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German Philosophy Seminar 2017-2018 SIX SEMINARS ON MUSIC AND MARXISM Ernst Bloch Centre for German Thought, Institute of Modern Languages Research, School of Advanced Study, University of London All are welcome to attend Convenors: Jeremy Coleman (Bloch Centre, IMLR; Aberdeen) and Johan Siebers (Bloch Centre, IMLR; Middlesex) This year the German Philosophy Seminar will be co-convened by Johan Siebers, Director of the Ernst Bloch Centre for German Thought at the School of Advanced Study, London University, and by Jeremy Coleman, visiting fellow at the Centre this year. Jeremy lectures in the Music Department at the University of Aberdeen. He read Music at Clare College Cambridge and received a PhD in Musicology from King’s College London for his thesis Wagner in Paris, supervised by Michael Fend and John Deathridge (2016). His research interests centre on social and materialist approaches to 19th-century music history, and as part of his Fellowship at the Bloch Centre he is working on a re-evaluation of music history in relation to historical materialism. The German Philosophy Seminar will be followed by a symposium on this theme in 2018. Seminar series outline The German Philosophy Seminar series 2017-18 explores critical encounters between music history and historical materialism in an interdisciplinary way. As such, it asks what musicology could still learn from the central insights of Marx and Marxism and to what extent music and historical materialism can even be ‘thought together’. The focus will be on Western music history of the nineteenth and twentieth centuries with respect to its complex relations to industrial capitalism, bourgeois liberalism and modernity. Ernst Bloch said that music is the utopian art form par excellence; by considering what may be called the allegorical dream-images of Marxist criticism, the series aims to suggest and explore a latent tradition of radical music criticism as it were ‘from the ground up’ via a reading of theoretical and philosophical texts in new, sometimes provocative juxtaposition with music history sources and secondary musicological literature. This may allow us to re-evaluate the social and material significance of the music of the past and to explore new, vigorous approaches to music criticism and philosophy of music today. Each seminar will discuss at least two texts, usually one philosophy/theory and the other musicology. The themes, texts, musicological and philosophical debates will be introduced briefly, after which the focus of the seminars will be on discussion. Reading in the original German (where applicable) is encouraged; however, English translations will also be provided and knowledge of German is not required to participate fruitfully in the seminars. There will be six seminars over two semesters. Seminars will take place in Room 234 (Institute of Modern Languages Research, Senate House) on the following dates and times: First Semester Seminar 1: Friday 20 October 2017, 5pm-7pm Seminar 2: Wednesday 15 November 2017, 4pm-6pm Seminar 3: Wednesday 13 December 2017, 4pm-6pm Second Semester Seminar 4: Monday 5 February 2018, 4pm-6pm Seminar 5: Monday 5 March 2018, 4pm-6pm Seminar 6: Monday 9 April 2018, 4pm-6pm Details of reading and listening for each seminar are available at germanphilosophy.wordpress.com. For further information, visit the www.sas.ac.uk or email [log in to unmask]