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I've always liked this, it's easy and very intuitive to claim that something is metronomic. I had a question, which I suppose *might *not go unanswered? Is it the case, for anyone, that a metronome fades to the extent that the poem has a Russian formalist complexity? E.g. sonnet with end rhymes will be complex enough for the poem to exist without its rhythm and so for the rhythm to remake the poem (melopoeia). Does anyone write poetry which is deliberately really metronomic? Luke