2018 at 21:55, Luke <[log in to unmask]> wrote:LukeHa! I'll be sure to leave a sarcastic note.Best,On 17 February 2018 at 17:09, Reuben Woolley <[log in to unmask]> wrote:You can say if you didn't like mine. I shan't go away and sulk for the rest of the year.ReubenOn 17 February 2018 at 15:58, Luke <[log in to unmask]> wrote:LCheers,Apologies in advance Jamie.However much I like my version...On 13 February 2018 at 00:38, Jaime Robles <[log in to unmask]> wrote:Thanks, Luke. They are jaw-droppingly sweet people, and have published some wonderful chapbooks over the years.______________________________QS: Let’s return to poetics.JR: When did we leave?—From the conversation between Quinta Slef and Joan Retallack, The Poethical WagerOn Feb 12, 2018, at 4:07 PM, Luke <[log in to unmask]> wrote:LukeCheers,> Knowing what it’s about you now don’t have to read the book ….Ha, really? The Lune site looks lovely, I shall get a copy shortly. That's my five now, thanks!On 12 February 2018 at 20:49, Jaime Robles <[log in to unmask]> wrote:In a dizzying display of self-love and self-promotion, I will list my own chapbook, which was recently published in a book of chapbooks by the incredibly charming and poetry-bedazzled publishers at The Lune. (I might clarify that here in the USofA the homonym of Lune is loon, a bird. Not a slang shortening of lunatic. Either way I find the publisher’s name (perhaps it was intentional) sort of adorable.))The chapbook is about the house I grew up in and my childhood; not my usual subject, if I have one. But the disjunct of living in the UK and a very different culture threw me back into old dreams, the mysterious perceptions of childhood and the even more mysterious memories of adults.
Knowing what it’s about you now don’t have to read the book ….______________________________QS: Let’s return to poetics.JR: When did we leave?—From the conversation between Quinta Slef and Joan Retallack, The Poethical WagerOn Feb 12, 2018, at 11:55 AM, Luke <[log in to unmask]> wrote:LukeBest wishes,Lock's work is exciting, and mellowed.Owen's almost struck me as arrogant, in those sorts of terms. The blurb says it's very well researched, which I guess could end with too much closure voice etc..Ordered, thanks.Really angry / desiring of an order!
> Mukhopadhyay's instantly has meOn 1 February 2018 at 11:48, Luke <[log in to unmask]> wrote:Well, I hope it turns out to be good.LOL.
> Good readingHow? Ha.See you,LukeOn 1 February 2018 at 09:45, Reuben Woolley <[log in to unmask]> wrote:Of course there's also my book, 'broken stories', which is really a cross between a chapbook and a collection - 54 pages.LOL.Good reading,ReubenOn 1 Feb 2018 09:26, "Luke" <[log in to unmask]> wrote:LukeI might not get round to Owen's chapbook, but Mukhopadhyay's instantly has me.Cheers,On 13 January 2018 at 11:43, Reuben Woolley <[log in to unmask]> wrote:Antony Owen - 'The Nagasaki Elder'Fran Lock (with collages by Steev Burgess) - 'Muses and Bruises'Debasis Mukhopadhyay - 'kyrie eleison or all robins taken out of context'ReubenOn 13 January 2018 at 12:04, Luke <[log in to unmask]> wrote:LukeThanks,Hello list,These are great, and easier to read than books. If you like, list your top 5 from the year?