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Trading Paintings and Painters' Materials 1550-1800

 

CATS Conference Copenhagen, 21-22 June 2018

 

This call for Papers and Posters is for a two-day Technical Art History
conference to be held by CATS in Copenhagen on 21 - 22 June 2018. The venue
will be the National Museum of Denmark.

 

The focus of the conference will be on the emerging international markets
and their implications for the artistic production in Early Modern Europe
(1550-1800), in particular in relation to the trade in paintings and
artists' materials.

 

We welcome contributions from a diverse range of fields, including technical
art history, art history, conservation and science. Themes for presentations
may address:

- Preferences for painters' materials and paintings in/from specific
geographical areas (quality differences, availability, economic
considerations, demand from patrons and traditions)

- Impacts of imported paintings and painting materials on local producers,
artists, connoisseurs and art theorists (competition, usage and reception)

- Conditions in which these products (materials and paintings) were produced
and traded (workshop practice, trade routes and dealer networks)

 

Please submit a preliminary title, short abstract (max 500 words) and a
short biography (max 100 words) for oral and/or poster presentations. Please
send your contribution to [log in to unmask] for consideration by the
Scientific Committee. For any enquiries please contact the CATS research
coordinator Sanne Bouwmeester at  <mailto:[log in to unmask]>
[log in to unmask]

 

The conference will be held in English, and the deadline for abstract
submission is February 1, 2018. The oral conference presentations will be
considered for the peer-reviewed CATS Proceedings (online and hard copy) to
be published in collaboration with Archetype Publications Ltd. in spring
2019.

 

Further details of the conference programme, registration procedure and
additional practical information will be made available on the website
www.cats-cons.dk/conference-2018/

 

Organisation committee members: PhD-fellow Anne Haack Christensen, Dr.
Angela Jager, Senior Consultant Mads Chr. Christensen and Sanne Bouwmeester

 

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Villa I Tatti, the Harvard University Center for Italian Renaissance
Studies, Florence http://itatti.harvard.edu/fellowships

 

Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
in Florence, Italy is now accepting term fellowship applications for the
2018-2019 academic year. The deadline is November 15. At the time of
application, a PhD is required. Applicants must have two scholars who know
their work well submit recommendations online by November 20, 2017. These
recommendations can be written in English or Italian. Priority will be given
to early and mid-career scholars. The stipend is $4,000 per month, plus a
one-time supplement (maximum, $1,500) towards relocation expenses. Click
here to apply.

 

Wallace Fellowship (four fellowships available, for four or six months;
deadline November 15) for post-doctoral scholars who explore the
historiography and impact of the Italian Renaissance in the Modern Era
(19th-21st centuries). Projects could address a range of topics from
historiography to the reaction to, transformation of, and commentary on the
Italian Renaissance and its ties to modernity. Also welcome are projects on
museum and collecting history, and on the survival of the Renaissance in
modern art and architecture, in literature and music, and in philosophy and
political thought.

 

Berenson Fellowship (four fellowships available, for four or six months;
deadline November 15) for post-doctoral scholars who explore "Italy in the
World". Projects should address the transnational dialogues between Italy
and other cultures (e.g. Latin American, Mediterranean, African, Asian,
etc.) during the Renaissance, broadly understood historically to include the
period from the 14th to the 17th century.

 

Digital Humanities Fellowship (two fellowships available, for four or six
months; deadline November 15) for projects that cut across traditional
disciplinary boundaries and actively employ digital technology. Applicants
can be scholars in the humanities or social sciences, librarians,
archivists, and data science professionals. Projects should apply digital
technologies such as mapping, textual analysis, visualization, or the
semantic web to topics on any aspect of the Italian Renaissance.

 

Villa I Tatti - Boğaziçi University Joint Fellowship (one fellowship
available, for one year; deadline November 15) for post-doctoral research
focusing on the interaction between Italy and the Byzantine Empire (ca. 1300
to ca. 1700). Scholars will spend a semester at Villa I Tatti and a semester
at the Byzantine Studies Research Center of Boğaziçi University.

 

Craig Hugh Smyth Fellowship (two fellowships available, for four or six
months; deadline November 15) for curators and conservators. Projects can
address any aspect of the Italian Renaissance art or architecture, including
landscape architecture.

 

David and Julie Tobey Fellowship (one fellowship available, for four or six
months; deadline November 15) for research on drawings, prints, and
illustrated manuscripts from the Italian Renaissance, and especially the
role that these works played in the creative process, the history of taste
and collecting, and questions of connoisseurship. 

 

For more information on all fellowships at Villa I Tatti please visit
http://itatti.harvard.edu/fellowships

 

 

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