Art et économie en France et en Italie au XIVe siècle: Nouvelles enquêtes
Université de Lausanne – Site de Sorge, Bâtiment Amphipole, salle 342, Lausanne, Suisse, 19 – 20 octobre 2017
PROGRAMME
Jeudi 19 octobre 2017, 14h00-18h00
14h00 Accueil des participant-e-s
Ouverture des travaux, par Nicolas Bock et Michele Tomasi
14h30 L'Italie au Trecento et au Quattrocento : da Giotto alla morte !
Damien Cerutti (Université de Lausanne)
Giotto & Cie. Réflexions sur le marché pictural florentin dans le deuxième quart du Trecento
Katalin Prajda (University of Chicago)
Finanze e attività imprenditoriale nelle industrie pittoriche, orafe e di carpenteria nella Firenze del primo Rinascimento. Come la seta divenne una specialità fiorentina
Fabio Marcelli (Università di Perugia)
Arte, civiltà comunale ed economia nell'Appennino umbro-marchigiano
Giampaolo Ermini (Scuola Normale Superiore, Pisa) Il cantiere del coro trecentesco del duomo di Orvieto : manovalanza, materiali, costi e finanziamenti
Paola Vitolo (Università di Catania)
Spese della morte : investimenti per l'aldilà (e per l'al di qua) e pratica artistica (Italia, XIII-XIV secolo)
Vendredi 20 octobre, 9h00-17h00
9h00 Les arts du luxe
Chiara Maggioni (Università Cattolica, Milano) Orfèvreries à Mantoue au XIVe siècle : frais, évaluations, valeurs de marché
Andrea Cravero (Université de Lausanne et Università di Torino) Vetri dorati e graffiti del basso medioevo : economia di una bottega assisiate e mercato fiorentino
Giampaolo Distefano (Università di Torino) Le occasioni del mercato artistico parigino del Trecento e la carriera dell'orafo Jean le Braelier
11h30 Entre l'Italie et la France
Teodoro De Giorgio (Scuola Normale Superiore, Pisa) La riorganizzazione del sistema fiscale della corte pontificia avignonese sotto Giovanni XXII (1316-1334) e il nuovo volto del mecenatismo artistico papale
Alain Salamagne (Université de Tours)
L'usage du bois précieux dans le château en France et en Bourgogne (1350-1450)
14h00 Perspectives méditerranéennes
Doron Bauer (Florida State University, Tallahassee) Economic Fluctuations and Artistic Production in The Kingdom of Majorca
Francesco Ruvolo (Milano)
Prima di Antonello. Nuovi culti, spazio sacro e potere economico, nella Messina tra Due e Trecento
15h00 En ouvrant encore les perspectives
Etienne Anheim (EHESS, Paris)
L'économie du travail artistique au XIVe siècle en France et en Italie
Wim Blockmans (Universiteit Leiden)
La spécificité du secteur de l'art dans l'économie du bas Moyen Âge
Conclusions
La participation au colloque est gratuite.
Il est conseillé d'utiliser l'arrêt du Métro m1 UNIL-Sorge.
Pour davantage d'informations concernant l'accès au site de l'UNIL, consultez le site : <https://www.unil.ch/acces/home/menuinst/unil—-dorigny.html> https://www.unil.ch/acces/home/menuinst/unil—-dorigny.html
Organisation : Nicolas Bock (UNIL) et Michele Tomasi (UNIL)
Renseignements :
Nicolas Bock ou Michele Tomasi
Université de Lausanne
Section d'histoire de l'art
bâtiment Anthropole
CH 1015 LAUSANNE
Tél. : +41.21.692.35.74 ou 30.12
Courriel : [log in to unmask] <mailto:[log in to unmask]> , [log in to unmask] <mailto:[log in to unmask]>
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Textile & Place
Manchester School of Art, 12 April 2018
The conference hosted by Manchester School of Art and the Whitworth draws upon Manchester past histories and contemporary associations with textile linked to place.
Textile as a socially dynamic, communicative and active material offers a rich seam of enquiry into how textile participates and influences how we live. This conference seeks to examine how textiles connects with the idea of place in its histories, its production, sustainable future ecologies and in its narratives of migration, sociability and politics.
Textiles as materials are deeply linked to certain places, with associated specialist skills. They signify the nature of cultural identity, particularly relevant in the current socio-economic, political and global developments with Beyond Borders, an exhibition on South Asian textiles on at the Whitworth, providing context to this discussion.
TOPICS
Suggestions for proposals of papers, panel discussions or film feature include but are not limited:
Displacement as site: Textile which encounters the issues of trade with the global narrative of movement and migration.
The domestic site: The domestic site: living with textiles and its relationship to ways of living, locating the relationship between textiles and the home, the interior or the human body and textiles, performing and projecting a gendered, sexual or spiritual identity.
The external site: where textiles creates networks and conversations with and between communities. The presence of textiles as efficient and decorative within the architectural frame. Imaginative spaces to occupy and form alternative environments, connections to site-specific textiles, communities and civic identity. Mapping or remembering spaces through textiles and pyschogeography.
The sustainable place: sustainable sites of material production, the local textile using technology and natural resource for sustainable means.
Collecting textile sites: the importance of histories, site-specific textile stories and traditions which link collector to collection.
We are particularly interested in exploring:
Designing of cloth within a space, functionality and interior aesthetic. The domestic site as gendered and gender explored in its varied forms within the private, intimate or flamboyant textile. Textile as the interior self, with issues of sexuality, relationships, making and homemaking.
The structural textile as a soft membrane and fluid tensile medium. The material of textile, which influences the aspect of the built environment as shelter. Textiles as actor and evocative presence that takes shape within the architectural stage.
Textiles that engages through its practice and familiar materiality, which acts as a means to create dialogue. The social nature of textile as a communicative tool, that operates as a physical and virtual exchange. Conversely textiles as an articulate message carrier and material of protest which asserts socio-political issues of oppression, identity, migration, belief and nationhood.
Discourse on the impact of textile production, consumption and labor, offering solutions to overproduction, waste and making sustainable economies.
CALL FOR PAPERS
Please submit an abstract (up to 350 words for a 20-minute presentation) or film synopsis (up to 350 words) together with a short bio to [log in to unmask] <mailto:[log in to unmask]> by Friday 27th of October 2017.
Successful applicants will be notified by mid-January 2018.
PUBLICATION OPPORTUNITY
The papers presented at the conference will be published in a special issue of TEXTILE: Cloth and Culture
WHO SHOULD PARTICIPATE?
We welcome papers from, textile artists, artists exploring textiles among other materials, designers, academics, early career researchers, art, fashion and textile historians, curators and archivists, ERCs, PhD candidates.
We also welcome short films and audio-visual work that explore textiles and place for the session ‘Film as textile site’.
This is an opportunity to explore the relationship between textiles and the idea of place which can be interpreted in its widest sense.
ORGANIZING COMMITTEE
Alice Kettle
Professor of Textile Arts, Manchester School of Art, Manchester Metropolitan University, UK Contemporary textile artist
Uthra Rajgopal
the Whitworth
Curator (Maternity Cover: Textiles and Wallpaper) Curatorial Assistant (South Asian Textiles)
Penny Macbeth
Dean of Manchester School of Art
Manchester Metropolitan University
Patrizia Costantin
PhD Student in Curatorial Practice - Associate Lecture Research Assistant Associate Lecturer Manchester School of Art
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